Songs like Oh! Susanna by 2nd South Carolina String Band
Based on a tempo of (+/- 10%) and a similar genre
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2nd South Carolina String Band
Oh! Susanna
114 bpm • D# Maj • 02:48 • -1.7db
36% Popularity • 67% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 67% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Acuff
Tennessee Waltz
114 bpm • C Maj • 02:54 • -10.26db
32% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Monroe
Penitentiary Blues
114 bpm • G Maj • 01:51 • -7db
20% Popularity • 65% Danceability • 85% Energy • 31% Liveness
62% Instrumentalness • 91% Positiveness
20% Popularity • 65% Danceability • 85% Energy • 31% Liveness
62% Instrumentalness • 91% Positiveness
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David Kincaid
The Opinions of Paddy Magee
114 bpm • A# Maj • 03:37 • -12.45db
22% Popularity • 65% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 65% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Tom Paxton
Johnny Got A Gun
114 bpm • B min • 02:49 • -12.25db
13% Popularity • 81% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 81% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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82nd Airborne All-American Chorus
Blood Upon the Risers
114 bpm • C# Maj • 04:34 • -19.96db
24% Popularity • 48% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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2nd South Carolina String Band
The Bonnie Blue Flag
114 bpm • G Maj • 04:18 • -7.69db
9% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Lee Murdock
The Great Lakes Song
114 bpm • E Maj • 04:25 • -11.56db
15% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Nathan Lay
Pack Up Your Troubles in Your Old Kit-Ba...
114 bpm • G Maj • 03:08 • -4.02db
26% Popularity • 74% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 74% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Freddy Quinn
Oh My Darling Clementine
114 bpm • G Maj • 02:11 • -11.63db
36% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 64% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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John Edmond
The Battle of Bembesi
114 bpm • G Maj • 02:11 • -9.21db
33% Popularity • 73% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 73% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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FascesStronkSticks
The Battle Cry of Freedom Confederate
114 bpm • G Maj • 02:54 • -13.83db
19% Popularity • 50% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 50% Danceability • 39% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
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2nd South Carolina String Band
Southron's Tramp! Tramp! Tramp!
114 bpm • D Maj • 03:23 • -12.54db
17% Popularity • 75% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 75% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Fitzrovia Chorus
They Were Only Playing Leapfrog
114 bpm • A# Maj • 00:56 • -8.74db
21% Popularity • 68% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
21% Popularity • 68% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Nathan Lay
It's a Long Way to Tipperary
114 bpm • D Maj • 03:00 • -4.9db
40% Popularity • 80% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 80% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The United States Military Academy Band
Dixie's land
113 bpm • C min • 01:14 • -14.33db
28% Popularity • 79% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 86% Positiveness
28% Popularity • 79% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 86% Positiveness
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82nd Airborne All-American Chorus
We Were There
115 bpm • D# Maj • 04:30 • -14.77db
14% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Moe Bandy
Deep In The Heart Of Texas
115 bpm • F Maj • 02:01 • -10.78db
37% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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2nd South Carolina String Band
The Camptown Ladies
114 bpm • D Maj • 04:13 • -14.22db
7% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Alan Mills
The Maple Leaf Forever
113 bpm • G# min • 02:45 • -23.15db
12% Popularity • 79% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 79% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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The Carter Family
Keep On the Sunny Side
113 bpm • B Maj • 02:53 • -10db
31% Popularity • 67% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 67% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Johny Hortin
Horse Is Brave
113 bpm • C Maj • 03:10 • -15.54db
17% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Tennessee Ernie Ford
I Can Whip The Scoundrel
115 bpm • F Maj • 02:05 • -11.12db
26% Popularity • 83% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 83% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Lorne Greene
Pony Express
115 bpm • A# Maj • 01:55 • -10db
18% Popularity • 81% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 81% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Wade Hemsworth
The Blackfly Song
113 bpm • F# Maj • 02:59 • -18db
21% Popularity • 80% Danceability • 16% Energy • 10% Liveness
21% Instrumentalness • 56% Positiveness
21% Popularity • 80% Danceability • 16% Energy • 10% Liveness
21% Instrumentalness • 56% Positiveness
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Alastair McDonald
Wha'll Be King But Chairlie
