Songs like Oddball Dance by City Boy
Based on a tempo of (+/- 10%) and a similar genre
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City Boy
Oddball Dance
121 bpm • B min • 05:00 • -13.16db
9% Popularity • 46% Danceability • 69% Energy • 81% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 46% Danceability • 69% Energy • 81% Liveness
0% Instrumentalness • 54% Positiveness
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Sniff 'n' The Tears
That Final Love
121 bpm • C# Maj • 03:53 • -11.5db
16% Popularity • 63% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 63% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Prism
Is He Better Than Me?
121 bpm • C Maj • 03:23 • -8.89db
18% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Robbie Dupree
Brooklyn Girls
121 bpm • E Maj • 03:26 • -14db
32% Popularity • 64% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 64% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jim Steinman
Surf's Up
121 bpm • G Maj • 05:22 • -15.85db
24% Popularity • 47% Danceability • 21% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 47% Danceability • 21% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Night
Hot Summer Nights
121 bpm • G# Maj • 03:23 • -7.23db
31% Popularity • 72% Danceability • 65% Energy • 84% Liveness
3% Instrumentalness • 65% Positiveness
31% Popularity • 72% Danceability • 65% Energy • 84% Liveness
3% Instrumentalness • 65% Positiveness
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Gillan
Living For The City
121 bpm • D Maj • 04:28 • -5.93db
11% Popularity • 49% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 49% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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City Boy
Moving in Circles
120 bpm • A Maj • 04:07 • -7.54db
3% Popularity • 54% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 54% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Daryl Hall
Dreamtime
122 bpm • G Maj • 04:45 • -10db
35% Popularity • 62% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 62% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Bob Welch
Precious Love
120 bpm • E Maj • 03:14 • -4.96db
19% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 70% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Sniff 'n' The Tears
New Lines on Love
122 bpm • G# min • 03:48 • -7.4db
23% Popularity • 64% Danceability • 70% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
23% Popularity • 64% Danceability • 70% Energy • 5% Liveness
1% Instrumentalness • 82% Positiveness
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Moon Martin
No Chance
120 bpm • A# Maj • 02:41 • -8.81db
13% Popularity • 68% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 68% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Bob Seger
Miami
120 bpm • C Maj • 04:40 • -5.66db
27% Popularity • 55% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 55% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Elton John
Restless
122 bpm • F Maj • 05:16 • -9.73db
19% Popularity • 75% Danceability • 86% Energy • 12% Liveness
6% Instrumentalness • 90% Positiveness
19% Popularity • 75% Danceability • 86% Energy • 12% Liveness
6% Instrumentalness • 90% Positiveness
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Player
If Looks Could Kill
122 bpm • A# min • 03:34 • -11.51db
19% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Tony Carey
Dancing Days
120 bpm • E min • 04:53 • -10.49db
14% Popularity • 65% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 65% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Sniff 'n' The Tears
Snow White
120 bpm • C Maj • 04:21 • -11.51db
12% Popularity • 62% Danceability • 82% Energy • 32% Liveness
1% Instrumentalness • 81% Positiveness
12% Popularity • 62% Danceability • 82% Energy • 32% Liveness
1% Instrumentalness • 81% Positiveness
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Ambrosia
Rock N' a Hard Place
122 bpm • A min • 04:00 • -6.32db
17% Popularity • 70% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 70% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Bachman-Turner Overdrive
You Ain't Seen Nothing Yet - Single Vers...
120 bpm • D Maj • 03:38 • -12.04db
48% Popularity • 51% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
48% Popularity • 51% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Roger Hodgson
Right Place
122 bpm • C min • 04:04 • -12.45db
27% Popularity • 69% Danceability • 84% Energy • 6% Liveness
49% Instrumentalness • 98% Positiveness
27% Popularity • 69% Danceability • 84% Energy • 6% Liveness
49% Instrumentalness • 98% Positiveness
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Firefall
Break of Dawn
120 bpm • G Maj • 03:48 • -9.83db
15% Popularity • 74% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 74% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Jefferson Starship
Fading Lady Light
122 bpm • A# Maj • 03:40 • -8.23db
20% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Charlie
Tempted
120 bpm • A Maj • 04:00 • -9.12db
12% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ambrosia
Feelin' Alive Again
120 bpm • F Maj • 05:48 • -8.4db
16% Popularity • 53% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 53% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Benny Mardones
She's So French
120 bpm • B min • 04:35 • -4.37db
12% Popularity • 31% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 31% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Utopia
Feet Don't Fail Me Now
122 bpm • A Maj • 03:10 • -8.19db
16% Popularity • 62% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 62% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Alan Parsons Project
Prime Time
122 bpm • D Maj • 03:50 • -16.69db
16% Popularity • 81% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 81% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Journey
Winds of March
123 bpm • C min • 05:04 • -9db
34% Popularity • 39% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
34% Popularity • 39% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Charlie
Don't Look Back
123 bpm • E min • 04:29 • -13.29db
14% Popularity • 51% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
14% Popularity • 51% Danceability • 43% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Prism
Take Me Away
119 bpm • F min • 03:17 • -11.64db
26% Popularity • 48% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 48% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Gary Wright
Made to Love You
123 bpm • C Maj • 03:43 • -12.99db
22% Popularity • 52% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 52% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Jefferson Starship
Layin' It on the Line
119 bpm • C min • 04:11 • -5db
29% Popularity • 65% Danceability • 92% Energy • 17% Liveness
6% Instrumentalness • 65% Positiveness
29% Popularity • 65% Danceability • 92% Energy • 17% Liveness
6% Instrumentalness • 65% Positiveness
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Sniff 'n' The Tears
Ride Blue Divide
123 bpm • D min • 05:00 • -9.07db
13% Popularity • 76% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 76% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Starz
Sing It, Shout It
123 bpm • C# Maj • 05:13 • -4.2db
14% Popularity • 49% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 49% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Dan Fogelberg
The Language of Love
123 bpm • D Maj • 03:41 • -12.47db
24% Popularity • 64% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 64% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
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Ian Hunter
Just Another Night - 2009 Remaster
119 bpm • D Maj • 04:36 • -6.33db
32% Popularity • 63% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 98% Positiveness
32% Popularity • 63% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 98% Positiveness
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Lou Gramm
True Blue Love
119 bpm • C# Maj • 04:58 • -11.36db
25% Popularity • 63% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 63% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Pilot
You're My No. 1
123 bpm • C Maj • 03:22 • -8.04db
15% Popularity • 62% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 62% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Justin Hayward
Forever Autumn
123 bpm • D min • 04:17 • -10.43db
26% Popularity • 38% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 38% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Gerry Rafferty
Standing at the Gates
123 bpm • C Maj • 06:51 • -15.13db
14% Popularity • 55% Danceability • 47% Energy • 6% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 55% Danceability • 47% Energy • 6% Liveness
1% Instrumentalness • 72% Positiveness
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Kansas
Fight Fire with Fire
119 bpm • G Maj • 03:40 • -5db
41% Popularity • 57% Danceability • 86% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 57% Danceability • 86% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
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Tony Carey
Some Tough City
119 bpm • F Maj • 04:41 • -11.84db
11% Popularity • 65% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 65% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Hughes/Thrall
Beg, Borrow Or Steal
123 bpm • D# Maj • 03:46 • -9db
11% Popularity • 64% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 64% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Sniff 'n' The Tears
Looking for You
123 bpm • F Maj • 04:25 • -9.23db
17% Popularity • 74% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 74% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Angel
Don't Take Your Love
119 bpm • E Maj • 03:30 • -7.48db
