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Ola Gjeilo: Tota pulchra es
Songs like
Ola Gjeilo: Tota pulchra es
by
Ola Gjeilo
Based on a tempo of (+/- 10%) and a similar genre
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St. Petersburg Optina Pustyn Male Choir
Steppe, Endless Steppe
131 bpm • A# Maj • 02:48 • -21.5db
24% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ola Gjeilo: Tota pulchra es
131 bpm • E Maj • 06:27 • -26.08db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
131 bpm • C# Maj • 04:27 • -24.33db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
The Call
131 bpm • F min • 02:06 • -25.39db
12% Popularity • 26% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
Eternal Memory
131 bpm • C# min • 02:30 • -32.25db
19% Popularity • 19% Danceability • 1% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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The Choir of the Dormition Church of the Novodevichy Convent
Gradual
131 bpm • F min • 03:45 • -24.37db
9% Popularity • 18% Danceability • 10% Energy • 14% Liveness
19% Instrumentalness • 3% Positiveness
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Jan Pieterszoon Sweelinck
Venite exsultemus Domino
131 bpm • C Maj • 02:15 • -22.35db
7% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Dmitriyevich Kastalsky
Znamenny Chant: Today the Virgin, Op. 7b
131 bpm • A# Maj • 01:53 • -24.06db
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Dominican House of Studies
Gaudeamus omnes in Domino
131 bpm • F# Maj • 03:06 • -21.26db
18% Popularity • 21% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Song of the Universal
132 bpm • C Maj • 11:13 • -20.22db
29% Popularity • 16% Danceability • 13% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
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Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
11% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
132 bpm • G Maj • 02:36 • -27.21db
8% Popularity • 16% Danceability • 5% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Sigurður Flosason
Ljósfaðir
132 bpm • D# Maj • 03:02 • -24.56db
3% Popularity • 20% Danceability • 8% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Notre Dame Liturgical Choir
Sacris solemniis
130 bpm • C# min • 03:07 • -32.23db
12% Popularity • 22% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
6 Motets, Op. 79: IV. In der Passionszei...
132 bpm • D min • 01:45 • -28.07db
8% Popularity • 18% Danceability • 3% Energy • 15% Liveness
26% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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John Sheppard
In manus tuas II & III: In manus tuas II...
132 bpm • F Maj • 03:18 • -35db
8% Popularity • 16% Danceability • 2% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Archangel Voices
My Soul Doth Magnify the Lord
132 bpm • A Maj • 05:12 • -20.27db
10% Popularity • 22% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Henryk Górecki
Miserere, Op. 44: 10. Domine Deus noster...
130 bpm • A min • 02:58 • -26.55db
9% Popularity • 16% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Samuel Wesley
Have Mercy Upon Me, O God, After Thy Gre...
132 bpm • D min • 05:14 • -27.93db
12% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorian Chant
Missa de Angelis - E Canti Dell' anno Li...
132 bpm • A min • 06:06 • -22.68db
31% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Kjell Mørk Karlsen
Kjell Mørk Karlsen: O Magnum Mysterium
130 bpm • B min • 05:52 • -25.17db
4% Popularity • 17% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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John Sheppard
Libera nos I & II: Libera nos I & II
130 bpm • G# Maj • 05:36 • -27db
14% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
19% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Ola Gjeilo
Ave Generosa
130 bpm • F min • 04:55 • -27.96db
17% Popularity • 17% Danceability • 8% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Thomas Tomkins
When David heard
129 bpm • C Maj • 04:36 • -23.62db
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Prima Luce
Immaculate Mary
133 bpm • G Maj • 03:48 • -22.42db
12% Popularity • 20% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
133 bpm • E Maj • 02:03 • -24.66db
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Alessandro Constantini
Confitemini Domino, IAC 1
133 bpm • A min • 01:34 • -23.32db
23% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Roman Hurko
2nd Antiphon, Only Begotten Son & Small ...
129 bpm • C# Maj • 03:22 • -24.09db
19% Popularity • 20% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Officium Ensemble
Jubilus rhythmicus de nomini Jesu (2)
133 bpm • A# min • 02:17 • -25.76db
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
16% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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David Buckley
Strengthen ye the weak hands
129 bpm • G Maj • 02:18 • -27.58db
16% Popularity • 17% Danceability • 8% Energy • 7% Liveness
22% Instrumentalness • 3% Positiveness
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Francisco Guerrero
Ave virgo sanctissima
133 bpm • A# min • 03:50 • -27.09db
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Choir Of St. Abuscus
Te Deum laudamus Hymnus (Dankgottesdiens...
