Songs like Obvious by Canaan Cox
Based on a tempo of (+/- 10%) and a similar genre
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Noah Hicks
Love You Too
112 bpm • E min • 02:48 • -5.08db
37% Popularity • 61% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 61% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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HUTCH
Dead To Me
112 bpm • A Maj • 02:58 • -5db
21% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Lily Rose
Breakin' In
112 bpm • E Maj • 02:40 • -6db
29% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Kyle Clark
Hair Down
112 bpm • F# Maj • 03:03 • -5.73db
34% Popularity • 54% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 54% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Mitchell Tenpenny
I Know Something She Don't Know
112 bpm • B Maj • 02:52 • -5.17db
34% Popularity • 69% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 69% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Canaan Cox
Obvious
112 bpm • G Maj • 03:15 • -4.38db
31% Popularity • 68% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 68% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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SixForty1
You Still Keep Me Up
113 bpm • B Maj • 04:02 • -4.55db
25% Popularity • 56% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 56% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Austin Burke
Ain't Gonna Break My Heart
111 bpm • B Maj • 02:40 • -7db
36% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Robyn Ottolini
Tell You Everything - Not Put Together
113 bpm • C# Maj • 03:08 • -6db
27% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Eric Burgett
Wild Girl
110 bpm • C# Maj • 03:08 • -4.23db
26% Popularity • 53% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 53% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Mitchell Tenpenny
Obsession
111 bpm • G Maj • 02:24 • -5.58db
38% Popularity • 64% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 64% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Smithfield
Life & Living
114 bpm • D Maj • 03:46 • -5db
36% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Todd Cameron
I Don't Feel Like Talking Right Now
110 bpm • A# Maj • 03:07 • -5.88db
24% Popularity • 67% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 67% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Austin Burke
Desert Child
110 bpm • C Maj • 02:49 • -7.08db
23% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 62% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Kaylee Rose
So Far So Good
110 bpm • G Maj • 02:41 • -4.79db
16% Popularity • 75% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 75% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Renee Blair
Better Off
110 bpm • A min • 02:55 • -7.43db
18% Popularity • 69% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 69% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Josh Melton
Close Enough
110 bpm • A# Maj • 02:56 • -5.36db
28% Popularity • 67% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 67% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Trevor Martin
Calling It Friends
115 bpm • C Maj • 02:34 • -4.08db
22% Popularity • 69% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 69% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Troy Cartwright
Hung Up On You
115 bpm • A# Maj • 03:21 • -3.96db
41% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Austin Burke
Love You Most
110 bpm • A min • 03:19 • -6.43db
22% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Kaylee Rose
Last Call Last
115 bpm • C# Maj • 03:04 • -4.93db
10% Popularity • 75% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 75% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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CHASE WRIGHT
Hangin' On
115 bpm • G Maj • 02:50 • -6db
33% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Tenille Arts
Girl to Girl
116 bpm • D Maj • 03:12 • -3.37db
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Kyle Clark
Anyone
116 bpm • C Maj • 03:10 • -6db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Tuten Brothers
Life Without You
108 bpm • A# Maj • 02:51 • -5.2db
33% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Canaan Cox
'94 Accord
116 bpm • C# Maj • 02:25 • -7.54db
24% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Robyn Ottolini
Say It
108 bpm • D Maj • 03:05 • -5.46db
32% Popularity • 56% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 56% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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CHASE WRIGHT
What She Sees in Me
109 bpm • A Maj • 02:39 • -7.54db
33% Popularity • 58% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 58% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Josh Melton
Every Last Little Bit
108 bpm • G Maj • 02:58 • -6db
26% Popularity • 59% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 59% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Kyle Clark
Out of That Memory
116 bpm • B Maj • 03:14 • -6db
37% Popularity • 66% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 66% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Drew Baldridge
When I Fall
108 bpm • G min • 03:18 • -5.5db
23% Popularity • 68% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 68% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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The Tuten Brothers
So Far So Good
108 bpm • B Maj • 03:21 • -5db
35% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Ross
Love Never Looked Like Us
