Songs like Not Your Fairytale (feat. Kacey Velazquez) by Michael Mott
Based on a tempo of (+/- 10%) and a similar genre
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Michael Mott
Not Your Fairytale
107 bpm • B min • 03:05 • -7.97db
0% Popularity • 79% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 79% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Julia Murney
Maybe I Like It This Way
107 bpm • D# min • 02:59 • -9.77db
26% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Natalie Weiss
How to Return Home
107 bpm • F Maj • 04:02 • -8.86db
27% Popularity • 40% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 40% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Drew Gasparini
On The Edge
107 bpm • F Maj • 03:26 • -7db
10% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Carner & Gregor
Dancing in Pairs
106 bpm • C Maj • 03:29 • -15db
10% Popularity • 51% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 51% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sarah Charles Lewis
Everlasting
106 bpm • A# Maj • 02:43 • -10.45db
26% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Doyle
Stroke by Stroke
108 bpm • D Maj • 03:41 • -6db
14% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Julia Murney
I'm Not Waiting
108 bpm • E Maj • 03:42 • -9db
12% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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![Genuine (It's Real) [Larry Peace Tropical Mix] cover art](https://i.scdn.co/image/ab67616d00001e02bec2a4ea68205aff5baf9433)
Michael Mott
Genuine (It's Real) [Larry Peace Tropica...
108 bpm • G Maj • 04:08 • -4.8db
0% Popularity • 65% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 65% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Brescia
I'll Be Here
106 bpm • C Maj • 05:25 • -15.95db
32% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Emma Lively
Awake at Midnight
108 bpm • F Maj • 02:56 • -7db
18% Popularity • 67% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 67% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Jeremy Jordan
Moving Too Fast
106 bpm • F Maj • 04:04 • -7.72db
45% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Brian D'Arcy James
I'll Jump
108 bpm • E min • 04:56 • -9.2db
14% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Darren Ritchie
One Knight
106 bpm • F# Maj • 04:00 • -12.97db
27% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Mott
Get up on My Feet
106 bpm • A Maj • 03:56 • -6.11db
1% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Paul Alexander Nolan
Charity
105 bpm • E Maj • 02:44 • -8.8db
22% Popularity • 39% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 39% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Benj Pasek
Middle Of A Moment
109 bpm • E Maj • 03:20 • -6.34db
9% Popularity • 43% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 43% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Jeremy Jordan
Let Go of Me
109 bpm • G min • 03:13 • -9.41db
17% Popularity • 27% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 27% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Kate Baldwin
A Sorta Love Song
106 bpm • G Maj • 03:36 • -11db
8% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Edward Staudenmayer
Heroes
105 bpm • D Maj • 03:28 • -19.9db
20% Popularity • 28% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 28% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 17% Positiveness
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Matt Dahan
Wheat Fields / Finale Ultimo
104 bpm • A# Maj • 05:33 • -10.28db
21% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Michael Mott
Genuine (It's Real)
108 bpm • G Maj • 04:05 • -5.29db
2% Popularity • 70% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
2% Popularity • 70% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Kooman & Dimond
Blue Horizon
110 bpm • C Maj • 03:25 • -6db
22% Popularity • 54% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 54% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Carner & Gregor
Island Song Opening
110 bpm • G Maj • 05:28 • -11.03db
11% Popularity • 52% Danceability • 33% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 52% Danceability • 33% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
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Amandla Stenberg
The Anonymous Ones
104 bpm • C# Maj • 04:43 • -9.51db
34% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Joey Contreras
Fork in the Road
104 bpm • G Maj • 04:03 • -7.3db
19% Popularity • 42% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 42% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Dahan
Impress Me
104 bpm • A Maj • 05:43 • -7.62db
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Rachel Talbott
Disney Medley
104 bpm • A Maj • 05:45 • -13.58db
30% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Mott
The Only One (Interlude)
105 bpm • G# Maj • 01:18 • -19.21db
0% Popularity • 56% Danceability • 19% Energy • 37% Liveness
9% Instrumentalness • 33% Positiveness
0% Popularity • 56% Danceability • 19% Energy • 37% Liveness
9% Instrumentalness • 33% Positiveness
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Nick Barstow
Time After Time / Always
110 bpm • D Maj • 04:26 • -11db
18% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Christina Perri
All That Matters
104 bpm • F Maj • 03:36 • -6.84db
38% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Lewis Flinn
When She Smiles
104 bpm • A# Maj • 03:53 • -10.23db
12% Popularity • 38% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 38% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Dahan
Enlightenment
103 bpm • D Maj • 03:21 • -8.24db
25% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kooman & Dimond
Random Black Girl
111 bpm • G Maj • 03:54 • -5db
21% Popularity • 67% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 67% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Mott
Minefield of Love
104 bpm • G Maj • 03:19 • -6.18db
1% Popularity • 60% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 60% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Emma, Lucy
In His Eyes
111 bpm • A# Maj • 04:01 • -9db
34% Popularity • 30% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 30% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Natalie Weiss
Astonishing
111 bpm • C# Maj • 02:50 • -8.16db
22% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jessie Mueller
Everything Changes
103 bpm • C# Maj • 03:02 • -7.96db
45% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Will Reynolds
Getting Closer
112 bpm • A Maj • 02:05 • -8db
24% Popularity • 45% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 45% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Keala Settle
Harder
112 bpm • D Maj • 03:41 • -5db
33% Popularity • 70% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 70% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Mott
Minefield of Love (Larry Peace Remix)
104 bpm • D Maj • 03:53 • -5.01db
0% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Danny Kosarin
Lost in the Wilderness
112 bpm • D Maj • 02:28 • -10.29db
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Mandy Gonzalez
Starts Right Now
112 bpm • D Maj • 03:10 • -7.51db
9% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Drew Gehling
You Matter to Me
102 bpm • E Maj • 04:21 • -12.17db
48% Popularity • 43% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 43% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Alan Zachary
Safer
102 bpm • G# Maj • 03:17 • -5.32db
34% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Lilli Cooper
It Feels Good
102 bpm • C# min • 03:18 • -6.13db
8% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Mott
Don't Stop Dancin' (Stripped)
111 bpm • A min • 04:36 • -8.68db
0% Popularity • 49% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 49% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Justin Guarini
Just Like Me
102 bpm • C Maj • 03:59 • -7.99db
6% Popularity • 60% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
6% Popularity • 60% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Bring It On: The Musical - Original Broadway Cast
One Perfect Moment
112 bpm • C Maj • 03:54 • -5.96db
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Christine Allado
Never in A Million Years
102 bpm • D# Maj • 02:26 • -13.88db
30% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Laura Michelle Kelly
Sylvia's Lullaby - Original Broadway Cas...
112 bpm • G Maj • 01:34 • -15.21db
26% Popularity • 33% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Natalie Weiss
Only Hope
102 bpm • C# min • 03:35 • -9db
14% Popularity • 62% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 62% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Mott
Complicated
103 bpm • G Maj • 04:36 • -6.91db
0% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Laura Osnes
Dare to Dream
113 bpm • A Maj • 03:27 • -10.98db
23% Popularity • 39% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 39% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Jessie Mueller
(You Make Me Feel Like) A Natural Woman
102 bpm • A# min • 02:10 • -4.84db
30% Popularity • 39% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 39% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Ben Fankhauser
Run Away With Me
114 bpm • D Maj • 04:01 • -6.7db
36% Popularity • 43% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 43% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Karen Olivo
Firework
114 bpm • G Maj • 02:43 • -8db
45% Popularity • 47% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 47% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Natalie Weiss
I Am
113 bpm • A Maj • 04:00 • -11.94db
21% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Brad Alexander & Adam Mathias
Bonus Track-Rock City
113 bpm • G Maj • 02:54 • -8.12db
16% Popularity • 45% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 45% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Mott
Complicated (Larry Peace Remix)
103 bpm • G Maj • 04:57 • -7.78db
0% Popularity • 72% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 72% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Loren Allred
All Around The World - The Voice Perform...
101 bpm • C Maj • 03:47 • -3.45db
22% Popularity • 56% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 56% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Sons of Serendip
I Lived
114 bpm • A Maj • 04:32 • -12db
30% Popularity • 39% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 39% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Leslie Hiatt
Another New York Love Story
100 bpm • G Maj • 05:10 • -9.19db
18% Popularity • 45% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 45% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Natalie Weiss
Heart of Stone
114 bpm • F Maj • 04:38 • -5.82db
13% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Andrew Barth Feldman
Me and Mr. Popularity
114 bpm • F Maj • 04:02 • -8db
30% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Mott
Sky (Interlude)
112 bpm • E min • 01:36 • -14.16db
1% Popularity • 50% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 50% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 37% Positiveness
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Patti Murin
What Do You Know About Love?
