Songs like Nowhere Near (Underscore) by Pacifica Music
Based on a tempo of (+/- 10%) and a similar genre
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Harry Gregson-Williams
It's All A Lie
95 bpm • E min • 10:36 • -14.83db
24% Popularity • 29% Danceability • 41% Energy • 21% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 29% Danceability • 41% Energy • 21% Liveness
83% Instrumentalness • 4% Positiveness
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Bensound
Adventure
95 bpm • C# min • 03:07 • -10.66db
11% Popularity • 57% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 57% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Trevor Jones
Jones: Last of the Mohicans: The Kiss
95 bpm • C Maj • 03:26 • -19.36db
19% Popularity • 29% Danceability • 15% Energy • 28% Liveness
90% Instrumentalness • 30% Positiveness
19% Popularity • 29% Danceability • 15% Energy • 28% Liveness
90% Instrumentalness • 30% Positiveness
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Rob Simonsen
Intolerable Reality
95 bpm • F# min • 03:50 • -19.13db
20% Popularity • 13% Danceability • 20% Energy • 23% Liveness
73% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 20% Energy • 23% Liveness
73% Instrumentalness • 4% Positiveness
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Mark Isham
Luce's Test
95 bpm • G min • 02:21 • -13.99db
10% Popularity • 18% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Jeff Russo
Libra
94 bpm • A# min • 04:34 • -12.4db
12% Popularity • 14% Danceability • 31% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 31% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Enemy Territory
95 bpm • F min • 01:47 • -19.99db
15% Popularity • 18% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
15% Popularity • 18% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Shawn Pierce
Haven Piano Theme Extended
96 bpm • C min • 02:04 • -19.59db
12% Popularity • 61% Danceability • 7% Energy • 14% Liveness
86% Instrumentalness • 24% Positiveness
12% Popularity • 61% Danceability • 7% Energy • 14% Liveness
86% Instrumentalness • 24% Positiveness
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Dominic Lewis
Toilet Talk
94 bpm • C# Maj • 03:30 • -16.73db
18% Popularity • 52% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 52% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Kenneth Lampl
Breathe
94 bpm • A# Maj • 03:39 • -17.71db
14% Popularity • 14% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Ian Post
On the Way
94 bpm • B min • 02:45 • -8db
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
91% Instrumentalness • 44% Positiveness
18% Popularity • 72% Danceability • 56% Energy • 14% Liveness
91% Instrumentalness • 44% Positiveness
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Jeff Russo
Changes Course
96 bpm • A# min • 03:02 • -17.29db
17% Popularity • 42% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 42% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Michael Giacchino
End Credits
96 bpm • G min • 09:30 • -17.29db
23% Popularity • 22% Danceability • 18% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 18% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
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Samuel Sim
For Family
96 bpm • G Maj • 07:15 • -18.42db
8% Popularity • 16% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Antonio Pinto
The Mosquito Coast Main Title
97 bpm • B Maj • 01:21 • -13.43db
14% Popularity • 32% Danceability • 67% Energy • 16% Liveness
76% Instrumentalness • 6% Positiveness
14% Popularity • 32% Danceability • 67% Energy • 16% Liveness
76% Instrumentalness • 6% Positiveness
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Alex Baranowski
The Bell
93 bpm • D min • 01:34 • -18.44db
24% Popularity • 11% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Replicant
Love Rescue
97 bpm • A# Maj • 01:45 • -10.13db
9% Popularity • 40% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
9% Popularity • 40% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Carter Burwell
The Good Liar
93 bpm • A min • 03:41 • -17db
10% Popularity • 17% Danceability • 18% Energy • 13% Liveness
83% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 18% Energy • 13% Liveness
83% Instrumentalness • 6% Positiveness
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Pacifica Music
Robbers
97 bpm • G# Maj • 02:31 • -15.4db
0% Popularity • 52% Danceability • 29% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
0% Popularity • 52% Danceability • 29% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Andrea Bonini
Mine Theme
93 bpm • F Maj • 03:08 • -30.77db
12% Popularity • 11% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Christopher Tyng