115 bpm • E min • 02:56 • -12.77db
27% Popularity • 81% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 81% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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June Carter Cash
Juke Box Blues
113 bpm • F# Maj • 02:18 • -8.78db
30% Popularity • 85% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 85% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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David Kincaid
The Irish Volunteer
113 bpm • D Maj • 04:34 • -12.13db
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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2nd South Carolina String Band
Bonnie Blue Flag
115 bpm • G Maj • 04:42 • -4.03db
29% Popularity • 71% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 71% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Horton
Johnny Reb
115 bpm • E Maj • 02:19 • -13.33db
38% Popularity • 83% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 83% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Jon English, Rob Carriker, Marlborough Singers & Marlborough Chamber Players
When Johnny Comes Marching Home
113 bpm • G min • 01:27 • -10.06db
13% Popularity • 67% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 67% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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John Williams
Call to Muster and Battle Cry Of Freedom
115 bpm • C# Maj • 02:17 • -17.37db
30% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Eric Rogers Chorale and Orchestra
Yankee Doodle
113 bpm • F Maj • 01:57 • -11db
18% Popularity • 67% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 67% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Horton
Everybody's Dixie
113 bpm • A Maj • 03:03 • -11db
20% Popularity • 76% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 76% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Jay Ungar
Marching Through Georgia
115 bpm • G Maj • 00:56 • -15.64db
21% Popularity • 68% Danceability • 20% Energy • 21% Liveness
54% Instrumentalness • 93% Positiveness
21% Popularity • 68% Danceability • 20% Energy • 21% Liveness
54% Instrumentalness • 93% Positiveness
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Hair of the Dog
The Scotsman
115 bpm • D Maj • 02:21 • -11.83db
47% Popularity • 76% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 76% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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Jon English, Rob Carriker, Marlborough Singers & Marlborough Chamber Players
Marching Through Georgia
115 bpm • A# Maj • 02:25 • -11.34db
11% Popularity • 75% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 75% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Dick Nolan
Truck Driving Man
115 bpm • D Maj • 01:58 • -9db
40% Popularity • 68% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 68% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Alan Mills
Jack Was Every Inch a Sailor
113 bpm • F# Maj • 01:51 • -17.33db
20% Popularity • 90% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 90% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Wright
Hello Vietnam - Single Version
115 bpm • F Maj • 03:08 • -7.21db
42% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Stan Rogers
Fogarty's Cove
115 bpm • D Maj • 02:14 • -16.88db
34% Popularity • 74% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
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Johnny Horton
Sink the Bismark
115 bpm • D# Maj • 03:14 • -12db
44% Popularity • 68% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 68% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Princeton Trio
Tramp Tramp Tramp the Boys Are Marching
113 bpm • F# Maj • 02:16 • -15.78db
22% Popularity • 87% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 87% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby Horton
Union Dixie
113 bpm • G Maj • 01:52 • -11db
32% Popularity • 80% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 80% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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US Army Chorus
Yellow Ribbon
116 bpm • D# Maj • 01:16 • -9.22db
18% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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FascesStronkSticks
The Wee German Lairdie
112 bpm • C Maj • 01:59 • -12.88db
14% Popularity • 72% Danceability • 45% Energy • 13% Liveness
3% Instrumentalness • 92% Positiveness
14% Popularity • 72% Danceability • 45% Energy • 13% Liveness
3% Instrumentalness • 92% Positiveness
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Stringbean
Barnyard Banjo Pickin'
116 bpm • G# Maj • 02:18 • -13.76db
21% Popularity • 72% Danceability • 62% Energy • 34% Liveness
4% Instrumentalness • 90% Positiveness
21% Popularity • 72% Danceability • 62% Energy • 34% Liveness
4% Instrumentalness • 90% Positiveness
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David Kincaid
Camp Song Of The Chicago Irish Brigade
116 bpm • F Maj • 02:23 • -11.06db
19% Popularity • 68% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 68% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Bob Wills & His Texas Playboys
Cotton Eyed Joe
112 bpm • G Maj • 02:40 • -12db
23% Popularity • 70% Danceability • 28% Energy • 13% Liveness
24% Instrumentalness • 93% Positiveness
23% Popularity • 70% Danceability • 28% Energy • 13% Liveness
24% Instrumentalness • 93% Positiveness
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Boots Randolph
Yakety Sax - Theme from The Benny Hill S...
