Songs like Now Sleeps The Crimson Petal (Four Madrigals On Rose Texts): Upon A Bank by Paul Mealor
Based on a tempo of (+/- 10%) and a similar genre
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Paul Mealor
Now Sleeps The Crimson Petal (Four Madri...
150 bpm • C# min • 01:38 • -35.9db
10% Popularity • 21% Danceability • 4% Energy • 7% Liveness
22% Instrumentalness • 9% Positiveness
10% Popularity • 21% Danceability • 4% Energy • 7% Liveness
22% Instrumentalness • 9% Positiveness
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Jake Runestad
Alleluia
147 bpm • A# Maj • 03:01 • -20.23db
2% Popularity • 20% Danceability • 16% Energy • 32% Liveness
93% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 16% Energy • 32% Liveness
93% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Mid-Winter Songs: II. Like Snow
146 bpm • F# Maj • 01:29 • -23db
10% Popularity • 31% Danceability • 9% Energy • 9% Liveness
56% Instrumentalness • 48% Positiveness
10% Popularity • 31% Danceability • 9% Energy • 9% Liveness
56% Instrumentalness • 48% Positiveness
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Matthew Martin
Iustorum Animae
145 bpm • C# Maj • 02:28 • -27.28db
9% Popularity • 13% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Kerensa Briggs
Media Vita
143 bpm • B min • 03:00 • -25.74db
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Owain Park
Phos hilaron: II. Phos hilaron
144 bpm • E min • 02:12 • -34.55db
33% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Judith Bingham
The Drowned Lovers
142 bpm • D# min • 05:43 • -27.58db
8% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Howard Goodall
Eternal Light: A Requiem (2008): Revelat...
142 bpm • C min • 02:30 • -22db
15% Popularity • 39% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 39% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Rest
141 bpm • D# Maj • 03:51 • -32db
14% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: Bonum e...
140 bpm • B min • 01:31 • -26.51db
15% Popularity • 15% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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John Tavener
Song for Athene
140 bpm • A# Maj • 06:10 • -25.5db
28% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Exsultate jubilate, K. 165: Alleluia
139 bpm • E Maj • 02:26 • -19db
10% Popularity • 43% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 43% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
17% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
17% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Hymn to the Cherubim
140 bpm • G Maj • 04:38 • -23.56db
16% Popularity • 15% Danceability • 8% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 8% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
139 bpm • C Maj • 03:30 • -23.34db
19% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
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Paul Mealor
Crucifixus: 2. Your Silence Is Stillness
139 bpm • A min • 05:22 • -23db
11% Popularity • 17% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
11% Popularity • 17% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
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BYU Singers
I Hide Myself
163 bpm • A# min • 02:48 • -24.23db
12% Popularity • 12% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 11% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
18% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
2 Sacred Songs: No. 1, Alleluia
138 bpm • A# Maj • 03:18 • -32.53db
15% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 3% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
30% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Gustav Holst
Psalm 148, Lord who has made us for Thin...
138 bpm • C Maj • 04:53 • -17.74db
18% Popularity • 22% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Paul Mealor
Locus Iste
137 bpm • D# Maj • 06:28 • -23.9db
19% Popularity • 15% Danceability • 4% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 4% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Juan de Anchieta
Con amores, la mi madre (arr. Bob Chilco...
137 bpm • F Maj • 02:19 • -25.4db
10% Popularity • 20% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Herbert Sumsion
Magnificat in A Major
137 bpm • F# min • 05:02 • -27db
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Johannes Brahms
Geistliches Lied, Op. 30
137 bpm • D# Maj • 05:54 • -22.77db
17% Popularity • 16% Danceability • 11% Energy • 30% Liveness
94% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 30% Liveness
94% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
137 bpm • D# Maj • 03:38 • -23db
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Paul Mealor
To Seek Where Shadows Are: III. In The B...
137 bpm • B Maj • 05:27 • -31.12db
7% Popularity • 15% Danceability • 2% Energy • 21% Liveness
84% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 2% Energy • 21% Liveness
84% Instrumentalness • 3% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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BYU Singers
Go, Lovely Rose
137 bpm • F# Maj • 04:28 • -21.22db
14% Popularity • 19% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: De lame...
137 bpm • B min • 01:10 • -25.21db
16% Popularity • 16% Danceability • 8% Energy • 22% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 8% Energy • 22% Liveness
98% Instrumentalness • 4% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
137 bpm • C min • 05:54 • -21.38db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Christian Forshaw
In paradisum
165 bpm • C Maj • 03:42 • -22.74db
12% Popularity • 10% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Will Todd
Stay With Me, Lord
136 bpm • F Maj • 07:44 • -19.55db
9% Popularity • 17% Danceability • 17% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 17% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
8% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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William Henry Harris
Faire is the Heaven
136 bpm • C# Maj • 05:23 • -24db
18% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Christian Forshaw
Abide With Me - Arr. for Saxophone and V...
