Songs like Nobody To Love by Anthony Russo
Based on a tempo of (+/- 10%) and a similar genre
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Cody Lovaas
Make More Sense
138 bpm • A# Maj • 02:53 • -5.83db
30% Popularity • 79% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 79% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Chris James
Karaoke
138 bpm • C Maj • 03:05 • -4.83db
42% Popularity • 74% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 74% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Jake Hope
Ain't Worth It
138 bpm • G Maj • 02:54 • -6.54db
26% Popularity • 70% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 70% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Anthony Russo
Night Off
138 bpm • G# Maj • 01:21 • -13.99db
8% Popularity • 43% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 43% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sydney Lau
Stay Inside
138 bpm • B min • 02:26 • -5.49db
20% Popularity • 75% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 75% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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CaRter
fool
138 bpm • G Maj • 03:43 • -12.56db
13% Popularity • 70% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 70% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Jake Marsh
shades of blue
138 bpm • D Maj • 03:06 • -9.28db
25% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 59% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Mykyl
invisible
137 bpm • B Maj • 01:07 • -10.43db
48% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Chris James
If Tomorrow It's All Over
136 bpm • D# Maj • 03:12 • -8.23db
30% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Anthony Russo
Do Better
139 bpm • C# min • 02:46 • -10.04db
13% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jordan James
Slow Dancin' in the Streets
140 bpm • B Maj • 03:01 • -10.03db
19% Popularity • 67% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 67% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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The Millennial Club
sleepless
140 bpm • F# Maj • 03:47 • -8.14db
35% Popularity • 65% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 65% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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ASTN
all ur fault
140 bpm • F Maj • 02:22 • -10.78db
37% Popularity • 72% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 72% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Jaylon Ashaun
SFO - Acoustic
140 bpm • D Maj • 01:55 • -5.8db
33% Popularity • 67% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 67% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Club 97
Moonlight
140 bpm • C min • 02:50 • -4.91db
39% Popularity • 73% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 73% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Anthony Russo
Nobody To Love
138 bpm • G Maj • 03:33 • -7.29db
41% Popularity • 68% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 68% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 49% Positiveness
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Marc E. Bassy
Most High
140 bpm • E Maj • 02:23 • -10.4db
28% Popularity • 58% Danceability • 42% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 58% Danceability • 42% Energy • 63% Liveness
0% Instrumentalness • 52% Positiveness
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Gutter Grinders
You And Me
136 bpm • G Maj • 02:29 • -8.93db
50% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Ella Gilbert
ur no good
136 bpm • C# min • 02:42 • -10.23db
34% Popularity • 73% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 73% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Max Drazen
Swoop
140 bpm • C Maj • 02:01 • -6.02db
42% Popularity • 87% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 87% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Cain Kerner
Do You Still Think About Me?
136 bpm • C# Maj • 01:52 • -11.3db
18% Popularity • 47% Danceability • 22% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
18% Popularity • 47% Danceability • 22% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Anthony Russo
A Thousand Funerals
139 bpm • B min • 03:08 • -8.33db
27% Popularity • 63% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 63% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 75% Positiveness
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Jacob Storey
Hardest
136 bpm • F# min • 02:08 • -11db
31% Popularity • 60% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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asiris
PEACH TEA
140 bpm • C min • 02:28 • -4.8db
25% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Jake Hope
If Anybody Cares At All
136 bpm • A# Maj • 02:57 • -8.02db
28% Popularity • 68% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 68% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Jaylon Ashaun
Stargirl - Acoustic
140 bpm • D Maj • 01:25 • -4.8db
47% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Ben Kessler
Good Enough
136 bpm • C Maj • 02:50 • -11db
23% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Anthony Russo
24 Hours
140 bpm • F# Maj • 02:33 • -6.32db
49% Popularity • 82% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 82% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Alex Di Leo
Stay Over
141 bpm • E min • 02:38 • -7.35db
27% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Lost Casual
Used To It
135 bpm • C# min • 02:45 • -8.31db
17% Popularity • 80% Danceability • 68% Energy • 42% Liveness
35% Instrumentalness • 84% Positiveness
17% Popularity • 80% Danceability • 68% Energy • 42% Liveness
35% Instrumentalness • 84% Positiveness
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Kenny Potter
Fancy Clothes
141 bpm • A Maj • 02:48 • -8.34db
18% Popularity • 71% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 71% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Mason Murphy
Whiteboard
135 bpm • B min • 02:41 • -7.95db
27% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Cody Lovaas
Why Can't I
135 bpm • E min • 02:57 • -4.98db
22% Popularity • 58% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 58% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Anthony Russo
I Jusswon
135 bpm • G min • 02:54 • -5.45db
36% Popularity • 77% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 77% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Sam MacPherson
Perfect Conditions
142 bpm • G Maj • 02:51 • -8.46db
28% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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London Cheshire
25/7
134 bpm • A# Maj • 02:11 • -4.13db
28% Popularity • 54% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 54% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Liv Romano
introvert
142 bpm • A Maj • 01:51 • -8.99db
36% Popularity • 91% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 91% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Steinza
Plane Ticket
142 bpm • G Maj • 01:55 • -13.94db
32% Popularity • 84% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 84% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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RUSSELL!
