Songs like O Holy Night by Rascal Flatts
Based on a tempo of (+/- 10%) and a similar genre
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Darius Rucker
Beers And Sunshine
162 bpm • F Maj • 02:58 • -5.74db
62% Popularity • 51% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 51% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Alabama
Song of the South
162 bpm • A Maj • 03:10 • -8db
68% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 49% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
60% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
60% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Rascal Flatts
Here
164 bpm • A Maj • 03:55 • -4.89db
35% Popularity • 43% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 43% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Cody Johnson
'Til You Can't
160 bpm • C# Maj • 03:44 • -4.87db
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Gary Allan
Watching Airplanes
160 bpm • B Maj • 04:02 • -3.59db
60% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Lane
Take Back Home Girl
160 bpm • B Maj • 03:32 • -4db
57% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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David Nail
Night's On Fire
164 bpm • E Maj • 03:09 • -4.16db
54% Popularity • 54% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 54% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Dan + Shay
How Not To
160 bpm • B min • 03:12 • -3.59db
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Toby Keith
Red Solo Cup
164 bpm • E Maj • 03:43 • -6.59db
68% Popularity • 54% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 54% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Parmalee
Carolina
160 bpm • A# Maj • 03:21 • -3.53db
53% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 43% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Carrie Underwood
Last Name
160 bpm • D# Maj • 04:01 • -3.15db
57% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Chicks
Cowboy Take Me Away
164 bpm • F# Maj • 04:47 • -7.26db
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Dierks Bentley
What Was I Thinkin'
165 bpm • F min • 04:20 • -6.24db
71% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Jason Aldean
Night Train
158 bpm • F Maj • 03:52 • -5.17db
63% Popularity • 50% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 50% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Nichols
Yeah
166 bpm • B Maj • 03:51 • -4.65db
54% Popularity • 40% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 40% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Miranda Lambert
Over You
158 bpm • F# Maj • 04:13 • -6.97db
54% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
54% Popularity • 57% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Dustin Lynch
Where It's At
158 bpm • D# Maj • 03:24 • -5.75db
57% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
60% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Brad Paisley
Little Moments
157 bpm • A Maj • 03:39 • -9.17db
50% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Billy Currington
Must Be Doin' Somethin' Right
168 bpm • A Maj • 04:29 • -3.42db
64% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 49% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Carrie Underwood
Undo It
156 bpm • D Maj • 02:57 • -2.26db
58% Popularity • 48% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 48% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Kenny Chesney
Summertime
168 bpm • E Maj • 03:26 • -5.5db
61% Popularity • 48% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 48% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Craig Morgan
Redneck Yacht Club
168 bpm • G# Maj • 03:50 • -5.41db
64% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
64% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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RaeLynn
God Made Girls
156 bpm • D# Maj • 03:35 • -2.94db
51% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Scotty McCreery
Five More Minutes
156 bpm • G Maj • 04:01 • -4.93db
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chase Rice
Ready Set Roll
156 bpm • C Maj • 03:10 • -5.3db
39% Popularity • 51% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 51% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Rascal Flatts
Unstoppable
156 bpm • D# Maj • 03:47 • -4.8db
42% Popularity • 47% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 47% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Trace Adkins
You're Gonna Miss This
155 bpm • G# Maj • 03:44 • -7.16db
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jason Aldean
Amarillo Sky
155 bpm • D Maj • 03:22 • -4db
39% Popularity • 50% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 50% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Kenny Chesney
Save It for a Rainy Day
155 bpm • G Maj • 03:02 • -5.48db
58% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Zac Brown Band
Chicken Fried
170 bpm • F# Maj • 03:58 • -4.25db
78% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
78% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Scotty McCreery
See You Tonight
170 bpm • A Maj • 03:46 • -6db
53% Popularity • 50% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 50% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Rascal Flatts
Come Wake Me Up
156 bpm • E Maj • 04:23 • -7db
46% Popularity • 45% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 45% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Brett Young
Lady
170 bpm • G Maj • 03:14 • -7.98db
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
59% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Sugarland
Babe
172 bpm • E Maj • 03:35 • -3.29db
56% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
