Songs like Northsiders by Christian Lee Hutson
Based on a tempo of (+/- 10%) and a similar genre
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Chris Staples
Spinning Wheel
137 bpm • G Maj • 03:05 • -14.53db
9% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lomelda
It's Infinite
137 bpm • C Maj • 02:54 • -17db
45% Popularity • 56% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 45% Positiveness
45% Popularity • 56% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 45% Positiveness
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Christian Lee Hutson
Strawberry Lemonade
137 bpm • D Maj • 04:24 • -10db
25% Popularity • 43% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 43% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Samia
Does Not Heal - Christian Lee Hutson Ver...
137 bpm • D# Maj • 04:26 • -11.79db
11% Popularity • 47% Danceability • 24% Energy • 28% Liveness
4% Instrumentalness • 36% Positiveness
11% Popularity • 47% Danceability • 24% Energy • 28% Liveness
4% Instrumentalness • 36% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Lucy Dacus
Fool's Gold
138 bpm • F min • 03:18 • -15.9db
46% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Phoebe Bridgers
Chinese Satellite (Copycat Killer Versio...
136 bpm • A# Maj • 03:30 • -13.67db
40% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
40% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
39% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
39% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Adrianne Lenker
Gone
138 bpm • G Maj • 04:06 • -7.14db
39% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Sufjan Stevens
Lacrimae
138 bpm • F min • 02:07 • -14.24db
39% Popularity • 53% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
39% Popularity • 53% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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Tanya Davis
Hush, Little Weeper
136 bpm • B Maj • 02:41 • -10.59db
13% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Christian Lee Hutson
Northsiders
137 bpm • A Maj • 03:43 • -14.45db
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Better Oblivion Community Center
Sleepwalkin' - Daydreamin' Version
136 bpm • B Maj • 03:42 • -4.93db
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Harrison Whitford
Secret Garden
138 bpm • F# Maj • 02:51 • -11.51db
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Field Medic
i want you so bad it hurts
138 bpm • E Maj • 03:03 • -6.82db
33% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Fleet Foxes
Helplessness Blues - Solstice Version
136 bpm • D Maj • 05:03 • -12.75db
32% Popularity • 43% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 43% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Phoebe Bridgers
Would You Rather
136 bpm • A# Maj • 03:19 • -10.93db
51% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Christian Lee Hutson
Black Cat
136 bpm • C min • 02:47 • -12.53db
14% Popularity • 29% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
14% Popularity • 29% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
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The A's
Swing and Turn Jubilee
138 bpm • A Maj • 04:09 • -15.06db
33% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Harrison Whitford
Meclizine
136 bpm • F Maj • 05:46 • -12.37db
17% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Humbird
Lincoln, Nebraska
135 bpm • D Maj • 02:23 • -9.75db
32% Popularity • 70% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 70% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Sadurn
snake
138 bpm • C# Maj • 04:33 • -8.75db
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Charlotte Cornfield
In My Corner
135 bpm • C min • 03:44 • -10.07db
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Christian Lee Hutson
Teddy's Song
136 bpm • E Maj • 03:41 • -13.65db
18% Popularity • 55% Danceability • 28% Energy • 18% Liveness
2% Instrumentalness • 35% Positiveness
18% Popularity • 55% Danceability • 28% Energy • 18% Liveness
2% Instrumentalness • 35% Positiveness
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Lomelda
Columbia River
135 bpm • A min • 04:42 • -13db
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Joanna Sternberg
Step Away
139 bpm • F# min • 02:49 • -17.79db
20% Popularity • 55% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 55% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Charlie Hickey
Count The Stairs
139 bpm • F Maj • 04:00 • -9.42db
18% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Participant
Coast
135 bpm • A Maj • 03:55 • -12.77db
22% Popularity • 55% Danceability • 17% Energy • 11% Liveness
9% Instrumentalness • 25% Positiveness
22% Popularity • 55% Danceability • 17% Energy • 11% Liveness
9% Instrumentalness • 25% Positiveness
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Cassandra Jenkins
Michelangelo
139 bpm • G Maj • 03:29 • -10.23db
32% Popularity • 56% Danceability • 37% Energy • 18% Liveness
68% Instrumentalness • 54% Positiveness
32% Popularity • 56% Danceability • 37% Energy • 18% Liveness
68% Instrumentalness • 54% Positiveness
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Christian Lee Hutson
