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O Vos Omnes
Songs like
O Vos Omnes
by
Tomás Luis de Victoria
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
27% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Tomás Luis de Victoria
O Vos Omnes
125 bpm • C min • 04:18 • -23.45db
8% Popularity • 20% Danceability • 6% Energy • 6% Liveness
69% Instrumentalness • 4% Positiveness
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Philippe de Vitry
Cum statua Nabucodonasor - Hugo, Hugo, p...
125 bpm • C Maj • 01:34 • -24db
15% Popularity • 26% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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William Croft
Burial Sentences: VI. Thou Knowest, Lord
124 bpm • A# Maj • 02:14 • -26db
17% Popularity • 21% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Mirabile mysterium
125 bpm • E Maj • 03:51 • -20.32db
14% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: V. Agnus dei
126 bpm • E min • 05:11 • -23.31db
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Lumen Valo
Robert Pearsall: Lay a garland
124 bpm • D# Maj • 03:09 • -22db
14% Popularity • 18% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Sub tuum praesidium, H. 28
126 bpm • G min • 02:18 • -26db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
34% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: I. Full Fathom ...
127 bpm • C Maj • 03:29 • -38db
8% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
123 bpm • E min • 01:10 • -24db
27% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Hildegard von Bingen
Lectio II
127 bpm • F min • 01:45 • -40.32db
10% Popularity • 33% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Adrian Batten
O sing joyfully
128 bpm • G# Maj • 01:35 • -21.5db
16% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Philippe Verdelot
Se mai provasti donna
128 bpm • G# min • 01:33 • -18.88db
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
19% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
29% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
122 bpm • F# min • 03:30 • -26.6db
6% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
27% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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A5 Vocal Ensemble
Guerrero: Alma mirad vuestro Dios
128 bpm • G# min • 02:48 • -18.74db
8% Popularity • 29% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Howard Skempton
And There Was War in Heaven
128 bpm • F Maj • 04:34 • -24.58db
13% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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PÄ“teris Vasks
Klusas dziemas (silent songs): I. Nosapi...
129 bpm • F min • 03:38 • -31.84db
15% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
128 bpm • D Maj • 03:21 • -24.76db
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Tomkins
When David heard
129 bpm • C Maj • 04:36 • -23.62db
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
16% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
11% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: III...
130 bpm • A min • 06:55 • -21.28db
11% Popularity • 19% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Victoria: Alma Redemptoris Mater
130 bpm • D# Maj • 05:47 • -24db
8% Popularity • 16% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Gilles Binchois
Veni Creator Spiritus
130 bpm • C Maj • 02:06 • -26.07db
9% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
21% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
26% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Officium Defunctorum: Motectum. Versa es...
130 bpm • E min • 03:17 • -18.5db
7% Popularity • 18% Danceability • 11% Energy • 14% Liveness
19% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: IV....
131 bpm • A min • 03:32 • -20.71db
10% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ola Gjeilo
Ola Gjeilo: Tota pulchra es
131 bpm • E Maj • 06:27 • -26.08db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
131 bpm • D min • 01:39 • -35.67db
19% Popularity • 18% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Tomás Luis de Victoria
Caligaverunt oculi mei
130 bpm • F min • 05:20 • -28.76db
8% Popularity • 20% Danceability • 4% Energy • 8% Liveness
27% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
14% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
11% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Nicolas Gombert
Triste départ
132 bpm • D min • 03:16 • -14db
8% Popularity • 18% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
11% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Tomás Luis de Victoria
Vere languores nostros
132 bpm • G min • 03:36 • -26.3db
0% Popularity • 19% Danceability • 4% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Missa I super Dixit Maria: Agnus Dei
132 bpm • D Maj • 02:03 • -26db
8% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Heinrich Isaac
Chanson: Innsbruck, ich muß dich lassen
132 bpm • F Maj • 03:26 • -24db
9% Popularity • 23% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
12% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
133 bpm • E Maj • 02:03 • -24.66db
17% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Alessandro Constantini
Confitemini Domino, IAC 1
133 bpm • A min • 01:34 • -23.32db
23% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Tomás Luis de Victoria
O sacrum convivium
133 bpm • F Maj • 03:21 • -20.14db
0% Popularity • 21% Danceability • 13% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
33% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
13% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Jacobus Gallus
O sacrum convivium
133 bpm • C min • 02:43 • -22.67db
21% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Francisco Guerrero
Ave virgo sanctissima
133 bpm • A# min • 03:50 • -27.09db
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Orlando Gibbons
The silver swan
134 bpm • F Maj • 01:27 • -22.03db
11% Popularity • 18% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 5% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Cipriano de Rore
Tutti i madrigali a quattro voci, R 2513...
116 bpm • G min • 02:23 • -12.83db
12% Popularity • 22% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
35% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Tomás Luis de Victoria
Salve Regina
134 bpm • C# min • 04:13 • -24.24db
14% Popularity • 23% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Heinrich Schütz
Herr, auf dich traue ich, SWV 377
117 bpm • B min • 03:01 • -23.29db
8% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Emilio de' Cavalieri
Rappresentatione di Anima e di Corpo (Re...
135 bpm • G Maj • 01:34 • -23db
25% Popularity • 24% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
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Philippe Verdelot
Letamini in Domino
135 bpm • F Maj • 02:06 • -26db
12% Popularity • 18% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Day Is Done (2006)
135 bpm • D Maj • 05:20 • -27.97db
32% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O viridissima virga, Ave
135 bpm • C Maj • 03:53 • -27db
6% Popularity • 23% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Caligaverunt oculi mei
136 bpm • F# min • 06:06 • -18.39db
8% Popularity • 20% Danceability • 11% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
13% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
30% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
30% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
14% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
136 bpm • E min • 01:53 • -20.84db
12% Popularity • 19% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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Gregorio Allegri
Miserere a 9: No. 2, Et secundum multitu...
136 bpm • B min • 01:26 • -27.48db
16% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
O vos omnes
136 bpm • G min • 02:27 • -21.85db
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Illumina faciem tuam
136 bpm • F Maj • 03:37 • -21.06db
11% Popularity • 15% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Thomas Weelkes
Alleluia, I Heard a Voice
115 bpm • B Maj • 02:52 • -20.54db
13% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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O Vos Omnes