Songs like Off The Grid by Eli Teplin
Based on a tempo of (+/- 10%) and a similar genre
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J.B. Boone
Permafrost
126 bpm • F# Maj • 03:58 • -8.12db
23% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Soll
River
126 bpm • D Maj • 04:03 • -13.99db
34% Popularity • 64% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
34% Popularity • 64% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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Craig Stickland
Starlit Afternoon
126 bpm • G# Maj • 03:33 • -10.73db
40% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
39% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
39% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Eli Teplin
Off The Grid
126 bpm • F# Maj • 03:47 • -12.97db
28% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Northwest Stories
With Me
126 bpm • C# Maj • 02:19 • -13.66db
43% Popularity • 69% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
43% Popularity • 69% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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John Lingard
We're Almost Home
125 bpm • A# Maj • 03:27 • -13db
29% Popularity • 60% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
29% Popularity • 60% Danceability • 28% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Timothy Edward Carpenter
TV
125 bpm • C# Maj • 03:28 • -14db
27% Popularity • 70% Danceability • 24% Energy • 14% Liveness
6% Instrumentalness • 25% Positiveness
27% Popularity • 70% Danceability • 24% Energy • 14% Liveness
6% Instrumentalness • 25% Positiveness
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James Spaite
Flowers
125 bpm • D Maj • 02:29 • -11.27db
35% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Cujo Moon
In the Stars
127 bpm • E Maj • 03:47 • -11.57db
21% Popularity • 62% Danceability • 32% Energy • 12% Liveness
50% Instrumentalness • 23% Positiveness
21% Popularity • 62% Danceability • 32% Energy • 12% Liveness
50% Instrumentalness • 23% Positiveness
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Hazlett
To Sleep in a King Alone
125 bpm • A# Maj • 04:00 • -14.2db
38% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Old Sea Brigade
Caroline - Acoustic
127 bpm • E min • 03:57 • -12db
47% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Izzy Heltai
Day Plan
125 bpm • D Maj • 03:46 • -8.88db
33% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Kathleen Regan
You Never Know
128 bpm • D Maj • 03:18 • -9.69db
26% Popularity • 75% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 75% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Bre Kennedy
Clarity
128 bpm • A# Maj • 03:29 • -8.67db
16% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Cole Scheifele
Back Then
125 bpm • A Maj • 02:30 • -17.75db
30% Popularity • 36% Danceability • 14% Energy • 8% Liveness
19% Instrumentalness • 8% Positiveness
30% Popularity • 36% Danceability • 14% Energy • 8% Liveness
19% Instrumentalness • 8% Positiveness
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Hayden Everett
Neptune
128 bpm • E Maj • 03:10 • -11.09db
29% Popularity • 63% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 63% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Edwin Raphael
Will You Think Of Me Later?
128 bpm • D# Maj • 02:15 • -7.33db
55% Popularity • 66% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 54% Positiveness
55% Popularity • 66% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 54% Positiveness
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Rich Jacques
Montecito
128 bpm • D# Maj • 03:24 • -10.45db
13% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
13% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Mountain Boy
From the Dust
128 bpm • C Maj • 05:40 • -13.05db
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
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The Invention of Flight
All Summer
128 bpm • D Maj • 02:47 • -12.55db
26% Popularity • 63% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 63% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Patch
Sailin'
128 bpm • E Maj • 04:05 • -13.08db
12% Popularity • 73% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 13% Positiveness
12% Popularity • 73% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 13% Positiveness
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Wild Rivers
Safe Flight
128 bpm • F# Maj • 03:35 • -10db
36% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Hush Kids
Spend My Time
128 bpm • C Maj • 03:10 • -9.48db
31% Popularity • 64% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
31% Popularity • 64% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Matt Hartke
Here I Stand
124 bpm • D Maj • 02:56 • -10.24db
34% Popularity • 67% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 67% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Liam Bauman
I've Been Hiding
124 bpm • G# Maj • 03:34 • -15.03db
25% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kathleen Regan
Halfway There
128 bpm • G# Maj • 03:14 • -8.73db
35% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Children of Indigo
After All
124 bpm • A Maj • 02:39 • -12.02db
30% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Hunter Metts
Paper Moon
123 bpm • C min • 02:50 • -13db
39% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 49% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Humbear
Take Your Time
124 bpm • G Maj • 03:24 • -12db
34% Popularity • 43% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 43% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Jason Piquette
Fill
129 bpm • E Maj • 02:30 • -14db
9% Popularity • 50% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
9% Popularity • 50% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Big Love and Little Hollywood
Mr. Heartless
129 bpm • A# Maj • 03:42 • -12db
10% Popularity • 69% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 69% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Emily James
that'd be alright
129 bpm • A# Maj • 02:58 • -13.08db
35% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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This New Light
103
123 bpm • G Maj • 02:59 • -6.58db
35% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Adams
Sapphire and Silhouette
123 bpm • F# Maj • 04:37 • -15.84db
31% Popularity • 57% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 57% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Noah Derksen
Nothing (Acoustic)
129 bpm • A Maj • 04:19 • -14.14db
17% Popularity • 50% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 50% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Gatlin
Cold Night in Brooklyn (Alternate Versio...
