Songs like Nobody Does It Better by Marvin Hamlisch
Based on a tempo of (+/- 10%) and a similar genre
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Dan Fogelberg
Leader of the Band
135 bpm • G# Maj • 04:16 • -14.36db
62% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Supremes
Where Did Our Love Go
135 bpm • C Maj • 02:33 • -10.87db
66% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Olivia Newton-John
I Love You, I Honestly Love You
135 bpm • A# Maj • 03:40 • -15.31db
50% Popularity • 36% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 36% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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America
Sister Golden Hair
135 bpm • E Maj • 03:19 • -12.22db
72% Popularity • 44% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
72% Popularity • 44% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Fleetwood Mac
Go Your Own Way - 2004 Remaster
135 bpm • F Maj • 03:43 • -5.12db
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Joel
Honesty
135 bpm • A# Maj • 03:53 • -15.48db
63% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Boz Scaggs
Georgia (2023 Remaster)
136 bpm • C Maj • 03:56 • -11.01db
48% Popularity • 45% Danceability • 64% Energy • 28% Liveness
6% Instrumentalness • 71% Positiveness
48% Popularity • 45% Danceability • 64% Energy • 28% Liveness
6% Instrumentalness • 71% Positiveness
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Paul Young
Oh Girl
136 bpm • A Maj • 03:36 • -7db
53% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
72% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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America
I Need You
134 bpm • G Maj • 03:03 • -10db
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Irene Cara
Out Here On My Own
136 bpm • G Maj • 03:13 • -15.07db
48% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Jim Croce
I’ll Have to Say I Love You in a Song
134 bpm • A Maj • 02:34 • -14.98db
68% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
68% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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Yusuf / Cat Stevens
Father And Son
136 bpm • G Maj • 03:41 • -12.29db
77% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
77% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Phil Collins
One More Night - 2016 Remaster
136 bpm • D# Maj • 04:48 • -9.44db
70% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
70% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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10cc
I'm Not In Love
134 bpm • E Maj • 06:06 • -15.7db
71% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
71% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
72% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
72% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Peter, Paul and Mary
Leaving on a Jet Plane
133 bpm • A Maj • 03:27 • -16.52db
62% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
66% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
66% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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Carly Simon
Itsy Bitsy Spider
137 bpm • G Maj • 03:43 • -16db
27% Popularity • 64% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 64% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Cass Elliot
It's Getting Better
133 bpm • D Maj • 03:00 • -7.94db
41% Popularity • 51% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 51% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Yusuf / Cat Stevens
Morning Has Broken - Remastered 2021
133 bpm • G Maj • 03:19 • -11.83db
72% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
79% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
79% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
59% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Eagles
Lyin' Eyes - 2013 Remaster
133 bpm • G Maj • 06:21 • -9.75db
67% Popularity • 67% Danceability • 67% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
67% Popularity • 67% Danceability • 67% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
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Sérgio Mendes
Never Gonna Let You Go
133 bpm • G Maj • 04:15 • -12.4db
61% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
62% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Wham!
Freedom
133 bpm • C Maj • 05:02 • -12.88db
60% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
60% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Frankie Valli
My Eyes Adored You
138 bpm • B min • 03:32 • -10.44db
62% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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The Beatles
The Long And Winding Road - Remastered 2...
132 bpm • D# Maj • 03:38 • -10.1db
66% Popularity • 30% Danceability • 33% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
66% Popularity • 30% Danceability • 33% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Don Henley
New York Minute
132 bpm • G# min • 06:35 • -12.21db
56% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
56% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
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Neil Sedaka
The Hungry Years
138 bpm • C Maj • 04:06 • -11.06db
39% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lionel Richie
Stuck On You
132 bpm • F Maj • 03:12 • -16.06db
71% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
71% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Wham!
