Songs like Obstacle 1 by Interpol
Based on a tempo of (+/- 10%) and a similar genre
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Weezer
Buddy Holly
121 bpm • G# Maj • 02:39 • -4.61db
75% Popularity • 56% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
75% Popularity • 56% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Horrors
Something To Remember Me By
121 bpm • C Maj • 06:40 • -8.39db
44% Popularity • 63% Danceability • 72% Energy • 12% Liveness
69% Instrumentalness • 52% Positiveness
44% Popularity • 63% Danceability • 72% Energy • 12% Liveness
69% Instrumentalness • 52% Positiveness
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The Jesus and Mary Chain
Just Like Honey
121 bpm • G# Maj • 03:02 • -10.5db
57% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
57% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
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The Strokes
You Only Live Once
121 bpm • B Maj • 03:09 • -2.42db
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
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Interpol
Obstacle 1 - 2012 Remaster
121 bpm • F Maj • 04:11 • -5db
49% Popularity • 37% Danceability • 94% Energy • 7% Liveness
68% Instrumentalness • 38% Positiveness
49% Popularity • 37% Danceability • 94% Energy • 7% Liveness
68% Instrumentalness • 38% Positiveness
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Gorillaz
On Melancholy Hill
120 bpm • D Maj • 03:53 • -5.81db
78% Popularity • 69% Danceability • 74% Energy • 6% Liveness
51% Instrumentalness • 58% Positiveness
78% Popularity • 69% Danceability • 74% Energy • 6% Liveness
51% Instrumentalness • 58% Positiveness
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Blur
Coffee & TV
122 bpm • D Maj • 05:58 • -10.12db
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
64% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
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The Smashing Pumpkins
Bullet With Butterfly Wings - Remastered...
122 bpm • A# min • 04:18 • -9.18db
73% Popularity • 40% Danceability • 72% Energy • 5% Liveness
84% Instrumentalness • 48% Positiveness
73% Popularity • 40% Danceability • 72% Energy • 5% Liveness
84% Instrumentalness • 48% Positiveness
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Deerhunter
Agoraphobia
120 bpm • E Maj • 03:22 • -6.88db
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
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The Cribs
Men's Needs
122 bpm • C# min • 03:15 • -2.26db
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Interpol
Obstacle 1
121 bpm • F Maj • 04:11 • -4.9db
63% Popularity • 38% Danceability • 94% Energy • 7% Liveness
58% Instrumentalness • 38% Positiveness
63% Popularity • 38% Danceability • 94% Energy • 7% Liveness
58% Instrumentalness • 38% Positiveness
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Animal Collective
My Girls
120 bpm • E min • 05:40 • -6.03db
56% Popularity • 51% Danceability • 95% Energy • 93% Liveness
4% Instrumentalness • 56% Positiveness
56% Popularity • 51% Danceability • 95% Energy • 93% Liveness
4% Instrumentalness • 56% Positiveness
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Blur
Girls & Boys
120 bpm • G min • 04:19 • -8.35db
70% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
70% Popularity • 69% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Joy Division
Atmosphere - 2020 Digital Remaster
120 bpm • F# Maj • 04:12 • -11db
52% Popularity • 61% Danceability • 40% Energy • 11% Liveness
41% Instrumentalness • 47% Positiveness
52% Popularity • 61% Danceability • 40% Energy • 11% Liveness
41% Instrumentalness • 47% Positiveness
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Arcade Fire
Neighborhood #3 (Power Out)
120 bpm • F Maj • 05:12 • -5.02db
48% Popularity • 52% Danceability • 95% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
48% Popularity • 52% Danceability • 95% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Yeah Yeah Yeahs
Maps
120 bpm • G Maj • 03:39 • -5.19db
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
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Interpol
No I In Threesome
120 bpm • C Maj • 03:51 • -3.88db
54% Popularity • 47% Danceability • 91% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
54% Popularity • 47% Danceability • 91% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
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TV On The Radio
Staring at the Sun
119 bpm • G# Maj • 04:01 • -8db
49% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 29% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Guided By Voices
