Songs like O God, Our Help in Ages Past by Capt. D.N. Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Ernest Gold
The Exodus Song (Arr. by Johan de Meij)
74 bpm • G min • 04:14 • -16db
13% Popularity • 14% Danceability • 7% Energy • 14% Liveness
86% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 7% Energy • 14% Liveness
86% Instrumentalness • 7% Positiveness
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Goff Richards
Calling Cornwall
74 bpm • F Maj • 03:39 • -17.29db
11% Popularity • 22% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Paul Hindemith
March from Symphonic Metamorfosis V
74 bpm • D# Maj • 01:01 • -12.77db
23% Popularity • 48% Danceability • 67% Energy • 67% Liveness
91% Instrumentalness • 17% Positiveness
23% Popularity • 48% Danceability • 67% Energy • 67% Liveness
91% Instrumentalness • 17% Positiveness
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Encontro dos Amigos
Hino 256 - Sem Deus Pai, Vivi no Mundo -...
74 bpm • G Maj • 03:06 • -14.21db
10% Popularity • 24% Danceability • 18% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 18% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
Dear Lord, Another Day Has Come to End S...
74 bpm • D# Maj • 02:56 • -16.45db
11% Popularity • 21% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
11% Popularity • 21% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Capt. D.N. Taylor
O God, Our Help in Ages Past
74 bpm • C Maj • 02:01 • -15.6db
0% Popularity • 22% Danceability • 21% Energy • 21% Liveness
93% Instrumentalness • 20% Positiveness
0% Popularity • 22% Danceability • 21% Energy • 21% Liveness
93% Instrumentalness • 20% Positiveness
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Benjamin Carpenter
Going Home/As the Deer
74 bpm • C# Maj • 03:00 • -22.05db
11% Popularity • 18% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Clara Schumann
Drei gemischte Chöre (arr. for brass en...
75 bpm • F Maj • 02:49 • -25.62db
8% Popularity • 7% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Bernard Zweers
To my Country from Symponie Nr. 3
73 bpm • D min • 04:30 • -19.11db
9% Popularity • 8% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Michael Valenti
St. Barthelemy
73 bpm • F min • 01:10 • -12.9db
14% Popularity • 23% Danceability • 34% Energy • 34% Liveness
97% Instrumentalness • 7% Positiveness
14% Popularity • 23% Danceability • 34% Energy • 34% Liveness
97% Instrumentalness • 7% Positiveness
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The Band of the Corps of Royal Engineers
Music For a Solemn Occasion: Funeral Mar...
75 bpm • A# min • 04:15 • -11.92db
16% Popularity • 33% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
16% Popularity • 33% Danceability • 18% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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The Royal Scots Dragoon Guards
Russian Imperial Anthem
75 bpm • F# Maj • 00:55 • -18.23db
23% Popularity • 28% Danceability • 4% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
23% Popularity • 28% Danceability • 4% Energy • 14% Liveness
81% Instrumentalness • 11% Positiveness
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Jacob de Haan
Yellow Mountains
75 bpm • G# Maj • 03:59 • -21db
25% Popularity • 8% Danceability • 8% Energy • 13% Liveness
83% Instrumentalness • 8% Positiveness
25% Popularity • 8% Danceability • 8% Energy • 13% Liveness
83% Instrumentalness • 8% Positiveness
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Anna Bon
Flute Sonata in G major, Op. 1 No. 6: I....
73 bpm • F Maj • 08:40 • -10.57db
18% Popularity • 38% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 94% Positiveness
18% Popularity • 38% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 94% Positiveness
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Friedrich Wilhelm Becker
A Forest Fairytale
73 bpm • C# Maj • 02:37 • -15.65db
9% Popularity • 26% Danceability • 22% Energy • 16% Liveness
92% Instrumentalness • 43% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 16% Liveness
92% Instrumentalness • 43% Positiveness
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Wilhelm Furtwängler
Variations on a Theme by Haydn, Op.56: O...
