Songs like Olancha Farewell by Harold Budd
Based on a tempo of (+/- 10%) and a similar genre
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Stars Of The Lid
Even If You're Never Awake
72 bpm • F# Maj • 09:20 • -24.08db
34% Popularity • 8% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Kyle Bobby Dunn
Meadowfuck (Waltz of the Nobodies)
72 bpm • D# Maj • 08:28 • -21.29db
21% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Loscil
Black Tusk
72 bpm • D min • 10:02 • -30db
29% Popularity • 9% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
29% Popularity • 9% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Harold Budd
Arabesque 1 - 2013 Remaster
72 bpm • G# min • 01:52 • -20.14db
29% Popularity • 26% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
29% Popularity • 26% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Bing & Ruth
As Much as Possible
72 bpm • C# Maj • 05:40 • -30.57db
37% Popularity • 13% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
37% Popularity • 13% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Max Richter
Space 21 (petrichor)
72 bpm • F Maj • 04:47 • -38.35db
29% Popularity • 9% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Eraldo Bernocchi
Heavy Heart Some More
72 bpm • G min • 04:45 • -17.9db
16% Popularity • 22% Danceability • 26% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
16% Popularity • 22% Danceability • 26% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
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Brian McBride
Supposed Essay On the Piano (B Major Pia...
72 bpm • B Maj • 04:10 • -20.96db
19% Popularity • 15% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Roger Eno
Wintergreen
72 bpm • A# Maj • 04:10 • -30.03db
28% Popularity • 31% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
28% Popularity • 31% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Harold Budd
Olancha Farewell
72 bpm • G Maj • 02:18 • -34db
40% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
40% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Lawrence English
Watching It Unfold
72 bpm • E Maj • 05:49 • -26.51db
28% Popularity • 16% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
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Forest Management
Remote Rail Ex
72 bpm • C Maj • 06:45 • -27.04db
18% Popularity • 16% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
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John Foxx
Subtext
72 bpm • A min • 05:59 • -32.67db
36% Popularity • 11% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Jonny Nash
Photo With Grey Sky, White Clouds
72 bpm • A min • 08:29 • -27db
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Roger Eno
Verdigris
72 bpm • D# Maj • 04:03 • -32.42db
30% Popularity • 20% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Suso Saiz
Healthy Digestion
72 bpm • D Maj • 03:05 • -29.69db
38% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
38% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Harold Budd
The Gunfighter
72 bpm • D Maj • 03:17 • -26.62db
18% Popularity • 23% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Sleeping And Listening On The Beach
72 bpm • D Maj • 07:30 • -32.5db
37% Popularity • 14% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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John Foxx
Adult
72 bpm • E min • 03:03 • -23.86db
22% Popularity • 26% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
22% Popularity • 26% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Bing & Ruth
Quebec (Climber)
73 bpm • D# Maj • 05:55 • -19.1db
14% Popularity • 7% Danceability • 23% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
14% Popularity • 7% Danceability • 23% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Tim Hecker
Harmony in Blue III
73 bpm • F min • 02:41 • -24.55db
31% Popularity • 14% Danceability • 27% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
31% Popularity • 14% Danceability • 27% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
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Roger Eno
Burnt Umber
72 bpm • D# Maj • 04:15 • -30.14db
25% Popularity • 22% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kyle Bobby Dunn
Variations on a Theme by St-Dipshit
71 bpm • A Maj • 09:22 • -22.42db
29% Popularity • 14% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Harold Budd
Lost In The Humming Air - 2005 Digital R...
71 bpm • C Maj • 04:21 • -39.94db
38% Popularity • 7% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Images Of Broken Light
73 bpm • C Maj • 08:29 • -20.86db
34% Popularity • 16% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
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Deaf Center
Movements / The Ascent
73 bpm • C Maj • 06:19 • -20db
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Visible Cloaks
Lapis Lazuli
73 bpm • G Maj • 09:11 • -22.07db
12% Popularity • 22% Danceability • 14% Energy • 70% Liveness
54% Instrumentalness • 3% Positiveness
12% Popularity • 22% Danceability • 14% Energy • 70% Liveness
54% Instrumentalness • 3% Positiveness
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A Winged Victory for the Sullen
Aqualung, Motherfucker
71 bpm • E min • 05:19 • -22.1db
33% Popularity • 12% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • C min • 09:23 • -28.43db
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Harold Budd
First Light - Remastered 2004
71 bpm • C Maj • 07:06 • -32db
44% Popularity • 12% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 16% Positiveness
44% Popularity • 12% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 16% Positiveness
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Chihei Hatakeyama
Breaking Dawn
71 bpm • C# Maj • 02:43 • -22.09db
43% Popularity • 30% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
43% Popularity • 30% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Laraaji
Introspection
71 bpm • A min • 10:57 • -21.92db
26% Popularity • 14% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Deaf Center
Lobby
73 bpm • F# Maj • 03:01 • -26.58db
21% Popularity • 17% Danceability • 8% Energy • 13% Liveness
63% Instrumentalness • 11% Positiveness
21% Popularity • 17% Danceability • 8% Energy • 13% Liveness
63% Instrumentalness • 11% Positiveness
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David Behrman
On the Other Ocean
73 bpm • C Maj • 06:50 • -14.73db
30% Popularity • 7% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 7% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Brian Eno
Lesser Heaven
71 bpm • A Maj • 03:20 • -21.23db
28% Popularity • 22% Danceability • 13% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 13% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Harold Budd
The Art of Mirrors (after Derek Jarman)
71 bpm • A# min • 05:58 • -36.39db
18% Popularity • 15% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Federico Durand
Mirador en la montaña (Viewpoint in the...
