Songs like Old Skoolin' by Brad Cox
Based on a tempo of (+/- 10%) and a similar genre
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Steve Forde
Dust
100 bpm • E Maj • 03:57 • -5.87db
22% Popularity • 56% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 56% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Clay Walker
Little Miss Whiskey
100 bpm • C Maj • 03:25 • -4.5db
18% Popularity • 64% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 64% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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The Viper Creek Band
People Drinkin' Beer
100 bpm • D Maj • 02:47 • -5db
23% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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James Johnston
GOOD TO BE BACK
100 bpm • G# Maj • 02:39 • -5.24db
37% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Brad Cox
Old Skoolin'
100 bpm • A# Maj • 02:41 • -4.14db
35% Popularity • 72% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 72% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Casey Barnes
We're Good Together
100 bpm • B Maj • 02:59 • -4.08db
40% Popularity • 71% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 71% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Buck Twenty
2002
100 bpm • D# Maj • 02:56 • -4.75db
31% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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McAlister Kemp
Hard Work
100 bpm • A Maj • 03:25 • -3.9db
19% Popularity • 54% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 54% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bobby Wills
Won't You Be Mine
100 bpm • A# Maj • 03:37 • -5.37db
28% Popularity • 52% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 52% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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James Johnston
SMALL TOWN
100 bpm • D Maj • 02:40 • -4.85db
43% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Brad Cox
Remedy
100 bpm • C Maj • 04:21 • -7db
30% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Travis Sinclair
Glory Bound
100 bpm • A Maj • 04:54 • -10db
26% Popularity • 63% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 63% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Andrew Swift
Head Full of Honey
99 bpm • A Maj • 04:03 • -4.77db
25% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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McAlister Kemp
All Kinds of Tough
99 bpm • C Maj • 04:03 • -5db
18% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 61% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Cornell
It's Only Midnight
101 bpm • G# Maj • 03:41 • -8db
22% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Scotty McCreery
Boys from Back Home
102 bpm • E Maj • 04:05 • -5.87db
32% Popularity • 57% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 57% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Casey Barnes
Sparks Fly
98 bpm • B Maj • 02:58 • -4db
33% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Kip Moore
Just Another Girl
102 bpm • E Maj • 03:47 • -4.31db
40% Popularity • 70% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 70% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Andrew Swift
Never Meant to Break Your Heart
99 bpm • G Maj • 03:45 • -7db
18% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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McAlister Kemp
Harder to Tame
101 bpm • C Maj • 03:19 • -6.03db
20% Popularity • 54% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 54% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Wynn Williams
All Over Me
103 bpm • B Maj • 03:06 • -4.41db
32% Popularity • 62% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 62% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Sammy White
Friends With The Bottle
103 bpm • A Maj • 03:20 • -4.84db
24% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Travis Sinclair
Independent Trucker
97 bpm • D Maj • 02:57 • -3.59db
21% Popularity • 56% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 56% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Morgan Evans
Day Drunk
97 bpm • A# Maj • 03:14 • -5.45db
58% Popularity • 65% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 65% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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James Johnston
SOME THINGS NEVER CHANGE
97 bpm • G# Maj • 02:49 • -4.35db
44% Popularity • 72% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 72% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Melanie Dyer
Song For That
103 bpm • E Maj • 03:35 • -2.93db
22% Popularity • 53% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 53% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Hurricane Fall
How We Get Down
104 bpm • D Maj • 02:59 • -3db
26% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Justin Moore
That Wasn’t Jack
104 bpm • D Maj • 03:13 • -5.3db
38% Popularity • 60% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 60% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Jon Pardi
Paycheck
96 bpm • G Maj • 03:07 • -3.03db
44% Popularity • 59% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 59% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Taylor Moss
Ain't No Girly Girl
96 bpm • E Maj • 03:27 • -3.95db
42% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Dallas Steele
When I Give My Heart Away
96 bpm • F min • 03:53 • -6.9db
24% Popularity • 58% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 58% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Casey Barnes
