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Northbound
Songs like
Northbound
by
Will Vinson
Based on a tempo of (+/- 10%) and a similar genre
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Johnathan Blake
On The Break
84 bpm • D# min • 01:03 • -20.95db
36% Popularity • 59% Danceability • 20% Energy • 5% Liveness
89% Instrumentalness • 57% Positiveness
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Wolfgang Haffner
Forever and Ever
84 bpm • G# Maj • 04:32 • -23.89db
39% Popularity • 34% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Henrik Gunde
My Funny Valentine
84 bpm • G# Maj • 07:42 • -18.91db
29% Popularity • 36% Danceability • 29% Energy • 6% Liveness
86% Instrumentalness • 54% Positiveness
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Mark Guiliana Jazz Quartet
2014
84 bpm • D Maj • 03:12 • -18.86db
36% Popularity • 55% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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Romain Pilon
Textures
84 bpm • F min • 05:39 • -21.81db
12% Popularity • 57% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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Orlando Le Fleming
French Song
84 bpm • A Maj • 05:00 • -17db
3% Popularity • 46% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Barry Harris Trio
Sro
84 bpm • G min • 03:52 • -14.88db
33% Popularity • 62% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Helge Lien Trio
Liten Jazzballong Revisited
84 bpm • C# Maj • 06:11 • -18.42db
28% Popularity • 28% Danceability • 15% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Johan Lindvall Trio
Rapt
83 bpm • F min • 03:42 • -19.01db
2% Popularity • 69% Danceability • 18% Energy • 7% Liveness
81% Instrumentalness • 46% Positiveness
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Ron Miles
Queen Of The South
83 bpm • F# Maj • 04:20 • -11.58db
29% Popularity • 63% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Will Vinson
For All We Know
83 bpm • F min • 06:37 • -16.6db
3% Popularity • 49% Danceability • 8% Energy • 32% Liveness
65% Instrumentalness • 26% Positiveness
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Little North
Denmark
85 bpm • B min • 03:47 • -22.03db
10% Popularity • 42% Danceability • 20% Energy • 70% Liveness
78% Instrumentalness • 26% Positiveness
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Yuval Lev Ari
Daedalus
83 bpm • F# Maj • 04:59 • -16.89db
2% Popularity • 41% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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Baptiste Herbin
Gemeos
85 bpm • G# min • 06:24 • -6.27db
17% Popularity • 52% Danceability • 68% Energy • 11% Liveness
65% Instrumentalness • 43% Positiveness
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Cory Weeds
Beep Durple
85 bpm • D min • 06:20 • -10.35db
19% Popularity • 60% Danceability • 47% Energy • 10% Liveness
84% Instrumentalness • 88% Positiveness
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Søren Bebe Trio
Echoes II
83 bpm • A# min • 04:08 • -19db
29% Popularity • 35% Danceability • 30% Energy • 11% Liveness
70% Instrumentalness • 21% Positiveness
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Romain Pilon
Lament
83 bpm • D Maj • 06:28 • -25.19db
25% Popularity • 51% Danceability • 4% Energy • 12% Liveness
67% Instrumentalness • 7% Positiveness
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Shalosh
Quiet Corner
85 bpm • F Maj • 02:40 • -28.87db
39% Popularity • 48% Danceability • 2% Energy • 23% Liveness
88% Instrumentalness • 11% Positiveness
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Peter Calandra
At The 5 Spot
82 bpm • D Maj • 05:23 • -19.51db
12% Popularity • 43% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Nicholas Payton
Relaxin' with Nick
85 bpm • C min • 07:39 • -9.43db
34% Popularity • 59% Danceability • 50% Energy • 72% Liveness
28% Instrumentalness • 52% Positiveness
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Johnathan Blake
In The Beginning Was The Drum
86 bpm • F# Maj • 00:59 • -23.23db
32% Popularity • 39% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
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Will Vinson
Things
82 bpm • C# Maj • 08:35 • -12db
5% Popularity • 50% Danceability • 31% Energy • 6% Liveness
80% Instrumentalness • 33% Positiveness
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Jan Harbeck Quartet
Balanced
86 bpm • F# Maj • 08:32 • -17.33db
36% Popularity • 64% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
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Bill Frisell
Lookout for Hope
82 bpm • E min • 05:09 • -15.08db
35% Popularity • 31% Danceability • 30% Energy • 36% Liveness
73% Instrumentalness • 18% Positiveness
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Benjamin Lackner
Last Decade
82 bpm • F# Maj • 05:49 • -23.04db
35% Popularity • 33% Danceability • 9% Energy • 38% Liveness
90% Instrumentalness • 12% Positiveness
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Andreas Toftemark