130 bpm • C Maj • 04:33 • -9.87db
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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ASKYA
Above the Water
130 bpm • E Maj • 03:16 • -14.23db
39% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
44% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Edwards
Delta
130 bpm • A Maj • 03:42 • -14.45db
32% Popularity • 65% Danceability • 25% Energy • 24% Liveness
2% Instrumentalness • 22% Positiveness
32% Popularity • 65% Danceability • 25% Energy • 24% Liveness
2% Instrumentalness • 22% Positiveness
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Charlie Brennan
May Flowers
130 bpm • D# Maj • 03:30 • -14.04db
30% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Donovan Woods
Lonely People
122 bpm • G Maj • 03:37 • -12.05db
18% Popularity • 67% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
18% Popularity • 67% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Wild Rivers
Weatherman
122 bpm • F Maj • 03:05 • -9db
54% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Geographer
Lost in a Love Song
122 bpm • D Maj • 02:21 • -14.82db
30% Popularity • 59% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Riley Pearce
Breathe & Release
122 bpm • E Maj • 03:35 • -7db
36% Popularity • 66% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 66% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
44% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
44% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Emily Soon
High Free Blue
122 bpm • D Maj • 02:27 • -16.65db
17% Popularity • 38% Danceability • 18% Energy • 10% Liveness
26% Instrumentalness • 12% Positiveness
17% Popularity • 38% Danceability • 18% Energy • 10% Liveness
26% Instrumentalness • 12% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -12.83db
30% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Freight Train Foxes
Lucky Penny
122 bpm • G# Maj • 02:48 • -8.76db
24% Popularity • 69% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 69% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Barrow & the Tourists
Time Rolls On
122 bpm • G Maj • 03:34 • -9.88db
24% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jackson Welch
And Then There's You
122 bpm • D Maj • 04:18 • -9.42db
9% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Field Guide
Me & You
122 bpm • A Maj • 02:23 • -9.98db
30% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 66% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Timothy Edward Carpenter
stories from outer space
131 bpm • D Maj • 02:46 • -13.93db
23% Popularity • 45% Danceability • 26% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
23% Popularity • 45% Danceability • 26% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
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Ed Patrick
Canyon
121 bpm • D Maj • 02:32 • -16.56db
39% Popularity • 43% Danceability • 22% Energy • 34% Liveness
32% Instrumentalness • 43% Positiveness
39% Popularity • 43% Danceability • 22% Energy • 34% Liveness
32% Instrumentalness • 43% Positiveness
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Daniel Pearson
The Open Sea
131 bpm • A Maj • 04:55 • -14.31db
41% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Rod Coote
Unwind
131 bpm • B min • 03:05 • -8.82db
17% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Moody
Oregon
131 bpm • F# Maj • 05:00 • -16.12db
21% Popularity • 67% Danceability • 15% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
21% Popularity • 67% Danceability • 15% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
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Josh Lee Hamilton
Heart Is Ready
131 bpm • C Maj • 04:12 • -10db
17% Popularity • 69% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 69% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Bre Kennedy
Wilburn Street
131 bpm • G Maj • 02:50 • -7.18db
19% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ed Patrick
So Glad (I Got You)
131 bpm • D# Maj • 02:59 • -15db
44% Popularity • 74% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 58% Positiveness
44% Popularity • 74% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 58% Positiveness
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Ben Zaidi
Younger with Time.