I'm Your Man
132 bpm • D Maj • 04:06 • -5.63db
50% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Seal
Kiss from a Rose
132 bpm • A# min • 04:48 • -7.11db
75% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
75% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Earth, Wind & Fire
After the Love Has Gone
132 bpm • F# Maj • 04:38 • -13.45db
68% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
68% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Don McLean
American Pie
138 bpm • E min • 08:36 • -11.71db
77% Popularity • 53% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 53% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Seals and Crofts
Diamond Girl
138 bpm • E min • 04:13 • -12db
55% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Lindisfarne
Run for Home
132 bpm • G Maj • 04:20 • -9.43db
42% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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John Lennon
Jealous Guy - Remastered 2010
131 bpm • E min • 04:17 • -11.65db
66% Popularity • 49% Danceability • 39% Energy • 10% Liveness
32% Instrumentalness • 25% Positiveness
66% Popularity • 49% Danceability • 39% Energy • 10% Liveness
32% Instrumentalness • 25% Positiveness
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George Harrison
What Is Life (2014 Remaster)
131 bpm • E Maj • 04:24 • -5.93db
66% Popularity • 47% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
66% Popularity • 47% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Whitney Houston
Greatest Love of All
131 bpm • A Maj • 04:51 • -16.01db
69% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
69% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Billy Joel
My Life
131 bpm • D Maj • 04:44 • -12.88db
73% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
73% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Donna Summer
MacArthur Park - Single Version
131 bpm • E min • 03:55 • -12.36db
52% Popularity • 58% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
52% Popularity • 58% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Gino Vannelli
I Just Wanna Stop
139 bpm • A Maj • 03:38 • -13.45db
62% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 58% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Eagles
Take It Easy - 2013 Remaster
139 bpm • G Maj • 03:31 • -10.39db
79% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
79% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Whitney Houston
Didn't We Almost Have It All
131 bpm • A# Maj • 05:05 • -10db
62% Popularity • 54% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 54% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Elvis Costello
She
131 bpm • C# Maj • 03:07 • -12.87db
67% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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America
Ventura Highway
131 bpm • D Maj • 03:31 • -10.21db
73% Popularity • 67% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
73% Popularity • 67% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Yusuf / Cat Stevens
Moonshadow - Remastered 2021
131 bpm • D Maj • 02:48 • -9db
67% Popularity • 64% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 64% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
83% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
83% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 03:26 • -12.32db
71% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
71% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Bob Seger
We've Got Tonight
130 bpm • B Maj • 04:41 • -6.42db
58% Popularity • 52% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 52% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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B.J. Thomas
Hooked On A Feeling
130 bpm • A Maj • 02:47 • -6.79db
54% Popularity • 33% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 33% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Peter Frampton
Show Me The Way
130 bpm • D Maj • 04:03 • -7.72db
68% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Little River Band
Cool Change - Remastered 2022
130 bpm • A Maj • 05:16 • -11db
58% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Carly Simon
It Was So Easy
140 bpm • G Maj • 03:08 • -18.44db
31% Popularity • 48% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 48% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Gary Wright
Dream Weaver
140 bpm • E Maj • 04:16 • -13.68db
59% Popularity • 27% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
59% Popularity • 27% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Crosby, Stills, Nash & Young
Our House
140 bpm • A Maj • 02:59 • -14.6db
69% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
69% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Kenny Loggins
Whenever I Call You "Friend"
130 bpm • C Maj • 03:57 • -13.1db
52% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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America
You Can Do Magic
130 bpm • E min • 03:57 • -12.52db
67% Popularity • 86% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
67% Popularity • 86% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Alison Moyet
Love Letters
130 bpm • A# Maj • 02:50 • -11.06db
44% Popularity • 53% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 53% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Captain & Tennille
Love Will Keep Us Together
130 bpm • E Maj • 03:25 • -4.33db
64% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
64% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Don McLean
Crying
141 bpm • C Maj • 03:50 • -12db
46% Popularity • 30% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 30% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Ocean
Suddenly
129 bpm • A# min • 03:54 • -9.51db
61% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Davis
I Go Crazy
141 bpm • E min • 03:53 • -8.66db
55% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Carly Simon
Nobody Does It Better - Live
141 bpm • A# Maj • 03:43 • -12.64db
38% Popularity • 37% Danceability • 53% Energy • 90% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 37% Danceability • 53% Energy • 90% Liveness
0% Instrumentalness • 42% Positiveness
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Van Morrison
Someone Like You
141 bpm • G Maj • 04:09 • -8.3db
63% Popularity • 47% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 47% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Winwood
While You See A Chance
129 bpm • D Maj • 05:12 • -8.29db
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Simon & Garfunkel
Scarborough Fair / Canticle
129 bpm • D Maj • 03:10 • -15.63db
62% Popularity • 34% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 34% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Boz Scaggs
Lido Shuffle (2023 Remaster)
141 bpm • A# Maj • 03:43 • -9.81db
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
71% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
71% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
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Harry Nilsson
Everybody's Talkin'
128 bpm • E Maj • 02:32 • -15.19db
63% Popularity • 50% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
63% Popularity • 50% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Rita Coolidge
We're All Alone
128 bpm • G Maj • 03:40 • -8.38db
62% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Lionel Richie
Say You, Say Me
128 bpm • G# Maj • 04:01 • -11.11db
73% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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k.d. lang
Constant Craving
128 bpm • F min • 04:37 • -5.56db
56% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Four Tops
I Can't Help Myself (Sugar Pie, Honey Bu...