114 bpm • A# Maj • 04:26 • -6.79db
18% Popularity • 71% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 71% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Gavin Creel
Something Wonderful
100 bpm • C Maj • 03:56 • -8db
8% Popularity • 43% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 43% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Dahan
The Starry Night
100 bpm • A Maj • 03:07 • -9.45db
30% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Natalie Weiss
Can't Help Falling in Love / What A Wond...
100 bpm • C Maj • 05:00 • -13db
23% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Max McKenna
My Mother (Eulogy)
100 bpm • C min • 04:54 • -9.14db
12% Popularity • 38% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 38% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Mott
Love in Stereo (Larry Peace Summer Remix...
102 bpm • E min • 03:57 • -5.54db
0% Popularity • 78% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 78% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Jeremy Jordan
Stay Awhile
100 bpm • D# Maj • 02:56 • -12.28db
12% Popularity • 51% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 51% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Steven Booth
Open Road
100 bpm • F Maj • 02:59 • -9db
13% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Caissie Levy
I Am Yours
115 bpm • G# Maj • 03:18 • -8db
17% Popularity • 63% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 63% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Christine Allado
A Story Of My Own
115 bpm • A Maj • 03:40 • -10db
22% Popularity • 42% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 42% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jennifer Damiano
City at Sleep
99 bpm • G# Maj • 04:20 • -8.84db
17% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Michael Mott
The Life We Built
113 bpm • B min • 05:08 • -8.68db
0% Popularity • 33% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 33% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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SIX
Heart of Stone
115 bpm • F Maj • 05:11 • -8.14db
60% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
60% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Solea Pfeiffer
Christmas Lullaby
116 bpm • F Maj • 04:18 • -12.87db
21% Popularity • 43% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 43% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Joey Contreras
Great, Cool
116 bpm • F Maj • 03:22 • -11db
16% Popularity • 52% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 52% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Fra Fee
Where You'll Be
115 bpm • F# Maj • 03:07 • -10.51db
17% Popularity • 30% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 30% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Carmen Cusack
If You Knew My Story
116 bpm • G Maj • 03:18 • -8db
34% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Michael Mott
Katrina Dictum
100 bpm • C# Maj • 03:02 • -15.4db
0% Popularity • 88% Danceability • 44% Energy • 8% Liveness
89% Instrumentalness • 96% Positiveness
0% Popularity • 88% Danceability • 44% Energy • 8% Liveness
89% Instrumentalness • 96% Positiveness
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Julie Atherton
When I Was Nineteen
99 bpm • A Maj • 03:24 • -8db
12% Popularity • 63% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 63% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Drew Weston
Disaster
116 bpm • G Maj • 04:44 • -10.61db
11% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Oliver Tompsett
Sail
116 bpm • A# Maj • 04:28 • -6.9db
13% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Brian D'Arcy James
Think of the Moon
98 bpm • G Maj • 03:19 • -17.06db
12% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Katie Thompson
Five and a Half Minutes
117 bpm • G Maj • 02:58 • -9db
17% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Mott
Love in Stereo
100 bpm • E min • 03:35 • -6.45db
0% Popularity • 77% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 77% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Bobby Conte
More
117 bpm • F min • 04:32 • -7.65db
14% Popularity • 40% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 40% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Brandi Burkhardt
All This Time
117 bpm • G# Maj • 02:59 • -9.07db
26% Popularity • 30% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 30% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Cirque du Soleil
Everything (The Lover's Theme)
117 bpm • A Maj • 04:49 • -6.87db
13% Popularity • 34% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 34% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Weiss
You Don't Do It For Me Anymore
117 bpm • F min • 03:51 • -11.08db
19% Popularity • 42% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 42% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Kelli O'Hara
Not a Love Story
117 bpm • B Maj • 05:16 • -10.12db
14% Popularity • 37% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 37% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Cast of Ghost - The Musical
Suspend My Disbelief/I Had A Life
117 bpm • E min • 09:19 • -8.4db
23% Popularity • 46% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 46% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Mott
Complicated (Spin Sista Tropical Mix) [E...
115 bpm • A min • 07:03 • -8.53db
0% Popularity • 73% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 73% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Derek Klena
You Shine
98 bpm • E Maj • 03:22 • -9.52db
35% Popularity • 65% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 65% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