Sitting Up With A Sick Friend
138 bpm • D# Maj • 03:19 • -15.57db
20% Popularity • 36% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 36% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Slow Pulp
Montana
135 bpm • G# Maj • 03:20 • -8.21db
46% Popularity • 55% Danceability • 41% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
46% Popularity • 55% Danceability • 41% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
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Runnner
New Sublet
135 bpm • F Maj • 03:01 • -13.79db
23% Popularity • 63% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 63% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Sylvan Esso
Slack Jaw
139 bpm • D# Maj • 03:05 • -15db
44% Popularity • 53% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 53% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Mutual Benefit
Diamond Day
139 bpm • G Maj • 02:24 • -13.66db
29% Popularity • 31% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 14% Positiveness
29% Popularity • 31% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 14% Positiveness
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Adrianne Lenker
Hours Were the Birds
135 bpm • A Maj • 03:11 • -13db
46% Popularity • 67% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 67% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Madi Diaz
New Person, Old Place
135 bpm • C Maj • 04:06 • -8db
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Charlie Hickey
Seeing Things
139 bpm • F Maj • 03:34 • -9db
26% Popularity • 47% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 47% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Christian Lee Hutson
Keep You Down
139 bpm • A Maj • 04:22 • -9.4db
26% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Joshua Burnside
Far Away the Hills Are Green
135 bpm • G Maj • 04:00 • -14db
23% Popularity • 47% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 47% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Harrison Whitford
Take a Walk
134 bpm • G Maj • 04:37 • -7.82db
14% Popularity • 56% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 56% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Jam in the Van
I Just Can't Fucking Do It Anymore - Liv...
134 bpm • D Maj • 03:38 • -16.06db
2% Popularity • 43% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 43% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Runnner
Snowplow
140 bpm • D Maj • 02:41 • -10.71db
40% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
40% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Christian Lee Hutson
Just Like Heaven
140 bpm • A Maj • 03:26 • -13db
26% Popularity • 35% Danceability • 30% Energy • 10% Liveness
29% Instrumentalness • 32% Positiveness
26% Popularity • 35% Danceability • 30% Energy • 10% Liveness
29% Instrumentalness • 32% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Waxahatchee
Oxbow
140 bpm • C Maj • 02:53 • -12.25db
46% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Hand Habits
placeholder
134 bpm • F# min • 03:50 • -9.37db
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Field Medic
uuu
134 bpm • E Maj • 03:31 • -7db
45% Popularity • 53% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
45% Popularity • 53% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Christian Lee Hutson
I'm So Tired
134 bpm • D Maj • 01:46 • -12.85db
11% Popularity • 39% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 39% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Sadurn
radiator
133 bpm • D Maj • 03:54 • -14.84db
48% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
52% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Fenne Lily
Someone Else's Trees
133 bpm • E Maj • 04:50 • -15.54db
24% Popularity • 40% Danceability • 20% Energy • 37% Liveness
6% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 20% Energy • 37% Liveness
6% Instrumentalness • 20% Positiveness
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Eva B. Ross
When I Come Around
141 bpm • G# Maj • 03:57 • -15.62db
5% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Hand Habits
Graves
133 bpm • F# Maj • 03:12 • -14.21db
35% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bowerbirds
All This Rain
142 bpm • A# Maj • 03:00 • -17.23db
10% Popularity • 45% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 45% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Lucy Dacus
Christine
142 bpm • C Maj • 02:33 • -10.84db
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Bon Iver
Marion
142 bpm • D# Maj • 02:21 • -13.11db
49% Popularity • 34% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 34% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mountain Man
You and I
132 bpm • C# Maj • 02:37 • -9db
26% Popularity • 69% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 69% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Courtney Marie Andrews
Break the Spell
132 bpm • A# Maj • 04:22 • -18db
18% Popularity • 55% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 55% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kevin Reilly
Appalachian Moon
142 bpm • A# Maj • 03:12 • -21.42db
37% Popularity • 50% Danceability • 6% Energy • 14% Liveness
2% Instrumentalness • 46% Positiveness