128 bpm • C Maj • 02:40 • -9db
79% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
79% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Olivia Newton-John
Xanadu
128 bpm • F# Maj • 03:28 • -9.11db
62% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Harry Nilsson
I Guess the Lord Must Be in New York Cit...
128 bpm • D Maj • 02:41 • -15.03db
44% Popularity • 52% Danceability • 43% Energy • 34% Liveness
1% Instrumentalness • 74% Positiveness
44% Popularity • 52% Danceability • 43% Energy • 34% Liveness
1% Instrumentalness • 74% Positiveness
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Andy Gibb
(Our Love) Don't Throw It All Away
143 bpm • F Maj • 04:10 • -13.19db
58% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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The Osmonds
Love Me For A Reason
143 bpm • A Maj • 04:03 • -5.45db
44% Popularity • 62% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 62% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Bread
Guitar Man
143 bpm • E min • 03:46 • -13.27db
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Van Morrison
Have I Told You Lately
144 bpm • E Maj • 04:20 • -10.27db
64% Popularity • 33% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
64% Popularity • 33% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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The Drifters
Save the Last Dance for Me
143 bpm • E Maj • 02:34 • -10.58db
65% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 54% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Fleetwood Mac
Sara - 2015 Remaster
127 bpm • A# Maj • 06:30 • -12.77db
53% Popularity • 74% Danceability • 48% Energy • 16% Liveness
2% Instrumentalness • 52% Positiveness
53% Popularity • 74% Danceability • 48% Energy • 16% Liveness
2% Instrumentalness • 52% Positiveness
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Carole King
So Far Away
144 bpm • D Maj • 03:55 • -14.25db
60% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Seekers
I'll Never Find Another You
127 bpm • A# Maj • 02:42 • -7.67db
53% Popularity • 57% Danceability • 67% Energy • 37% Liveness
8% Instrumentalness • 79% Positiveness
53% Popularity • 57% Danceability • 67% Energy • 37% Liveness
8% Instrumentalness • 79% Positiveness
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Bread
Baby I'm-a Want You
144 bpm • G# Maj • 02:30 • -16.53db
67% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Phil Collins
A Groovy Kind of Love
144 bpm • D Maj • 03:30 • -9.63db
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Yvonne Elliman
I Don't Know How To Love Him
144 bpm • D Maj • 03:57 • -15.42db
46% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Fleetwood Mac
You Make Loving Fun - 2004 Remaster
127 bpm • G min • 03:33 • -9.13db
71% Popularity • 62% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
71% Popularity • 62% Danceability • 59% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
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Culture Club
Victims - Remastered 2002
126 bpm • G# Maj • 04:56 • -10.01db
44% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Oliver
Good Morning Starshine
126 bpm • A# Maj • 03:39 • -12db
43% Popularity • 59% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 59% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Alison Moyet
All Cried Out
145 bpm • D min • 03:41 • -7db
50% Popularity • 64% Danceability • 84% Energy • 17% Liveness
3% Instrumentalness • 85% Positiveness
50% Popularity • 64% Danceability • 84% Energy • 17% Liveness
3% Instrumentalness • 85% Positiveness