108 bpm • G# min • 03:19 • -5.3db
39% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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CHASE WRIGHT
Missing You
116 bpm • F# Maj • 02:48 • -4db
49% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Smithfield
Reason for a Rita
108 bpm • G# Maj • 02:48 • -4.26db
31% Popularity • 77% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 77% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Todd Cameron
Denim Days, Neon Lights
117 bpm • G Maj • 03:10 • -3db
22% Popularity • 53% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 53% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Restless Road
Could've Been a Love Song
117 bpm • A Maj • 03:18 • -4.03db
34% Popularity • 46% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 46% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Tuten Brothers
Heartbroke HWY
108 bpm • C min • 03:17 • -4.2db
27% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Mike Gossin
Let's Ride
117 bpm • C# Maj • 03:42 • -5.51db
27% Popularity • 45% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 45% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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The Roads Below
First Line
107 bpm • B Maj • 03:07 • -8db
15% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Alexandra Kay
Skip This Part
107 bpm • D# Maj • 03:19 • -5.16db
46% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Ruediger
Me Tomorrow
107 bpm • G# Maj • 02:56 • -5.3db
12% Popularity • 74% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 74% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Roman Alexander
One Tequila
107 bpm • D Maj • 03:05 • -4.54db
26% Popularity • 60% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 60% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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The Tuten Brothers
Lottery
108 bpm • D Maj • 02:29 • -4.26db
35% Popularity • 71% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 71% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Adam Hambrick
Broken Ladder
118 bpm • G Maj • 03:09 • -4.27db
19% Popularity • 63% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 63% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Madeline Merlo
Slide
118 bpm • D Maj • 03:34 • -3.24db
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Taylor Edwards
8 Months
118 bpm • D Maj • 02:40 • -3db
29% Popularity • 78% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 78% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Troy Cartwright
girl i loved before
106 bpm • F Maj • 02:54 • -2.99db
37% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Sons of Daughters
I Picture You
106 bpm • F# Maj • 03:12 • -5.77db
16% Popularity • 53% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 53% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Moreno
Long Way Back
119 bpm • G# Maj • 03:07 • -5.35db
20% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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CB30
Now We're Talkin'
106 bpm • G Maj • 02:34 • -4.23db
22% Popularity • 65% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 65% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Alee
No One Like You
105 bpm • F Maj • 03:01 • -5.77db
22% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Taylor Edwards
Hard Feelings
105 bpm • G Maj • 03:37 • -5.24db
30% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Troy Cartwright
Prettiest Girl I Don't Know
105 bpm • E Maj • 03:23 • -6.57db
45% Popularity • 65% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 65% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Eric Van Houten
Kiss Her
105 bpm • G# Maj • 02:52 • -3db
29% Popularity • 56% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 56% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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CHASE WRIGHT
Never Loved Before
120 bpm • A Maj • 03:03 • -7db
32% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 61% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Smithfield
Like I Never Loved You
120 bpm • G min • 02:26 • -7.17db
26% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Erin Kinsey
Better On Me
120 bpm • C Maj • 02:29 • -4.05db
37% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Manny Blu
Looking Forward to Looking Back
120 bpm • G min • 04:06 • -6.84db
28% Popularity • 65% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 65% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Levi Hummon
Drink On
120 bpm • E Maj • 02:53 • -6db
26% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Renee Blair
Wearin' It Well
120 bpm • C# min • 02:45 • -4.87db
14% Popularity • 66% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 66% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Joe Lasher
That's Gonna Get You Kissed
120 bpm • C# min • 02:44 • -7.42db
33% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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SixForty1
Me and Your Memory
120 bpm • D Maj • 03:44 • -4.35db
17% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Mitchell Tenpenny
Still Thinking 'Bout You
120 bpm • E Maj • 02:50 • -5.37db
35% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Steven Lee Olsen
The Woods
120 bpm • C Maj • 02:36 • -5.48db
24% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Payton Smith
Need You to Not
120 bpm • D Maj • 03:05 • -4.15db
27% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Ethridge
Kiss Me Goodbye
104 bpm • B Maj • 02:47 • -7.72db