Mike & Rachel
97 bpm • C Maj • 01:17 • -19.95db
30% Popularity • 50% Danceability • 17% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
30% Popularity • 50% Danceability • 17% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Clooney
Raise It Up
98 bpm • C Maj • 04:39 • -5.48db
17% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Martin Villiger
Die Bergretter (Air Zermatt)
92 bpm • D min • 03:18 • -15.87db
10% Popularity • 66% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
10% Popularity • 66% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Christoffer Moe Ditlevsen
A Way of Life
98 bpm • F# Maj • 02:21 • -9.45db
9% Popularity • 14% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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David Buckley
Brave New World
92 bpm • C# Maj • 02:23 • -13.73db
21% Popularity • 20% Danceability • 37% Energy • 8% Liveness
100% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 37% Energy • 8% Liveness
100% Instrumentalness • 4% Positiveness
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Rolfe Kent
A dock in Norway: the originals
92 bpm • A Maj • 02:31 • -19db
13% Popularity • 28% Danceability • 17% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
13% Popularity • 28% Danceability • 17% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
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Trevor Morris
Bail Office
99 bpm • C Maj • 02:14 • -17.19db
10% Popularity • 65% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 27% Positiveness
10% Popularity • 65% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 27% Positiveness
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Mychael Danna
Bill Baker
99 bpm • C Maj • 02:28 • -16.59db
19% Popularity • 67% Danceability • 16% Energy • 18% Liveness
65% Instrumentalness • 24% Positiveness
19% Popularity • 67% Danceability • 16% Energy • 18% Liveness
65% Instrumentalness • 24% Positiveness
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Pacifica Music
Danger
99 bpm • A Maj • 02:14 • -20.11db
0% Popularity • 16% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
0% Popularity • 16% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Rostam Batmanglij
Doc's Song
99 bpm • C Maj • 01:37 • -22.25db
10% Popularity • 35% Danceability • 11% Energy • 8% Liveness
87% Instrumentalness • 58% Positiveness
10% Popularity • 35% Danceability • 11% Energy • 8% Liveness
87% Instrumentalness • 58% Positiveness
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Anne Nikitin
Breaking the Glass Ceiling
100 bpm • A min • 02:39 • -19.36db
9% Popularity • 17% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Rolfe Kent
The Aeroplane home / the rain
99 bpm • C Maj • 04:01 • -20.94db
11% Popularity • 22% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Mark Isham
The Accountant
100 bpm • E min • 03:43 • -17db
20% Popularity • 27% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 27% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Jeff Grace
Bonfire
100 bpm • C Maj • 02:18 • -13.52db
8% Popularity • 46% Danceability • 26% Energy • 7% Liveness
83% Instrumentalness • 21% Positiveness
8% Popularity • 46% Danceability • 26% Energy • 7% Liveness
83% Instrumentalness • 21% Positiveness
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Pacifica Music
Sock Hop Rock
90 bpm • F# min • 02:58 • -12.12db
0% Popularity • 75% Danceability • 51% Energy • 15% Liveness
90% Instrumentalness • 86% Positiveness
0% Popularity • 75% Danceability • 51% Energy • 15% Liveness
90% Instrumentalness • 86% Positiveness
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Jon Opstad
Polly Explores
100 bpm • D Maj • 01:39 • -24.45db
17% Popularity • 63% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
17% Popularity • 63% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Philip Ayers
Loyalty
100 bpm • C Maj • 02:15 • -14.6db
9% Popularity • 50% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
9% Popularity • 50% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Stuart Roslyn
Waterfall Creek
100 bpm • G# Maj • 02:02 • -14.43db
12% Popularity • 54% Danceability • 44% Energy • 10% Liveness
73% Instrumentalness • 8% Positiveness
12% Popularity • 54% Danceability • 44% Energy • 10% Liveness
73% Instrumentalness • 8% Positiveness
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Lorne Balfe
We Ride Together, We Die Together
100 bpm • G min • 06:02 • -9.75db
22% Popularity • 26% Danceability • 76% Energy • 27% Liveness
94% Instrumentalness • 13% Positiveness
22% Popularity • 26% Danceability • 76% Energy • 27% Liveness
94% Instrumentalness • 13% Positiveness
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Littleclubthing
Where
100 bpm • C Maj • 03:52 • -9.92db
