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On My Way
Songs like
On My Way
by
Restless Road
Based on a tempo of (+/- 10%) and a similar genre
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Todd Cameron
One of Those Songs
152 bpm • A Maj • 02:50 • -4.88db
42% Popularity • 46% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
55% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Bailey Zimmerman
Fix'n To Break
152 bpm • F Maj • 03:52 • -6.42db
62% Popularity • 46% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
47% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Nate Smith
Under My Skin
152 bpm • G# Maj • 02:58 • -6db
62% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Restless Road
On My Way
152 bpm • D Maj • 02:56 • -5.86db
39% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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David J
STAY
151 bpm • A# Maj • 02:38 • -8db
43% Popularity • 59% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Dylan Scott
I'll Be A Bartender
153 bpm • E Maj • 03:17 • -5.9db
62% Popularity • 58% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Julia Cole
Best Worst Ex
150 bpm • C Maj • 02:44 • -3.79db
58% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Ella Langley
Excuse The Mess
150 bpm • B Maj • 03:25 • -5.31db
46% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Canaan Cox
One Percent
150 bpm • F# Maj • 03:31 • -6db
48% Popularity • 52% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Restless Road
That Town and You
152 bpm • D Maj • 03:04 • -5.97db
32% Popularity • 47% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Austin Snell
Wasting All These Tears
150 bpm • A Maj • 03:15 • -7db
64% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tyler Braden
Leave Me Alone
150 bpm • C min • 03:16 • -7.02db
52% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Kylie Morgan
Good Hands
154 bpm • C# Maj • 03:11 • -6.57db
47% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Corey Kent
This Heart
150 bpm • A# min • 03:06 • -5.12db
67% Popularity • 41% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Bailey Zimmerman
Waiting
150 bpm • F# Maj • 03:37 • -7db
60% Popularity • 51% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
46% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Michael Ray
Spirits and Demons
150 bpm • C Maj • 03:19 • -5.75db
42% Popularity • 50% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Braden
Brother
154 bpm • A Maj • 03:56 • -7.08db
45% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Priscilla Block
Hey, Jack
154 bpm • A# min • 02:47 • -3.54db
55% Popularity • 48% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Troy Cartwright
Boys Like Trucks
154 bpm • C# Maj • 02:10 • -5db
50% Popularity • 52% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Bailey Zimmerman
Change
150 bpm • C Maj • 03:08 • -5db
65% Popularity • 44% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
65% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Restless Road
You Don't Have to Love Me
150 bpm • G# Maj • 03:32 • -5.9db
41% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
53% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
58% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Tuten Brothers
Downer
150 bpm • A Maj • 03:06 • -5.5db
39% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Chase McDaniel
Your Daughter
150 bpm • G Maj • 03:29 • -5db
50% Popularity • 52% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Cooper Alan
Stand Down
150 bpm • D Maj • 03:25 • -10.89db
47% Popularity • 51% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Restless Road
Easy for You to Say
150 bpm • D Maj • 03:19 • -4.46db
36% Popularity • 38% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Shaylen
Do It Right The First Time
155 bpm • D# Maj • 03:05 • -5.36db
45% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Priscilla Block
Wish You Were The Whiskey
156 bpm • C# min • 03:08 • -2.92db
47% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Erin Kinsey
handful 8.30.21
156 bpm • B min • 02:42 • -4.74db
38% Popularity • 63% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
64% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
42% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Callum Kerr
Tamed By Tennessee
156 bpm • E Maj • 02:45 • -5.71db
55% Popularity • 44% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
55% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Warren Zeiders
Heartbreaker
148 bpm • F Maj • 03:42 • -5.33db
62% Popularity • 49% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Erin Kinsey
Handful - Acoustic
156 bpm • B min • 02:48 • -5.6db
35% Popularity • 65% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Chase Matthew
Where There’s Smoke
156 bpm • D Maj • 02:42 • -4.91db
52% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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CHASE WRIGHT
I Don't Think That I Could Love You
148 bpm • D# min • 03:16 • -3.38db
46% Popularity • 50% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Megan Moroney
Tennessee Orange
156 bpm • A Maj • 03:43 • -6.64db
78% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Troy Cartwright
Unlove You
156 bpm • D Maj • 02:57 • -3.79db
55% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Canaan Cox
As You Leave (undone)
156 bpm • C Maj • 02:07 • -5.54db
58% Popularity • 68% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Jameson Rodgers
Mine for the Summer
156 bpm • E Maj • 03:29 • -4.59db
45% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Corey Kent
Wild as Her
148 bpm • C Maj • 03:21 • -5.93db
74% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Restless Road
Most Nights
148 bpm • F# Maj • 03:18 • -3.53db
40% Popularity • 41% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Charlie Worsham
How I Learned To Pray
148 bpm • E Maj • 04:30 • -9.22db
59% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Morgan Wallen
Man Made A Bar
148 bpm • E Maj • 03:11 • -5.01db
82% Popularity • 50% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Tyler Braden
Neon Grave
148 bpm • C Maj • 03:53 • -4.89db
50% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Warren Zeiders
Up To No Good
156 bpm • G# Maj • 02:13 • -5db
66% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Avery Anna
I Will (When You Do)
156 bpm • C# Maj • 03:27 • -5.31db
71% Popularity • 44% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Restless Road
Tell Me Not To
148 bpm • G# Maj • 02:56 • -3.58db
41% Popularity • 39% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Brian Kelley
How We’re Livin’
148 bpm • C# Maj • 02:43 • -3.91db
46% Popularity • 56% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Tyler Hubbard
Turn
156 bpm • G Maj • 03:25 • -4.95db
62% Popularity • 47% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Parmalee
Gonna Love You
156 bpm • D# Maj • 02:58 • -4.28db
57% Popularity • 42% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Canaan Cox
As You Leave
156 bpm • A min • 02:06 • -4db
56% Popularity • 59% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Alana Springsteen
amen
148 bpm • C# Maj • 03:09 • -6.52db
47% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Young
Right Now
148 bpm • E Maj • 03:04 • -6.24db
57% Popularity • 45% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Roman Alexander
Can I See My Dog?
