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Ol' Dood (Part I)
Songs like
Ol' Dood (Part I)
by
Sturgill Simpson
Based on a tempo of (+/- 10%) and a similar genre
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Ian Noe
Mountain Saint
117 bpm • C# min • 03:06 • -10.6db
32% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Pony Bradshaw
Calico Jim
117 bpm • F# Maj • 04:24 • -11.12db
37% Popularity • 69% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Jesse Daniel
Little Devil
117 bpm • G Maj • 02:18 • -7.89db
27% Popularity • 70% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Strings
Watch It Fall
117 bpm • E Maj • 04:36 • -9db
51% Popularity • 56% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 66% Positiveness
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Jason Eady
I Lost My Mind in Carolina
117 bpm • D Maj • 03:12 • -10db
26% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Sturgill Simpson
Ol' Dood (Part I)
117 bpm • A min • 02:57 • -10.67db
46% Popularity • 62% Danceability • 34% Energy • 30% Liveness
17% Instrumentalness • 38% Positiveness
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Jamey Johnson
Lonely At The Top
117 bpm • A Maj • 03:13 • -8.33db
45% Popularity • 65% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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The Damn Quails
Another Story
116 bpm • G Maj • 03:34 • -5.54db
30% Popularity • 59% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 55% Positiveness
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Sierra Ferrell
Jeremiah
118 bpm • C Maj • 03:03 • -9.23db
57% Popularity • 66% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Tyler Childers
Highway 40 Blues
116 bpm • E Maj • 03:16 • -7.58db
53% Popularity • 64% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Hayes Carll
She Left Me For Jesus
118 bpm • D Maj • 04:04 • -6db
35% Popularity • 55% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Sturgill Simpson
A Little Light
118 bpm • F Maj • 01:44 • -6.54db
43% Popularity • 67% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Taylor McCall
The Hounds
118 bpm • E min • 04:04 • -8.12db
47% Popularity • 62% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Jeremy Pinnell
Wanna Do Something
116 bpm • A Maj • 02:50 • -6.85db
37% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sierra Ferrell
At The End Of The Rainbow
116 bpm • A Maj • 03:40 • -9db
45% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ian Noe
Appalachia Haze
116 bpm • E min • 03:53 • -11.2db
31% Popularity • 47% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Red Shahan
White Knuckle Heart
116 bpm • A# min • 02:53 • -4.77db
39% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Sturgill Simpson
Water in a Well
118 bpm • E Maj • 03:18 • -7db
43% Popularity • 58% Danceability • 40% Energy • 18% Liveness
1% Instrumentalness • 23% Positiveness
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Mike and the Moonpies
Beaches of Biloxi
118 bpm • A Maj • 03:32 • -6.29db
35% Popularity • 53% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Jamey Johnson
Place Out On The Ocean
118 bpm • C Maj • 04:02 • -9db
47% Popularity • 71% Danceability • 68% Energy • 14% Liveness
15% Instrumentalness • 67% Positiveness
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Whitey Morgan
Grandpa's Guitar
118 bpm • D Maj • 03:14 • -9.22db
23% Popularity • 36% Danceability • 38% Energy • 38% Liveness
2% Instrumentalness • 22% Positiveness
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Otis Gibbs
The Darker Side of Me
115 bpm • E Maj • 04:22 • -11db
31% Popularity • 64% Danceability • 54% Energy • 35% Liveness
3% Instrumentalness • 68% Positiveness
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Riddy Arman
Barbed Wire
119 bpm • A Maj • 03:23 • -8.7db
22% Popularity • 52% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Uncle Lucius
Ain't It The Same
115 bpm • E Maj • 02:23 • -5db
61% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Mike and the Moonpies
Steak Night at the Prairie Rose
119 bpm • D Maj • 04:26 • -7.95db
40% Popularity • 58% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Vincent Neil Emerson
The Ballad of the Choctaw-Apache
119 bpm • C# min • 04:12 • -7.47db
29% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Arlo McKinley
Suicidal Saturday Night
119 bpm • F Maj • 03:55 • -7.37db
26% Popularity • 47% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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Sturgill Simpson
Some Days
115 bpm • F Maj • 02:53 • -7.46db
34% Popularity • 66% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Brent Cobb
No Place Left to Leave
119 bpm • E Maj • 04:04 • -7.15db
45% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Summer Dean
You're Lucky She's Lonely
119 bpm • E Maj • 03:26 • -10.66db
55% Popularity • 56% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Bell
Hold Me
119 bpm • C Maj • 03:15 • -6.8db
29% Popularity • 60% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Southall
Scared Money
120 bpm • C Maj • 02:57 • -5.11db
45% Popularity • 72% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Red Shahan