116 bpm • G Maj • 02:01 • -9.6db
36% Popularity • 66% Danceability • 97% Energy • 4% Liveness
89% Instrumentalness • 88% Positiveness
36% Popularity • 66% Danceability • 97% Energy • 4% Liveness
89% Instrumentalness • 88% Positiveness
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Art Baron
Kingdom Coming
112 bpm • D Maj • 00:59 • -12.5db
23% Popularity • 74% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 74% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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2nd South Carolina String Band
McLeod's Reel
116 bpm • G Maj • 02:35 • -5.55db
18% Popularity • 64% Danceability • 70% Energy • 14% Liveness
51% Instrumentalness • 83% Positiveness
18% Popularity • 64% Danceability • 70% Energy • 14% Liveness
51% Instrumentalness • 83% Positiveness
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W W GREATEST COWBOY SONGS EVER
Buffalo Gals / Polly Wolly Doodle
116 bpm • A Maj • 02:24 • -10.6db
14% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Tennessee Ernie Ford
The Southern Wagon
116 bpm • C Maj • 03:05 • -8.64db
27% Popularity • 72% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 72% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Western
The Gunfighter
112 bpm • G Maj • 02:35 • -7.35db
23% Popularity • 68% Danceability • 78% Energy • 8% Liveness
58% Instrumentalness • 97% Positiveness
23% Popularity • 68% Danceability • 78% Energy • 8% Liveness
58% Instrumentalness • 97% Positiveness
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John Edmond
Shangani Patrol
116 bpm • E Maj • 02:15 • -9db
29% Popularity • 70% Danceability • 63% Energy • 61% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 70% Danceability • 63% Energy • 61% Liveness
0% Instrumentalness • 81% Positiveness
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38th Army Band
When Johnny Comes Marching Home
111 bpm • G Maj • 02:19 • -14.98db
47% Popularity • 62% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 62% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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2nd South Carolina String Band
Camptown Races
116 bpm • D Maj • 03:53 • -2.48db
26% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Lorne Greene
Geronimo
111 bpm • A# min • 02:45 • -11.51db
20% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Glazer
John Brown’s Body
111 bpm • G Maj • 02:12 • -10.86db
13% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Band Of The Royal Corps Of Signals
I. It's a Long Way To Tipperary, II. Pac...
111 bpm • D# Maj • 04:26 • -9db
24% Popularity • 74% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 74% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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The Eric Rogers Chorale and Orchestra
Over There
111 bpm • C# Maj • 02:41 • -11.97db
40% Popularity • 55% Danceability • 70% Energy • 21% Liveness
23% Instrumentalness • 54% Positiveness
40% Popularity • 55% Danceability • 70% Energy • 21% Liveness
23% Instrumentalness • 54% Positiveness
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Sods' Opera
The D-day Dodgers
117 bpm • C Maj • 03:57 • -10.83db
24% Popularity • 71% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 71% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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2nd South Carolina String Band
Invalid Corps
111 bpm • C Maj • 02:42 • -0.58db
16% Popularity • 73% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 73% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Black Irish Band
Oh’ Susannah
117 bpm • G Maj • 02:54 • -9.95db
9% Popularity • 80% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 80% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The New Lost City Ramblers
Cotton Eyed Joe
117 bpm • F Maj • 01:15 • -15.68db
31% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
31% Popularity • 51% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 96% Positiveness
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Corb Lund
Horse Soldier, Horse Soldier
111 bpm • E min • 05:12 • -10.46db
44% Popularity • 72% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 72% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tennessee Ernie Ford
The Bonnie Blue Flag
111 bpm • A# Maj • 02:30 • -8db
34% Popularity • 84% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 84% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The Dubliners
Molly Malone
111 bpm • C Maj • 02:58 • -8db
50% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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2nd South Carolina String Band
Rose of Alabama
111 bpm • G Maj • 03:29 • -2.74db
19% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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David Coffin
Roll the Old Chariot Along
117 bpm • F# Maj • 03:03 • -22.07db
47% Popularity • 33% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 33% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 37% Positiveness
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Lorne Greene
Ringo
111 bpm • B Maj • 03:34 • -12.57db
41% Popularity • 56% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 56% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Salt Sea Pirates
Whale Of A Tale
111 bpm • A Maj • 02:38 • -15.86db
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Slim Dusty
Waltzing Matilda
111 bpm • D Maj • 03:08 • -15.75db
44% Popularity • 67% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 67% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Tennessee Ernie Ford
The Army Of The Free
111 bpm • G# Maj • 02:09 • -10db
35% Popularity • 58% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 58% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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2nd South Carolina String Band
Stonewall Jackson's Way
111 bpm • D Maj • 02:45 • -9.14db
13% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Go Lucky Four
The Belfast Brigade
118 bpm • A# Maj • 01:52 • -9db
35% Popularity • 63% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 63% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Horton
Garyowen
118 bpm • D Maj • 03:28 • -11.24db
13% Popularity • 69% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 69% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Cisco Houston
Whoopie Ti-Yi-Yo, Get Along Little Dogie...