157 bpm • B Maj • 03:15 • -6db
38% Popularity • 49% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Ross
Red Flags
147 bpm • G# Maj • 02:52 • -3.76db
65% Popularity • 56% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Trey Lewis
Always You
158 bpm • G Maj • 03:08 • -4.03db
34% Popularity • 39% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Alexandra Kay
I Hate Airplanes
146 bpm • A Maj • 03:05 • -5.75db
48% Popularity • 52% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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BRELAND
For What It’s Worth
146 bpm • C# Maj • 02:56 • -5db
51% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Bailey Zimmerman
Get to Gettin’ Gone
146 bpm • F# Maj • 03:02 • -6.78db
67% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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George Birge
Whiskey Go 'Round
146 bpm • C# Maj • 03:11 • -2.73db
41% Popularity • 44% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
64% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
55% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
60% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Warren Zeiders
Weeping Willow
146 bpm • C# Maj • 03:01 • -3.75db
69% Popularity • 46% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Bailey Zimmerman
Chase Her
146 bpm • F Maj • 03:18 • -6.29db
62% Popularity • 51% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kelsey Hart
4x4
146 bpm • C Maj • 03:19 • -5.07db
43% Popularity • 46% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Canaan Cox
Out of Nowhere
146 bpm • C Maj • 03:35 • -4db
49% Popularity • 44% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Cooper Alan
Take Forever (Hally's Song)
146 bpm • B Maj • 03:04 • -5.98db
71% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Riley Green
Mississippi Or Me
146 bpm • F# Maj • 03:31 • -5.23db
63% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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CHASE WRIGHT
Wish You'd Miss Me
146 bpm • E min • 03:22 • -5db
51% Popularity • 42% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Nate Smith
Wreckage
145 bpm • A# Maj • 03:32 • -5db
61% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Priscilla Block
Like A Boy
146 bpm • G# Maj • 03:43 • -5.45db
47% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Todd Cameron
Waiting on You
160 bpm • D Maj • 03:10 • -5db
50% Popularity • 35% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Dylan Marlowe
Dirt Road When I Die
160 bpm • C# Maj • 02:54 • -6.03db
52% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Alana Springsteen
here's to all my exes
160 bpm • E Maj • 02:47 • -3.8db
38% Popularity • 52% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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CHASE WRIGHT
Lying with You
160 bpm • C# Maj • 02:59 • -3db
50% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Nate Smith
Wildfire
160 bpm • F# Maj • 03:10 • -4.99db
57% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Ross
Do What You Love
160 bpm • A Maj • 03:30 • -7db
43% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Trevor Martin
Girl Like You
160 bpm • A# Maj • 02:34 • -6.47db
42% Popularity • 50% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Restless Road
Last Rodeo - Acoustic
160 bpm • B min • 03:10 • -4.68db
32% Popularity • 55% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Drew Green
Lotta Bit of You
160 bpm • G min • 02:42 • -5.71db
66% Popularity • 64% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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CHASE WRIGHT
She Ain't Takin Your Call
160 bpm • A min • 03:13 • -3.4db
45% Popularity • 44% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Kelsey Hart
Give You Mine
144 bpm • B Maj • 03:10 • -6db
46% Popularity • 53% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Tayler Holder
Someone You Knew
144 bpm • G Maj • 03:15 • -4.2db
47% Popularity • 42% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
67% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Restless Road
Last Rodeo
160 bpm • B min • 03:15 • -3.95db
57% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Alexandra Kay
Backroad Therapy
144 bpm • D# Maj • 03:39 • -6.75db
56% Popularity • 57% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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David J
Because of You
144 bpm • B Maj • 03:05 • -6db
47% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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CHASE WRIGHT
Drive
144 bpm • A# min • 03:34 • -5db
48% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Ashley Cooke
dirt on 'em
144 bpm • A Maj • 02:49 • -3.96db
36% Popularity • 55% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Kyle Clark
First Time Feels
144 bpm • F# Maj • 03:37 • -5db
45% Popularity • 58% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
57% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
58% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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On My Way