Good Morning Levee
114 bpm • A# min • 02:54 • -6.29db
28% Popularity • 51% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Jeremy Pinnell
I'm Alright With This
114 bpm • A Maj • 03:59 • -8.24db
30% Popularity • 89% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Del McCoury Band
Honky Tonk Nights
120 bpm • F Maj • 02:32 • -5.08db
34% Popularity • 61% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Summer Dean
Queen of The Clowns
120 bpm • C Maj • 03:10 • -8.32db
34% Popularity • 73% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Kyle Nix
Shelby '65
120 bpm • C Maj • 03:21 • -4db
11% Popularity • 52% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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The Damn Quails
Fool's Gold
120 bpm • G Maj • 04:16 • -5.1db
50% Popularity • 68% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Justin Wells
Still No Rain
114 bpm • A# Maj • 03:21 • -10.8db
32% Popularity • 65% Danceability • 52% Energy • 10% Liveness
3% Instrumentalness • 49% Positiveness
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Brent Cobb
Diggin' Holes
120 bpm • G Maj • 02:52 • -7.61db
54% Popularity • 67% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Ward Davis
15 Years in a 10 Year Town
120 bpm • C Maj • 03:08 • -7db
31% Popularity • 61% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Jeremy Pinnell
The Way Country Sounds
114 bpm • A Maj • 03:56 • -8.5db
25% Popularity • 73% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Sturgill Simpson
I Wonder
114 bpm • A Maj • 03:14 • -9.1db
45% Popularity • 69% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Gethen Jenkins
Restless Ways
114 bpm • G Maj • 03:42 • -4.93db
41% Popularity • 52% Danceability • 92% Energy • 6% Liveness
5% Instrumentalness • 62% Positiveness
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Jamey Johnson
Can't Cash My Checks
113 bpm • C Maj • 07:17 • -10db
42% Popularity • 45% Danceability • 38% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
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Red Shahan
Culberson County
121 bpm • B Maj • 03:59 • -8.43db
35% Popularity • 53% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Shooter Jennings
The Low Road
113 bpm • G# Maj • 03:04 • -6.51db
41% Popularity • 57% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Jeremy Pinnell
Never Thought of No One
114 bpm • C Maj • 03:53 • -6.63db
17% Popularity • 62% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Sturgill Simpson
Turtles All the Way Down
121 bpm • E Maj • 02:18 • -7.13db
43% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Colter Wall
Big Iron
113 bpm • C Maj • 04:24 • -10.61db
61% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Iron Horse
Fire On the Mountain
113 bpm • F# min • 03:18 • -7.26db
41% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Benjamin Tod
Wyoming
121 bpm • E Maj • 05:16 • -11.27db
45% Popularity • 52% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Arlo McKinley
Gone for Good
113 bpm • A Maj • 03:11 • -5.97db
24% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Cross Canadian Ragweed
Boys From Oklahoma
113 bpm • G Maj • 05:54 • -7.68db
52% Popularity • 43% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 73% Positiveness
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Ian Noe
Off This Mountaintop
113 bpm • C Maj • 03:32 • -10db
46% Popularity • 70% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Drive-By Truckers
Daddy's Cup
122 bpm • G Maj • 05:53 • -7.74db
45% Popularity • 60% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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South Texas Tweek
Count on Me
112 bpm • E Maj • 03:02 • -8.17db
31% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Jesse Daniel
Clayton Was a Cowboy
122 bpm • C# Maj • 03:31 • -8.59db
38% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Cole Chaney
Coalshooter
122 bpm • C min • 05:49 • -11.18db
47% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Earle
The Mountain
112 bpm • D Maj • 04:43 • -9.5db
36% Popularity • 48% Danceability • 47% Energy • 27% Liveness
10% Instrumentalness • 42% Positiveness
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Red Shahan
Never Turn Around
122 bpm • F# Maj • 02:51 • -6.12db
49% Popularity • 54% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Colter Wall
Rocky Mountain Rangers
122 bpm • G Maj • 02:08 • -12.54db
61% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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John R. Miller
Borrowed Time
122 bpm • E Maj • 05:02 • -7.75db
24% Popularity • 59% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Eleven Hundred Springs
Great American Trainwreck
112 bpm • G# Maj • 02:22 • -6db
38% Popularity • 66% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Jeremy Pinnell
Best I Could Do
112 bpm • F Maj • 04:01 • -7.82db
21% Popularity • 81% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Wylie Hubbard
Conversation With The Devil
112 bpm • G Maj • 04:54 • -9.04db
48% Popularity • 67% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Bishop Gunn
Devil Is a Woman
112 bpm • G Maj • 04:28 • -10db
