Songs like Old Flame by Dolly Shine
Based on a tempo of (+/- 10%) and a similar genre
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Josh Ward
Last Night's Makeup
116 bpm • G Maj • 03:02 • -5.47db
29% Popularity • 53% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 53% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Braydon Zink
The Way She Moved
116 bpm • D Maj • 03:44 • -7.4db
9% Popularity • 63% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 63% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Hayden Haddock
Still Dancin'
116 bpm • F# Maj • 03:17 • -7.54db
24% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Damn Quails
So So Long
116 bpm • C Maj • 04:00 • -4.84db
30% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 68% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Dolly Shine
Spinning My Wheels
116 bpm • E Maj • 03:38 • -8db
27% Popularity • 51% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 51% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Graycie York
Without Me
116 bpm • G# Maj • 04:33 • -6.57db
19% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Ward Davis
Good and Drunk
117 bpm • E Maj • 03:12 • -7.39db
22% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jarrod Morris
Float
115 bpm • G# min • 03:07 • -8.43db
14% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Shotgun Rider
Bottom of This Crown
117 bpm • G# Maj • 03:25 • -6.07db
18% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Jon Stork
Another Town
115 bpm • G Maj • 03:56 • -3.95db
17% Popularity • 56% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 56% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Dolly Shine
Old Flame
116 bpm • B min • 04:31 • -7db
16% Popularity • 61% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 61% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Six Market Blvd.
Stand
117 bpm • G Maj • 02:50 • -7.18db
8% Popularity • 61% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 61% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Jason Boland & The Stragglers
Proud Souls
117 bpm • A Maj • 05:03 • -10.73db
29% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Logan Samford
Good Lies
115 bpm • G# Maj • 03:53 • -4.08db
25% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jon Wolfe
Any Night in Texas
115 bpm • F Maj • 03:55 • -5db
30% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Cameron Sacky Band
Diamonds
117 bpm • D# Maj • 04:10 • -6.67db
26% Popularity • 68% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 68% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Callahan Divide
Happy
117 bpm • C# Maj • 04:21 • -5.52db
16% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Shotgun Rider
All over Me
117 bpm • F# Maj • 03:31 • -4.88db
15% Popularity • 67% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 67% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Brandon Rhyder
Man Of Conviction
115 bpm • G Maj • 03:48 • -3db
26% Popularity • 70% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 70% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Dolly Shine
Walkin' to New Orleans
115 bpm • E min • 05:42 • -9.05db
12% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Cottonwood Crows
Pushing Me Away
117 bpm • E Maj • 03:39 • -8.06db
11% Popularity • 58% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 58% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Bart Crow
Pocket Full of Kisses
117 bpm • G# Maj • 03:57 • -5.17db
21% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Kolton Moore & the Clever Few
Forever I Do
115 bpm • G Maj • 06:00 • -5.57db
17% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Micky & The Motorcars
Careless
117 bpm • D min • 03:44 • -5.8db
17% Popularity • 38% Danceability • 77% Energy • 24% Liveness
7% Instrumentalness • 42% Positiveness
17% Popularity • 38% Danceability • 77% Energy • 24% Liveness
7% Instrumentalness • 42% Positiveness
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Bleu Edmondson
$50 Dollars and a Flask of Crown
115 bpm • E Maj • 03:25 • -7.76db
37% Popularity • 75% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 75% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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No Justice
Red Dress
115 bpm • F Maj • 03:37 • -7.85db
27% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jesse Raub Jr.