11% Popularity • 22% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 56% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Paul Mottram
Honest Endeavour
100 bpm • C min • 03:36 • -14.59db
11% Popularity • 87% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
11% Popularity • 87% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 62% Positiveness
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Pacifica Music
The Mystery Unfolds (Underscore)
100 bpm • C Maj • 02:07 • -27.7db
0% Popularity • 75% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
0% Popularity • 75% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Mark Isham
El Train / Waterline
90 bpm • E min • 08:46 • -19.74db
10% Popularity • 33% Danceability • 24% Energy • 8% Liveness
25% Instrumentalness • 8% Positiveness
10% Popularity • 33% Danceability • 24% Energy • 8% Liveness
25% Instrumentalness • 8% Positiveness
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Tim Despic
Summit
100 bpm • G# Maj • 01:33 • -12.05db
13% Popularity • 40% Danceability • 32% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 40% Danceability • 32% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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José Manuel González Núñez
In Aeris
90 bpm • G# Maj • 04:49 • -13db
13% Popularity • 36% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
13% Popularity • 36% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Steve Jablonsky
Masquerade Ball
90 bpm • G# Maj • 04:41 • -16.07db
7% Popularity • 68% Danceability • 39% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
7% Popularity • 68% Danceability • 39% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Morgan Kibby
Paradise
90 bpm • C# Maj • 02:03 • -18db
17% Popularity • 19% Danceability • 27% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 27% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Pacifica Music
Vade in Pace
90 bpm • A min • 04:34 • -10.68db
0% Popularity • 41% Danceability • 45% Energy • 31% Liveness
2% Instrumentalness • 13% Positiveness
0% Popularity • 41% Danceability • 45% Energy • 31% Liveness
2% Instrumentalness • 13% Positiveness
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Nima Fakhrara
Lou Sketch Book
101 bpm • G Maj • 06:31 • -19.06db
8% Popularity • 27% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 27% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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George Fenton
Fool's Gold Legend And Main Title
101 bpm • G Maj • 04:23 • -12.25db
20% Popularity • 66% Danceability • 52% Energy • 15% Liveness
65% Instrumentalness • 38% Positiveness
20% Popularity • 66% Danceability • 52% Energy • 15% Liveness
65% Instrumentalness • 38% Positiveness
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Kenneth Lampl
Apotheosis
89 bpm • G Maj • 04:11 • -14db
11% Popularity • 10% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 10% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Jamie Salisbury
Epic Emotional Trailer
89 bpm • E min • 02:17 • -10.63db
10% Popularity • 30% Danceability • 47% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 47% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
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Rob Simonsen
Corruption
89 bpm • F Maj • 01:00 • -17.83db
9% Popularity • 61% Danceability • 7% Energy • 19% Liveness
95% Instrumentalness • 8% Positiveness
9% Popularity • 61% Danceability • 7% Energy • 19% Liveness
95% Instrumentalness • 8% Positiveness
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Lorne Balfe
Bigger Than Jesus
102 bpm • C# Maj • 01:40 • -11.37db
20% Popularity • 50% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
20% Popularity • 50% Danceability • 49% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Johnny Klimek
Flying Mountains
102 bpm • C Maj • 01:49 • -15.47db
9% Popularity • 50% Danceability • 50% Energy • 13% Liveness
85% Instrumentalness • 18% Positiveness
9% Popularity • 50% Danceability • 50% Energy • 13% Liveness
85% Instrumentalness • 18% Positiveness
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Pacifica Music
Give You What You Want (Explicit)
88 bpm • E min • 03:24 • -5.33db
0% Popularity • 67% Danceability • 37% Energy • 10% Liveness
22% Instrumentalness • 53% Positiveness
0% Popularity • 67% Danceability • 37% Energy • 10% Liveness
22% Instrumentalness • 53% Positiveness
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Christoffer Moe Ditlevsen
Return of Light
88 bpm • G min • 03:55 • -15.3db
8% Popularity • 18% Danceability • 22% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 22% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Blake Neely
Can You Stay?