The Way We Ride
105 bpm • G# Maj • 03:11 • -4db
30% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 60% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Hurricane Fall
Love Her Right
104 bpm • D Maj • 03:32 • -3db
18% Popularity • 58% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 58% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Brooke McClymont & Adam Eckersley
Lost If I Lost You
105 bpm • A# Maj • 03:37 • -5.05db
22% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Steve Forde
Summer's Little Angel
105 bpm • C Maj • 02:53 • -5db
33% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Nate Smith
The Way She Rolls
105 bpm • F Maj • 03:05 • -4.57db
47% Popularity • 62% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 62% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Brad Cox
Acres
105 bpm • C# Maj • 03:52 • -4.99db
46% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Styles Haury
Whatever Happened To Her
105 bpm • C# Maj • 03:30 • -4.39db
23% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Zac & George
Nothin' To Lose
105 bpm • D Maj • 03:22 • -3.87db
33% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Josh Setterfield
Right About Now
95 bpm • E Maj • 03:09 • -5.09db
33% Popularity • 70% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 70% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Conner Smith
College Town
95 bpm • D# Maj • 03:29 • -3.3db
29% Popularity • 47% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 47% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Morgan Evans
Love Is Real - Int'l Mix
95 bpm • F min • 02:42 • -5.59db
26% Popularity • 61% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 61% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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Steve Forde
Hurricane
95 bpm • A# min • 04:00 • -5.46db
12% Popularity • 52% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 52% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Taylor Moss
Country Proud
95 bpm • F Maj • 02:51 • -4.03db
37% Popularity • 60% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 60% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Curtain
Nothin's Gonna Stop Us Now
95 bpm • F# min • 03:52 • -5.76db
20% Popularity • 74% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 74% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Dan Davidson
Role Models
95 bpm • C# Maj • 02:51 • -6.01db
34% Popularity • 68% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 68% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Ell Regan
Bulldust
95 bpm • B Maj • 03:14 • -5.55db
15% Popularity • 65% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 65% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Andrew Swift
Runaway Train
106 bpm • F Maj • 03:58 • -6db
22% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 68% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Ray Fulcher
Girl In It
106 bpm • A# min • 03:02 • -6db
23% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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James Johnston
SAME SONGS
106 bpm • D Maj • 02:47 • -4.85db
51% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Dylan Scott
I'm Over You
106 bpm • D# Maj • 03:03 • -5.55db
35% Popularity • 58% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 58% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Pryor & Lee
Y'allsome
106 bpm • E Maj • 03:18 • -4.13db
31% Popularity • 58% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 58% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Grant Gilbert
God & Everybody
106 bpm • G Maj • 02:54 • -3.79db
17% Popularity • 51% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 51% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Peters
Chevy Nova
106 bpm • F# Maj • 03:25 • -4.85db
19% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Brad Cox
Letter Home
106 bpm • G# Maj • 03:43 • -8.09db
28% Popularity • 36% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 36% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Travis Sinclair
El Dorado Saddle
106 bpm • D Maj • 03:35 • -10.2db
27% Popularity • 70% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 70% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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McAlister Kemp
Country Proud
94 bpm • F Maj • 03:02 • -3db
31% Popularity • 48% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 48% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Sara Berki
Drinking In The Summertime
94 bpm • B Maj • 03:41 • -4.71db
26% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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James Johnston
WORLD UNDER MY TYRES
94 bpm • E min • 02:51 • -4.44db
37% Popularity • 62% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 62% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Morgan Evans
While We're Young
94 bpm • D Maj • 03:21 • -5.77db
2% Popularity • 52% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
2% Popularity • 52% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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The Tuten Brothers
Radio Plays
107 bpm • F min • 03:31 • -7db
24% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Janson
Country USA
107 bpm • E Maj • 02:54 • -2.91db
22% Popularity • 61% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 61% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Zac & George
Get You Backroads
107 bpm • C# Maj • 03:08 • -5.27db
36% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 58% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Viper Creek Band
Green Light
107 bpm • B min • 03:21 • -4.4db
24% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
24% Popularity • 56% Danceability • 86% Energy • 28% Liveness
5% Instrumentalness • 66% Positiveness
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Brad Cox
The Storm
93 bpm • A# Maj • 05:11 • -6.84db
24% Popularity • 49% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
24% Popularity • 49% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Travis Denning
Heartbeat Of A Small Town
93 bpm • G# Maj • 03:21 • -5.41db
38% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Jayne Denham
Car Trouble
93 bpm • C Maj • 02:56 • -5.13db
24% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Sammy White
Drowning My Sorrows
108 bpm • C Maj • 03:33 • -6.72db
17% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 67% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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James Johnston
A COUNTRY GIRL CAN
93 bpm • C Maj • 03:21 • -4.36db
40% Popularity • 65% Danceability • 88% Energy • 85% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 65% Danceability • 88% Energy • 85% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Forde
Life's Got Something Good for Me
93 bpm • B Maj • 03:49 • -6.54db
15% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 62% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Brad Cox
Now She Ain't
93 bpm • A# min • 02:55 • -4.81db
44% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 64% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Josh Setterfield
Blow Our Cover
93 bpm • G# Maj • 02:48 • -3.69db
31% Popularity • 52% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 52% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Melanie Dyer
Save My Cents
108 bpm • D Maj • 03:18 • -3.5db
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Kip Moore
Neon Blue
108 bpm • F# Maj • 03:54 • -5.07db
39% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Josh Ross
Love Never Looked Like Us
108 bpm • G# min • 03:19 • -5.3db
39% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Tuten Brothers
Heartbroke HWY
108 bpm • C min • 03:17 • -4.2db
28% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Travis Denning
River Named Mississippi
108 bpm • G Maj • 02:45 • -5.32db
36% Popularity • 71% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 71% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Brad Cox
Drinking Pioneer
108 bpm • B min • 04:56 • -6.8db
23% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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James Johnston
SMALL TOWN GIRL
92 bpm • A# Maj • 02:52 • -4.34db
42% Popularity • 65% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 65% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Jon Wayne Hatfield
Good for Nothin'
92 bpm • F Maj • 03:27 • -4db
31% Popularity • 54% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 54% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Casey Barnes
Get To Know Ya
92 bpm • C Maj • 03:25 • -3.51db
31% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Laine Hardy
Here's to Anyone
109 bpm • D Maj • 03:01 • -4.51db
32% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Tom Curtain
In the West
109 bpm • D Maj • 03:24 • -5db
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Brad Cox
Lake House
109 bpm • A# Maj • 03:52 • -9.2db
42% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Morgan Evans
On My Own Again
91 bpm • D# Maj • 02:58 • -8.86db
42% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Sammy White
Diamonds And Dolly
91 bpm • F Maj • 03:02 • -4.35db
20% Popularity • 56% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 56% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Casey Barnes
Ain't Coming Home
110 bpm • C Maj • 03:05 • -4.45db
29% Popularity • 68% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 68% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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The Tuten Brothers
So Long Summer
110 bpm • A Maj • 02:53 • -5.2db
34% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Tom Curtain
Territory Time
91 bpm • G Maj • 03:18 • -4.86db
33% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Marlowe
That Truck
110 bpm • C# Maj • 03:25 • -7.23db
42% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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McAlister Kemp
After the Breakdown
110 bpm • G Maj • 03:24 • -5db
5% Popularity • 58% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 58% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Sammy White
Countryside
91 bpm • D# Maj • 03:30 • -3.75db
24% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 50% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Kaylee Bell
Small Town Friday Nights
110 bpm • E Maj • 03:03 • -4.72db
41% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Melanie Dyer
Cheap Moscato
110 bpm • D Maj • 02:45 • -5.32db
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Tom Curtain
Why We Live Out Here
110 bpm • A Maj • 03:53 • -5db
23% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 66% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Taylor Moss
Both
110 bpm • C Maj • 02:59 • -2.08db
27% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Casey Barnes
Kiss Me Like You Mean It
110 bpm • B Maj • 03:06 • -3.53db
34% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