She'll Put The Hurt On You
117 bpm • D Maj • 03:11 • -5.47db
20% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 64% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Kenny Feidler
Cosmic Cowboy
118 bpm • G Maj • 04:18 • -7.4db
22% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Kevin Fowler
Hard Man to Love
114 bpm • A Maj • 04:02 • -6.01db
38% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Drew Fish Band
Sounds Like a Plan
118 bpm • E Maj • 03:54 • -6.46db
11% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Jon Stork
Waitin' on Another Fight
118 bpm • D Maj • 03:22 • -10.25db
12% Popularity • 72% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 72% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Kody West
Start a War
118 bpm • F Maj • 03:58 • -7.48db
21% Popularity • 55% Danceability • 53% Energy • 22% Liveness
2% Instrumentalness • 20% Positiveness
21% Popularity • 55% Danceability • 53% Energy • 22% Liveness
2% Instrumentalness • 20% Positiveness
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Josh Ward
No Longer Mine
118 bpm • F Maj • 04:16 • -5.09db
22% Popularity • 55% Danceability • 89% Energy • 55% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 55% Danceability • 89% Energy • 55% Liveness
0% Instrumentalness • 33% Positiveness
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Dolly Shine
Pretty Flowers
114 bpm • F# min • 03:59 • -8.72db
13% Popularity • 53% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 53% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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Tyler Hatley
Again Today
118 bpm • G Maj • 03:51 • -5.38db
18% Popularity • 59% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 59% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Seth Ward
Since You’ve Been Gone
118 bpm • G Maj • 03:50 • -4.22db
11% Popularity • 50% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 50% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Hayden Haddock
Everywhere I Need to Be
114 bpm • F# Maj • 03:01 • -7db
22% Popularity • 62% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 62% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Bleu Edmondson
Last Last Time
118 bpm • E Maj • 03:37 • -6.76db
25% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Ward
All About Lovin'
114 bpm • G Maj • 02:58 • -4db
33% Popularity • 71% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 71% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Dolly Shine
Time Machine
114 bpm • A Maj • 03:56 • -9.12db
8% Popularity • 53% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 53% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Seven Miles South
Watch What You're Falling For
118 bpm • A min • 03:42 • -6.95db
29% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 62% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Reckless Kelly
Good Luck & True Love
118 bpm • G Maj • 03:17 • -3.23db
27% Popularity • 65% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 65% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Jarrod Morris
Truth Like a Lie
114 bpm • C Maj • 04:12 • -10db
26% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Judson Cole Band
Battles
118 bpm • A min • 04:06 • -5.14db
14% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Hill Country Revival
Hundred Dollar Bill
118 bpm • G Maj • 03:43 • -4.58db
23% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 60% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Dolly Shine
Should've Known
118 bpm • E Maj • 04:32 • -8.25db
32% Popularity • 54% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
32% Popularity • 54% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Triston Marez
Day Drinking
114 bpm • A Maj • 03:19 • -5db
23% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 58% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Jon Wolfe
A Cowgirl Like You
119 bpm • C Maj • 04:09 • -7.84db
32% Popularity • 46% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
32% Popularity • 46% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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Ryan Wilcox & The Sunday Shakes
The Table
113 bpm • C# Maj • 04:23 • -9.76db
15% Popularity • 54% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
15% Popularity • 54% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 31% Positiveness
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Ross Cooper
I Rode the Wild Horses
119 bpm • A# min • 03:59 • -7.25db
16% Popularity • 62% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 62% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Chad Cooke Band
Whatever It Takes
119 bpm • F# min • 03:24 • -5.71db
26% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 53% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dolly Shine
Anywhere Close to Fine
118 bpm • C Maj • 03:18 • -6.53db
11% Popularity • 48% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 48% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Kyle Park
Fit for the King
113 bpm • E Maj • 03:22 • -4.98db
30% Popularity • 56% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 56% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Jon Wolfe
Let a Country Boy Love You
119 bpm • G Maj • 02:59 • -4.47db
30% Popularity • 71% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 71% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Ryan Beaver
Under the Neons
113 bpm • A# Maj • 04:00 • -8.09db
25% Popularity • 62% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 62% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Kody West
In The Morning
119 bpm • G Maj • 04:14 • -4.99db
29% Popularity • 47% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 47% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Seth Ward
Break Your Heart
113 bpm • G Maj • 03:43 • -5db
28% Popularity • 59% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 59% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Dolly Shine
Waitin' to Rain
114 bpm • B Maj • 04:09 • -8.96db
10% Popularity • 58% Danceability • 41% Energy • 9% Liveness
13% Instrumentalness • 20% Positiveness
10% Popularity • 58% Danceability • 41% Energy • 9% Liveness
13% Instrumentalness • 20% Positiveness
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Josh Grider
One Night Taco Stand
119 bpm • B Maj • 04:15 • -6.15db
24% Popularity • 65% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 65% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Randall King
Ain’t Waitin’ on You
113 bpm • E Maj • 03:37 • -7.94db
34% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Logan Ryan Band
Buenos Noches
113 bpm • G# Maj • 04:12 • -9db
30% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Hatley
Austin
120 bpm • D Maj • 03:42 • -6db
11% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Tanner Fenoglio
Interstate
120 bpm • E Maj • 04:08 • -7.29db
8% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Dolly Shine
Trail of Tears
113 bpm • E min • 04:39 • -7.99db
11% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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John David Kent
My Girl
120 bpm • G Maj • 03:56 • -2.88db
23% Popularity • 58% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 58% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Micky & The Motorcars
Long Enough to Leave
120 bpm • G min • 04:28 • -6.66db
28% Popularity • 59% Danceability • 83% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 59% Danceability • 83% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Ward
Home Away From Home
120 bpm • F Maj • 02:56 • -5db
30% Popularity • 61% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 61% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Six Market Blvd.
