Songs like O Love (Live) by Elaine Hagenberg
Based on a tempo of (+/- 10%) and a similar genre
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Salt Lake Vocal Artists
Entreat Me Not To Leave You
79 bpm • A# min • 06:48 • -18db
24% Popularity • 11% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Akademiska Damkören Lyran
Sügismaastikud: V. Tuul kõnnumaa kohal
79 bpm • D min • 01:14 • -23db
22% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Cantus
For the Beauty of the Earth (Live for Br...
79 bpm • B Maj • 03:05 • -15.66db
9% Popularity • 19% Danceability • 27% Energy • 24% Liveness
5% Instrumentalness • 7% Positiveness
9% Popularity • 19% Danceability • 27% Energy • 24% Liveness
5% Instrumentalness • 7% Positiveness
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Traditional Irish
You Do Not Walk Alone - Live
79 bpm • E Maj • 05:48 • -26.93db
0% Popularity • 22% Danceability • 6% Energy • 68% Liveness
61% Instrumentalness • 5% Positiveness
0% Popularity • 22% Danceability • 6% Energy • 68% Liveness
61% Instrumentalness • 5% Positiveness
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Bob Hurd
Psalm 42/43: As the Deer Longs
79 bpm • D min • 02:17 • -20.71db
25% Popularity • 44% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 44% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Elaine Hagenberg
O Love (Live)
79 bpm • G Maj • 04:46 • -27.54db
8% Popularity • 15% Danceability • 4% Energy • 68% Liveness
77% Instrumentalness • 5% Positiveness
8% Popularity • 15% Danceability • 4% Energy • 68% Liveness
77% Instrumentalness • 5% Positiveness
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Eric Whitacre
Whitacre: Leonardo Dreams Of His Flying ...
79 bpm • D min • 08:40 • -23db
24% Popularity • 14% Danceability • 11% Energy • 24% Liveness
3% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 11% Energy • 24% Liveness
3% Instrumentalness • 4% Positiveness
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The London Fox Taize Choir
Kyrie Eleison
79 bpm • D min • 03:23 • -19.93db
29% Popularity • 10% Danceability • 10% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 10% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
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William Byrd
Non, Nobis Domine
79 bpm • D Maj • 01:18 • -34.99db
26% Popularity • 28% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
26% Popularity • 28% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
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Dan Forrest
Come to Me
80 bpm • G Maj • 05:42 • -19.31db
20% Popularity • 21% Danceability • 13% Energy • 10% Liveness
68% Instrumentalness • 6% Positiveness
20% Popularity • 21% Danceability • 13% Energy • 10% Liveness
68% Instrumentalness • 6% Positiveness
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John L. Bell
The Peace of the Earth
80 bpm • G min • 02:16 • -17.18db
19% Popularity • 17% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 17% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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![O Love (Arr. for Treble Chorus & Piano) [Live] cover art](https://i.scdn.co/image/ab67616d00001e026fdba392a61772b9c705c280)
Elaine Hagenberg
O Love (Arr. for Treble Chorus & Piano) ...
79 bpm • G Maj • 05:20 • -27db
1% Popularity • 15% Danceability • 11% Energy • 68% Liveness
67% Instrumentalness • 10% Positiveness
1% Popularity • 15% Danceability • 11% Energy • 68% Liveness
67% Instrumentalness • 10% Positiveness
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Mia Makaroff
Spes
78 bpm • G Maj • 04:26 • -22.72db
17% Popularity • 21% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 21% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Philip Stopford
Do Not Be Afraid
78 bpm • D Maj • 05:05 • -31.38db
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield
Exultate Justi in Domino
78 bpm • F# Maj • 02:06 • -21.03db
12% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Dan Forrest
Lord of the Small
78 bpm • F Maj • 04:20 • -18.45db
17% Popularity • 13% Danceability • 13% Energy • 9% Liveness
51% Instrumentalness • 12% Positiveness
17% Popularity • 13% Danceability • 13% Energy • 9% Liveness
51% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A 25, Pt. 2: No. 28,...
