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Oh Brother
Songs like
Oh Brother
by
Saint Raymond
Based on a tempo of (+/- 10%) and a similar genre
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SUR
STIX + STONES
123 bpm • C Maj • 03:40 • -7.43db
15% Popularity • 51% Danceability • 85% Energy • 11% Liveness
12% Instrumentalness • 19% Positiveness
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Saint Raymond
Oh Brother
123 bpm • C Maj • 03:12 • -7.08db
30% Popularity • 64% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Jordan Millar
True or Nothing
123 bpm • G Maj • 03:30 • -7.6db
14% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Woodlock
Sirens
123 bpm • F# Maj • 03:54 • -8db
39% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Nauset Light
You Never Know
123 bpm • C Maj • 04:12 • -5db
17% Popularity • 52% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Grizfolk
Waiting For You
123 bpm • D# Maj • 03:57 • -5.56db
41% Popularity • 59% Danceability • 89% Energy • 14% Liveness
23% Instrumentalness • 55% Positiveness
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Jack Garratt
Falling
123 bpm • D min • 03:59 • -9.85db
26% Popularity • 56% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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George Ezra
Sugarcoat
124 bpm • F Maj • 03:22 • -6.75db
45% Popularity • 71% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Philip George
Losing My Mind
124 bpm • F# Maj • 03:05 • -6db
38% Popularity • 61% Danceability • 79% Energy • 52% Liveness
0% Instrumentalness • 63% Positiveness
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KAWALA
Animals
122 bpm • B Maj • 03:40 • -9.16db
35% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Saint Raymond
Dancing
124 bpm • G# Maj • 04:04 • -8.32db
27% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Volunteer
Last Words First
122 bpm • D Maj • 04:27 • -9.64db
18% Popularity • 56% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Schulte
Dear Doubt
124 bpm • D# min • 03:47 • -7.81db
25% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Riley Pearce
Outside the Lines
124 bpm • F# Maj • 03:58 • -9.76db
33% Popularity • 69% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Rhys Lewis
Wish I Was Sober
124 bpm • A min • 03:27 • -6.52db
29% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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KAWALA
Do It Like You Do
124 bpm • G# min • 03:19 • -8db
47% Popularity • 65% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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BROOKFIELD
Seas of Gold
122 bpm • B Maj • 04:02 • -9db
15% Popularity • 62% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Franklin
Blind Love
124 bpm • C# min • 03:43 • -8.99db
8% Popularity • 34% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Elliot Root
10,000
124 bpm • D Maj • 04:07 • -7.8db
27% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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American Authors
Deep Water - Acoustic
125 bpm • A# Maj • 03:13 • -5.36db
33% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Hudson Taylor
Feel It Again
125 bpm • C Maj • 03:41 • -4.64db
29% Popularity • 57% Danceability • 86% Energy • 11% Liveness
21% Instrumentalness • 45% Positiveness
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KAWALA
Play It Right
125 bpm • D Maj • 03:13 • -8db
31% Popularity • 69% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Mantaraybryn
A Piece of Bone
125 bpm • G min • 03:47 • -6.6db
13% Popularity • 84% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Sons Of The East
The Farmer
125 bpm • G# Maj • 04:06 • -8.69db
40% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Joe Probert
The Ocean Song
125 bpm • B Maj • 03:11 • -7db
22% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Dustin Tebbutt
First Light
125 bpm • C Maj • 04:25 • -10.41db
19% Popularity • 65% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Hudson Taylor
Feel It Again - Acoustic
125 bpm • C Maj • 03:41 • -6.24db
15% Popularity • 72% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Saint Raymond
Fall at Your Feet
125 bpm • C Maj • 04:02 • -3.42db
26% Popularity • 58% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Ed Whicher
Unspoken Words
125 bpm • A min • 03:54 • -8db
