Songs like O God, Thou art my God, Z35 by Henry Purcell
Based on a tempo of (+/- 10%) and a similar genre
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Henry Purcell
Rondeau from "Abdelazer"
90 bpm • D min • 02:10 • -17.75db
11% Popularity • 39% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
11% Popularity • 39% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
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Timothy Brown
Funeral Sentences For Queen Mary: Funera...
89 bpm • C min • 02:05 • -26db
13% Popularity • 30% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
13% Popularity • 30% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
38% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
38% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act IV - Prel...
89 bpm • G# min • 06:12 • -27db
15% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Overture
91 bpm • B min • 01:56 • -28.34db
42% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
42% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
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Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Antonio Vivaldi
Concerto for 2 Flutes in C Major, RV 533...
89 bpm • C Maj • 01:52 • -30db
47% Popularity • 27% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
47% Popularity • 27% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
88 bpm • C# min • 02:23 • -31.14db
51% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
51% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
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Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
26% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
26% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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William Boyce
Symphony No. 5 in D Major, Op. 2, "St. C...
93 bpm • C# Maj • 01:45 • -19.96db
41% Popularity • 53% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
41% Popularity • 53% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: Overture
89 bpm • B min • 02:04 • -27db
23% Popularity • 48% Danceability • 28% Energy • 50% Liveness
79% Instrumentalness • 47% Positiveness
23% Popularity • 48% Danceability • 28% Energy • 50% Liveness
79% Instrumentalness • 47% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
87 bpm • B min • 03:07 • -22db
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
87 bpm • B min • 03:50 • -20.96db
41% Popularity • 16% Danceability • 10% Energy • 16% Liveness
56% Instrumentalness • 11% Positiveness
41% Popularity • 16% Danceability • 10% Energy • 16% Liveness
56% Instrumentalness • 11% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
87 bpm • G min • 02:04 • -34db
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia Artificioso Ariosa, Partia V in...
94 bpm • F# min • 04:20 • -21.45db
26% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
26% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
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Henry Purcell
A New Ground in E Minor, Z .682
93 bpm • D# min • 02:49 • -36.54db
18% Popularity • 24% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 23% Positiveness
18% Popularity • 24% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 23% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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George Frideric Handel
Concerto For Harp In B-Flat Major: I. An...
94 bpm • A Maj • 05:56 • -28db
24% Popularity • 42% Danceability • 11% Energy • 11% Liveness
58% Instrumentalness • 37% Positiveness
24% Popularity • 42% Danceability • 11% Energy • 11% Liveness
58% Instrumentalness • 37% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: III...
94 bpm • G min • 01:09 • -23.91db
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Your counsel a...
86 bpm • G min • 05:34 • -20db
15% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 2 in D Major: I. Prest...
86 bpm • C Maj • 01:36 • -22db
36% Popularity • 44% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Heinrich Ignaz Franz von Biber
L'Aria
86 bpm • D min • 01:51 • -26db
29% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
29% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VI. ...
85 bpm • C# min • 01:52 • -25db
16% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
36% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
85 bpm • F# min • 02:26 • -16.93db
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Giuseppe Torelli
Trumpet Concerto in D Major, G. 28: I. A...
95 bpm • G# Maj • 02:07 • -13db
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Inter...
96 bpm • C# Maj • 01:23 • -27db
44% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
44% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: I. Prel...
85 bpm • C# Maj • 01:40 • -31.51db
37% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
27% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
35% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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David Oistrakh
Concerto Grosso in A Minor for Two Violi...
96 bpm • A min • 03:59 • -16db
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Antonio Caldara
Stabat Mater: VI. Fac me tecum
84 bpm • A min • 01:01 • -19.28db
39% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
39% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - Sol...
96 bpm • F# min • 05:01 • -24db
3% Popularity • 30% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 30% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Domenico Cimarosa
Oboe Concerto in C: 3. Siciliana
84 bpm • A min • 02:59 • -22.76db
28% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
28% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: An Evening Hymn, ...
85 bpm • D Maj • 06:06 • -18.87db
25% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
36% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Marin Marais
Couplets de folies (Arr. Horsch for Reco...
84 bpm • D# min • 05:23 • -24.48db
21% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
21% Popularity • 32% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 46% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: I. Allegro mo...
96 bpm • C min • 03:27 • -14.45db
29% Popularity • 41% Danceability • 24% Energy • 15% Liveness
82% Instrumentalness • 37% Positiveness
29% Popularity • 41% Danceability • 24% Energy • 15% Liveness
82% Instrumentalness • 37% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
97 bpm • G min • 01:06 • -22.27db
45% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
45% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 4: Due...
85 bpm • F# min • 02:42 • -27.23db
1% Popularity • 20% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 10% Positiveness
1% Popularity • 20% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 10% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Prelude from Te Deum
84 bpm • C# Maj • 01:26 • -10.31db
23% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
23% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Two Cellos in G Mi...