2223
82 bpm • A# min • 07:14 • -9.57db
7% Popularity • 36% Danceability • 52% Energy • 9% Liveness
75% Instrumentalness • 36% Positiveness
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Bill Mays Trio
Still Life
86 bpm • A# Maj • 04:47 • -17.65db
38% Popularity • 42% Danceability • 25% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Will Vinson
Care Free
86 bpm • A min • 03:49 • -10.42db
0% Popularity • 65% Danceability • 15% Energy • 12% Liveness
66% Instrumentalness • 93% Positiveness
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Eric Legnini
Introspection #3
86 bpm • C min • 01:14 • -12.61db
42% Popularity • 49% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
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Brian Blade & The Fellowship Band
God Be With You
81 bpm • C Maj • 02:33 • -19.02db
35% Popularity • 12% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Alistair Martin
Twisted Fiction
81 bpm • B Maj • 04:30 • -12.03db
1% Popularity • 46% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 23% Positiveness
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Victor Gould
In Our Time
87 bpm • C min • 04:25 • -11.83db
11% Popularity • 49% Danceability • 51% Energy • 16% Liveness
81% Instrumentalness • 74% Positiveness
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Mário Laginha
Speak
87 bpm • C# Maj • 06:08 • -22.8db
10% Popularity • 33% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Emil Brandqvist Trio
In This Moment
81 bpm • G# Maj • 03:43 • -20.39db
22% Popularity • 31% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Benjamin Lackner
Where Do We Go From Here
81 bpm • F min • 03:49 • -22.79db
40% Popularity • 27% Danceability • 4% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
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Seamus Blake
I'm Okay
81 bpm • G Maj • 07:40 • -13.39db
18% Popularity • 40% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Gathering in Jazz
The Shape of Blue
81 bpm • A# min • 03:17 • -10.35db
44% Popularity • 61% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 71% Positiveness
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Marcin Wasilewski
K.T.C.
81 bpm • C# Maj • 06:11 • -17.15db
13% Popularity • 32% Danceability • 28% Energy • 12% Liveness
76% Instrumentalness • 27% Positiveness
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Tom Gibbs
Jumanji
81 bpm • C# Maj • 05:21 • -11.68db
0% Popularity • 39% Danceability • 45% Energy • 32% Liveness
71% Instrumentalness • 50% Positiveness
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Benny Green
Harold Land
87 bpm • C# Maj • 03:06 • -15.03db
27% Popularity • 65% Danceability • 22% Energy • 17% Liveness
93% Instrumentalness • 58% Positiveness
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Jimmy Greene
While Looking Up
81 bpm • F# Maj • 06:58 • -12.47db
13% Popularity • 39% Danceability • 38% Energy • 38% Liveness
32% Instrumentalness • 24% Positiveness
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Ivan Habernal Quartet
Late October Sunday
88 bpm • G min • 07:58 • -11.36db
9% Popularity • 42% Danceability • 52% Energy • 10% Liveness
78% Instrumentalness • 26% Positiveness
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Richard Andersson
Wall
81 bpm • E min • 04:59 • -18.71db
37% Popularity • 32% Danceability • 8% Energy • 10% Liveness
36% Instrumentalness • 10% Positiveness
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Petros Klampanis
With Marco
88 bpm • D min • 05:29 • -15.49db
26% Popularity • 60% Danceability • 38% Energy • 37% Liveness
93% Instrumentalness • 30% Positiveness
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Melissa Aldana
Ritual
88 bpm • C Maj • 04:02 • -21.07db
27% Popularity • 32% Danceability • 4% Energy • 10% Liveness
36% Instrumentalness • 9% Positiveness
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Tomasz Stanko Quartet
Soul of Things, Var. 2
80 bpm • F# Maj • 07:57 • -16.77db
10% Popularity • 43% Danceability • 18% Energy • 11% Liveness
71% Instrumentalness • 12% Positiveness
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Martin Nodeland
Her
88 bpm • E Maj • 06:16 • -15.24db
2% Popularity • 30% Danceability • 26% Energy • 10% Liveness
11% Instrumentalness • 11% Positiveness
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Carl Bagge
Runmarö
89 bpm • G# Maj • 05:41 • -14.07db
9% Popularity • 39% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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Bastian Menz Quintett
Loslassen
79 bpm • G min • 04:21 • -21db
11% Popularity • 37% Danceability • 5% Energy • 10% Liveness
66% Instrumentalness • 14% Positiveness
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Arild Andersen
Fifth Winter
79 bpm • C Maj • 04:58 • -16.35db
34% Popularity • 40% Danceability • 22% Energy • 14% Liveness
89% Instrumentalness • 10% Positiveness
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Alvin Queen Trio
Have You Met Miss Jones?
