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Nocturnes: II. Soneto De La Noche
Songs like
Nocturnes: II. Soneto De La Noche
by
The Singers - Minnesota Choral Artists
Based on a tempo of (+/- 10%) and a similar genre
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Veljo Tormis
Looduspildid No. 3 "Sügismaastikud": Lo...
135 bpm • E min • 01:36 • -30.68db
12% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Zero8
Ubi Caritas
135 bpm • B min • 03:09 • -20.66db
16% Popularity • 17% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Josef Rheinberger
J. G. Rheinberger: Abendlied
135 bpm • F Maj • 03:23 • -30db
18% Popularity • 16% Danceability • 3% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
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Bob Chilcott
The lily and the rose
135 bpm • A min • 03:26 • -23.65db
18% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
11% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
31% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Canticle of Praise
136 bpm • F Maj • 05:03 • -20.12db
0% Popularity • 17% Danceability • 11% Energy • 7% Liveness
17% Instrumentalness • 4% Positiveness
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Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
20% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Josquin des Prez
Tu solus qui facis mirabilia
137 bpm • G min • 03:03 • -32.61db
10% Popularity • 18% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Three Whitman Settings: 3. The Last Invo...
136 bpm • G min • 03:04 • -26.5db
9% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Randall Thompson
Alleluia
137 bpm • D Maj • 06:20 • -29.8db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
The Tyger
134 bpm • A min • 03:21 • -21.54db
2% Popularity • 24% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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David Dickau
If Music Be the Food of Love
137 bpm • G# Maj • 04:58 • -26.2db
8% Popularity • 21% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Phoenix Chamber Choir
Why the Caged Bird Sings
137 bpm • B Maj • 08:51 • -28.9db
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
God's World
133 bpm • D min • 04:11 • -16.17db
1% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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The National Lutheran Choir
I'm Gonna Sing 'til the Spirit Moves in ...
138 bpm • F min • 02:29 • -22.21db
10% Popularity • 41% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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The Singers - Minnesota Choral Artists
El Rorro
132 bpm • G Maj • 03:12 • -33.42db
0% Popularity • 20% Danceability • 2% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
► Preview
Gjermund Larsen
Solistvals (Soloist's Waltz)
138 bpm • G Maj • 03:59 • -22db
9% Popularity • 18% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
17% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
I Will Lift Up Mine Eyes
138 bpm • E Maj • 03:36 • -29.45db
4% Popularity • 16% Danceability • 3% Energy • 15% Liveness
46% Instrumentalness • 3% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Algirdas Martiniatis
Alleluia
139 bpm • C Maj • 04:19 • -27db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Nordic Chamber Choir
Contre Qui, Rose
139 bpm • A# min • 04:10 • -20.81db
13% Popularity • 16% Danceability • 10% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
O Come, Let Us Sing Unto The Lord
139 bpm • D# Maj • 03:05 • -19.86db
4% Popularity • 31% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ola Gjeilo: Tota pulchra es
131 bpm • E Maj • 06:27 • -26.08db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Dominick Argento
Seasons: No. 2, Winter
140 bpm • A min • 03:17 • -23.61db
0% Popularity • 22% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
16% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
14% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
All Things Are Passing
131 bpm • C min • 06:18 • -16.29db
1% Popularity • 21% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
23% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Kim André Arnesen
O Sacrum Convivium
140 bpm • C Maj • 05:55 • -28db
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
12% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Hubert Parry
I was glad when they said unto me, Op. 5...
130 bpm • A# Maj • 04:58 • -20db
9% Popularity • 17% Danceability • 15% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
18% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Zero8
O Magnum Mysterium
130 bpm • E Maj • 05:53 • -23.5db
12% Popularity • 16% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Alleluia
130 bpm • A min • 05:12 • -18.66db
2% Popularity • 18% Danceability • 7% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
► Preview
Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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The National Lutheran Choir
We Shall Walk Through the Valley in Peac...
129 bpm • D# Maj • 03:44 • -31.27db
14% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 6% Positiveness
► Preview
Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Jonathan Dove
Into Thy Hands
129 bpm • E Maj • 05:44 • -23.15db
11% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
14% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mass brevis in C major, K.220 "Sparrow M...
129 bpm • G Maj • 02:51 • -20.71db
19% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Hildegard von Bingen
O Frondens Virga
129 bpm • G Maj • 02:52 • -23.42db
16% Popularity • 22% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Wilhelm Peterson-Berger
Stemning
129 bpm • C min • 02:42 • -26db
13% Popularity • 18% Danceability • 5% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Atlanta Master Chorale
Hark, I Hear the Harps Eternal
128 bpm • C Maj • 02:13 • -21db
21% Popularity • 27% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Samuel Barber
Agnus Dei
128 bpm • A# min • 08:38 • -25.02db
12% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
William Walton
A Litany: Drop, Drop Slow Tears
128 bpm • C Maj • 03:12 • -29.79db
9% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Bogoroditse Dyevo
128 bpm • A Maj • 01:04 • -20.81db
1% Popularity • 29% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Majorstua Kammerkor & Tore Erik Mohn
Sunrise
128 bpm • D Maj • 10:23 • -22db
13% Popularity • 17% Danceability • 12% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Kerensa Briggs
Media Vita
143 bpm • B min • 03:00 • -25.74db
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Sydney Guillaume
Tchaka (Live)
127 bpm • A min • 04:52 • -16db
4% Popularity • 31% Danceability • 39% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
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Nocturnes: II. Soneto De La Noche