73 bpm • A# Maj • 02:13 • -19.81db
11% Popularity • 26% Danceability • 8% Energy • 13% Liveness
96% Instrumentalness • 27% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 13% Liveness
96% Instrumentalness • 27% Positiveness
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Giacomo Puccini
Puccini: Tosca, E Lucevan le stelle
72 bpm • C min • 02:25 • -18.86db
11% Popularity • 10% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Pierrot-Clique
Neyi Glaibasler / Dr Naarebaschi
76 bpm • F min • 04:46 • -14.36db
8% Popularity • 63% Danceability • 69% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 63% Danceability • 69% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
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Rossano Galante
Phoenix ascending
72 bpm • C min • 05:57 • -13.56db
8% Popularity • 25% Danceability • 22% Energy • 8% Liveness
81% Instrumentalness • 13% Positiveness
8% Popularity • 25% Danceability • 22% Energy • 8% Liveness
81% Instrumentalness • 13% Positiveness
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J.B.A. Palm
Bonaire: Tera di Solo y suave biento (La...
72 bpm • G min • 01:01 • -15.71db
13% Popularity • 36% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 24% Positiveness
13% Popularity • 36% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 24% Positiveness
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Eddie Lewis
Alas! and Did My Savior Bleed?
72 bpm • C min • 01:09 • -20db
15% Popularity • 25% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
15% Popularity • 25% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Orquestra Sacra
Coro 3 - Ação de graças darei
76 bpm • G Maj • 01:26 • -21.37db
12% Popularity • 16% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 37% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 37% Positiveness
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Schmuzick Productions
Wagner: Bridal Chorus from Lohengrin
76 bpm • A# Maj • 01:42 • -15.01db
16% Popularity • 44% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
16% Popularity • 44% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Fritz Spiegl
Radio 4 UK Theme
72 bpm • A# Maj • 05:29 • -17.15db
8% Popularity • 25% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 13% Positiveness
8% Popularity • 25% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 13% Positiveness
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Laestadian Lutheran Church
"Away! Away" the Call Resounds SHZ 264
72 bpm • G min • 02:13 • -26.81db
10% Popularity • 23% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Deunov
Thoughts
72 bpm • D Maj • 03:23 • -24.75db
9% Popularity • 13% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
9% Popularity • 13% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Swiss Army Brass Band & Andreas Spörri
Suite Gothique - Toccata
72 bpm • F# Maj • 03:27 • -20.73db
9% Popularity • 32% Danceability • 14% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
9% Popularity • 32% Danceability • 14% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Andrew Lloyd Webber
Jesus Christ Superstar (Arr. by Willy Ha...
72 bpm • D# Maj • 07:55 • -19.1db
8% Popularity • 13% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
8% Popularity • 13% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Melbourne Staff Band
The Kingdom Is Theirs
76 bpm • A# Maj • 03:19 • -15.42db
16% Popularity • 30% Danceability • 34% Energy • 12% Liveness
96% Instrumentalness • 39% Positiveness
16% Popularity • 30% Danceability • 34% Energy • 12% Liveness
96% Instrumentalness • 39% Positiveness
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Orquestra Sacra
120 - Nossa cruz tomemos
76 bpm • D# Maj • 03:04 • -19.03db
12% Popularity • 10% Danceability • 15% Energy • 14% Liveness
85% Instrumentalness • 21% Positiveness
12% Popularity • 10% Danceability • 15% Energy • 14% Liveness
85% Instrumentalness • 21% Positiveness
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Trade Winds Recording Ensemble
Tempt the Machine
72 bpm • G min • 01:55 • -16.86db
7% Popularity • 42% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 57% Positiveness
7% Popularity • 42% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 57% Positiveness
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3T Brass
Hino 3 - 3T Brass Band
71 bpm • G Maj • 03:58 • -18.58db
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Swiss Army Brass Band & Andreas Spörri
S'Isch Äbe-n-e Mönsch Uf Ärde
72 bpm • D# min • 05:48 • -18.82db
8% Popularity • 7% Danceability • 17% Energy • 68% Liveness
93% Instrumentalness • 5% Positiveness
8% Popularity • 7% Danceability • 17% Energy • 68% Liveness
93% Instrumentalness • 5% Positiveness
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Thomas Hastings
Rock of Ages (arr. G. Slechta)
71 bpm • F Maj • 02:21 • -26.25db
10% Popularity • 36% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 13% Positiveness
10% Popularity • 36% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 13% Positiveness
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Alexa Lithgow
O God Our Help
77 bpm • A# Maj • 01:27 • -23.36db
18% Popularity • 20% Danceability • 11% Energy • 20% Liveness
85% Instrumentalness • 23% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 20% Liveness
85% Instrumentalness • 23% Positiveness
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Johann Adolf Hasse
Grande Sonata in B -Flat Major: IV. Anda...
