Songs like Not Ready Yet by Avery Lynch
Based on a tempo of (+/- 10%) and a similar genre
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Anson Seabra
We're Not in Kansas Anymore
175 bpm • F# Maj • 02:41 • -9.43db
33% Popularity • 32% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 32% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Avery Lynch
Back & Forth
175 bpm • C Maj • 03:30 • -12.93db
22% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Laila Mach
Love 'Til You're Tired
174 bpm • A# Maj • 03:39 • -9db
17% Popularity • 28% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 28% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Georgia Webster
Box of Memories
174 bpm • C Maj • 02:41 • -9.44db
15% Popularity • 45% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 45% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Caroline Manning
Teenage Therapy
176 bpm • D Maj • 03:08 • -7db
19% Popularity • 49% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 49% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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GRACEY
Empty Love (Ft. Ruel) - Acoustic
173 bpm • D Maj • 03:53 • -8.96db
25% Popularity • 43% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 43% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sarah Barrios
Emotional
176 bpm • A Maj • 03:05 • -7.59db
13% Popularity • 53% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 53% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Avery Lynch
Not Ready Yet
175 bpm • C# Maj • 03:07 • -7.32db
18% Popularity • 48% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 48% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Annika Rose
I'm Better
173 bpm • C Maj • 03:39 • -5.05db
18% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Ashley Kutcher
Love You More
85 bpm • D# Maj • 02:49 • -10.01db
49% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sianon
Boring, Happy, Beautiful
172 bpm • G min • 02:48 • -10.35db
18% Popularity • 40% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 40% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Sabrina Carpenter
skinny dipping - Acoustic
172 bpm • E Maj • 03:12 • -11.18db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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BLÜ EYES
Just Life
172 bpm • A# Maj • 03:07 • -8db
21% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Avery Lynch
Sh*t People
172 bpm • C# Maj • 03:16 • -7.16db
25% Popularity • 68% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 68% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Brynn Cartelli
We Belong
178 bpm • A Maj • 03:25 • -6db
18% Popularity • 52% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 52% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Julius
compensate me for all of my loneliness
172 bpm • C min • 02:51 • -13.11db
12% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Gion
I hurt you, I don't deserve you.
172 bpm • D Maj • 03:09 • -10.18db
27% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Madeline The Person
I Talk to the Sky
172 bpm • C Maj • 03:18 • -8.21db
21% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sophie Holohan
Good Mourning
172 bpm • C Maj • 03:06 • -12db
26% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Katy for Kings
Fabricated
170 bpm • D# Maj • 02:49 • -12.04db
7% Popularity • 39% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 39% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Avery Lynch
Friction
180 bpm • F# Maj • 03:48 • -13.33db
33% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sabrina Sterling
Love Me That Way
170 bpm • D Maj • 02:44 • -9.34db
36% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Sidney
Guarantee
180 bpm • C Maj • 03:05 • -8.87db
14% Popularity • 43% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 43% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Maddie Zahm
Sober
170 bpm • C# Maj • 03:48 • -11.77db
18% Popularity • 45% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 45% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Clinton Kane
this is what a toxic relationship feels ...
181 bpm • G Maj • 03:20 • -8db
32% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Abe Parker
Deja Vu
181 bpm • G min • 03:21 • -11.4db
19% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Avery Lynch
Love of My Life
169 bpm • B Maj • 03:52 • -11.37db
36% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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BLÜ EYES
never got better
168 bpm • C Maj • 02:58 • -8db
29% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Ashley Kutcher
Emotionless
182 bpm • B Maj • 02:16 • -8db
43% Popularity • 38% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 38% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Marina Lin
have fun at ur party (but don't)
182 bpm • A Maj • 03:14 • -9.07db
9% Popularity • 38% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 38% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Sabrina Sterling
Ride Or Die
168 bpm • B Maj • 03:19 • -11.6db
25% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Emily James
Hey Boy
168 bpm • A Maj • 03:14 • -12.6db
11% Popularity • 52% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 52% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Avery Lynch
useless information
168 bpm • E Maj • 03:13 • -14.73db
38% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Maisie Peters
Sad Girl Summer - emo version
168 bpm • A min • 02:47 • -9db
16% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Tate McRae
Can't Get It Out
183 bpm • C Maj • 03:02 • -15db
38% Popularity • 45% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 45% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Alexander 23
Track 9
167 bpm • G Maj • 02:23 • -13db
25% Popularity • 31% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 31% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Christy
Dancing With Air
184 bpm • D Maj • 03:20 • -9.01db
20% Popularity • 33% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 33% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
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Taylor Bickett
Morning to Midnight
184 bpm • F# Maj • 02:58 • -7.57db
26% Popularity • 53% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 53% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Lily Kincade
At My Funeral
166 bpm • F# Maj • 02:49 • -10db
17% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Reagan Beem
Let Me Know How You Feel
165 bpm • F Maj • 03:10 • -5.87db
26% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 49% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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James Smith
I Don't Wanna Know
165 bpm • G Maj • 03:28 • -8.6db
31% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Andi
Don't Deserve This
164 bpm • A Maj • 03:05 • -9.09db
15% Popularity • 36% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 36% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Dylan Rockoff
Out of Season
164 bpm • A# Maj • 03:14 • -12.81db
19% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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BRDGS
Let Eachother Go
164 bpm • F Maj • 04:07 • -10.24db
26% Popularity • 31% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 31% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Sabrina Sterling
World's Biggest Hypocrite
162 bpm • A# Maj • 02:21 • -10.81db
30% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Abigail Barlow
If I Saw You Today
162 bpm • G# Maj • 03:13 • -9.45db
18% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Emily Burns
My Town
162 bpm • G# Maj • 02:46 • -8db
23% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Lanzon
New York, Falling Apart
160 bpm • C# Maj • 03:19 • -10.9db
24% Popularity • 44% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 44% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Zoe Clark
Terminal 4
160 bpm • F Maj • 03:14 • -9.6db
11% Popularity • 49% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 49% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Brynn Cartelli
Jane
160 bpm • G# Maj • 04:29 • -8db
21% Popularity • 56% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 56% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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Andi
Blew It
160 bpm • C# min • 02:42 • -6.67db
24% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Lacy Cavalier
Cheating on U (Acoustic)
159 bpm • D Maj • 03:22 • -6.6db
14% Popularity • 45% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 45% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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HAVEN
Falling Out Of Love
159 bpm • G# Maj • 02:27 • -6.86db
20% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Kessler
I Think I
159 bpm • D# Maj • 02:49 • -10db
36% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
36% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Avery Lynch
Holding My Own Hand
158 bpm • D# Maj • 03:36 • -7db
28% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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ROSIE
Sad Sad Sad
193 bpm • D Maj • 03:01 • -8.62db
21% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tate McRae
Hung up on You
158 bpm • A min • 03:21 • -10db
50% Popularity • 58% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 58% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Amanda McBrayer
fun
194 bpm • A Maj • 02:57 • -12.36db
9% Popularity • 45% Danceability • 27% Energy • 10% Liveness
36% Instrumentalness • 35% Positiveness
9% Popularity • 45% Danceability • 27% Energy • 10% Liveness
36% Instrumentalness • 35% Positiveness
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Alec Bailey
Chernobyl
158 bpm • E Maj • 03:43 • -13db
20% Popularity • 38% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
20% Popularity • 38% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
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Brennan
If Love Could Only Dance
155 bpm • F Maj • 03:11 • -8.43db
19% Popularity • 31% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 31% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Emma Oliver
Getting Older
155 bpm • F# Maj • 03:45 • -8.88db
16% Popularity • 42% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 42% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Ruth B.
Sycamore Tree
156 bpm • G# Maj • 03:33 • -9.79db
36% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sophie Holohan
Codependent
198 bpm • G# Maj • 03:19 • -8.76db
34% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
60% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Devon Gabriella
easy
155 bpm • B Maj • 02:44 • -13.08db
29% Popularity • 65% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 65% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Rosemary Joaquin
A Little More
154 bpm • B Maj • 03:03 • -9.87db
23% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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BLÜ EYES
getting older
154 bpm • D Maj • 02:46 • -8.24db
32% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
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Jade LeMac
Let Me
154 bpm • C# min • 03:23 • -7db
38% Popularity • 49% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 49% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Avery Lynch
you're just a guy
154 bpm • D# Maj • 03:50 • -12.32db
46% Popularity • 45% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 45% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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sad alex
just another day
153 bpm • F Maj • 02:22 • -10.04db
10% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rayla
Made For Growing Up
200 bpm • A# Maj • 02:34 • -11.33db
14% Popularity • 41% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 41% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
39% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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LEW
She's Mine - Acoustic
152 bpm • C Maj • 03:09 • -8.52db
13% Popularity • 48% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 48% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Emilie Su
Every Other Lonely Night
151 bpm • G Maj • 03:03 • -10.83db
32% Popularity • 46% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 46% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jonny West
don't you have to go?
151 bpm • C min • 04:27 • -10.41db
12% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Devon Gabriella
The Way That I See You
150 bpm • C# Maj • 02:43 • -7.17db
24% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Taylor Thomas
Save a Little Space
150 bpm • G# Maj • 04:02 • -9.91db
15% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
31% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
44% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hannah Felisa
Stone Love
150 bpm • C# Maj • 03:17 • -8.67db
7% Popularity • 58% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 58% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
43% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Devon Gabriella
how could you?
150 bpm • G Maj • 02:40 • -9.74db
37% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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Marina Lin
this is what insecurities feel like
215 bpm • F# Maj • 02:24 • -11.91db
17% Popularity • 44% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 44% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