13% Popularity • 35% Danceability • 92% Energy • 60% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 35% Danceability • 92% Energy • 60% Liveness
0% Instrumentalness • 68% Positiveness
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Gerry Rafferty
Does He Know What He's Taken On
123 bpm • A Maj • 04:56 • -6.61db
7% Popularity • 61% Danceability • 90% Energy • 21% Liveness
56% Instrumentalness • 79% Positiveness
7% Popularity • 61% Danceability • 90% Energy • 21% Liveness
56% Instrumentalness • 79% Positiveness
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Gary Wright
Power of Love
119 bpm • A# Maj • 03:35 • -13db
20% Popularity • 61% Danceability • 64% Energy • 20% Liveness
7% Instrumentalness • 78% Positiveness
20% Popularity • 61% Danceability • 64% Energy • 20% Liveness
7% Instrumentalness • 78% Positiveness
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Sad Café
Hungry Eyes
123 bpm • F Maj • 05:26 • -15.63db
13% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Tony Carey
Only the Young, Pt. 1
124 bpm • F min • 04:46 • -6.11db
17% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 56% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Flash and the Pan
Media Man
124 bpm • G Maj • 03:36 • -8.57db
4% Popularity • 71% Danceability • 83% Energy • 12% Liveness
57% Instrumentalness • 98% Positiveness
4% Popularity • 71% Danceability • 83% Energy • 12% Liveness
57% Instrumentalness • 98% Positiveness
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Prism
I Don't Wanna Want You
124 bpm • E Maj • 04:19 • -8.72db
12% Popularity • 48% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 48% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Gerry Rafferty
Take the Money and Run
123 bpm • C Maj • 05:48 • -11.24db
27% Popularity • 62% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 62% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Boston
My Destination
124 bpm • E Maj • 02:19 • -15.86db
36% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Sniff 'n' The Tears
Sing
118 bpm • A# min • 02:26 • -8.06db
13% Popularity • 73% Danceability • 80% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
13% Popularity • 73% Danceability • 80% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Bread
Let Your Love Go
124 bpm • A Maj • 02:25 • -9.65db
29% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Glenn Frey
Brave New World
124 bpm • F# min • 06:20 • -8db
18% Popularity • 69% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 69% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Climax Blues Band
Hold On to Your Heart
118 bpm • A Maj • 02:37 • -8.7db
21% Popularity • 61% Danceability • 63% Energy • 4% Liveness
4% Instrumentalness • 77% Positiveness
21% Popularity • 61% Danceability • 63% Energy • 4% Liveness
4% Instrumentalness • 77% Positiveness
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Gerry Rafferty
The Royal Mile
124 bpm • A min • 03:48 • -13.32db
31% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Sammy Hagar
Catch The Wind
124 bpm • C Maj • 04:37 • -12.39db
12% Popularity • 51% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 51% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Mr. Mister
Watching The World
118 bpm • C Maj • 04:24 • -12db
22% Popularity • 67% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 67% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Alice Cooper
(No More) Love at Your Convenience
124 bpm • C Maj • 03:47 • -12.93db
17% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Doobie Brothers
One Chain (Don't Make No Prison)
124 bpm • A min • 04:02 • -8.14db
16% Popularity • 62% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 62% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Ian Hunter
Standin' in My Light - 2009 Remaster
124 bpm • E Maj • 04:35 • -12.2db
25% Popularity • 31% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 31% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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City Boy
5.7.0.5
124 bpm • A min • 03:13 • -10db
32% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Lou Gramm
Tin Soldier
118 bpm • A Maj • 03:24 • -10.01db
12% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Van Zant
Midnight Sensation
124 bpm • D Maj • 03:43 • -5.86db
33% Popularity • 44% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 44% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Sad Café
I Believe (Love Will Survive)
124 bpm • A min • 04:31 • -14.79db
8% Popularity • 36% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 42% Positiveness
8% Popularity • 36% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 42% Positiveness
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Charlie
It's Inevitable
124 bpm • D Maj • 03:54 • -10.57db
24% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jefferson Starship
Sorry Me, Sorry You
125 bpm • C min • 04:07 • -4.97db
18% Popularity • 59% Danceability • 89% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
18% Popularity • 59% Danceability • 89% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
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Pablo Cruise
Will You, Won't You
125 bpm • G Maj • 05:46 • -16.16db
5% Popularity • 47% Danceability • 58% Energy • 23% Liveness
21% Instrumentalness • 78% Positiveness
5% Popularity • 47% Danceability • 58% Energy • 23% Liveness
21% Instrumentalness • 78% Positiveness
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Benny Mardones
Mighta Been Love
124 bpm • D Maj • 04:06 • -4.59db
13% Popularity • 57% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 57% Danceability • 95% Energy • 55% Liveness