Game Of Pricks
122 bpm • A# Maj • 01:33 • -6.98db
51% Popularity • 37% Danceability • 97% Energy • 53% Liveness
66% Instrumentalness • 32% Positiveness
51% Popularity • 37% Danceability • 97% Energy • 53% Liveness
66% Instrumentalness • 32% Positiveness
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The Voidz
Human Sadness
123 bpm • C Maj • 10:56 • -4.74db
50% Popularity • 23% Danceability • 75% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
50% Popularity • 23% Danceability • 75% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Tame Impala
Elephant
123 bpm • A min • 03:31 • -6.74db
73% Popularity • 60% Danceability • 55% Energy • 26% Liveness
16% Instrumentalness • 53% Positiveness
73% Popularity • 60% Danceability • 55% Energy • 26% Liveness
16% Instrumentalness • 53% Positiveness
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The Vaccines
A Lack of Understanding
123 bpm • F# Maj • 02:58 • -6.22db
50% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Franz Ferdinand
Do You Want To
123 bpm • C Maj • 03:35 • -2.9db
61% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
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Interpol
Narc
119 bpm • G Maj • 04:07 • -2.33db
53% Popularity • 56% Danceability • 88% Energy • 37% Liveness
63% Instrumentalness • 68% Positiveness
53% Popularity • 56% Danceability • 88% Energy • 37% Liveness
63% Instrumentalness • 68% Positiveness
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Beck
Devils Haircut
124 bpm • G Maj • 03:12 • -4.85db
49% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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The Voidz
Leave It In My Dreams
119 bpm • E min • 03:59 • -4.7db
53% Popularity • 60% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
53% Popularity • 60% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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New Order
Bizarre Love Triangle
119 bpm • A# Maj • 04:23 • -7.46db
66% Popularity • 61% Danceability • 88% Energy • 10% Liveness
75% Instrumentalness • 92% Positiveness
66% Popularity • 61% Danceability • 88% Energy • 10% Liveness
75% Instrumentalness • 92% Positiveness
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Metric
Help I'm Alive
118 bpm • F min • 04:46 • -4.55db
62% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Yeah Yeah Yeahs
Zero
124 bpm • B Maj • 04:25 • -4.11db
46% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
46% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
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Interpol
Take You on a Cruise
118 bpm • D Maj • 04:54 • -2.94db
48% Popularity • 48% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
48% Popularity • 48% Danceability • 93% Energy • 11% Liveness
87% Instrumentalness • 35% Positiveness
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The Strokes
Welcome To Japan
124 bpm • D min • 03:50 • -7.23db
61% Popularity • 70% Danceability • 67% Energy • 17% Liveness
1% Instrumentalness • 65% Positiveness
61% Popularity • 70% Danceability • 67% Energy • 17% Liveness
1% Instrumentalness • 65% Positiveness
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White Lies
Farewell To The Fairground
118 bpm • A Maj • 04:16 • -5.34db
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 52% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Metric
Black Sheep
124 bpm • B min • 04:57 • -6.29db
64% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
64% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Echo & the Bunnymen
The Killing Moon
124 bpm • G Maj • 05:48 • -7.07db
61% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Joy Division
Day of the Lords - 2007 Remaster
124 bpm • A Maj • 04:47 • -8db
46% Popularity • 32% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
46% Popularity • 32% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Arcade Fire
The Suburbs
118 bpm • F# min • 05:15 • -6db
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Pixies
La La Love You
124 bpm • D Maj • 02:43 • -13db
55% Popularity • 70% Danceability • 65% Energy • 11% Liveness
18% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 65% Energy • 11% Liveness
18% Instrumentalness • 60% Positiveness
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Black Rebel Motorcycle Club
Love Burns
118 bpm • A Maj • 04:05 • -5.1db
39% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
39% Popularity • 50% Danceability • 85% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Silversun Pickups
Kissing Families
117 bpm • C# min • 04:50 • -7.69db
47% Popularity • 60% Danceability • 67% Energy • 13% Liveness