HARTTBREAK
134 bpm • C Maj • 04:55 • -8.49db
37% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Anthony Russo
I Can't Walk Away
135 bpm • A# Maj • 03:27 • -8db
24% Popularity • 66% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 66% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Maheva Ony
You're Mine
134 bpm • G min • 01:04 • -13db
37% Popularity • 51% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 51% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Bazzi
Beautiful World
143 bpm • A Maj • 01:52 • -5.8db
53% Popularity • 63% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 63% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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CaRter
How You've Been
143 bpm • F Maj • 03:41 • -8.86db
33% Popularity • 79% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 79% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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TONYB.
Worst Way
143 bpm • C min • 02:53 • -7.74db
26% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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sammy rash
you+me
143 bpm • G# Maj • 01:55 • -8.15db
43% Popularity • 80% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 80% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Anthony Russo
California
142 bpm • A# Maj • 03:09 • -7.22db
42% Popularity • 74% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 74% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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remy
what did you get yourself into
133 bpm • E Maj • 03:12 • -8.47db
24% Popularity • 80% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 80% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Joshua Golden
Black Dress
133 bpm • F Maj • 02:32 • -9.21db
35% Popularity • 83% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 83% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Jack & Jack
September's Gone
133 bpm • D# Maj • 03:17 • -7.32db
36% Popularity • 66% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 66% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Kessler
Everything to Everyone
144 bpm • C min • 02:47 • -9.97db
31% Popularity • 62% Danceability • 49% Energy • 47% Liveness
8% Instrumentalness • 28% Positiveness
31% Popularity • 62% Danceability • 49% Energy • 47% Liveness
8% Instrumentalness • 28% Positiveness
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sammy rash
airport crush
133 bpm • A Maj • 02:12 • -7.85db
43% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 78% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Fenn
Dashboard
144 bpm • G Maj • 02:26 • -9db
23% Popularity • 77% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 77% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Cody Lovaas
Me, Myself
132 bpm • F# Maj • 03:23 • -6db
33% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Trip
5AM IN LONDON.
144 bpm • G Maj • 03:36 • -7.05db
31% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Conor Matthews
Wait For Me
132 bpm • A# Maj • 03:05 • -7.15db
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Desmond Futrell
Try Me
132 bpm • A min • 02:30 • -12.95db
16% Popularity • 49% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 49% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Anthony Russo
Going Under - Sped Up
145 bpm • F# Maj • 02:22 • -8.87db
21% Popularity • 78% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
21% Popularity • 78% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
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pj frantz
downbad (2am)
145 bpm • F# Maj • 02:36 • -10.37db
28% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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YAØ
Hostage
145 bpm • A# min • 03:09 • -13.17db
44% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Mountenz
Loyal to You
145 bpm • E Maj • 02:41 • -6.77db
34% Popularity • 69% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 69% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Conor Matthews
Snowing in Miami
145 bpm • C# Maj • 02:49 • -4.77db
38% Popularity • 49% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 49% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Justin Morelli
Wait for It
131 bpm • C Maj • 04:24 • -5.24db
16% Popularity • 63% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 63% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Camila Guiaz
Seagulls
131 bpm • E min • 03:43 • -9.37db
9% Popularity • 60% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 60% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Luke Christopher
Juliet
146 bpm • C# Maj • 02:54 • -10.11db
25% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 60% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Anthony Russo
Kings & Queens
146 bpm • C# min • 02:50 • -8.21db
18% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 67% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Snow Saga
BAD HAIR DAY
146 bpm • D Maj • 02:27 • -9.35db
9% Popularity • 57% Danceability • 51% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 57% Danceability • 51% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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GR4NT
HEADSPiN
146 bpm • D# min • 02:54 • -6.15db
25% Popularity • 76% Danceability • 69% Energy • 14% Liveness
36% Instrumentalness • 93% Positiveness
25% Popularity • 76% Danceability • 69% Energy • 14% Liveness
36% Instrumentalness • 93% Positiveness
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Brooke Daye
Life Of The Party
146 bpm • F# min • 02:46 • -5.03db
28% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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SANNI
Lately
146 bpm • C# Maj • 02:39 • -3.79db
30% Popularity • 75% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 75% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Alt Bloom
Still In Love
146 bpm • C# Maj • 02:05 • -5.38db
38% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 74% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Sam Brodie
Yesterday's Nostalgia
130 bpm • C Maj • 01:47 • -7.8db
45% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
45% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Conor Matthews
Anyone's But Mine
130 bpm • B Maj • 03:15 • -4.7db
31% Popularity • 55% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 55% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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R3SH
Limbo Freestyle
130 bpm • G# Maj • 01:28 • -19.76db
36% Popularity • 60% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 60% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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John Concepcion
Make Sure That I Don't
130 bpm • D Maj • 02:23 • -10db
27% Popularity • 78% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 78% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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QUIETLOVE
(I Hate) The Way You Make Me Feel
130 bpm • D# Maj • 02:24 • -5.79db
34% Popularity • 76% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 76% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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ASTN
Said It All
130 bpm • A Maj • 02:36 • -7.88db
32% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Finding Hope
TAKEN
130 bpm • G# Maj • 03:27 • -14.42db
31% Popularity • 76% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
31% Popularity • 76% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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ehren
keep the memories
130 bpm • D Maj • 03:15 • -7.58db
35% Popularity • 74% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 74% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Shoffy
Blessing
130 bpm • A min • 02:29 • -7.08db
14% Popularity • 85% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 85% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Stevie Matthew
a song to make out to
130 bpm • G min • 02:24 • -6.42db
50% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Hope
Oasis
129 bpm • G Maj • 02:41 • -5.58db
26% Popularity • 76% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 76% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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ASTN
Function
130 bpm • C# Maj • 03:26 • -15.66db
23% Popularity • 73% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 73% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Anthony Russo
Going Under
129 bpm • E Maj • 02:39 • -9.55db
23% Popularity • 82% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
23% Popularity • 82% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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SAINT KID
Pieces of You
148 bpm • D min • 02:25 • -10.79db
21% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Peter Fenn
Against Your Tide
148 bpm • F Maj • 02:22 • -8.93db
31% Popularity • 67% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
31% Popularity • 67% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Chris James
Thrill of the Chase
148 bpm • B Maj • 02:18 • -4.6db
34% Popularity • 71% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 71% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Rauly
This Is Love
148 bpm • E Maj • 02:37 • -5db
29% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Jaylon Ashaun
TNT - Acoustic
128 bpm • G# Maj • 01:26 • -6.07db
41% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 48% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Anthony Russo
2:AM
148 bpm • G# Maj • 03:27 • -5.82db
29% Popularity • 43% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 43% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Jack Omstead
deleteyou
128 bpm • B Maj • 01:59 • -7.77db
31% Popularity • 93% Danceability • 73% Energy • 11% Liveness
8% Instrumentalness • 96% Positiveness
31% Popularity • 93% Danceability • 73% Energy • 11% Liveness
8% Instrumentalness • 96% Positiveness
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Ben Provencial
NOT ALRIGHT (Sped Up)
128 bpm • F# min • 02:00 • -8db
29% Popularity • 85% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 85% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Derick.T
All With Me
128 bpm • A Maj • 02:50 • -11.79db
34% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 72% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Conor Matthews
Romantic
128 bpm • F min • 03:05 • -6.38db
43% Popularity • 74% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 74% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Conor Burns
The Weight Of Love
128 bpm • G# Maj • 02:24 • -5.38db
37% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Cameron James
Just Say
149 bpm • G Maj • 02:46 • -8.43db
16% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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CaRter
everything's changed
149 bpm • A Maj • 03:00 • -7.92db
28% Popularity • 79% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 79% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Cody Benjamin
adore u
128 bpm • D# min • 02:11 • -8.56db
11% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Phehello
We Both Know
150 bpm • C min • 02:44 • -10.46db
22% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
