Songs like Nobody Knows I Love You by The Whitlams
Based on a tempo of (+/- 10%) and a similar genre
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Glenn Richards
She Got Body, She Got Soul
142 bpm • C Maj • 03:02 • -4.12db
16% Popularity • 36% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 36% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Pyke
The Lighthouse Song
142 bpm • C Maj • 03:44 • -8.64db
37% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Paul Dempsey
Bird In A Basement
142 bpm • C Maj • 04:16 • -4.85db
18% Popularity • 49% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 49% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Clare Bowditch
When The Lights Went Down
142 bpm • E min • 03:21 • -5.24db
15% Popularity • 41% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 41% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Midnight Oil
US Forces - Remastered Version
143 bpm • E Maj • 04:06 • -4db
40% Popularity • 61% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 61% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
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Things Of Stone and Wood
In Our Home
142 bpm • F# Maj • 03:52 • -12.32db
10% Popularity • 48% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 48% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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You Am I
Berlin Chair
143 bpm • G Maj • 02:34 • -8db
43% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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The Whitlams
Best Work
141 bpm • G Maj • 04:33 • -5.96db
17% Popularity • 33% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 33% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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The Living End
White Noise
141 bpm • C Maj • 03:44 • -4.53db
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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The Mutton Birds
Giant Friend
143 bpm • C Maj • 03:46 • -11.83db
18% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Nick Barker & The Reptiles
Make Me Smile (Come Up and See Me)
143 bpm • D Maj • 03:50 • -11.03db
22% Popularity • 55% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 55% Danceability • 77% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
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Australian Crawl
Hoochie Gucci Fiorucci Mama - Remastered
141 bpm • A min • 02:30 • -10.34db
44% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 53% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Magic Dirt
Dirty Jeans
141 bpm • F Maj • 03:41 • -6.52db
37% Popularity • 50% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 50% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Motor Ace
Death Defy
141 bpm • F min • 04:19 • -6db
30% Popularity • 45% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 45% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Augie March
This Train Will Be Taking No Passengers
144 bpm • F# min • 04:30 • -6db
15% Popularity • 39% Danceability • 97% Energy • 22% Liveness
15% Instrumentalness • 50% Positiveness
15% Popularity • 39% Danceability • 97% Energy • 22% Liveness
15% Instrumentalness • 50% Positiveness
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Tim Minchin
Exactly How You Are - triple j Like A Ve...
140 bpm • A Maj • 03:19 • -8.51db
32% Popularity • 38% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 38% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Killing Heidi
Calm Down
144 bpm • D Maj • 03:42 • -2.13db
25% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 46% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
50% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
50% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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Magic Dirt
Plastic Loveless Letter
140 bpm • D Maj • 04:11 • -4.78db
31% Popularity • 50% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 50% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 64% Positiveness
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The Whitlams
Breathing You In
140 bpm • C Maj • 02:56 • -14.1db
18% Popularity • 42% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
18% Popularity • 42% Danceability • 26% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Augie March
Mother Greer
140 bpm • G Maj • 03:46 • -7.68db
14% Popularity • 51% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 51% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Superjesus
I'm Stained
144 bpm • D Maj • 04:47 • -5.98db
24% Popularity • 30% Danceability • 72% Energy • 18% Liveness
4% Instrumentalness • 30% Positiveness
24% Popularity • 30% Danceability • 72% Energy • 18% Liveness
4% Instrumentalness • 30% Positiveness
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You Am I
Cathy's Clown
140 bpm • F# min • 02:25 • -8.82db
33% Popularity • 42% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 42% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Motor Ace
Chairman of the Board
139 bpm • G Maj • 04:02 • -6.5db
25% Popularity • 43% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 43% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Clare Bowditch
You Look So Good
145 bpm • C# min • 04:08 • -6.54db
16% Popularity • 32% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 32% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Epicure
Life Sentence
145 bpm • A Maj • 04:49 • -9.01db
21% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Dave Dobbyn
Beside You
139 bpm • C# Maj • 03:42 • -6.96db
19% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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You Am I
...And Vandalism
145 bpm • E min • 03:40 • -7db
19% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 48% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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The Screaming Jets
October Grey
138 bpm • B Maj • 03:52 • -4.67db
35% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jebediah
She's Like a Comet
145 bpm • F# min • 03:43 • -3.83db
39% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 03:48 • -9db
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 45% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Mi-Sex
Blue Day
138 bpm • G Maj • 04:11 • -16.05db
36% Popularity • 52% Danceability • 36% Energy • 25% Liveness
12% Instrumentalness • 42% Positiveness
36% Popularity • 52% Danceability • 36% Energy • 25% Liveness
12% Instrumentalness • 42% Positiveness
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Josh Pyke
Middle Of The Hill
146 bpm • G Maj • 02:27 • -7.05db
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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You Am I
Purple Sneakers
140 bpm • E Maj • 03:30 • -7.72db
37% Popularity • 40% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 40% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Faker
Are You Magnetic?