43% Instrumentalness • 30% Positiveness
47% Popularity • 60% Danceability • 67% Energy • 13% Liveness
43% Instrumentalness • 30% Positiveness
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Car Seat Headrest
Drunk Drivers/Killer Whales
117 bpm • D Maj • 06:14 • -7.95db
58% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Yeah Yeah Yeahs
Soft Shock
125 bpm • G Maj • 03:53 • -5.91db
44% Popularity • 60% Danceability • 81% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
44% Popularity • 60% Danceability • 81% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
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Sonic Youth
100%
117 bpm • G Maj • 02:29 • -9.89db
47% Popularity • 45% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 45% Danceability • 88% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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Morrissey
Everyday Is Like Sunday - 2011 Remaster
117 bpm • C Maj • 03:35 • -5db
59% Popularity • 60% Danceability • 87% Energy • 31% Liveness
44% Instrumentalness • 56% Positiveness
59% Popularity • 60% Danceability • 87% Energy • 31% Liveness
44% Instrumentalness • 56% Positiveness
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Kasabian
Fire
117 bpm • A# Maj • 04:12 • -5.64db
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
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MGMT
Congratulations
125 bpm • G Maj • 03:55 • -8.17db
59% Popularity • 76% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 76% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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Interpol
Toni
117 bpm • B min • 04:34 • -8db
45% Popularity • 67% Danceability • 68% Energy • 7% Liveness
68% Instrumentalness • 62% Positiveness
45% Popularity • 67% Danceability • 68% Energy • 7% Liveness
68% Instrumentalness • 62% Positiveness
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LCD Soundsystem
I Can Change
117 bpm • C# Maj • 05:52 • -6.57db
58% Popularity • 64% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 64% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Pixies
Velouria
125 bpm • F# Maj • 03:40 • -12.6db
54% Popularity • 49% Danceability • 63% Energy • 8% Liveness
24% Instrumentalness • 51% Positiveness
54% Popularity • 49% Danceability • 63% Energy • 8% Liveness
24% Instrumentalness • 51% Positiveness
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PJ Harvey
Down By The Water
125 bpm • D Maj • 03:14 • -12.26db
60% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
60% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
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Queens of the Stone Age
I Sat by the Ocean
117 bpm • G# min • 03:55 • -4db
65% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
65% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Julian Casablancas
11th Dimension
126 bpm • F# min • 04:03 • -2.77db
52% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
52% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Interpol
C'mere
125 bpm • D min • 03:12 • -4.44db
60% Popularity • 40% Danceability • 93% Energy • 7% Liveness
12% Instrumentalness • 65% Positiveness
60% Popularity • 40% Danceability • 93% Energy • 7% Liveness
12% Instrumentalness • 65% Positiveness
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The Smashing Pumpkins
Luna - 2011 Remaster
126 bpm • A Maj • 03:22 • -13.55db
64% Popularity • 57% Danceability • 27% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
64% Popularity • 57% Danceability • 27% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
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Pixies
Monkey Gone to Heaven
117 bpm • F# min • 02:55 • -10.64db
64% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
64% Popularity • 65% Danceability • 39% Energy • 27% Liveness
1% Instrumentalness • 57% Positiveness
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Bauhaus
All We Ever Wanted Was Everything
116 bpm • C Maj • 03:52 • -17.63db
52% Popularity • 60% Danceability • 25% Energy • 12% Liveness
10% Instrumentalness • 27% Positiveness
52% Popularity • 60% Danceability • 25% Energy • 12% Liveness
10% Instrumentalness • 27% Positiveness
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Queens of the Stone Age
If Only
126 bpm • F min • 03:22 • -4db
59% Popularity • 60% Danceability • 89% Energy • 8% Liveness
20% Instrumentalness • 94% Positiveness
59% Popularity • 60% Danceability • 89% Energy • 8% Liveness
20% Instrumentalness • 94% Positiveness
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The Strokes
What Ever Happened?