83 bpm • G min • 03:07 • -27.5db
24% Popularity • 10% Danceability • 2% Energy • 7% Liveness
16% Instrumentalness • 8% Positiveness
24% Popularity • 10% Danceability • 2% Energy • 7% Liveness
16% Instrumentalness • 8% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Dietrich Buxtehude
Sonata in G Major, BuxWV 271: I. Allegro
83 bpm • F# Maj • 02:23 • -16db
19% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
19% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
► Preview
Henry Purcell
The Fairy Queen, Z. 629 / Act 1: Song In...
95 bpm • B min • 02:24 • -22.1db
14% Popularity • 46% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 46% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In B Flat Major, Op. 6, ...
97 bpm • A# Maj • 01:08 • -20db
51% Popularity • 23% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
51% Popularity • 23% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
► Preview
Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Frederick the Great
Flute Sonata in E Minor: I. Grave
83 bpm • D# min • 02:42 • -27db
24% Popularity • 23% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
24% Popularity • 23% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
The Gordian Knot Untied, Z.597: Chaconne...
85 bpm • C# Maj • 03:46 • -18db
18% Popularity • 25% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 25% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
► Preview
Luigi Cherubini
Marche funebre
82 bpm • D min • 07:23 • -20db
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Johann David Heinichen
III. Un poco Allegro
99 bpm • E Maj • 02:23 • -35db
26% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
26% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Passagaglia for Solo Violin from "Rosenk...
82 bpm • F# min • 08:18 • -14db
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629 / Act 3: Song An...
96 bpm • F# min • 02:08 • -21.58db
9% Popularity • 52% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 52% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Jean-Marie Leclair
Violin Concerto in B-Flat Major, Op. 10 ...
99 bpm • A Maj • 04:59 • -21.75db
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Joseph Haydn
Mass No. 7 in B-Flat Major, Hob. XXII:7,...
99 bpm • A# Maj • 02:10 • -17.14db
36% Popularity • 18% Danceability • 17% Energy • 21% Liveness
29% Instrumentalness • 7% Positiveness
36% Popularity • 18% Danceability • 17% Energy • 21% Liveness
29% Instrumentalness • 7% Positiveness
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William Boyce
Trio Sonata No. 1 in A Minor: II. Fuga
81 bpm • G# min • 01:36 • -24db
30% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Claudio Monteverdi
Canzonette d'amore
100 bpm • B min • 02:36 • -25db
32% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
Trumpet Sonata in D Major, Z. 850: I. Al...
96 bpm • D Maj • 01:20 • -15db
50% Popularity • 53% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
50% Popularity • 53% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Two Trumpets in C ...
99 bpm • C Maj • 01:03 • -31.13db
50% Popularity • 22% Danceability • 3% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
50% Popularity • 22% Danceability • 3% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Concerto di Flauti, S.D945: II. Allegro
100 bpm • G Maj • 01:04 • -19db
35% Popularity • 51% Danceability • 9% Energy • 18% Liveness
74% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 9% Energy • 18% Liveness
74% Instrumentalness • 44% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
99 bpm • B Maj • 01:31 • -23.57db
44% Popularity • 55% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 71% Positiveness
44% Popularity • 55% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 71% Positiveness
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Claudio Monteverdi
Ciaccona (Antonio Falconiero ca. 1585-16...
101 bpm • G Maj • 01:46 • -24db
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 2: Son...
84 bpm • C# min • 02:12 • -28.94db
2% Popularity • 61% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 61% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Antonio Vivaldi
Concerto for Oboe, Violin, Strings and C...
100 bpm • F# min • 03:20 • -26.27db
34% Popularity • 18% Danceability • 3% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
34% Popularity • 18% Danceability • 3% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
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Alessandro Scarlatti
Sinfonia to Il Giardino di Amore: II. La...
80 bpm • B min • 00:59 • -36.49db
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
20% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - The...
80 bpm • F# min • 01:10 • -31.5db
16% Popularity • 14% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 34% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 34% Positiveness
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Bertalan Hock
Trumpet Tune
101 bpm • D Maj • 01:19 • -17db
25% Popularity • 31% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
25% Popularity • 31% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Henry Purcell
Fantazia X, Z. 741
96 bpm • D# min • 03:31 • -17.22db
32% Popularity • 16% Danceability • 17% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
32% Popularity • 16% Danceability • 17% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
101 bpm • D min • 03:07 • -16db
43% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
43% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
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Jordi Savall
Première Suite: Prélude
80 bpm • F Maj • 04:26 • -24.84db
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Sonate No. 4 (Six Sonates en symphonies ...
102 bpm • B min • 02:33 • -33.7db
20% Popularity • 36% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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George Frideric Handel
12 Concerti grossi, Op. 6 - Concerto gro...
80 bpm • E Maj • 01:01 • -25.66db
34% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
34% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
80 bpm • F# min • 02:35 • -28db
27% Popularity • 23% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 23% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Henry Purcell
Purcell: King Arthur, Z. 628, Act 3: Due...
97 bpm • B Maj • 03:45 • -26db
1% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness