Songs like O Thakur by Upal Sengupta
Based on a tempo of (+/- 10%) and a similar genre
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Raghav Chattopadhyay
Mon Mor Megher Sanghi
100 bpm • D Maj • 04:27 • -8.67db
21% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Upal Sengupta
Chaka Ghurche Autor
100 bpm • F Maj • 02:35 • -4.74db
0% Popularity • 86% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 86% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Joy Sarkar
Knaach Bhangar Gaan
100 bpm • F Maj • 04:31 • -9.06db
9% Popularity • 67% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 67% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Shreya Ghoshal
Bhalo Lage Swapnoke
100 bpm • C Maj • 05:28 • -13.88db
24% Popularity • 63% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 63% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Samidh Mukherjee
Jani Naa
100 bpm • B Maj • 04:28 • -4.89db
13% Popularity • 81% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 81% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Anasmita Ghosh
Sajani Sajani
100 bpm • C Maj • 03:26 • -2.79db
15% Popularity • 59% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 59% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Sanai
Cinderella Mon
100 bpm • E Maj • 04:27 • -8.16db
29% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Upal Sengupta
Chumur Kopale
100 bpm • F Maj • 03:07 • -11.95db
0% Popularity • 78% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 78% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Somlata Acharyya Chowdhury
Nishitho Raater
100 bpm • A Maj • 04:50 • -7db
33% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ishan Mitra
Nirobotay Chhilo
100 bpm • F min • 02:55 • -6db
35% Popularity • 49% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 49% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Chondrobindu
Amar Bhindeshi Tara
100 bpm • E Maj • 05:09 • -17.55db
41% Popularity • 46% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 45% Positiveness
41% Popularity • 46% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 45% Positiveness
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Abhijeet
Dhaker Taley
100 bpm • C Maj • 04:42 • -3.88db
32% Popularity • 52% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 52% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Bhoomi
Lale Laleshwari
101 bpm • B min • 04:31 • -8.36db
29% Popularity • 80% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 80% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Shreya Ghoshal
Dhak Baja Kashor Baja
99 bpm • B Maj • 04:25 • -4db
35% Popularity • 71% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 71% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Rupankar
Bhokatta
101 bpm • F Maj • 03:50 • -11.55db
13% Popularity • 77% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 77% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Sonu Nigam
Elo Maa Dugga Thakur
98 bpm • D Maj • 03:03 • -6.36db
20% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Mekhla Dasgupta
Tui Asbi Kobe Bol - Naivedya, Vol. 1
102 bpm • D Maj • 05:20 • -10.89db
12% Popularity • 54% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 54% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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JOler gaan
Porer Jaga Porer Jomin
102 bpm • G Maj • 05:02 • -6db
29% Popularity • 82% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 82% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Benny Dayal
O Lolona
102 bpm • B Maj • 03:52 • -4.21db
30% Popularity • 80% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 80% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Anindya Chatterjee
Moner Guprochar
98 bpm • F Maj • 04:43 • -13.43db
30% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Shreya Ghoshal
Chupi Chupi
98 bpm • G Maj • 04:06 • -6.42db
22% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Sonu Nigam
Tokey Niye Banchbo Aami
102 bpm • F Maj • 05:19 • -10.01db
24% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Mekhla Dasgupta
Asomoyee Brishti
98 bpm • C min • 05:03 • -9db
28% Popularity • 40% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 40% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Madhuraa Bhattacharya
Barondala Saaja
98 bpm • C Maj • 02:40 • -4.45db
28% Popularity • 74% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 74% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Ranajoy Bhattacharjee
Jiya Tui Chara
103 bpm • D# Maj • 03:11 • -7.34db
39% Popularity • 61% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 61% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Prasen Mukherjee
Tomake Bujhina Priyo - Male Vocals
97 bpm • D Maj • 05:12 • -13.07db
33% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Akassh
Bangladesher Meye
103 bpm • G Maj • 03:30 • 0.13db
34% Popularity • 83% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 83% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Lagnajita Chakraborty
Eki Labonye Purno Prane
104 bpm • G min • 03:44 • -10.62db
26% Popularity • 38% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 38% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sourendro-Soumyojit
Boro Asha Kore
97 bpm • D Maj • 03:52 • -8.61db
18% Popularity • 54% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 54% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Sahana Bajpaie
Amar Haat Bandhibi
104 bpm • A Maj • 04:59 • -9.35db
36% Popularity • 58% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 58% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Sonu Nigam
Hai Rama
104 bpm • A min • 04:13 • -7.6db
17% Popularity • 78% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 78% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Somlata
Mor Bhabonare Ki Haoway
104 bpm • C# Maj • 04:08 • -8.32db
37% Popularity • 65% Danceability • 53% Energy • 12% Liveness
46% Instrumentalness • 10% Positiveness
37% Popularity • 65% Danceability • 53% Energy • 12% Liveness
46% Instrumentalness • 10% Positiveness
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Anupam Roy
Jawl Phoring 2.0
96 bpm • G Maj • 04:15 • -8.06db
41% Popularity • 69% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 69% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Rupam Islam
Ami Achhi
96 bpm • G Maj • 03:40 • -8.57db
34% Popularity • 56% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 56% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 34% Positiveness
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Dibyendu Mukherjee
Bondhura Elomelo
96 bpm • A Maj • 04:42 • -7.75db
33% Popularity • 77% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 77% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Indraadip Dasgupta
Teen Tirikke Noy
96 bpm • C Maj • 04:45 • -9.44db
7% Popularity • 68% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 68% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Arijit Singh
Ami Achi
96 bpm • F Maj • 06:13 • -9.75db
16% Popularity • 49% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 49% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Monali Thakur
Dugga Elo
105 bpm • F# min • 02:26 • -8.43db
26% Popularity • 76% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 76% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Pralay Sarkar
Nyaka Kobita
95 bpm • F Maj • 02:06 • -16.29db
26% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 58% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Surangana Bandyopadhyay
Kon Gopone
105 bpm • E Maj • 02:58 • -9.98db
40% Popularity • 78% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 78% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Somlata And The Aces
Amar Bhitor O Bahire
105 bpm • E Maj • 05:20 • -7.78db
48% Popularity • 58% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 58% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Aditiya Gadhavi
Nagar Nandaji Na Lal
95 bpm • F Maj • 02:16 • -4.59db
33% Popularity • 69% Danceability • 73% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 69% Danceability • 73% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
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Dripto
Bonde Maya Lagaichhe
95 bpm • G min • 02:14 • -6.56db
43% Popularity • 75% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 75% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Rupankar
Amar Mawte (Male)
105 bpm • C Maj • 03:44 • -11.3db
35% Popularity • 75% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 75% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Arijit Singh
O Piya Re Piya
95 bpm • A min • 04:30 • -5.99db
38% Popularity • 57% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 57% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Anupam Roy
Hariye Jawar Gaan
95 bpm • A Maj • 03:49 • -7.9db
41% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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June Banerjee
Jhiri Jhiri
95 bpm • C Maj • 05:54 • -5.6db
36% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 64% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Lagnajita Chakraborty
Tomar Kachhakachhi
106 bpm • F Maj • 03:49 • -6.99db
23% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Iman
Achena Boishakh
106 bpm • C Maj • 04:04 • -10db
17% Popularity • 73% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 73% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Prasen Mukherjee
Tomake Bujhina Priyo [Female Vocals]
95 bpm • D Maj • 04:53 • -13.85db
21% Popularity • 51% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 51% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Upal Sengupta
Kichhu Swapno Dio
106 bpm • E Maj • 04:01 • -6.16db
0% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Arundhati Holme Chowdhury
Jakhan Porbe Na Mor Payer Chinha
106 bpm • A# Maj • 05:20 • -10db
7% Popularity • 40% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 40% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Savvy
Shonakathi
94 bpm • D Maj • 03:32 • -7.73db
28% Popularity • 70% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 70% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Lagnajita Chakraborty
E Bhabe Golpo Hok
94 bpm • D Maj • 04:10 • -8.44db
37% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Pamela Jain
Sathiya Puravo Dware
94 bpm • F# Maj • 02:17 • -5.33db
11% Popularity • 69% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 69% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Srikanta Acharya
Ami Khola Janala Tumi
107 bpm • G# min • 04:17 • -13.13db
38% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Ranajoy Bhattacharjee
Aj Amar Akash - Reprise
94 bpm • D# Maj • 05:31 • -9.33db
19% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Sonu Nigam
Mone Rekho Amar Ea Gaan (Male)
93 bpm • B Maj • 05:35 • -10.57db
30% Popularity • 37% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 37% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Upal Sengupta
Rangila Rangila Rangila Re
107 bpm • D Maj • 03:35 • -9.44db
0% Popularity • 78% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 78% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Taalpatar Shepai
Train E Der Thikana
107 bpm • C Maj • 04:15 • -13.85db
18% Popularity • 70% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 75% Positiveness
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Jeet Gannguli
Mon Boleche Amar
93 bpm • A min • 04:16 • -6.4db
36% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Manu
O Bondhu Tumi Sunte Ki Pao (Male Version...
93 bpm • D Maj • 05:53 • -17.33db
32% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 54% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Jigardan Gadhavi
Mogal Aave
93 bpm • F min • 04:52 • -12.3db
33% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Sourendro-Soumyojit
Sawana Gagane
108 bpm • F Maj • 05:20 • -10.1db
20% Popularity • 46% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 46% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Mohammed Irfan
Ei Aashiqui
108 bpm • A min • 04:24 • -5.51db
29% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Nachiketa Chakraborty
Jani Na
108 bpm • A Maj • 05:18 • -9db
45% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Sonu Nigam
Baisakhete Prothom Dekha
108 bpm • F Maj • 04:08 • -9.4db
20% Popularity • 76% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 76% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Manu
Bolbo Tomay Ajke Aami
93 bpm • E min • 05:03 • -17.21db
30% Popularity • 27% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 27% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Mekhla Dasgupta
Bhenge Mor Ghorer Chabi
108 bpm • C# Maj • 03:22 • -4db
29% Popularity • 65% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 65% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Tanmay Kar and Friends
Mone Kori Assam Jabo
92 bpm • B Maj • 04:25 • -5.17db
34% Popularity • 52% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 52% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Anindya Chatterjee
Tonic - Title Track
108 bpm • A Maj • 03:24 • -5.33db
17% Popularity • 77% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 77% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Prashmita Paul
Saajna
92 bpm • G Maj • 04:46 • -6.33db
38% Popularity • 62% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 62% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Kamalini Mukherji
Aaro Dao Praan
92 bpm • D Maj • 04:17 • -8.42db
27% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Arijit Singh
Mon Bojhena
92 bpm • G min • 04:05 • -7.79db
46% Popularity • 72% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 72% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Nilayan Chatterjee
Apatoto Jai
92 bpm • D Maj • 04:05 • -12.32db
17% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Ash King
Ure Geche
92 bpm • A# Maj • 04:26 • -5.18db
40% Popularity • 68% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 68% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Jimut Roy
Shurey Shurey Taakey
92 bpm • A Maj • 03:22 • -9.29db
20% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Nakash Aziz
Shona
109 bpm • F# min • 04:01 • -4.38db
23% Popularity • 91% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 91% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Mahtim Shakib
Bhul Koreche Bhul ("Kuler Achaar")
110 bpm • E Maj • 03:33 • -11.37db
26% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Palak Muchhal
Ki Kore Bolbo Tomaye (Female)
110 bpm • A min • 04:56 • -7.74db
38% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 56% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Upal Sengupta
Home Shanti Home
110 bpm • C Maj • 03:37 • -8.99db
3% Popularity • 82% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
3% Popularity • 82% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Shreya Ghoshal
Ei To Ami Chai
110 bpm • D Maj • 04:30 • -7.51db
34% Popularity • 61% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 61% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Chandrabindoo
Bagiye Kaali
110 bpm • B min • 04:08 • -4.2db
25% Popularity • 61% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 61% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Somlata Acharya
Ay Tobe Sohochori
110 bpm • F# min • 03:39 • -15.32db
23% Popularity • 71% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 71% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Md Irfan
Tor Hoye Jete Chai
110 bpm • A min • 05:09 • -11.52db
28% Popularity • 49% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 49% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Zubeen Garg
Aahe Ba Naahe
110 bpm • G Maj • 04:10 • -4.43db
36% Popularity • 88% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 88% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Tushar Dutta
Shurey Shurey Jodi
110 bpm • A Maj • 03:37 • -7.54db
15% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Antara Mitra
Ebhabeo Preme Pora Jaay
110 bpm • C Maj • 04:18 • -13.16db
16% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Ishan Mitra
Abar Jonmo Nebo
110 bpm • D Maj • 05:14 • -10db
38% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Rahul Dutta
Radha
110 bpm • G Maj • 04:11 • -9.86db
32% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Subhamita Banerjee
Ki Naamey Daaki
90 bpm • A Maj • 05:24 • -10.18db
22% Popularity • 26% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 26% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Rupankar Bagchi
Mayabono Biharini Horini
90 bpm • C Maj • 03:40 • -8.58db
30% Popularity • 62% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 62% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Zubeen Garg
Roi Roi Binale
90 bpm • A# min • 08:10 • -9.74db
23% Popularity • 61% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 61% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Shreya Ghoshal
Projaapati E Mon
90 bpm • C# Maj • 03:54 • -10.02db
18% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Durnibar Saha
Bhalo Achi Bhalo Theko
90 bpm • D Maj • 05:27 • -4.35db
32% Popularity • 40% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 40% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Debayan Banerjee
E Molat E Rajyopat
90 bpm • E Maj • 04:14 • -11.13db
30% Popularity • 44% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 44% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Jeet Gannguli
Oi Dakche Aakash
90 bpm • C# min • 04:24 • -5.48db
26% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Srikanta Acharya
Bristi Tomake Dilam
90 bpm • C min • 04:10 • -13.5db
36% Popularity • 47% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 47% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