88 bpm • A# Maj • 04:37 • -28.83db
17% Popularity • 11% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 5% Positiveness
17% Popularity • 11% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 5% Positiveness
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Kikoru
The Storyteller
103 bpm • G# Maj • 02:08 • -13.52db
27% Popularity • 35% Danceability • 24% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
27% Popularity • 35% Danceability • 24% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Blackdom
88 bpm • E min • 02:12 • -27.59db
24% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Johnny Klimek
Rapid Fun
102 bpm • A min • 01:21 • -14.83db
25% Popularity • 55% Danceability • 55% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 55% Danceability • 55% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Éric Serra
Disturbing Day for Maude
103 bpm • C Maj • 01:09 • -22.06db
14% Popularity • 34% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
14% Popularity • 34% Danceability • 13% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Pacifica Music
Conspiracy (Underscore)
103 bpm • F min • 03:05 • -11.28db
0% Popularity • 71% Danceability • 42% Energy • 15% Liveness
89% Instrumentalness • 12% Positiveness
0% Popularity • 71% Danceability • 42% Energy • 15% Liveness
89% Instrumentalness • 12% Positiveness
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Jeff Grace
Colorado
87 bpm • F Maj • 03:42 • -14.9db
11% Popularity • 24% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
11% Popularity • 24% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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SWANN
Black Hole Sun
87 bpm • D Maj • 04:04 • -13db
22% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Craig Armstrong
In Time Main Theme (Orchestral)
87 bpm • C Maj • 02:24 • -11.72db
15% Popularity • 34% Danceability • 18% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
15% Popularity • 34% Danceability • 18% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Blake Neely
Pillow Talk / Beck Writes
104 bpm • C min • 04:24 • -17.8db
20% Popularity • 37% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
20% Popularity • 37% Danceability • 34% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Athyia
Apparat 'Goodbye' Dark (Netflix) Theme S...
87 bpm • C# min • 05:57 • -8.69db
16% Popularity • 47% Danceability • 79% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
16% Popularity • 47% Danceability • 79% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
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Sherri Chung
Going For A Walk
104 bpm • G Maj • 01:35 • -25.07db
10% Popularity • 38% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
10% Popularity • 38% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Michael Price
In Pursuit of Immortality
87 bpm • G Maj • 02:17 • -12.14db
11% Popularity • 38% Danceability • 40% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
11% Popularity • 38% Danceability • 40% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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Pacifica Music
Stadium of Heroes
104 bpm • D min • 02:56 • -10.87db
1% Popularity • 49% Danceability • 48% Energy • 14% Liveness
93% Instrumentalness • 37% Positiveness
1% Popularity • 49% Danceability • 48% Energy • 14% Liveness
93% Instrumentalness • 37% Positiveness
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Fabien Tell
Fly Baby Fly
104 bpm • G Maj • 01:39 • -17db
21% Popularity • 92% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 74% Positiveness
21% Popularity • 92% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 74% Positiveness
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Lorne Balfe
Going Home
104 bpm • G# Maj • 02:15 • -17.46db
34% Popularity • 48% Danceability • 13% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 48% Danceability • 13% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Niki Reiser
Klara Can Walk
87 bpm • A min • 03:28 • -12.87db
12% Popularity • 23% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 10% Positiveness
12% Popularity • 23% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 10% Positiveness
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Dan Levy
Vesper's Dream
104 bpm • A# min • 01:19 • -21.12db
10% Popularity • 15% Danceability • 11% Energy • 9% Liveness
21% Instrumentalness • 7% Positiveness
10% Popularity • 15% Danceability • 11% Energy • 9% Liveness
21% Instrumentalness • 7% Positiveness
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David Buckley
Greenland
86 bpm • G Maj • 03:49 • -17.29db
13% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Pacifica Music
Ode to Laura
105 bpm • F Maj • 03:00 • -15.02db
0% Popularity • 15% Danceability • 25% Energy • 16% Liveness
87% Instrumentalness • 8% Positiveness
0% Popularity • 15% Danceability • 25% Energy • 16% Liveness
87% Instrumentalness • 8% Positiveness
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Mammoth
Crux
105 bpm • A min • 02:13 • -20.76db
9% Popularity • 41% Danceability • 41% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
9% Popularity • 41% Danceability • 41% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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Philip Guyler
Soaring Horizon
105 bpm • G min • 02:08 • -14.67db
13% Popularity • 68% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
13% Popularity • 68% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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John Powell
Surf's Up
105 bpm • C Maj • 01:11 • -12.04db
11% Popularity • 64% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
11% Popularity • 64% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Joe Kraemer
Finale & End Credits
86 bpm • E min • 07:25 • -21.08db
12% Popularity • 12% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Philip Klein
These Things We Do, That Others May Live...