71 bpm • A# Maj • 01:48 • -19.44db
30% Popularity • 40% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 40% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Pieter Nooten And Michael Brook
Finally II
73 bpm • D# min • 01:53 • -35.07db
32% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Laurie Spiegel
The Unquestioned Answer
71 bpm • G# Maj • 06:30 • -26.15db
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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James Heather
Bad Role Model - Sarah Davachi Rework
71 bpm • B Maj • 03:38 • -30.55db
22% Popularity • 11% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Robin Guthrie
Coral
71 bpm • E Maj • 04:25 • -21.85db
19% Popularity • 13% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
19% Popularity • 13% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Harold Budd
Dark Eyed Sister - 2005 Digital Remaster
71 bpm • F# Maj • 04:42 • -32.14db
33% Popularity • 14% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Kyle Bobby Dunn
Diamond Cove (And Its Children Were Watc...
71 bpm • C min • 03:52 • -35.65db
29% Popularity • 21% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
29% Popularity • 21% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Tim Hecker
Harmony in Blue I
73 bpm • G# min • 01:31 • -27.04db
40% Popularity • 18% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
40% Popularity • 18% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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Christina Vantzou
11: 11
73 bpm • C Maj • 04:05 • -22.15db
21% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
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Brian Eno
Signals - Remastered 2005
71 bpm • F# Maj • 02:46 • -41.81db
49% Popularity • 7% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
49% Popularity • 7% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Eluvium
We Say Goodbye To Ourselves
74 bpm • D Maj • 02:09 • -21.13db
27% Popularity • 18% Danceability • 25% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
27% Popularity • 18% Danceability • 25% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Harold Budd
Wanderer
73 bpm • A min • 04:15 • -27.46db
21% Popularity • 16% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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John Foxx
Spoken Roses
70 bpm • C# Maj • 06:20 • -29.98db
26% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
Steep Hills of Vicodin Tears
74 bpm • B Maj • 04:26 • -21.96db
41% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
41% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Christina Vantzou
At Dawn
70 bpm • C Maj • 02:50 • -18.95db
23% Popularity • 21% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
23% Popularity • 21% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Brian Eno
Reflection - Excerpt
70 bpm • F Maj • 04:20 • -25.87db
45% Popularity • 8% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Jon Hassell
Rising Thermal 14° 16' N; 32° 28' E
74 bpm • D# Maj • 03:08 • -35.06db
27% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
27% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
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Harold Budd
A Walk in the Park with Nancy (In Memory...
71 bpm • A# min • 05:57 • -26.39db
24% Popularity • 26% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
24% Popularity • 26% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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John Foxx
You Again
70 bpm • C Maj • 03:24 • -29.9db
19% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
19% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Robert Fripp
Wind On Wind
70 bpm • G# Maj • 03:13 • -26.13db
39% Popularity • 8% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
39% Popularity • 8% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Roger Eno
Cerulean Blue
70 bpm • D# Maj • 04:05 • -32.54db
23% Popularity • 19% Danceability • 0% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 19% Danceability • 0% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
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Suso Saiz
On Plateau
74 bpm • D Maj • 03:55 • -26.34db
33% Popularity • 10% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
33% Popularity • 10% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Robin Guthrie
Deva C
74 bpm • A Maj • 03:51 • -26.76db
20% Popularity • 7% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
20% Popularity • 7% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Harold Budd
The Foundry (for Mika Vainio)
70 bpm • A min • 04:44 • -33.23db
14% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
14% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Eraldo Bernocchi
Losing My Breath
74 bpm • C Maj • 04:04 • -20.3db
19% Popularity • 18% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Bing & Ruth
Starwood Choker
74 bpm • B Maj • 06:16 • -19db
38% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Sarah Davachi
Rushes Recede
70 bpm • F Maj • 06:34 • -29db
23% Popularity • 6% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 6% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Celer
Indistinguishable from Magic
74 bpm • C min • 05:48 • -38.44db
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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John Foxx
Raindust
74 bpm • C Maj • 07:08 • -36.3db
19% Popularity • 13% Danceability • 1% Energy • 22% Liveness
87% Instrumentalness • 8% Positiveness
19% Popularity • 13% Danceability • 1% Energy • 22% Liveness
87% Instrumentalness • 8% Positiveness
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Harold Budd
The Pearl - 2005 Digital Remaster
74 bpm • G min • 03:14 • -41.16db
37% Popularity • 7% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Robin Guthrie
Southern Shore
70 bpm • A min • 10:00 • -22.3db
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Lawrence English
The Prelude To
74 bpm • D Maj • 02:16 • -25.7db
24% Popularity • 16% Danceability • 5% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Robert Rich
Memories of Wandering, Pt. 2
70 bpm • D Maj • 03:58 • -28.44db
25% Popularity • 6% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
25% Popularity • 6% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Cocteau Twins
Why Do You Love Me?