80 bpm • D Maj • 02:05 • -31.49db
10% Popularity • 21% Danceability • 4% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 4% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
You Do Not Walk Alone - Live
80 bpm • E Maj • 05:56 • -31.71db
3% Popularity • 17% Danceability • 3% Energy • 64% Liveness
42% Instrumentalness • 7% Positiveness
3% Popularity • 17% Danceability • 3% Energy • 64% Liveness
42% Instrumentalness • 7% Positiveness
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Phoenix Chamber Choir
Let my Love be Heard
80 bpm • E Maj • 05:13 • -24.57db
21% Popularity • 8% Danceability • 5% Energy • 16% Liveness
59% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 5% Energy • 16% Liveness
59% Instrumentalness • 3% Positiveness
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Vocal Arts Nashville
Through Love to Light
78 bpm • E Maj • 02:24 • -11.57db
10% Popularity • 22% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
10% Popularity • 22% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
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Don MacDonald
Selene's Boat
80 bpm • G min • 03:57 • -19.95db
10% Popularity • 43% Danceability • 8% Energy • 10% Liveness
16% Instrumentalness • 5% Positiveness
10% Popularity • 43% Danceability • 8% Energy • 10% Liveness
16% Instrumentalness • 5% Positiveness
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Jake Runestad
Let my Love be heard
78 bpm • C# min • 04:47 • -23.01db
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 11% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Jane Hawes
Wondrous Cross - the Sixth Word
78 bpm • E min • 03:10 • -17.53db
4% Popularity • 24% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
4% Popularity • 24% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Elaine Hagenberg
O Love
80 bpm • G Maj • 04:24 • -18.22db
25% Popularity • 14% Danceability • 9% Energy • 20% Liveness
72% Instrumentalness • 7% Positiveness
25% Popularity • 14% Danceability • 9% Energy • 20% Liveness
72% Instrumentalness • 7% Positiveness
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Nathan J. Arnold
Psalm 25: Make Me To Know Your Ways (Voc...
80 bpm • D Maj • 05:02 • -13.98db
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Indianapolis Children's Choir
Jubilate Deo: III. Ta cao chang de yang
78 bpm • C Maj • 07:50 • -21.68db
7% Popularity • 7% Danceability • 8% Energy • 34% Liveness
57% Instrumentalness • 4% Positiveness
7% Popularity • 7% Danceability • 8% Energy • 34% Liveness
57% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Concordia Sacrae
Emerald Stream
80 bpm • A# min • 02:13 • -17.46db
11% Popularity • 46% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 46% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
78 bpm • C# Maj • 04:10 • -21db
16% Popularity • 10% Danceability • 7% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
Song of Miriam (Live)
78 bpm • D# min • 05:03 • -25.47db
1% Popularity • 15% Danceability • 6% Energy • 65% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 6% Energy • 65% Liveness
0% Instrumentalness • 4% Positiveness
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Craig Courtney
I Am Not My Own
78 bpm • C Maj • 04:27 • -14.89db
16% Popularity • 23% Danceability • 20% Energy • 8% Liveness
78% Instrumentalness • 10% Positiveness
16% Popularity • 23% Danceability • 20% Energy • 8% Liveness
78% Instrumentalness • 10% Positiveness
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The Celebration Choir
Dear Lord And Father Of Mankind
80 bpm • D# Maj • 04:15 • -18.77db
26% Popularity • 15% Danceability • 17% Energy • 11% Liveness
7% Instrumentalness • 28% Positiveness
26% Popularity • 15% Danceability • 17% Energy • 11% Liveness
7% Instrumentalness • 28% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Glory
80 bpm • A# Maj • 01:57 • -14db
32% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
32% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
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Clement Cotterill Scholefield
The day thou gavest, Lord, is ended (St ...
80 bpm • G# Maj • 03:23 • -20db
19% Popularity • 17% Danceability • 19% Energy • 10% Liveness
11% Instrumentalness • 15% Positiveness
19% Popularity • 17% Danceability • 19% Energy • 10% Liveness
11% Instrumentalness • 15% Positiveness
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Lowell Mason
Nearer, My God, to Thee (Arr. J.L. Steve...
78 bpm • G min • 03:10 • -9.03db
21% Popularity • 19% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 19% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Elaine Hagenberg
O Love
80 bpm • G Maj • 04:49 • -27.89db
5% Popularity • 12% Danceability • 5% Energy • 72% Liveness
3% Instrumentalness • 6% Positiveness
5% Popularity • 12% Danceability • 5% Energy • 72% Liveness
3% Instrumentalness • 6% Positiveness
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Dan Forrest
Shalom
78 bpm • F Maj • 05:35 • -17.48db
23% Popularity • 10% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 6% Positiveness
23% Popularity • 10% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 6% Positiveness
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Millikin University Choir
See Dat Babe
80 bpm • C Maj • 02:24 • -19db
16% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Kim André Arnesen
Even When He Is Silent
78 bpm • B Maj • 05:46 • -23.57db
23% Popularity • 9% Danceability • 9% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 9% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Goin' Home (Arr. R. Hall for Choir)
78 bpm • D# Maj • 04:25 • -24.99db
12% Popularity • 8% Danceability • 7% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
12% Popularity • 8% Danceability • 7% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Ubi caritas
78 bpm • F# min • 03:06 • -35db
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
Still With Thee
80 bpm • C# Maj • 03:43 • -21.57db
9% Popularity • 12% Danceability • 13% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 13% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Kenneth Tay
Ave Regina caelorum
80 bpm • A Maj • 03:19 • -23.95db
19% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Bliss
Let The Lower Lights Be Burning
81 bpm • A# Maj • 02:35 • -22.87db
12% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
12% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
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Thomas Tallis
If Ye Love Me
81 bpm • F Maj • 02:12 • -25db
14% Popularity • 18% Danceability • 10% Energy • 10% Liveness
21% Instrumentalness • 11% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 10% Liveness
21% Instrumentalness • 11% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Dora Garcidueñas
Sketch for Acappella (For Vocal Quartet)
77 bpm • A# min • 02:55 • -8.24db
9% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
O Nata Lux
77 bpm • D Maj • 04:31 • -30db
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Jenny
77 bpm • B Maj • 03:40 • -24.27db
14% Popularity • 10% Danceability • 6% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 6% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
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Kevin Siegfried
Shaker Songs: I. Peace
81 bpm • G Maj • 03:19 • -31.47db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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John Alexander
There Will Be Rest
81 bpm • D# Maj • 06:23 • -25db
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Richard Shephard
A New Commandment
77 bpm • E Maj • 01:02 • -27.73db
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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William Henry Monk
Abide with me
77 bpm • D# Maj • 03:44 • -26.88db
15% Popularity • 16% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 16% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Michael John Trotta
Ubi Caritas
81 bpm • D Maj • 02:32 • -21.4db
12% Popularity • 12% Danceability • 11% Energy • 31% Liveness
44% Instrumentalness • 7% Positiveness
12% Popularity • 12% Danceability • 11% Energy • 31% Liveness
44% Instrumentalness • 7% Positiveness
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Tim Osiek
Like a River in My Soul
81 bpm • C Maj • 04:36 • -15.64db
16% Popularity • 20% Danceability • 17% Energy • 13% Liveness
64% Instrumentalness • 14% Positiveness
16% Popularity • 20% Danceability • 17% Energy • 13% Liveness
64% Instrumentalness • 14% Positiveness
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University Of Pretoria Camerata
As Long as I Have Music
81 bpm • F# Maj • 04:21 • -19.26db
17% Popularity • 13% Danceability • 17% Energy • 11% Liveness
51% Instrumentalness • 8% Positiveness
17% Popularity • 13% Danceability • 17% Energy • 11% Liveness
51% Instrumentalness • 8% Positiveness
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Cantus
Simple Gifts
81 bpm • A Maj • 03:29 • -27db
16% Popularity • 16% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 16% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Eric Whitacre
The Sacred Veil: II. In a Dark and Dista...
77 bpm • A# min • 02:20 • -21.23db
17% Popularity • 17% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 17% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Tundra (Version for Treble Choir & Piano...
81 bpm • A# Maj • 03:16 • -17.08db
24% Popularity • 12% Danceability • 15% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 15% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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The Graduate Choir, nz
Ain't That Good News!