136 bpm • D# Maj • 04:07 • -25.99db
21% Popularity • 17% Danceability • 6% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 6% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
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BYU Singers
Water Night
136 bpm • A# min • 05:16 • -22.92db
30% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
136 bpm • F Maj • 04:05 • -20.02db
13% Popularity • 16% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Wenn ich einmal soll scheiden, BWV 244
136 bpm • F Maj • 01:22 • -28.87db
17% Popularity • 19% Danceability • 3% Energy • 8% Liveness
57% Instrumentalness • 7% Positiveness
17% Popularity • 19% Danceability • 3% Energy • 8% Liveness
57% Instrumentalness • 7% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
23% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
12% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: 5 English Folk Songs: ...
166 bpm • G# min • 04:09 • -22db
8% Popularity • 12% Danceability • 7% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 7% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
38% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Tenebrae
Burgos (Talbot)
135 bpm • F Maj • 15:03 • -24.38db
10% Popularity • 19% Danceability • 9% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
10% Popularity • 19% Danceability • 9% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
25% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Cherubic Hymn
167 bpm • D min • 02:24 • -36.27db
19% Popularity • 11% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Bairstow
I Sat Down Under His Shadow
135 bpm • E Maj • 01:43 • -25.9db
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
11% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
► Preview
Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Gustav Holst
The Evening-Watch, Op.43 No.1
134 bpm • D Maj • 04:58 • -29.04db
10% Popularity • 16% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 3% Positiveness
► Preview
Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
22% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
► Preview
Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
► Preview
Tomás Luis de Victoria
Requiem Mass, 1605: Lesson: Taedet anima...
133 bpm • B min • 03:04 • -20.97db
16% Popularity • 20% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Hymn to the Eternal Flame
169 bpm • C# Maj • 02:34 • -20db
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Lord Thou Hast Been Our Refuge
133 bpm • D Maj • 08:18 • -21.91db
8% Popularity • 16% Danceability • 6% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Tomás Luis de Victoria
Requiem Mass, 1605: Agnus Dei II
133 bpm • D Maj • 01:38 • -24.15db
13% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
133 bpm • E Maj • 02:03 • -24.66db
17% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Paweł Łukaszewski
Responsoria Tenebrae: III. Recessit past...
133 bpm • D min • 03:46 • -26.86db
3% Popularity • 16% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
For lo, I raise up, Op. 145
170 bpm • C# Maj • 07:53 • -21.66db
11% Popularity • 12% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Owain Park
Night Prayer
170 bpm • D Maj • 03:28 • -30.39db
9% Popularity • 11% Danceability • 2% Energy • 11% Liveness
19% Instrumentalness • 3% Positiveness
9% Popularity • 11% Danceability • 2% Energy • 11% Liveness
19% Instrumentalness • 3% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: Bonus e...
133 bpm • B min • 01:19 • -25.15db
13% Popularity • 17% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Will Todd
Softly
133 bpm • D# Maj • 03:30 • -29.39db
19% Popularity • 17% Danceability • 1% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 1% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Chichester Psalms: I. Psalm 108 - Psalm ...
132 bpm • F Maj • 03:41 • -13.38db
3% Popularity • 38% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 38% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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William Walker
Hallelujah (Arr. Shawn Kirchner)
170 bpm • A Maj • 03:27 • -23db
9% Popularity • 18% Danceability • 12% Energy • 8% Liveness
24% Instrumentalness • 19% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 8% Liveness
24% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Ach Herr, lass dein lieb Engelein, BWV 2...
170 bpm • D Maj • 02:09 • -21.91db
15% Popularity • 15% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 15% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Than...
132 bpm • C Maj • 01:34 • -16.66db
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: Ponet i...
132 bpm • B min • 01:10 • -23db
17% Popularity • 16% Danceability • 9% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 9% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Michael John Trotta
Surge Illuminare - Live
132 bpm • D Maj • 03:04 • -23.85db
17% Popularity • 19% Danceability • 7% Energy • 17% Liveness
21% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 17% Liveness
21% Instrumentalness • 4% Positiveness
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Anton Bruckner
Virga jesse floruit, WAB 52
132 bpm • E Maj • 03:58 • -19.46db
14% Popularity • 20% Danceability • 14% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 14% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
11% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Howard Goodall
Eternal Light: A Requiem (2008): Dies Ir...
171 bpm • D min • 05:36 • -19.13db
14% Popularity • 11% Danceability • 18% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
14% Popularity • 11% Danceability • 18% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
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Antonio Lotti
8-part Crucifixus
171 bpm • C min • 03:39 • -20db
28% Popularity • 10% Danceability • 11% Energy • 9% Liveness
40% Instrumentalness • 3% Positiveness
28% Popularity • 10% Danceability • 11% Energy • 9% Liveness
40% Instrumentalness • 3% Positiveness