134 bpm • D Maj • 06:21 • -19db
29% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Respons vidi angelum
128 bpm • F# Maj • 04:13 • -29db
36% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
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Lege Artis Chamber Choir
Liturgy Of St. John Chrysostom, Op. 31: ...
134 bpm • A Maj • 01:15 • -27.57db
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
128 bpm • D Maj • 03:21 • -24.76db
13% Popularity • 20% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Choirs Of Annunciation Byzantine Catholic Church
The Grieving Mother
128 bpm • D# min • 04:15 • -28db
17% Popularity • 17% Danceability • 7% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Northern Lights
128 bpm • D min • 05:23 • -23db
3% Popularity • 20% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
29% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
33% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Gregorian Chant
The Psalms of Compline
128 bpm • D min • 05:30 • -26.2db
12% Popularity • 27% Danceability • 4% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Credo III
128 bpm • D Maj • 04:29 • -22db
35% Popularity • 21% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Men's Choir of the Valaam ...
The Day Has Passed
135 bpm • G# min • 01:07 • -25db
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Kyrie iii
127 bpm • F min • 02:48 • -32.7db
37% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Richard Burchard
Creator alme siderum
127 bpm • D# Maj • 04:36 • -13.76db
6% Popularity • 21% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Ars Veritas
Messe cum jubilo: Kyrie IX
135 bpm • F# min • 04:50 • -13.52db
20% Popularity • 19% Danceability • 36% Energy • 15% Liveness
10% Instrumentalness • 5% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Introït "Signum Magnum"
135 bpm • F# min • 03:37 • -25db
26% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Philippe Verdelot
Letamini in Domino
135 bpm • F Maj • 02:06 • -26db
12% Popularity • 18% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Sretenye
Don't Cry Rachel (Ukrainian Psalm)
135 bpm • A# min • 04:35 • -13.78db
7% Popularity • 20% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Lege Artis Chamber Choir
Serenade
127 bpm • A# Maj • 02:02 • -26.74db
21% Popularity • 24% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Knut Nystedt
Immortal Bach
127 bpm • D# Maj • 05:40 • -34db
20% Popularity • 17% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: I. Full Fathom ...
127 bpm • C Maj • 03:29 • -38db
8% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Théodore Dubois
Adoramus te Christe
127 bpm • C Maj • 02:11 • -30db
40% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Sexteto Cantábile
O Bone Jesu (Fernando Moruja)
136 bpm • D# Maj • 00:54 • -20db
44% Popularity • 22% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Ugis Praulins
Missa rigensis (2002): Kyrie eleison
127 bpm • G min • 03:28 • -22db
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ars Veritas
Missa Orbis Factor: I. Kyrie (1)
127 bpm • F# Maj • 02:26 • -19.68db
13% Popularity • 20% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Gregorian Chants
Miss De Angelis: V. Agnus Dei
126 bpm • F Maj • 01:18 • -21db
35% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Lege Artis Chamber Choir
We Praise Thee, O God No. 2 in F Major
136 bpm • F# Maj • 01:14 • -36.33db
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Gjeilo: Northern Lights
136 bpm • D min • 04:30 • -20.5db
10% Popularity • 17% Danceability • 9% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
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Men's Choir of the Valaam ...
He Intricately Prophesied A Lot
126 bpm • B Maj • 02:39 • -23db
10% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
8% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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The Russian State Symphony Cappella
Hymn of the Cherubim (Excerpt 1)
136 bpm • B min • 04:43 • -17.84db
23% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Men's Choir of the Valaam Singing Culture Institute
Let My Prayer Be Set Forth in Thy Sight
136 bpm • A# min • 07:31 • -25.34db
22% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Ola Gjeilo
Ubi Caritas III / Sacred heart
126 bpm • C min • 05:24 • -21.37db
3% Popularity • 17% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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The Male Choir of Valaam Singing Culture Institute
Yes My Prayer Will Be Corrected
136 bpm • A# min • 07:32 • -25.35db
10% Popularity • 16% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Archangel Voices
Alleluia...Troparion "Behold the Bridegr...
126 bpm • A min • 03:24 • -21.96db
18% Popularity • 19% Danceability • 14% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Ola Gjeilo: Tota pulchra es