19% Popularity • 83% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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American Authors
Replaced
125 bpm • F Maj • 03:32 • -6.39db
33% Popularity • 67% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Griffin Oskar
Hostage
121 bpm • C Maj • 03:18 • -6.52db
29% Popularity • 71% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Clean Cut Kid
We Used To Be In Love - Remastered
121 bpm • B Maj • 03:14 • -5db
18% Popularity • 58% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Eliza and the Bear
Upon The North
125 bpm • E Maj • 03:58 • -6.05db
9% Popularity • 38% Danceability • 83% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Saint Raymond
Fall At Your Feet
125 bpm • C Maj • 04:03 • -6.09db
36% Popularity • 62% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Grizfolk
Cosmic Angel
121 bpm • D Maj • 03:22 • -6db
23% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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American Authors
Deep Water
125 bpm • A# Maj • 03:18 • -5.89db
51% Popularity • 60% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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James Bay
Sugar Drunk High
121 bpm • A Maj • 03:39 • -3.33db
31% Popularity • 64% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Woodlock
The Only Ones
126 bpm • B Maj • 03:52 • -9.82db
14% Popularity • 52% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Circa Waves
The Way We Say Goodbye
126 bpm • C Maj • 04:03 • -8.39db
38% Popularity • 47% Danceability • 54% Energy • 5% Liveness
1% Instrumentalness • 8% Positiveness
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The Fray
Corners
126 bpm • A min • 03:32 • -4db
37% Popularity • 59% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kodaline
Temple Bar
126 bpm • C Maj • 03:48 • -3.43db
32% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Lewis Watson
hello hello
126 bpm • D# Maj • 04:10 • -10.72db
22% Popularity • 40% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Larkins
Hit and Run - Demo
126 bpm • C# min • 03:12 • -4.08db
20% Popularity • 69% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Half the Animal
Babylon
120 bpm • E min • 03:46 • -6.91db
22% Popularity • 62% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Good Scott
Native
120 bpm • C Maj • 03:30 • -6.02db
19% Popularity • 68% Danceability • 79% Energy • 25% Liveness
2% Instrumentalness • 59% Positiveness
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Billy Lockett
Feels So Good
126 bpm • A min • 03:14 • -5.28db
11% Popularity • 65% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Kodaline
Don't Come Around
120 bpm • D Maj • 03:07 • -3.34db
29% Popularity • 55% Danceability • 86% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
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Clean Cut Kid
Leaving You Behind
120 bpm • G Maj • 03:21 • -5db
22% Popularity • 58% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Prides
The Way Back Up
120 bpm • A# Maj • 02:51 • -8db
11% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Wildlife
Modern Freedom
120 bpm • B Maj • 05:20 • -11.35db
10% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Bronze Radio Return
Keep or Lose
120 bpm • D min • 03:23 • -5db
24% Popularity • 66% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Aquilo
Silent Movies
120 bpm • G Maj • 03:21 • -10.74db
30% Popularity • 40% Danceability • 45% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
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King Charles
Find a Way
120 bpm • G# Maj • 03:56 • -5db
30% Popularity • 70% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Clean Cut Kid
We Used To Be In Love - Acoustic
120 bpm • B Maj • 03:24 • -5db
12% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Saint Raymond
I Want You - Thom Alt-J Remix
120 bpm • G Maj • 03:51 • -5.41db
1% Popularity • 62% Danceability • 94% Energy • 8% Liveness
12% Instrumentalness • 31% Positiveness
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Lewis Watson
congratulations
126 bpm • F Maj • 03:42 • -11.1db
9% Popularity • 38% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Jack Vallier
Change Your Mind - Stripped
120 bpm • D Maj • 02:59 • -6db
33% Popularity • 75% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Coronas
Is There Still Time?