89 bpm • D min • 03:44 • -19.35db
13% Popularity • 49% Danceability • 15% Energy • 11% Liveness
8% Instrumentalness • 39% Positiveness
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Bobby Watson
I'm Glad There Is You
89 bpm • F Maj • 07:15 • -14.16db
36% Popularity • 42% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Brad Mehldau Trio
Ten Tune
79 bpm • A# min • 10:07 • -12.81db
13% Popularity • 37% Danceability • 50% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Ingrid Jensen
Higher Grounds
90 bpm • F min • 05:46 • -19db
23% Popularity • 39% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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The New York Second
Him, a Bull? Ha! A Bird
79 bpm • C min • 05:36 • -13.66db
39% Popularity • 31% Danceability • 26% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
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Mikkel Ploug
Nocturnal
90 bpm • G Maj • 05:26 • -12.86db
36% Popularity • 47% Danceability • 25% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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Michael Feinberg
Eye of the Hurricane
79 bpm • F# Maj • 04:57 • -10.19db
31% Popularity • 46% Danceability • 46% Energy • 16% Liveness
8% Instrumentalness • 52% Positiveness
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Joshua Redman Quartet
Sweet Sorrow
79 bpm • G min • 08:43 • -16.33db
35% Popularity • 53% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 29% Positiveness
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Sean Mason
Lullaby
78 bpm • C# min • 03:39 • -16.74db
20% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Tord Gustavsen Trio
Vær sterk, min sjel
79 bpm • E min • 03:03 • -34.73db
38% Popularity • 41% Danceability • 1% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Oded Tzur
Isabela
78 bpm • D# Maj • 10:50 • -18.33db
39% Popularity • 20% Danceability • 9% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
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Mikkel Ploug
Monet
90 bpm • D Maj • 06:24 • -12.64db
35% Popularity • 38% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Jonathan Kreisberg
Stella by Starlight
90 bpm • D# min • 05:13 • -15.7db
21% Popularity • 41% Danceability • 40% Energy • 14% Liveness
74% Instrumentalness • 30% Positiveness
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Martin Nodeland
Battle of Time
90 bpm • E min • 07:08 • -12.54db
0% Popularity • 38% Danceability • 36% Energy • 8% Liveness
62% Instrumentalness • 10% Positiveness
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Bill Frisell
Wise Woman
90 bpm • D Maj • 03:46 • -16db
34% Popularity • 33% Danceability • 23% Energy • 31% Liveness
71% Instrumentalness • 5% Positiveness
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Orrin Evans
Dave
78 bpm • C# Maj • 03:43 • -21db
45% Popularity • 24% Danceability • 7% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Nello Toscano
Clouds
78 bpm • F min • 05:13 • -20.11db
43% Popularity • 40% Danceability • 7% Energy • 8% Liveness
12% Instrumentalness • 15% Positiveness
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Filip Jers
Hard to say Goodbye
78 bpm • C min • 04:01 • -11.69db
36% Popularity • 50% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Will Vinson
Lubes
90 bpm • F Maj • 01:40 • -8.1db
3% Popularity • 71% Danceability • 27% Energy • 7% Liveness
70% Instrumentalness • 95% Positiveness
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Vijay Iyer Trio
Work
90 bpm • D Maj • 06:14 • -22db
16% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
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Tom Gibbs
The Trip
91 bpm • D Maj • 04:52 • -9.94db
0% Popularity • 43% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 33% Positiveness
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David Tixier Trio
Nutra
91 bpm • A# min • 06:00 • -11.72db
16% Popularity • 47% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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The Alan Broadbent Trio
Chris Craft
78 bpm • C Maj • 06:38 • -16.18db
22% Popularity • 32% Danceability • 43% Energy • 12% Liveness
90% Instrumentalness • 71% Positiveness
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Benjamin Sanz
Awakening
91 bpm • C Maj • 04:30 • -9db
18% Popularity • 39% Danceability • 67% Energy • 6% Liveness
90% Instrumentalness • 40% Positiveness
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Cyrus Chestnut
Son binocle
91 bpm • C Maj • 04:04 • -23.71db
37% Popularity • 44% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Martin Nodeland
Ballard
91 bpm • G Maj • 05:30 • -12.44db
0% Popularity • 50% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 16% Positiveness