116 bpm • B Maj • 02:49 • -6.04db
64% Popularity • 55% Danceability • 60% Energy • 27% Liveness
74% Instrumentalness • 58% Positiveness
64% Popularity • 55% Danceability • 60% Energy • 27% Liveness
74% Instrumentalness • 58% Positiveness
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Interpol
Not Even Jail
126 bpm • C Maj • 05:46 • -3.33db
47% Popularity • 39% Danceability • 96% Energy • 25% Liveness
79% Instrumentalness • 43% Positiveness
47% Popularity • 39% Danceability • 96% Energy • 25% Liveness
79% Instrumentalness • 43% Positiveness
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IDLES
I'm Scum
116 bpm • B min • 03:09 • -3.66db
56% Popularity • 53% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 53% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Pixies
Gouge Away
126 bpm • E Maj • 02:42 • -12.69db
61% Popularity • 66% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
61% Popularity • 66% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
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Thom Yorke
Hearing Damage
116 bpm • C# Maj • 05:03 • -6.32db
61% Popularity • 63% Danceability • 86% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
61% Popularity • 63% Danceability • 86% Energy • 11% Liveness
85% Instrumentalness • 13% Positiveness
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Albert Hammond Jr
Set to Attack
116 bpm • C min • 03:28 • -4.46db
49% Popularity • 76% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
49% Popularity • 76% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Elliott Smith
Needle In The Hay
116 bpm • A min • 04:17 • -17.45db
53% Popularity • 56% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 31% Positiveness
53% Popularity • 56% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 31% Positiveness
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Interpol
Obstacle 2 - 2012 Remaster
116 bpm • D Maj • 03:47 • -5db
34% Popularity • 40% Danceability • 91% Energy • 38% Liveness
68% Instrumentalness • 50% Positiveness
34% Popularity • 40% Danceability • 91% Energy • 38% Liveness
68% Instrumentalness • 50% Positiveness
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Arcade Fire
Afterlife
116 bpm • B Maj • 05:53 • -5.53db
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
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PJ Harvey
This Mess We're In
126 bpm • C Maj • 03:55 • -9.63db
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
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Pixies
Bone Machine - Remastered
116 bpm • C Maj • 03:03 • -12.8db
53% Popularity • 63% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 63% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Pavement
Gold Soundz
126 bpm • A Maj • 02:39 • -9.36db
51% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Radiohead
There, There
126 bpm • A min • 05:23 • -8.32db
61% Popularity • 61% Danceability • 68% Energy • 11% Liveness
52% Instrumentalness • 72% Positiveness
61% Popularity • 61% Danceability • 68% Energy • 11% Liveness
52% Instrumentalness • 72% Positiveness
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Interpol
Obstacle 2
116 bpm • D Maj • 03:47 • -5.6db
46% Popularity • 40% Danceability • 92% Energy • 37% Liveness
76% Instrumentalness • 50% Positiveness
46% Popularity • 40% Danceability • 92% Energy • 37% Liveness
76% Instrumentalness • 50% Positiveness
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Arcade Fire
Neighborhood #1 (Tunnels)
127 bpm • C Maj • 04:48 • -5.57db
55% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
55% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
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The Smashing Pumpkins
1979 - Remastered 2012
127 bpm • D# Maj • 04:26 • -9.9db
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
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Pixies
Gigantic - Remastered
115 bpm • G Maj • 03:55 • -11.78db
56% Popularity • 39% Danceability • 69% Energy • 8% Liveness
30% Instrumentalness • 80% Positiveness
56% Popularity • 39% Danceability • 69% Energy • 8% Liveness
30% Instrumentalness • 80% Positiveness
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Arctic Monkeys
Fake Tales Of San Francisco
127 bpm • A Maj • 02:57 • -4.23db
64% Popularity • 45% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 45% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Car Seat Headrest
Sober to Death
115 bpm • G Maj • 05:04 • -6.86db
65% Popularity • 51% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 51% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Interpol
Length of Love
127 bpm • A# Maj • 04:06 • -2.82db
40% Popularity • 40% Danceability • 94% Energy • 42% Liveness
91% Instrumentalness • 37% Positiveness
40% Popularity • 40% Danceability • 94% Energy • 42% Liveness
91% Instrumentalness • 37% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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Franz Ferdinand
The Dark Of The Matinée
114 bpm • F# min • 04:06 • -4.37db
58% Popularity • 45% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 45% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Kills
Future Starts Slow
128 bpm • F# Maj • 04:08 • -5.88db
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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The Smashing Pumpkins
Zero - Remastered 2012
128 bpm • G# Maj • 02:40 • -7.11db
70% Popularity • 44% Danceability • 73% Energy • 5% Liveness
57% Instrumentalness • 70% Positiveness
70% Popularity • 44% Danceability • 73% Energy • 5% Liveness
57% Instrumentalness • 70% Positiveness
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Foals
My Number
128 bpm • F# min • 03:58 • -8.95db
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Interpol
Stella was a diver and she was always do...