82 bpm • F# Maj • 02:04 • -18.76db
19% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
19% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
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Michael John Trotta
I Shall See
77 bpm • E Maj • 03:38 • -28db
19% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
19% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Randall Thompson
Alleluia
82 bpm • D Maj • 05:20 • -26db
23% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Roger Emerson
Shoshone Love Song
76 bpm • G# Maj • 02:52 • -20.5db
14% Popularity • 26% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
14% Popularity • 26% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Ivo Antognini
Alleluia
76 bpm • G# Maj • 03:17 • -24.7db
15% Popularity • 8% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
15% Popularity • 8% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
David Dickau
i carry your heart with me
82 bpm • E Maj • 05:12 • -26.49db
9% Popularity • 17% Danceability • 10% Energy • 68% Liveness
12% Instrumentalness • 13% Positiveness
9% Popularity • 17% Danceability • 10% Energy • 68% Liveness
12% Instrumentalness • 13% Positiveness
► Preview
James Mulholland
A Red, Red Rose
82 bpm • D Maj • 04:11 • -28db
12% Popularity • 11% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 11% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Michael John Trotta
Behold How Good
76 bpm • G Maj • 03:28 • -26db
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Elaine Hagenberg
O Love for Chorus - Live
76 bpm • G Maj • 05:04 • -11.3db
0% Popularity • 18% Danceability • 24% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
0% Popularity • 18% Danceability • 24% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
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Randall Thompson
Stopping By Woods On a Snowy Evening - R...
76 bpm • F min • 04:12 • -36.1db
9% Popularity • 12% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Don MacDonald
Tabula Rasa
76 bpm • D Maj • 03:54 • -19.45db
15% Popularity • 14% Danceability • 8% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 8% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
► Preview
Nicolas Fayolle
Peace To Love
76 bpm • C# Maj • 02:47 • -17.76db
30% Popularity • 22% Danceability • 13% Energy • 14% Liveness
65% Instrumentalness • 9% Positiveness
30% Popularity • 22% Danceability • 13% Energy • 14% Liveness
65% Instrumentalness • 9% Positiveness
► Preview
Edith Franklin Wyatt
My Companion - SATB
82 bpm • E Maj • 05:00 • -22.73db
17% Popularity • 13% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Elaine Hagenberg
Alleluia (Live)
76 bpm • D Maj • 02:41 • -21.92db
0% Popularity • 11% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 11% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Rochester College A Cappella Chorus
Daniel, Daniel, Servant of the Lord
82 bpm • B min • 02:21 • -17db
17% Popularity • 33% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 33% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Margaret Rizza
Let Your Beauty
82 bpm • E min • 04:27 • -21.18db
22% Popularity • 15% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
22% Popularity • 15% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Concordia Publishing House
We Praise You and Acknowledge You, O God
76 bpm • C Maj • 05:48 • -12.26db
18% Popularity • 38% Danceability • 20% Energy • 6% Liveness
4% Instrumentalness • 17% Positiveness
18% Popularity • 38% Danceability • 20% Energy • 6% Liveness
4% Instrumentalness • 17% Positiveness
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Alberto Ginastera
The Lamentations of Jeremiah, Op. 14: Re...
82 bpm • G# min • 04:36 • -20db
9% Popularity • 10% Danceability • 25% Energy • 72% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 25% Energy • 72% Liveness
12% Instrumentalness • 4% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
16% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Cantus
How Can I Keep from Singing? (Live for B...
76 bpm • C Maj • 02:55 • -18.99db
11% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Kammerkoor Head Ööd Vend
Muusika
83 bpm • F Maj • 02:37 • -30.67db
30% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Salt Lake Vocal Artists
Spaseniye Sodelal
83 bpm • D Maj • 03:22 • -19.2db
11% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Ground
83 bpm • D# Maj • 03:41 • -29db
27% Popularity • 10% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Cantus
If Ye Love Me
83 bpm • C Maj • 02:02 • -27db
12% Popularity • 11% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 11% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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St. Michael's Singers
Were You There When They Crucified My Lo...
83 bpm • E Maj • 04:27 • -22.63db
17% Popularity • 15% Danceability • 12% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 12% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Dan Forrest
The Sun never says
75 bpm • G# Maj • 04:50 • -21.34db
31% Popularity • 7% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 7% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Hans Bridger Heruth
Joy (Live)
75 bpm • D Maj • 05:31 • -21db
3% Popularity • 13% Danceability • 17% Energy • 68% Liveness
86% Instrumentalness • 4% Positiveness
3% Popularity • 13% Danceability • 17% Energy • 68% Liveness
86% Instrumentalness • 4% Positiveness
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Kristina Arakelyan
You Know Me
83 bpm • A# Maj • 04:04 • -25.32db
28% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
28% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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The Wartburg Choir
Only in Sleep
75 bpm • G Maj • 04:48 • -21.22db
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Stephen Paulus
The Road Home
75 bpm • F# Maj • 03:55 • -28.06db
12% Popularity • 14% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
12% Popularity • 14% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