37% Popularity • 50% Danceability • 6% Energy • 14% Liveness
2% Instrumentalness • 46% Positiveness
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Sam Amidon
Saro
142 bpm • A# Maj • 03:22 • -9.87db
29% Popularity • 49% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
29% Popularity • 49% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Charlotte Cornfield
Silver Civic
142 bpm • C# Maj • 04:37 • -13.41db
20% Popularity • 55% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 55% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Henry Jamison
I Forget Myself
142 bpm • A Maj • 03:32 • -12.14db
49% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Better Oblivion Community Center
Little Trouble
142 bpm • F Maj • 02:54 • -5.42db
42% Popularity • 57% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 57% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Anna Mieke
Aurillac
132 bpm • D# Maj • 04:34 • -11.51db
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Tomberlin
sunstruck
132 bpm • A Maj • 05:01 • -11.64db
25% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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Hand Habits
No Difference
132 bpm • A# Maj • 02:51 • -9.99db
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
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Adrianne Lenker
Lighthouse
132 bpm • A Maj • 03:29 • -8.02db
46% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Harrison Whitford
Ears That Could
132 bpm • D Maj • 06:13 • -16.06db
15% Popularity • 48% Danceability • 16% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
15% Popularity • 48% Danceability • 16% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
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Anna Tivel
Minneapolis
142 bpm • F# Maj • 04:10 • -11.42db
9% Popularity • 36% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 36% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Skullcrusher
Places/Plans
132 bpm • F Maj • 03:03 • -14db
38% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Christian Lee Hutson
Age Difference
131 bpm • D Maj • 05:07 • -16db
20% Popularity • 34% Danceability • 17% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
20% Popularity • 34% Danceability • 17% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
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Adrianne Lenker
two reverse
143 bpm • C# Maj • 03:33 • -15.4db
53% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
53% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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![Lemon [Feat. Sharon Van Etten] cover art](https://i.scdn.co/image/ab67616d00001e027e03f3c0ed84e9db3e6e645b)
Local Natives
Lemon [Sharon Van Etten]
131 bpm • D# Maj • 03:17 • -8.74db
41% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Jodi
Go Slowly
144 bpm • G Maj • 04:40 • -13.86db
19% Popularity • 61% Danceability • 19% Energy • 11% Liveness
7% Instrumentalness • 22% Positiveness
19% Popularity • 61% Danceability • 19% Energy • 11% Liveness
7% Instrumentalness • 22% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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The Weather Station
Better Now
144 bpm • G Maj • 02:53 • -9.08db
24% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Christian Lee Hutson
Twin Soul
131 bpm • D Maj • 03:52 • -8.31db
23% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
23% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Wild Pink
Albert Ross (Acoustic Version)
130 bpm • D Maj • 04:30 • -14db
22% Popularity • 50% Danceability • 37% Energy • 12% Liveness
36% Instrumentalness • 32% Positiveness
22% Popularity • 50% Danceability • 37% Energy • 12% Liveness
36% Instrumentalness • 32% Positiveness
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Big Red Machine
Latter Days
130 bpm • C Maj • 03:38 • -10.08db
40% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
40% Popularity • 70% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Better Oblivion Community Center
Exception To The Rule
144 bpm • D Maj • 02:51 • -7.1db
38% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Joan Shelley
Teal
130 bpm • C# Maj • 04:10 • -10.48db
20% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sadurn
golden arm
130 bpm • D Maj • 04:04 • -15db
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Christian Lee Hutson
Atheist
130 bpm • D# Maj • 03:00 • -10db
33% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tanya Davis
Don't Bury Me
130 bpm • G Maj • 03:10 • -11.07db
17% Popularity • 61% Danceability • 38% Energy • 12% Liveness
76% Instrumentalness • 35% Positiveness
17% Popularity • 61% Danceability • 38% Energy • 12% Liveness
76% Instrumentalness • 35% Positiveness
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Katy Kirby
Eyelids
145 bpm • C Maj • 01:40 • -20db
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
50% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Hovvdy
Blindsided
145 bpm • G# Maj • 03:42 • -10.31db
40% Popularity • 50% Danceability • 38% Energy • 24% Liveness
60% Instrumentalness • 29% Positiveness
40% Popularity • 50% Danceability • 38% Energy • 24% Liveness
60% Instrumentalness • 29% Positiveness