120 bpm • B min • 03:21 • -8.54db
11% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Plested
Ribcage
120 bpm • G# min • 03:15 • -7.44db
30% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Straalen
Help
127 bpm • B min • 03:55 • -8.7db
14% Popularity • 41% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Saint Raymond
Last Time
127 bpm • G Maj • 03:14 • -10.39db
22% Popularity • 68% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Lewis Watson
little light (acoustic version)
120 bpm • G Maj • 04:16 • -8.14db
33% Popularity • 67% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Eliza and the Bear
Where Have You Been
127 bpm • A min • 03:32 • -5.18db
10% Popularity • 51% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Charlie Simpson
Emily
127 bpm • A# Maj • 04:21 • -10.81db
25% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Youth Club
Misunderstood
119 bpm • C# min • 02:48 • -6.83db
21% Popularity • 75% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Banfi
Where We Part
128 bpm • G Maj • 04:12 • -10db
13% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Elliot Root
Lost Man Running
128 bpm • F# Maj • 04:10 • -6.56db
16% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Grizfolk
Wide Awake
128 bpm • D min • 03:14 • -5db
30% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Eliza and the Bear
It Gets Cold
128 bpm • F Maj • 03:32 • -7.16db
22% Popularity • 51% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Coleman Hell
Northern Soul
128 bpm • A# Maj • 03:56 • -5.17db
13% Popularity • 68% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Walking On Cars
At Gunpoint
128 bpm • D# Maj • 03:33 • -5.77db
29% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Montagu
Where Do We Go
128 bpm • D Maj • 03:51 • -6.41db
9% Popularity • 56% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Saint Raymond
Carried Away
128 bpm • B Maj • 03:44 • -6.25db
24% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Grizfolk
Into The Barrens
128 bpm • F min • 03:16 • -4.71db
29% Popularity • 52% Danceability • 95% Energy • 32% Liveness
12% Instrumentalness • 36% Positiveness
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Westward the Tide
Wildlife (Single Version)
128 bpm • E Maj • 03:50 • -7.05db
10% Popularity • 63% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Barnes
Hopeful
128 bpm • F# Maj • 03:21 • -7db
10% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Tors
Wilder Days
128 bpm • E Maj • 03:37 • -7.1db
32% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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James Bay
Just For Tonight
128 bpm • A# Maj • 03:36 • -3.51db
42% Popularity • 55% Danceability • 85% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
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KAWALA
Runaway
128 bpm • F# Maj • 03:01 • -7.79db
43% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Grizfolk
Waking Up The Giants
128 bpm • B min • 03:54 • -9db
43% Popularity • 59% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 24% Positiveness
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Andy Jordan
We Are
128 bpm • B Maj • 04:04 • -5.46db
17% Popularity • 70% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Luna Bay
Colours
128 bpm • C# min • 03:28 • -7.18db
21% Popularity • 55% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Joel Leggett
The Way You Move
118 bpm • F# Maj • 04:50 • -8.59db
17% Popularity • 71% Danceability • 35% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Edward R.
Call Me Home
118 bpm • G Maj • 03:37 • -8.17db
14% Popularity • 54% Danceability • 80% Energy • 9% Liveness
5% Instrumentalness • 20% Positiveness
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Jake Bosci
Heartbreak
118 bpm • B Maj • 03:09 • -9.3db
11% Popularity • 64% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Good Scott
Animals
118 bpm • D min • 03:44 • -7.67db
23% Popularity • 63% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Old Sea Brigade
All the Same
118 bpm • C# Maj • 03:38 • -9db
24% Popularity • 46% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Grizfolk
Vagabonds
129 bpm • F# Maj • 03:19 • -6db
35% Popularity • 52% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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All Tvvins
Crash
129 bpm • C Maj • 04:16 • -6.28db
14% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Luna Bay
Hometown
129 bpm • A Maj • 02:45 • -5db
37% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Walking On Cars
Catch Me If You Can
129 bpm • D Maj • 04:21 • -5.99db
45% Popularity • 51% Danceability • 84% Energy • 12% Liveness
9% Instrumentalness • 30% Positiveness
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Volunteer
The World Is Ours
129 bpm • C# Maj • 04:05 • -4.56db
25% Popularity • 51% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Saint Raymond
Bonfires
117 bpm • G# Maj • 03:40 • -7.11db
24% Popularity • 56% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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nomad
I Will Find You
117 bpm • C Maj • 02:34 • -4.04db
20% Popularity • 56% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Lewis Watson
leaving blues
130 bpm • E Maj • 03:08 • -10.19db
25% Popularity • 70% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Bear's Den
Roses On A Breeze
130 bpm • A Maj • 05:21 • -10db
28% Popularity • 53% Danceability • 45% Energy • 10% Liveness
16% Instrumentalness • 18% Positiveness
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Jessarae
Stand In The Rain
130 bpm • G Maj • 03:40 • -6.07db
11% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Mako
Smoke Filled Room - Acoustic Session
130 bpm • A Maj • 03:09 • -9.53db
37% Popularity • 74% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Prides
The Kite String And The Anchor Rope
130 bpm • F# Maj • 05:00 • -13.61db
8% Popularity • 38% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Eliza and the Bear
Friends
130 bpm • A Maj • 02:57 • -6.15db
25% Popularity • 48% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Oh Brother