0% Instrumentalness • 84% Positiveness
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Ian Hunter
Once Bitten, Twice Shy
125 bpm • C Maj • 04:44 • -8.39db
35% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 76% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Mott The Hoople
Roll Away the Stone
125 bpm • C# Maj • 03:08 • -7.63db
40% Popularity • 56% Danceability • 90% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 56% Danceability • 90% Energy • 73% Liveness
0% Instrumentalness • 70% Positiveness
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The Greg Kihn Band
Sheila
125 bpm • A Maj • 02:51 • -5db
20% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Sniff 'n' The Tears
Carve Your Name on My Door
125 bpm • F Maj • 02:31 • -7.85db
18% Popularity • 75% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 75% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Shooting Star
You've Got What I Need
118 bpm • D Maj • 03:47 • -7db
7% Popularity • 51% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 51% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Broken Home
No Chance
125 bpm • A# Maj • 03:27 • -6.12db
14% Popularity • 68% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 68% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Planet P Project
Send It In A Letter
117 bpm • C min • 03:54 • -20.27db
19% Popularity • 74% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 74% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Seals and Crofts
Takin' It Easy
117 bpm • A Maj • 04:00 • -9.36db
19% Popularity • 50% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 50% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Ian Hunter
Once Bitten, Twice Shy
125 bpm • F Maj • 03:52 • -8.38db
15% Popularity • 80% Danceability • 70% Energy • 69% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 80% Danceability • 70% Energy • 69% Liveness
0% Instrumentalness • 88% Positiveness
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Gene Simmons
Mr. Make Believe
125 bpm • A Maj • 04:02 • -11.22db
26% Popularity • 63% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 63% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Alice Cooper
From the Inside
117 bpm • E min • 03:55 • -12.7db
27% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Roadmaster
It Doesn't Mean a Thing
125 bpm • C Maj • 03:19 • -8.38db
10% Popularity • 50% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 50% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Lou Gramm
Heartache
125 bpm • C Maj • 04:26 • -6db
22% Popularity • 70% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 70% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
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Jethro Tull
Lap of Luxury - 2005 Remaster
117 bpm • G Maj • 03:39 • -11.92db
16% Popularity • 80% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 80% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Ian Hunter
The Outsider - 2009 Remaster
125 bpm • E min • 06:02 • -7.7db
16% Popularity • 35% Danceability • 50% Energy • 36% Liveness
2% Instrumentalness • 26% Positiveness
16% Popularity • 35% Danceability • 50% Energy • 36% Liveness
2% Instrumentalness • 26% Positiveness
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The Doobie Brothers
Take Me To The Highway
117 bpm • D min • 03:20 • -7.56db
19% Popularity • 65% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 65% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Utopia
Set Me Free
125 bpm • F# Maj • 03:09 • -9.72db
26% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Jon Anderson
This Time It Was Really Right
125 bpm • A# min • 04:40 • -12.97db
19% Popularity • 71% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 71% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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City Boy
Change In the Weather
125 bpm • A Maj • 03:44 • -9.93db
7% Popularity • 57% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 57% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Randy VanWarmer
Gotta Get Out of Here
117 bpm • C# min • 03:03 • -12db
11% Popularity • 68% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 68% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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The Sutherland Brothers
When the Train Comes
126 bpm • D Maj • 03:57 • -11db
13% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Gary Wright
Blind Feeling
126 bpm • F min • 04:41 • -14db
22% Popularity • 70% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 70% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Streets
If Love Should Go
126 bpm • D Maj • 04:10 • -6db
19% Popularity • 59% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 59% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Welch
Ebony Eyes
116 bpm • C Maj • 03:18 • -8.05db
13% Popularity • 59% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 59% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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City Boy
Heads Are Rolling
126 bpm • A# Maj • 03:58 • -11.97db
20% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Eddie Money
Bring On the Rain
126 bpm • C Maj • 04:55 • -11db
22% Popularity • 68% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 68% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Tony Carey
The First Day Of Summer
116 bpm • D min • 03:45 • -9.41db
28% Popularity • 77% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 77% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 96% Positiveness