118 bpm • C Maj • 02:03 • -17db
11% Popularity • 80% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 80% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Tex Ritter
(I've Got Spurs That) Jingle, Jangle, Ji...
110 bpm • D# Maj • 02:48 • -12db
26% Popularity • 86% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 86% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Rhodies
Rhodesia
110 bpm • D Maj • 03:04 • -4.95db
22% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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2nd South Carolina String Band
Jackson in the Valley
111 bpm • G Maj • 03:25 • -7.15db
27% Popularity • 49% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 49% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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James Brian Coffey
Streamliners
110 bpm • E min • 03:30 • -8.98db
20% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Waylon Jennings
An Old Unreconstructed
118 bpm • E Maj • 01:49 • -18.38db
20% Popularity • 84% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 84% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Maurice DePas
Over the Hills and Far Away
110 bpm • E Maj • 04:40 • -14.27db
22% Popularity • 62% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 62% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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The Union Confederacy
John Brown's Body
118 bpm • G Maj • 03:01 • -15.22db
15% Popularity • 70% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 70% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Brian Gulland
Sailing over the Dogger Bank
118 bpm • D Maj • 02:58 • -9.8db
22% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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2nd South Carolina String Band
Boatman's Dance
111 bpm • G Maj • 04:29 • -7.59db
16% Popularity • 63% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 63% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Ewan MacColl
The ballad of Ho Chi Min
118 bpm • A min • 03:35 • -9db
28% Popularity • 68% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 68% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 70% Positiveness
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38th Army Band
Marching Through Georgia - Civil War Son...
110 bpm • A# Maj • 02:24 • -10.93db
29% Popularity • 82% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 82% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Salty Dick
Bell-Bottom Trousers
118 bpm • C Maj • 03:56 • -9db
16% Popularity • 79% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 79% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Tennessee Ernie Ford
Marching Through Georgia
110 bpm • D# Maj • 02:22 • -6db
36% Popularity • 82% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 82% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Mick Moloney
The Irish Volunteers
119 bpm • C Maj • 04:33 • -9db
27% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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2nd South Carolina String Band
Ring de Banjo
111 bpm • G Maj • 03:37 • -3.69db
13% Popularity • 65% Danceability • 80% Energy • 13% Liveness
6% Instrumentalness • 96% Positiveness
13% Popularity • 65% Danceability • 80% Energy • 13% Liveness
6% Instrumentalness • 96% Positiveness
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Cisco Houston
The John B. Sails (Sloop John B.)
109 bpm • D Maj • 01:52 • -17.21db
17% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Bill Monroe & His Blue Grass Boys
Blue Moon Of Kentucky
119 bpm • C Maj • 02:06 • -10.67db
42% Popularity • 48% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 48% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Ronnie Gilbert
Lincoln & Liberty
109 bpm • A# Maj • 02:10 • -12.19db
14% Popularity • 72% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 72% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Tennessee Ernie Ford
Goober Peas
109 bpm • F Maj • 03:17 • -10.45db
27% Popularity • 81% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 81% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