71 bpm • A# Maj • 06:01 • -10.93db
18% Popularity • 39% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 94% Positiveness
18% Popularity • 39% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 94% Positiveness
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Diamond String Orchestra
Don't Speak
77 bpm • F min • 04:32 • -9.07db
8% Popularity • 20% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
8% Popularity • 20% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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The Band of the Corps of Royal Engineers
Music For a Ceramonial Occasion:
71 bpm • G Maj • 01:14 • -8.89db
17% Popularity • 38% Danceability • 26% Energy • 16% Liveness
87% Instrumentalness • 29% Positiveness
17% Popularity • 38% Danceability • 26% Energy • 16% Liveness
87% Instrumentalness • 29% Positiveness
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Koninklijke Biltse Harmonie
Suite from 'Hymn of the Highlands': I. A...
71 bpm • F Maj • 06:06 • -13.88db
14% Popularity • 11% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
14% Popularity • 11% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Militärmusik Tirol
Landeshymne Oberösterreich
77 bpm • D# Maj • 00:46 • -20.75db
8% Popularity • 28% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Encontro dos Amigos
Hino 200 - Não Se Turbe o Vosso Coraç�...
71 bpm • A Maj • 03:19 • -16.7db
7% Popularity • 26% Danceability • 19% Energy • 13% Liveness
95% Instrumentalness • 10% Positiveness
7% Popularity • 26% Danceability • 19% Energy • 13% Liveness
95% Instrumentalness • 10% Positiveness
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Melissa Venema - Trumpet
4. Abide With Me W. Monk
77 bpm • D# Maj • 02:42 • -21.73db
19% Popularity • 15% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
19% Popularity • 15% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Johann Schop
Sollt ich meinem Gott nicht singen
71 bpm • C min • 03:31 • -18.77db
15% Popularity • 14% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Woodstock Music
Trag mi, Wind - Blasorchester
77 bpm • D# Maj • 03:36 • -21.93db
10% Popularity • 12% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 12% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Samuel Sebastian Wesley
Aurelia (Arr. for Brass Band)
71 bpm • D# Maj • 02:43 • -18db
11% Popularity • 11% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Maryna Aksenov
Prologue
78 bpm • A Maj • 01:05 • -11.45db
17% Popularity • 18% Danceability • 32% Energy • 7% Liveness
70% Instrumentalness • 6% Positiveness
17% Popularity • 18% Danceability • 32% Energy • 7% Liveness
70% Instrumentalness • 6% Positiveness
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Sally Beamish
In the Stillness (arr. by Jarle Storløk...