Ready to Throw
120 bpm • D Maj • 03:26 • -6.09db
16% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Jason Boland & The Stragglers
Lucky I Guess
120 bpm • E Maj • 05:07 • -8.15db
24% Popularity • 52% Danceability • 55% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
24% Popularity • 52% Danceability • 55% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
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Dolly Shine
Heart Like Mine
120 bpm • C Maj • 04:04 • -8.12db
12% Popularity • 56% Danceability • 64% Energy • 39% Liveness
2% Instrumentalness • 39% Positiveness
12% Popularity • 56% Danceability • 64% Energy • 39% Liveness
2% Instrumentalness • 39% Positiveness
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Crawford & Power
Letting You Go
120 bpm • G Maj • 03:03 • -5.31db
24% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Micky & The Motorcars
Long Enough to Leave
120 bpm • A# Maj • 04:26 • -8.1db
18% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 58% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Kody West
Higher Ground
120 bpm • F Maj • 04:01 • -7.38db
34% Popularity • 58% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 58% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Six Market Blvd.
Misery in Me
112 bpm • G Maj • 03:46 • -7.42db
19% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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DERYL DODD
Things Are Fixin' to Get Real Good
112 bpm • G Maj • 03:23 • -6.85db
24% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 69% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Muscadine Bloodline
Put Me On A Pond
120 bpm • F# Maj • 04:07 • -5.59db
21% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 70% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Josh Ward
Ain't It Baby
112 bpm • E Maj • 03:40 • -5db
36% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jody Booth
Life of My Love
112 bpm • D Maj • 03:54 • -5db
22% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Clay Hollis
Strait to Jones
112 bpm • C Maj • 03:03 • -3db
21% Popularity • 57% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 57% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Dolly Shine
Blackbird
112 bpm • F min • 03:43 • -6.28db
11% Popularity • 56% Danceability • 82% Energy • 43% Liveness
1% Instrumentalness • 45% Positiveness
11% Popularity • 56% Danceability • 82% Energy • 43% Liveness
1% Instrumentalness • 45% Positiveness
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Graycie York
Texas Rain
112 bpm • C Maj • 03:38 • -8.23db
33% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Red Shahan
Culberson County
121 bpm • B Maj • 03:59 • -8.43db
31% Popularity • 53% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 53% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Cottonwood Crows
Goodbye
121 bpm • G Maj • 03:59 • -7db
7% Popularity • 40% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 40% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Zane Williams
I Don't Have the Heart
121 bpm • A Maj • 04:36 • -7.28db
13% Popularity • 55% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 55% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
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Micky & The Motorcars
Tonight We Ride
121 bpm • A Maj • 03:43 • -4db
29% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Dolly Shine
Drifter's Prayer
121 bpm • C Maj • 03:16 • -12.81db
7% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Ward
What I'm Doin'
121 bpm • G Maj • 03:04 • -6db
28% Popularity • 49% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 49% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Corey Hunt and the Wise
I'm Doing Fine
121 bpm • D# Maj • 03:27 • -8.21db
14% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Cottonwood Crows
Back to You
121 bpm • F# min • 03:52 • -7.03db
21% Popularity • 63% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 63% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Shotgun Rider
Steady as She Goes
111 bpm • D# min • 04:03 • -6db
34% Popularity • 59% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 59% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Bart Crow
Wheels
111 bpm • C# Maj • 04:16 • -13.81db
24% Popularity • 64% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 64% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Tanner Fenoglio
Over Him
111 bpm • G Maj • 04:00 • -4.55db
10% Popularity • 58% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 58% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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John Baumann
Texas Dead
111 bpm • C Maj • 03:10 • -5db
22% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Great Divide
Out of Here Tonight
121 bpm • G Maj • 03:33 • -4.81db
23% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Jarrod Morris
Jezebel Queen
111 bpm • F min • 04:05 • -8.12db
17% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Triston Marez
That Was All Me
122 bpm • F# Maj • 02:30 • -4.56db
19% Popularity • 59% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 59% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Mike Ryan
The Cold One
122 bpm • G Maj • 03:27 • -6db
32% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Dolly Shine
Rewind
122 bpm • D Maj • 04:00 • -7.88db
4% Popularity • 39% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 39% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