138 bpm • D Maj • 03:50 • -3.87db
28% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
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Jebediah
Fall Down
146 bpm • B Maj • 03:19 • -4db
26% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 23% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Things Of Stone and Wood
Happy Birthday Helen
138 bpm • F Maj • 04:02 • -3.25db
14% Popularity • 41% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 41% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Weddings Parties Anything
Woman of Ireland
138 bpm • D Maj • 02:45 • -10.52db
19% Popularity • 50% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 50% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
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Deborah Conway
Its Only the Beginning
138 bpm • E Maj • 04:41 • -10db
41% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Goanna
Four Weeks Gone - Remastered Version
138 bpm • A Maj • 05:47 • -5.98db
20% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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You Am I
Rumble
147 bpm • E Maj • 02:36 • -6.96db
27% Popularity • 44% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 44% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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The Whitlams
Buy Now Pay Later (Charlie No.2)
147 bpm • A# min • 03:46 • -13.87db
35% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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The Temper Trap
Dancing in the Dark - triple j Like A Ve...
147 bpm • B Maj • 03:14 • -6db
40% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Mutton Birds
Dominion Road
137 bpm • B Maj • 03:55 • -10.5db
34% Popularity • 63% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 63% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Jebediah
Military Strongmen
137 bpm • C# Maj • 03:27 • -4.43db
31% Popularity • 37% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 37% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Weddings Parties Anything
Away, Away
148 bpm • E Maj • 03:51 • -9.01db
26% Popularity • 42% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 42% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Sunnyboys
Alone With You
148 bpm • E min • 03:58 • -16db
16% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 45% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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The Whitlams
I Will Not Go Quietly
137 bpm • C Maj • 03:53 • -5.54db
30% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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The Superjesus
Saturation
137 bpm • C min • 04:04 • -5.95db
28% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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The Mutton Birds
In My Room
137 bpm • D Maj • 04:36 • -11.6db
13% Popularity • 51% Danceability • 65% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 51% Danceability • 65% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Magic Dirt
Watch Out Boys
148 bpm • A Maj • 03:24 • -3.96db
27% Popularity • 47% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 47% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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End Of Fashion
Rough Diamonds
148 bpm • D Maj • 04:15 • -5.98db
18% Popularity • 46% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 46% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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The Exponents
Sink Like A Stone
148 bpm • C Maj • 02:21 • -6db
28% Popularity • 46% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 46% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Whitlams
Thank You (For Loving Me At My Worst)
137 bpm • A# Maj • 03:58 • -5.06db
21% Popularity • 53% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 53% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Sarah Blasko
Don't U Eva
148 bpm • A# min • 04:19 • -5.62db
28% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Church
The Unguarded Moment - 2002 Digital Rema...
136 bpm • C Maj • 04:14 • -6db
52% Popularity • 40% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 40% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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The Mutton Birds
Wellington
149 bpm • B min • 03:11 • -12db
17% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Divinyls
Pleasure And Pain
136 bpm • D min • 03:54 • -10.28db
49% Popularity • 65% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 65% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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The Whitlams
Royal In The Afternoon
148 bpm • A min • 02:58 • -4.54db
33% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Ghostwriters
Someone's Singing New York New York
149 bpm • D# Maj • 03:47 • -2.33db
16% Popularity • 49% Danceability • 92% Energy • 5% Liveness
26% Instrumentalness • 70% Positiveness
16% Popularity • 49% Danceability • 92% Energy • 5% Liveness
26% Instrumentalness • 70% Positiveness
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Taxiride
Everywhere You Go
135 bpm • D Maj • 03:32 • -5.04db
38% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Diana Anaid
Perfect Family
149 bpm • C Maj • 03:28 • -5.29db
17% Popularity • 46% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 46% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Goanna
Solid Rock - Remastered Version
149 bpm • A min • 04:35 • -7.39db
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 55% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Jebediah
Benedict
135 bpm • D Maj • 04:03 • -3.34db
24% Popularity • 58% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 58% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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The Whitlams
You Gotta Love This City
148 bpm • F# Maj • 05:11 • -8.79db
23% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Bob Evans
Pasha Bulker (Where Did I Go Wrong?)