70 bpm • G Maj • 02:09 • -23.14db
12% Popularity • 21% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Swiss Army Brass Band & Andreas Spörri
Deep Harmony
78 bpm • C# Maj • 02:09 • -20.37db
21% Popularity • 19% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
21% Popularity • 19% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Musikkapelle St. Anton am Arlberg
A Highland Cathedral
70 bpm • A# Maj • 03:40 • -13.15db
12% Popularity • 26% Danceability • 32% Energy • 13% Liveness
94% Instrumentalness • 39% Positiveness
12% Popularity • 26% Danceability • 32% Energy • 13% Liveness
94% Instrumentalness • 39% Positiveness
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New York Staff Band
Alone Yet Not Alone
70 bpm • D# Maj • 03:58 • -19.19db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Paul Lovatt-Cooper
Where Eagles Sing
78 bpm • F Maj • 04:40 • -15.66db
9% Popularity • 18% Danceability • 45% Energy • 76% Liveness
81% Instrumentalness • 29% Positiveness
9% Popularity • 18% Danceability • 45% Energy • 76% Liveness
81% Instrumentalness • 29% Positiveness
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Marc Ezenge
No One Higher
78 bpm • C# Maj • 02:13 • -21.45db
12% Popularity • 35% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 20% Positiveness
12% Popularity • 35% Danceability • 5% Energy • 20% Liveness
92% Instrumentalness • 20% Positiveness
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Andrea Giuffredi
Mattinata
78 bpm • D# Maj • 03:01 • -8db
8% Popularity • 28% Danceability • 21% Energy • 14% Liveness
85% Instrumentalness • 14% Positiveness
8% Popularity • 28% Danceability • 21% Energy • 14% Liveness
85% Instrumentalness • 14% Positiveness
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Otto M. Schwarz
Spirit of Time
78 bpm • F Maj • 09:38 • -14db
14% Popularity • 16% Danceability • 29% Energy • 33% Liveness
91% Instrumentalness • 12% Positiveness
14% Popularity • 16% Danceability • 29% Energy • 33% Liveness
91% Instrumentalness • 12% Positiveness
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K & G
Soldier On
70 bpm • D# Maj • 03:26 • -19.27db
8% Popularity • 18% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Alberto Moggi
Reasons Can Wait
70 bpm • C Maj • 02:56 • -23.01db
11% Popularity • 7% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
11% Popularity • 7% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Leroy Anderson
The Rakes Of Mallow - Mono
78 bpm • G Maj • 03:12 • -12.67db
9% Popularity • 31% Danceability • 44% Energy • 10% Liveness
70% Instrumentalness • 54% Positiveness
9% Popularity • 31% Danceability • 44% Energy • 10% Liveness
70% Instrumentalness • 54% Positiveness
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Amata Kabua
Marshall Islands
78 bpm • G Maj • 02:18 • -19.67db
12% Popularity • 7% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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The Band Of The Royal Air Force Regiment
Ad Astra
78 bpm • C Maj • 04:54 • -10.03db
3% Popularity • 23% Danceability • 28% Energy • 7% Liveness
95% Instrumentalness • 10% Positiveness
3% Popularity • 23% Danceability • 28% Energy • 7% Liveness
95% Instrumentalness • 10% Positiveness
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Christopher Binns
Armistice Hymn
70 bpm • D# Maj • 04:28 • -13.68db
18% Popularity • 11% Danceability • 19% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
18% Popularity • 11% Danceability • 19% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
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Paul Lovatt-Cooper
Donegal Bay
70 bpm • F Maj • 04:24 • -24db
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Rossano Galante
Mt. Everest
70 bpm • A# Maj • 05:11 • -17.84db
8% Popularity • 12% Danceability • 24% Energy • 78% Liveness
90% Instrumentalness • 15% Positiveness
8% Popularity • 12% Danceability • 24% Energy • 78% Liveness
90% Instrumentalness • 15% Positiveness
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Johann Strauss II
ポルカ「狩り」
79 bpm • G# Maj • 02:32 • -16.03db
13% Popularity • 57% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 69% Positiveness
13% Popularity • 57% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 69% Positiveness
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Canberra Freelance Players
Auróra Musis Amíca: Fanfare For Canber...