86 bpm • C Maj • 08:35 • -19.36db
8% Popularity • 9% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Pacifica Music
Chili Cook Off
105 bpm • F Maj • 03:07 • -12.17db
0% Popularity • 80% Danceability • 58% Energy • 7% Liveness
96% Instrumentalness • 97% Positiveness
0% Popularity • 80% Danceability • 58% Energy • 7% Liveness
96% Instrumentalness • 97% Positiveness
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John Gürtler
Anni
86 bpm • E min • 01:31 • -17.14db
15% Popularity • 20% Danceability • 19% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
15% Popularity • 20% Danceability • 19% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Assaf Ayalon
Music
105 bpm • A# min • 03:17 • -5.58db
21% Popularity • 53% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
21% Popularity • 53% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 64% Positiveness
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Paul Leonard-Morgan
Reveal
105 bpm • E min • 06:03 • -26.51db
11% Popularity • 15% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Rob Simonsen
Walk in the Trees
106 bpm • D# Maj • 02:31 • -17.34db
26% Popularity • 47% Danceability • 18% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
26% Popularity • 47% Danceability • 18% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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Aaron Zigman
Hello It's Me - Instrumental
85 bpm • A# Maj • 01:20 • -24.78db
12% Popularity • 18% Danceability • 5% Energy • 14% Liveness
100% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 5% Energy • 14% Liveness
100% Instrumentalness • 4% Positiveness
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Andreas Söderström
Hotell 2
106 bpm • E min • 02:20 • -25db
32% Popularity • 36% Danceability • 3% Energy • 28% Liveness
95% Instrumentalness • 6% Positiveness
32% Popularity • 36% Danceability • 3% Energy • 28% Liveness
95% Instrumentalness • 6% Positiveness
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Clint Mansell
Abandon Opening Titles
106 bpm • A min • 02:06 • -7.37db
10% Popularity • 65% Danceability • 62% Energy • 11% Liveness
50% Instrumentalness • 24% Positiveness
10% Popularity • 65% Danceability • 62% Energy • 11% Liveness
50% Instrumentalness • 24% Positiveness
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Adam Peters
Icarus Ending
106 bpm • C min • 03:15 • -16.83db
20% Popularity • 49% Danceability • 36% Energy • 9% Liveness
93% Instrumentalness • 34% Positiveness
20% Popularity • 49% Danceability • 36% Energy • 9% Liveness
93% Instrumentalness • 34% Positiveness
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Johan Söderqvist
Omerta Of The Libertines
106 bpm • C# min • 01:26 • -11db
29% Popularity • 15% Danceability • 46% Energy • 27% Liveness
99% Instrumentalness • 15% Positiveness
29% Popularity • 15% Danceability • 46% Energy • 27% Liveness
99% Instrumentalness • 15% Positiveness
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Rolfe Kent
Frank The HandyMan
106 bpm • A min • 02:24 • -28.1db
9% Popularity • 17% Danceability • 10% Energy • 11% Liveness
56% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 10% Energy • 11% Liveness
56% Instrumentalness • 7% Positiveness
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Fil Eisler
Waterfall Memories
85 bpm • D Maj • 02:29 • -23.72db
11% Popularity • 18% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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John Debney
Best Friends Again / I Love You
85 bpm • A Maj • 02:40 • -20.09db
9% Popularity • 27% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
9% Popularity • 27% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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DJ Maze
Generic New School
107 bpm • C Maj • 03:44 • -9.78db
8% Popularity • 37% Danceability • 59% Energy • 36% Liveness
48% Instrumentalness • 31% Positiveness
8% Popularity • 37% Danceability • 59% Energy • 36% Liveness
48% Instrumentalness • 31% Positiveness
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Geoff Zanelli
Voyeurism
84 bpm • A min • 02:35 • -25.98db
12% Popularity • 9% Danceability • 4% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 4% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Lars Wissing
Stand Up For Magne
107 bpm • F Maj • 02:40 • -30.54db
18% Popularity • 31% Danceability • 6% Energy • 19% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 31% Danceability • 6% Energy • 19% Liveness
89% Instrumentalness • 4% Positiveness