48% Popularity • 45% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Drayton Farley
Blue Collar
123 bpm • G# Maj • 02:19 • -14.34db
50% Popularity • 62% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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John R. Miller
How It Feels in the Light
122 bpm • E Maj • 03:51 • -7.18db
23% Popularity • 53% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Jesse Daniel
Hell Bent
122 bpm • G Maj • 02:33 • -2.67db
20% Popularity • 55% Danceability • 90% Energy • 38% Liveness
2% Instrumentalness • 79% Positiveness
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Max Stalling
The Pila Song
112 bpm • G Maj • 03:46 • -9db
33% Popularity • 74% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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Sturgill Simpson
Long White Line
112 bpm • G Maj • 02:21 • -6.57db
43% Popularity • 71% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 92% Positiveness
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Red Shahan
Men & Coyotes
123 bpm • C# Maj • 05:20 • -7.01db
50% Popularity • 53% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Colter Wall
Western Swing & Waltzes
111 bpm • A Maj • 03:13 • -11.24db
52% Popularity • 59% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Hayes Carll
Another Like You
111 bpm • C Maj • 03:19 • -6db
38% Popularity • 65% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Joe Shaver
I Been to Georgia on a Fast Train
123 bpm • F min • 02:56 • -10.9db
45% Popularity • 77% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Trampled by Turtles
Ain't No Use in Tryin'
111 bpm • C Maj • 03:14 • -6db
59% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Sturgill Simpson
Water in a Well
111 bpm • E Maj • 03:46 • -9.45db
37% Popularity • 66% Danceability • 37% Energy • 12% Liveness
13% Instrumentalness • 23% Positiveness
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Red Shahan
Waterbill
123 bpm • G# Maj • 03:06 • -6.13db
42% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Pony Bradshaw
Sawtoothed Jericho
111 bpm • F# Maj • 04:59 • -11.62db
46% Popularity • 67% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Luke Combs
The Great Divide
111 bpm • G# min • 03:31 • -8.27db
63% Popularity • 67% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Colter Wall
Happy Reunion
123 bpm • G Maj • 02:53 • -11.96db
50% Popularity • 49% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Halverson
'94 Camaro
124 bpm • G Maj • 02:46 • -7.84db
51% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Sturgill Simpson
Jesus Boogie
123 bpm • C Maj • 03:31 • -9.05db
39% Popularity • 54% Danceability • 48% Energy • 9% Liveness
14% Instrumentalness • 40% Positiveness
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Billy Joe Shaver
Wacko from Waco
111 bpm • E min • 02:19 • -8.96db
42% Popularity • 56% Danceability • 66% Energy • 94% Liveness
0% Instrumentalness • 66% Positiveness
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Sierra Ferrell
Silver Dollar
124 bpm • C Maj • 02:05 • -8.96db
55% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Damn Quails
Me and the Whiskey
124 bpm • G Maj • 04:08 • -7.68db
36% Popularity • 60% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Nate Fredrick
The Dreamer
124 bpm • A# Maj • 04:36 • -8.01db
13% Popularity • 67% Danceability • 63% Energy • 11% Liveness
4% Instrumentalness • 55% Positiveness
► Preview
Jeremy Pinnell
Ballad of 1892
124 bpm • D Maj • 03:05 • -8.81db
48% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Colter Wall
Henry and Sam
124 bpm • G Maj • 02:42 • -12.76db
52% Popularity • 73% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sturgill Simpson
Living the Dream
110 bpm • F Maj • 02:30 • -6.85db
43% Popularity • 68% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 87% Positiveness
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Ian Noe
That Kind of Life
124 bpm • F Maj • 03:20 • -10.67db
32% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Sierra Ferrell
Hey Me, Hey Mama
124 bpm • C Maj • 03:30 • -8.16db
48% Popularity • 56% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Arlo McKinley
This Damn Town
110 bpm • G Maj • 03:13 • -10db
51% Popularity • 57% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Low Water Bridge Band
Midnight in Virginia
110 bpm • D Maj • 02:28 • -11.74db
21% Popularity • 64% Danceability • 62% Energy • 21% Liveness
40% Instrumentalness • 87% Positiveness
► Preview
Jeremy Pinnell
Big Ol' Good
110 bpm • G Maj • 03:26 • -5.41db
24% Popularity • 66% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Sturgill Simpson
Sitting Here Without You
124 bpm • F# Maj • 02:10 • -4.31db
47% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Taylor McCall
Jericho Rose
110 bpm • A min • 05:15 • -7.61db
43% Popularity • 65% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
► Preview
The Band Of Heathens
Jackson Station
124 bpm • G Maj • 03:52 • -6.43db
47% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Whitey Morgan
Just to Satisfy You
110 bpm • D Maj • 02:36 • -7.97db
32% Popularity • 50% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Ol' Dood (Part I)