79 bpm • G Maj • 02:50 • -16.73db
8% Popularity • 21% Danceability • 24% Energy • 24% Liveness
89% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 24% Energy • 24% Liveness
89% Instrumentalness • 6% Positiveness
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Marcel Boom
Annie Laurie - Baritone Horn & Tuba Mult...
70 bpm • C Maj • 01:43 • -28.43db
16% Popularity • 16% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 26% Positiveness
16% Popularity • 16% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 26% Positiveness
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Luca Schettino
Celestial Serenade for Orchestra
70 bpm • G# Maj • 02:28 • -17.3db
9% Popularity • 23% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
9% Popularity • 23% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Ian Feltwell
Nothing but Thy Blood
70 bpm • A# Maj • 04:02 • -23.29db
9% Popularity • 21% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Patrick Heeney
National Anthem of Republic of Ireland
79 bpm • A# Maj • 01:25 • -16db
17% Popularity • 22% Danceability • 20% Energy • 23% Liveness
84% Instrumentalness • 25% Positiveness
17% Popularity • 22% Danceability • 20% Energy • 23% Liveness
84% Instrumentalness • 25% Positiveness
► Preview
Francisco Valor Llorens
De Fusta a Metall
79 bpm • C# Maj • 05:39 • -15.17db
7% Popularity • 33% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 33% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Dmitry Bortniansky
The Lord in Zion Reigneth Ceremonial Mar...
79 bpm • D# Maj • 03:02 • -19.79db
9% Popularity • 8% Danceability • 7% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 7% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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Martin Malto
Te Deum
69 bpm • D Maj • 01:34 • -10.9db
9% Popularity • 21% Danceability • 27% Energy • 18% Liveness
92% Instrumentalness • 30% Positiveness
9% Popularity • 21% Danceability • 27% Energy • 18% Liveness
92% Instrumentalness • 30% Positiveness
► Preview
James Swearingen
エグザルテーション
79 bpm • D# Maj • 04:58 • -16.12db
11% Popularity • 22% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Max Reger
30 Kleine Choralvorspiele, Op. 135a: No....
69 bpm • G# Maj • 01:22 • -15db
18% Popularity • 28% Danceability • 14% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
18% Popularity • 28% Danceability • 14% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Steven Bryant
Dusk
69 bpm • G# Maj • 05:24 • -19db
8% Popularity • 6% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 6% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
José Alberto Pina
Excalibur
79 bpm • G min • 11:58 • -15.23db
11% Popularity • 18% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
11% Popularity • 18% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Johan de Meij
To My Country Bernard Zweers /johan De ...
69 bpm • D min • 03:36 • -21db
20% Popularity • 12% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
20% Popularity • 12% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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The Rolls Royce Coventry Brass Band
Love Changes Everything
79 bpm • C# Maj • 03:55 • -17.36db
11% Popularity • 22% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 12% Positiveness
11% Popularity • 22% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 12% Positiveness
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Jamie Whitmarsh
Portraits for Trumpet and Piano : V. Aus...
69 bpm • E Maj • 01:19 • -22.26db
10% Popularity • 35% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
10% Popularity • 35% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Jay Ungar
The Ashokan Farewell
69 bpm • G# Maj • 05:34 • -19db
8% Popularity • 10% Danceability • 7% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 7% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Ted Huggens
Give us Peace
69 bpm • D# Maj • 03:00 • -19.44db
8% Popularity • 14% Danceability • 18% Energy • 16% Liveness
92% Instrumentalness • 11% Positiveness
8% Popularity • 14% Danceability • 18% Energy • 16% Liveness
92% Instrumentalness • 11% Positiveness
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3T Brass
Hino 395 - 3T Brass Band
69 bpm • D# Maj • 03:12 • -16.59db
10% Popularity • 11% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Leopold Koželuch
Theresien-Fanfaren
79 bpm • D# Maj • 01:20 • -26.12db
18% Popularity • 40% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 48% Positiveness
18% Popularity • 40% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 48% Positiveness
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Stefan Nilsson
Gabriella's Sång
69 bpm • C# Maj • 04:36 • -23.47db
9% Popularity • 15% Danceability • 3% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
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Bedřich Smetana
The Prague Carnival. Introduction and Po...