74 bpm • C# Maj • 04:51 • -22db
45% Popularity • 8% Danceability • 15% Energy • 5% Liveness
78% Instrumentalness • 18% Positiveness
45% Popularity • 8% Danceability • 15% Energy • 5% Liveness
78% Instrumentalness • 18% Positiveness
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Roedelius
Brise
70 bpm • E min • 02:52 • -25.03db
32% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
32% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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John Foxx
Here and Now
70 bpm • C Maj • 03:59 • -26db
22% Popularity • 28% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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A Winged Victory for the Sullen
Our Lord Debussy
70 bpm • C Maj • 09:52 • -19db
32% Popularity • 7% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Eluvium
New Animals From The Air
70 bpm • D Maj • 10:47 • -17.46db
22% Popularity • 16% Danceability • 34% Energy • 8% Liveness
76% Instrumentalness • 5% Positiveness
22% Popularity • 16% Danceability • 34% Energy • 8% Liveness
76% Instrumentalness • 5% Positiveness
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The Dead Texan
La Ballade D'alain Georges
74 bpm • E Maj • 06:23 • -24.02db
25% Popularity • 9% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Marsen Jules
Fanes D'Automne
74 bpm • C Maj • 06:09 • -18.42db
19% Popularity • 14% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
19% Popularity • 14% Danceability • 17% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Sarah Davachi
Untitled, Live in Portland
70 bpm • G# Maj • 07:03 • -28.37db
24% Popularity • 22% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Dungtitled (In a Major)
74 bpm • A Maj • 05:54 • -22.62db
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Jefre Cantu-Ledesma
Joy
70 bpm • F Maj • 05:00 • -20.28db
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Brian McBride
Theguilt of Uncomplicated Thoughts
70 bpm • D# Maj • 07:51 • -18.89db
18% Popularity • 18% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
The Rhythm Of A Dividing Pair
70 bpm • D Maj • 04:52 • -18.69db
35% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Harold Budd
Against The Sky - 2005 Digital Remaster
70 bpm • A# min • 04:52 • -37db
46% Popularity • 12% Danceability • 0% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
46% Popularity • 12% Danceability • 0% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Biosphere
Dissolving Clouds
75 bpm • D# Maj • 04:28 • -30db
39% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
39% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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John Foxx
Momentary Architecture
69 bpm • G min • 01:40 • -37.07db
26% Popularity • 20% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
26% Popularity • 20% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
Twilight Sea
75 bpm • E Maj • 06:05 • -26.23db
35% Popularity • 12% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Olan Mill
The Prescribed Individual
75 bpm • D min • 02:55 • -24.7db
20% Popularity • 19% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 4% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Roger Eno
Blonde
69 bpm • D Maj • 04:10 • -26.29db
30% Popularity • 35% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
30% Popularity • 35% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Harold Budd
Nove Alberi
70 bpm • D Maj • 06:00 • -39.06db
28% Popularity • 25% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Brian Eno
Drift - Remastered 2005
69 bpm • F Maj • 03:09 • -29.31db
42% Popularity • 26% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
42% Popularity • 26% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Morton Feldman
Rothko Chapel 5
69 bpm • A min • 02:52 • -40db
36% Popularity • 17% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
Morning Arrive On The Island
69 bpm • F Maj • 02:02 • -28.32db
39% Popularity • 16% Danceability • 1% Energy • 7% Liveness
73% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 7% Liveness
73% Instrumentalness • 4% Positiveness
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Eraldo Bernocchi
Don't Go Where I Can't Find You
75 bpm • B Maj • 04:53 • -21.09db
34% Popularity • 8% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
34% Popularity • 8% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Brian McBride
Prelude
69 bpm • F Maj • 01:44 • -30.36db
28% Popularity • 23% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
28% Popularity • 23% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
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Harold Budd
An Arc Of Doves - Remastered 2004
69 bpm • C Maj • 06:29 • -35db
45% Popularity • 9% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
45% Popularity • 9% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Loscil
Stave Peak
75 bpm • A# min • 06:40 • -28db
38% Popularity • 12% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
38% Popularity • 12% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Olan Mill
A Heavy Leg Cycle
69 bpm • C# Maj • 02:01 • -26.11db
32% Popularity • 20% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Aix Em Klemm
The Girl With the Flesh Colored Crayon
75 bpm • A Maj • 06:32 • -18.32db
31% Popularity • 9% Danceability • 27% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 27% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
Adios, Florida
69 bpm • D# Maj • 06:29 • -20.44db
30% Popularity • 8% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
30% Popularity • 8% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