56% Popularity • 54% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Rascal Flatts
Feels Like Today
170 bpm • F# Maj • 03:20 • -4.24db
44% Popularity • 36% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 36% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Old Dominion
No Such Thing as a Broken Heart
172 bpm • G# Maj • 02:56 • -4.3db
61% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
61% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Chris Cagle
What Kinda Gone
172 bpm • F Maj • 03:01 • -5.24db
60% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Kick The Dust Up
172 bpm • C# Maj • 03:10 • -2.32db
65% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
65% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Rascal Flatts
Pieces
172 bpm • D Maj • 04:07 • -4.92db
34% Popularity • 43% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 43% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Toby Keith
Made in America
172 bpm • A Maj • 03:13 • -6db
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Jason Aldean
She's Country
172 bpm • C# min • 03:40 • -2.83db
72% Popularity • 55% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
72% Popularity • 55% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Rascal Flatts
How They Remember You
152 bpm • D Maj • 03:31 • -5db
46% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Uncle Kracker
Drift Away
152 bpm • B Maj • 04:15 • -5.08db
67% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
67% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
76% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
76% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Lee Ann Womack
I Hope You Dance
151 bpm • G min • 04:54 • -9.63db
64% Popularity • 38% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 38% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Little Big Town
Girl Crush
174 bpm • C Maj • 03:13 • -10.22db
69% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Tyler Rich
Leave Her Wild
174 bpm • C Maj • 03:19 • -5.1db
56% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Granger Smith
Backroad Song
174 bpm • B Maj • 03:56 • -6.57db
57% Popularity • 49% Danceability • 83% Energy • 34% Liveness
2% Instrumentalness • 75% Positiveness
57% Popularity • 49% Danceability • 83% Energy • 34% Liveness
2% Instrumentalness • 75% Positiveness
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Alan Jackson
Chattahoochee
175 bpm • C Maj • 02:28 • -9.67db
74% Popularity • 61% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
74% Popularity • 61% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Thomas Rhett
What’s Your Country Song
174 bpm • F Maj • 02:51 • -6.15db
70% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Young
Who I Am With You
150 bpm • C Maj • 03:11 • -4.31db
57% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Turner
Firecracker
175 bpm • E Maj • 03:28 • -5.36db
52% Popularity • 44% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 44% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
64% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Jana Kramer
I Got the Boy
150 bpm • C Maj • 03:21 • -5.95db
55% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Darius Rucker
Don't Think I Don't Think About It
150 bpm • A Maj • 03:03 • -5db
56% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Rascal Flatts
Words I Couldn't Say
150 bpm • C# min • 04:35 • -4.34db
36% Popularity • 44% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 44% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Brett Eldredge
Don't Ya
176 bpm • A Maj • 03:01 • -5.26db
58% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 54% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Kip Moore
Somethin' 'Bout A Truck
176 bpm • B Maj • 03:33 • -5.42db
69% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
69% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Mitchell Tenpenny
Drunk Me
176 bpm • D Maj • 03:31 • -3.77db
63% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
63% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Luke Combs
1, 2 Many
149 bpm • F# Maj • 03:00 • -3.79db
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Jason Aldean
My Kinda Party
177 bpm • C min • 04:44 • -4.25db
64% Popularity • 41% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 41% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Darius Rucker
Wagon Wheel
148 bpm • A Maj • 04:58 • -7.17db
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Brett Young
In Case You Didn't Know
148 bpm • A# Maj • 03:44 • -7.31db
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Carrie Underwood
Before He Cheats
148 bpm • F# min • 03:19 • -3.32db
80% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
80% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Diamond Rio
Beautiful Mess
177 bpm • C# Maj • 03:48 • -7db
54% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 48% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Darius Rucker
Come Back Song
178 bpm • A Maj • 03:55 • -5.67db
58% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Chicks
Wide Open Spaces
179 bpm • E Maj • 03:43 • -6.1db
68% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
68% Popularity • 56% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Phil Vassar
Just Another Day In Paradise
146 bpm • D Maj • 03:53 • -5.56db
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Jordan Davis
Buy Dirt
178 bpm • E Maj • 02:47 • -6.73db
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Brad Paisley
We Danced
146 bpm • A Maj • 03:46 • -11db
58% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Rascal Flatts
Here Comes Goodbye - AC Mix
146 bpm • D Maj • 04:05 • -5.57db
47% Popularity • 46% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