69 bpm • A Maj • 05:57 • -15.52db
22% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
22% Popularity • 16% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
69 bpm • D# Maj • 01:09 • -17.95db
16% Popularity • 15% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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The Band of the Corps of Royal Engineers
Music For a Solemn Occasion: Funeral Mar...
69 bpm • A# min • 05:06 • -11.85db
9% Popularity • 32% Danceability • 24% Energy • 11% Liveness
67% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 24% Energy • 11% Liveness
67% Instrumentalness • 13% Positiveness
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Ace Diamond Boy
Knees
80 bpm • G# Maj • 02:45 • -13.93db
9% Popularity • 20% Danceability • 32% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 32% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
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Princess Te Rangi Pai
Hine e Hine
68 bpm • A# Maj • 03:34 • -18db
10% Popularity • 23% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
10% Popularity • 23% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
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New York Staff Band
War Cry
80 bpm • C min • 02:56 • -12db
12% Popularity • 32% Danceability • 52% Energy • 6% Liveness
94% Instrumentalness • 35% Positiveness
12% Popularity • 32% Danceability • 52% Energy • 6% Liveness
94% Instrumentalness • 35% Positiveness
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Christian Lindberg
Amicitia (Friendship) II
68 bpm • D Maj • 01:21 • -18.67db
13% Popularity • 36% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
13% Popularity • 36% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Ignaz Frank
Grosser Gott, wir loben Dich
80 bpm • F Maj • 02:19 • -19.57db
11% Popularity • 12% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Richard Wagner
Das Rheingold, WWV 86A, Scene IV: Entry ...
80 bpm • C# Maj • 06:21 • -18.35db
8% Popularity • 8% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
8% Popularity • 8% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Pawb/All
Hen Wlad Fy Nhadau
80 bpm • D# Maj • 02:29 • -9.89db
8% Popularity • 14% Danceability • 54% Energy • 81% Liveness
97% Instrumentalness • 25% Positiveness
8% Popularity • 14% Danceability • 54% Energy • 81% Liveness
97% Instrumentalness • 25% Positiveness
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Capt. D.N. Taylor
Dead March
68 bpm • D# Maj • 04:06 • -13.58db
10% Popularity • 11% Danceability • 34% Energy • 18% Liveness
94% Instrumentalness • 10% Positiveness
10% Popularity • 11% Danceability • 34% Energy • 18% Liveness
94% Instrumentalness • 10% Positiveness
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Marc Koerts
Nocturne Serenade
80 bpm • A# Maj • 07:13 • -9.68db
3% Popularity • 8% Danceability • 38% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
3% Popularity • 8% Danceability • 38% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
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Swiss Army Brass Band & Andreas Spörri
Nottingham
81 bpm • F Maj • 02:46 • -15.59db
9% Popularity • 8% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
9% Popularity • 8% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Verdi: Don Carlos
68 bpm • C# Maj • 01:15 • -16.14db
26% Popularity • 38% Danceability • 18% Energy • 37% Liveness
88% Instrumentalness • 22% Positiveness
26% Popularity • 38% Danceability • 18% Energy • 37% Liveness
88% Instrumentalness • 22% Positiveness
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Carl Wittrock
Lord Tullamore
68 bpm • D# Maj • 07:32 • -20.7db
10% Popularity • 28% Danceability • 14% Energy • 18% Liveness
83% Instrumentalness • 20% Positiveness
10% Popularity • 28% Danceability • 14% Energy • 18% Liveness
83% Instrumentalness • 20% Positiveness