25% Popularity • 58% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 58% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Ruediger
Say Less
104 bpm • B Maj • 02:58 • -5.32db
18% Popularity • 64% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 64% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Moreno
What I Was Missing
104 bpm • C# Maj • 02:57 • -4.45db
27% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Smithfield
I'll Never Stop
122 bpm • C# Maj • 03:32 • -6db
42% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Murphy Elmore
Talk You Into Stayin'
122 bpm • A# min • 03:27 • -5.59db
25% Popularity • 52% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 52% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Payton Smith
Run Girl
121 bpm • D Maj • 03:11 • -4.5db
15% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 62% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Todd Cameron
Small Talk
122 bpm • F# Maj • 03:33 • -5.31db
35% Popularity • 51% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 51% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Kelsey Hart
Drink About Me
122 bpm • C Maj • 03:12 • -4.65db
29% Popularity • 56% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 56% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Moreno
More Than Myself
102 bpm • C Maj • 02:28 • -4.34db
29% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Canaan Cox
End Up In a Song
123 bpm • F# min • 02:28 • -8.07db
32% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Troy Cartwright
Just Kids
102 bpm • A# Maj • 02:48 • -4.71db
46% Popularity • 57% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 57% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Levi Hummon
Rent Free
102 bpm • G Maj • 02:47 • -5.43db
25% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Alexandra Kay
We Wouldn't Be Us
102 bpm • F# Maj • 03:16 • -5.85db
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Chris Ruediger
Only So Many
124 bpm • E Maj • 03:44 • -5.98db
19% Popularity • 70% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 70% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Robyn Ottolini
Tell You Everything
124 bpm • C# Maj • 02:55 • -6.83db
41% Popularity • 60% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 60% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
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Canaan Cox
Lost and Found
102 bpm • B Maj • 02:48 • -5.97db
34% Popularity • 52% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 52% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Payton Smith
What It Meant To Lose You
101 bpm • G# min • 03:00 • -5.12db
19% Popularity • 65% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 65% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Roman Alexander
Mess Me Up
101 bpm • G Maj • 02:46 • -3.78db
29% Popularity • 49% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 49% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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SixForty1
Never Gets Old
125 bpm • B Maj • 02:44 • -5db
17% Popularity • 60% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 60% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Kyle Clark
Tonight I Do
125 bpm • A# Maj • 02:43 • -4.55db
37% Popularity • 54% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 54% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Todd Cameron
Just Add You
125 bpm • B Maj • 03:13 • -3.98db
25% Popularity • 49% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 49% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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The Roads Below
Where That Tattoo Ends
100 bpm • B min • 03:16 • -8.08db
15% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ryan Griffin
Right Here Right Now
100 bpm • D Maj • 03:15 • -4.76db
29% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Canaan Cox
Up With the Sun
100 bpm • C Maj • 03:36 • -5.37db
24% Popularity • 63% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 63% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Lakeview
In Case You Forgot (My Hometown)
100 bpm • C Maj • 03:31 • -4.85db
32% Popularity • 64% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 64% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Abby Anderson
We Go Together Like
100 bpm • B Maj • 02:43 • -5.32db
38% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 62% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Taylor Edwards
Catch Myself
100 bpm • D Maj • 02:55 • -6.09db
28% Popularity • 67% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 67% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Kaylee Rose
Greenville
126 bpm • C# min • 02:41 • -5.96db
16% Popularity • 76% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 76% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Eric Burgett
You're My Hometown
100 bpm • A Maj • 03:04 • -5db
21% Popularity • 60% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 60% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Canaan Cox
Kiss Him
100 bpm • G# min • 02:10 • -4.62db
38% Popularity • 68% Danceability • 79% Energy • 44% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 68% Danceability • 79% Energy • 44% Liveness
0% Instrumentalness • 79% Positiveness
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Tenille Arts
Missing You
126 bpm • G# Maj • 02:57 • -5.8db
34% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Jaden Michaels
Granted
126 bpm • F Maj • 03:09 • -5.11db
21% Popularity • 63% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 63% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