114 bpm • F Maj • 06:28 • -5.5db
37% Popularity • 42% Danceability • 84% Energy • 22% Liveness
81% Instrumentalness • 45% Positiveness
37% Popularity • 42% Danceability • 84% Energy • 22% Liveness
81% Instrumentalness • 45% Positiveness
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Black Rebel Motorcycle Club
Spread Your Love
128 bpm • D Maj • 03:45 • -3.12db
53% Popularity • 42% Danceability • 90% Energy • 14% Liveness
38% Instrumentalness • 42% Positiveness
53% Popularity • 42% Danceability • 90% Energy • 14% Liveness
38% Instrumentalness • 42% Positiveness
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King Gizzard & The Lizard Wizard
Work This Time
114 bpm • C# min • 04:36 • -6.27db
49% Popularity • 73% Danceability • 50% Energy • 12% Liveness
15% Instrumentalness • 57% Positiveness
49% Popularity • 73% Danceability • 50% Energy • 12% Liveness
15% Instrumentalness • 57% Positiveness
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The White Stripes
The Hardest Button to Button
128 bpm • E min • 03:32 • -8.66db
62% Popularity • 69% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 57% Positiveness
62% Popularity • 69% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 57% Positiveness
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The Smashing Pumpkins
Perfect
114 bpm • G Maj • 03:22 • -6.33db
60% Popularity • 64% Danceability • 91% Energy • 45% Liveness
65% Instrumentalness • 54% Positiveness
60% Popularity • 64% Danceability • 91% Energy • 45% Liveness
65% Instrumentalness • 54% Positiveness
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Nirvana
Dumb
114 bpm • F# Maj • 02:31 • -13.58db
77% Popularity • 70% Danceability • 40% Energy • 17% Liveness
65% Instrumentalness • 88% Positiveness
77% Popularity • 70% Danceability • 40% Energy • 17% Liveness
65% Instrumentalness • 88% Positiveness
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Interpol
Stella was a diver and she was always do...
114 bpm • F Maj • 06:27 • -6db
51% Popularity • 42% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 44% Positiveness
51% Popularity • 42% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 44% Positiveness
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IDLES
Colossus
129 bpm • C Maj • 05:39 • -5.9db
51% Popularity • 34% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 34% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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The Smiths
I Know It's Over - 2011 Remaster
113 bpm • C Maj • 05:49 • -10.58db
70% Popularity • 41% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
70% Popularity • 41% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Sonic Youth
Bull In The Heather
129 bpm • G Maj • 03:04 • -12.73db
50% Popularity • 64% Danceability • 62% Energy • 24% Liveness
32% Instrumentalness • 42% Positiveness
50% Popularity • 64% Danceability • 62% Energy • 24% Liveness
32% Instrumentalness • 42% Positiveness
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Franz Ferdinand
The Fallen
113 bpm • C Maj • 03:42 • -2.37db
47% Popularity • 49% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 49% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Nirvana
All Apologies
113 bpm • C# Maj • 03:53 • -12.2db
73% Popularity • 45% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
73% Popularity • 45% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Interpol
Hands Away
128 bpm • A min • 03:05 • -9.37db
44% Popularity • 39% Danceability • 78% Energy • 7% Liveness
87% Instrumentalness • 31% Positiveness
44% Popularity • 39% Danceability • 78% Energy • 7% Liveness
87% Instrumentalness • 31% Positiveness
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Sparklehorse
Piano Fire
129 bpm • F# min • 02:43 • -7.62db
50% Popularity • 52% Danceability • 79% Energy • 35% Liveness
1% Instrumentalness • 68% Positiveness
50% Popularity • 52% Danceability • 79% Energy • 35% Liveness
1% Instrumentalness • 68% Positiveness
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Viagra Boys
Sports
129 bpm • D Maj • 03:57 • -5db
54% Popularity • 42% Danceability • 77% Energy • 64% Liveness
27% Instrumentalness • 90% Positiveness
54% Popularity • 42% Danceability • 77% Energy • 64% Liveness
27% Instrumentalness • 90% Positiveness