135 bpm • B min • 03:15 • -6.37db
3% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
3% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Josh Pyke
Someone Else's Town
135 bpm • D Maj • 03:31 • -9.56db
14% Popularity • 46% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 46% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Blasko
Always Worth It
135 bpm • C# min • 03:47 • -5.98db
23% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah McLeod
Private School Kid
135 bpm • A Maj • 03:27 • -5db
14% Popularity • 56% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 56% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Busby Marou
Biding My Time
135 bpm • E Maj • 04:03 • -6.59db
44% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Whitlams
I Make Hamburgers
136 bpm • C Maj • 03:34 • -6.39db
36% Popularity • 63% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 63% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
32% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Dave Dobbyn
Don't Hold Your Breath
135 bpm • E min • 04:49 • -12.68db
12% Popularity • 58% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 58% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Weddings Parties Anything
Hungry Years
135 bpm • F Maj • 04:23 • -9.68db
20% Popularity • 57% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 57% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 70% Positiveness
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The Screaming Jets
Shivers
135 bpm • F# Maj • 04:26 • -11.96db
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Regurgitator
I Like Your Old Stuff Better Than Your N...
150 bpm • E Maj • 02:37 • -4.92db
22% Popularity • 79% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 79% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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The Whitlams
No Aphrodisiac
150 bpm • D min • 04:19 • -8.27db
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Ratcat
That Ain't Bad
134 bpm • A Maj • 04:03 • -8.32db
38% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
38% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
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Augie March
Victoria's Secrets
134 bpm • A Maj • 04:47 • -7.11db
12% Popularity • 33% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 33% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Killing Heidi
Mascara
134 bpm • D Maj • 04:50 • -4.49db
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Regurgitator
Happiness
134 bpm • A Maj • 03:55 • -5.55db
27% Popularity • 61% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
27% Popularity • 61% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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The Whitlams
Thankyou (For Loving Me At My Worst)
134 bpm • F Maj • 04:12 • -5.65db
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Weddings Parties Anything
Grey Skies over Collingwood
134 bpm • E Maj • 03:40 • -3.15db
15% Popularity • 42% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 42% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 71% Positiveness
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Rebecca's Empire
Empty
151 bpm • A Maj • 03:14 • -6db
23% Popularity • 31% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 31% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Ian Moss
Tucker's Daughter
133 bpm • A# min • 04:34 • -11.31db
53% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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The Screaming Jets
Helping Hand
133 bpm • G# min • 04:50 • -10.46db
46% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Archie Roach
Down City Streets
133 bpm • D Maj • 04:04 • -13.32db
32% Popularity • 57% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 57% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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The Whitlams
Unreliable
134 bpm • F Maj • 02:29 • -8.59db
17% Popularity • 61% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 61% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Dempsey
Fast Friends
133 bpm • A Maj • 04:16 • -6.21db
27% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Machine Gun Fellatio
The Girl Of My Dreams Is Giving Me Night...
133 bpm • B Maj • 03:31 • -6.98db
38% Popularity • 67% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 67% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Panics
This Day Last Year
152 bpm • F min • 05:17 • -8db
21% Popularity • 28% Danceability • 68% Energy • 40% Liveness
2% Instrumentalness • 39% Positiveness
21% Popularity • 28% Danceability • 68% Energy • 40% Liveness
2% Instrumentalness • 39% Positiveness
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You Am I
Good Mornin'
133 bpm • D# Maj • 04:12 • -4.27db
25% Popularity • 33% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 33% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Frente!
Accidently Kelly Street
153 bpm • A# Maj • 03:21 • -10db
41% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Whitlams
High Ground
152 bpm • D Maj • 03:46 • -5.95db
12% Popularity • 34% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 34% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