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Samuel Torres
Alegria
91 bpm • C min • 07:52 • -11.99db
1% Popularity • 65% Danceability • 54% Energy • 63% Liveness
75% Instrumentalness • 79% Positiveness
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Danny Grissett
Cambridge Place
77 bpm • G# Maj • 07:03 • -14.81db
36% Popularity • 46% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 60% Positiveness
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Immanuel Wilkins
Part 3. Eulogy
77 bpm • D Maj • 05:52 • -12.61db
14% Popularity • 36% Danceability • 47% Energy • 38% Liveness
89% Instrumentalness • 29% Positiveness
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Niclas Knudsen Trio
Peaceful Paranoia
91 bpm • D Maj • 04:25 • -15.71db
40% Popularity • 55% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
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Edward Simon
Simplicity
91 bpm • D Maj • 05:09 • -22.12db
43% Popularity • 49% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Doxas Brothers
A Word from the Wise
91 bpm • G# Maj • 05:57 • -13.5db
26% Popularity • 50% Danceability • 27% Energy • 14% Liveness
91% Instrumentalness • 26% Positiveness
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Paolo Fresu
Palfium
91 bpm • F min • 03:15 • -16db
35% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
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Sebastian Gahler
Girlfriend with Magical Ears - Two Moons...
77 bpm • F min • 03:59 • -9.65db
32% Popularity • 53% Danceability • 60% Energy • 10% Liveness
76% Instrumentalness • 54% Positiveness
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Immanuel Wilkins
Lighthouse
77 bpm • D Maj • 07:23 • -7db
17% Popularity • 32% Danceability • 81% Energy • 29% Liveness
29% Instrumentalness • 21% Positiveness
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Förnuft och Känsla
Händelse
92 bpm • F Maj • 04:39 • -16.12db
20% Popularity • 64% Danceability • 34% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
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Joel Lyssarides
Down and Out
92 bpm • F# min • 03:10 • -26.34db
43% Popularity • 29% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
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Tord Gustavsen Trio
Stream
92 bpm • G# Maj • 07:03 • -34db
35% Popularity • 45% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Eric Legnini
Introspection #2
92 bpm • C min • 01:29 • -16db
41% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Joe Webb
Collblanc
76 bpm • F# Maj • 06:03 • -16.43db
34% Popularity • 28% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Art Roho
Dark Turn of Mind
92 bpm • A# Maj • 05:38 • -15.86db
35% Popularity • 43% Danceability • 29% Energy • 11% Liveness
28% Instrumentalness • 29% Positiveness
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Will Vinson
Limp of Faith
93 bpm • F min • 04:46 • -21.47db
0% Popularity • 35% Danceability • 1% Energy • 10% Liveness
16% Instrumentalness • 7% Positiveness
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Eric Legnini Trio
I Fall in Love
76 bpm • F min • 02:45 • -15.56db
46% Popularity • 46% Danceability • 25% Energy • 15% Liveness
81% Instrumentalness • 44% Positiveness
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Brian Blade & The Fellowship Band
Catalysts
93 bpm • C# min • 05:04 • -11.41db
21% Popularity • 42% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 42% Positiveness
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Matthew Shipp Trio
The Unidentifiable
93 bpm • F min • 07:10 • -9.42db
8% Popularity • 39% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 60% Positiveness
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Brad Mehldau Trio
Seymour Reads the Constitution
93 bpm • F# min • 08:03 • -15db
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Cedar Walton
Wonder Why
75 bpm • F Maj • 03:53 • -20.9db
36% Popularity • 41% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
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Will Vinson
Who, Me?
94 bpm • C Maj • 02:22 • -10.29db
0% Popularity • 68% Danceability • 14% Energy • 8% Liveness
76% Instrumentalness • 88% Positiveness
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Helge Lien Trio
Jazzkoral
94 bpm • F Maj • 04:13 • -20.45db
12% Popularity • 45% Danceability • 24% Energy • 32% Liveness
51% Instrumentalness • 5% Positiveness
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Menzel Mutzke
Water Lily
94 bpm • C min • 04:46 • -12.36db
8% Popularity • 38% Danceability • 46% Energy • 11% Liveness
25% Instrumentalness • 35% Positiveness
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Northbound