131 bpm • D Maj • 03:42 • -16.99db
18% Popularity • 54% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
18% Popularity • 54% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Lucy Clearwater
Cycle
131 bpm • C Maj • 03:45 • -11.13db
15% Popularity • 44% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 44% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Marti West
The Way Back Home
132 bpm • G# Maj • 03:54 • -14.02db
25% Popularity • 54% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
25% Popularity • 54% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Saintway
Far Away
132 bpm • A Maj • 03:50 • -11db
28% Popularity • 56% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 56% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Garden Gloves
Lover, I
132 bpm • G Maj • 02:41 • -10.92db
24% Popularity • 48% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
50% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
50% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Common Jack
The Lake
132 bpm • G# min • 02:09 • -15.47db
32% Popularity • 55% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 55% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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aedie
Steal Some Sun
120 bpm • D# Maj • 03:48 • -11.07db
12% Popularity • 60% Danceability • 64% Energy • 12% Liveness
65% Instrumentalness • 26% Positiveness
12% Popularity • 60% Danceability • 64% Energy • 12% Liveness
65% Instrumentalness • 26% Positiveness
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Wild Rivers
More or Less
120 bpm • D Maj • 04:04 • -8.99db
33% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 53% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Salt Tree
Warm Ocean
120 bpm • G Maj • 03:21 • -8db
41% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 46% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Evan Crommett
Puzzle Pieces
120 bpm • C# Maj • 02:40 • -10.58db
35% Popularity • 81% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
35% Popularity • 81% Danceability • 30% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Edwin Raphael
Denim Darlin’
120 bpm • C# Maj • 02:24 • -9.11db
43% Popularity • 55% Danceability • 33% Energy • 44% Liveness
68% Instrumentalness • 3% Positiveness
43% Popularity • 55% Danceability • 33% Energy • 44% Liveness
68% Instrumentalness • 3% Positiveness
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Christina Cavazos
Oceans
120 bpm • A# Maj • 04:05 • -16.71db
16% Popularity • 51% Danceability • 39% Energy • 9% Liveness
55% Instrumentalness • 50% Positiveness
16% Popularity • 51% Danceability • 39% Energy • 9% Liveness
55% Instrumentalness • 50% Positiveness
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This New Light
End of the Line
120 bpm • E Maj • 04:20 • -10.68db
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Hayden Everett
Honeycomb
120 bpm • C Maj • 03:20 • -11.97db
34% Popularity • 73% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 73% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Francis Moon
Thousand Stars - Acoustic
120 bpm • D# Maj • 03:02 • -8db
31% Popularity • 51% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Riley Pearce
Nostalgia
120 bpm • D Maj • 04:01 • -14.3db
39% Popularity • 79% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
39% Popularity • 79% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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The Hollow Men
White Lies
120 bpm • D# Maj • 03:00 • -12.14db
18% Popularity • 57% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 57% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Benjamin Love
Good Thing
133 bpm • G# min • 03:18 • -15.13db
23% Popularity • 54% Danceability • 47% Energy • 22% Liveness
1% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 47% Energy • 22% Liveness
1% Instrumentalness • 43% Positiveness
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Tow'rs
Baker's Dozen
119 bpm • A Maj • 03:48 • -11.48db
29% Popularity • 81% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 81% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Hayden Everett
Kennecott
133 bpm • G Maj • 03:28 • -10.21db
26% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Marti West
Here
134 bpm • F# Maj • 03:27 • -16.25db
21% Popularity • 48% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 48% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Nanuk
Hygge
119 bpm • F# Maj • 02:20 • -14db
19% Popularity • 61% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
19% Popularity • 61% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Andrew & Veda
About Your Eyes
134 bpm • E Maj • 02:54 • -20db
12% Popularity • 63% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 63% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Careful Ones
I'm Not lost
118 bpm • D# Maj • 02:54 • -7.13db
29% Popularity • 56% Danceability • 77% Energy • 14% Liveness
21% Instrumentalness • 33% Positiveness
29% Popularity • 56% Danceability • 77% Energy • 14% Liveness
21% Instrumentalness • 33% Positiveness
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Tom Harrington
Be There Soon
118 bpm • A# Maj • 03:36 • -12.17db
21% Popularity • 66% Danceability • 55% Energy • 15% Liveness
9% Instrumentalness • 39% Positiveness
21% Popularity • 66% Danceability • 55% Energy • 15% Liveness
9% Instrumentalness • 39% Positiveness
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A Year on Earth
Wildfire
118 bpm • C# Maj • 04:08 • -16.49db
18% Popularity • 30% Danceability • 20% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
18% Popularity • 30% Danceability • 20% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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Prince of Spain
Explore
118 bpm • G Maj • 03:22 • -13db
30% Popularity • 61% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 61% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Nathan Colberg
Calm
118 bpm • D# Maj • 04:04 • -9.76db
33% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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J.B. Boone
Vestvågøy
135 bpm • E Maj • 03:14 • -14.12db
23% Popularity • 50% Danceability • 39% Energy • 39% Liveness
7% Instrumentalness • 7% Positiveness
23% Popularity • 50% Danceability • 39% Energy • 39% Liveness
7% Instrumentalness • 7% Positiveness
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This New Light
Awakening
135 bpm • D Maj • 04:23 • -8.04db
22% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Riley Pearce
All My Love
118 bpm • D# Maj • 03:18 • -9.16db
44% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Zach Wood
Water
135 bpm • B Maj • 04:52 • -14.48db
8% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Young Mister
Find You Again
135 bpm • G Maj • 03:51 • -9.27db
9% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Eli Teplin
Can't Stop Thinkin' About You
135 bpm • D min • 03:01 • -11.1db
26% Popularity • 68% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 68% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
