Songs like On One Knee by Will Ackerman
Based on a tempo of (+/- 10%) and a similar genre
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Will Ackerman
The Golden Hour
98 bpm • D# Maj • 04:58 • -15.21db
22% Popularity • 45% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
22% Popularity • 45% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Michelle Qureshi
Tender Side of the Moon
98 bpm • G Maj • 02:33 • -20.63db
37% Popularity • 68% Danceability • 4% Energy • 12% Liveness
97% Instrumentalness • 15% Positiveness
37% Popularity • 68% Danceability • 4% Energy • 12% Liveness
97% Instrumentalness • 15% Positiveness
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Hilary Stagg
Spirit Dancers
98 bpm • G Maj • 05:50 • -20.77db
26% Popularity • 41% Danceability • 8% Energy • 16% Liveness
86% Instrumentalness • 9% Positiveness
26% Popularity • 41% Danceability • 8% Energy • 16% Liveness
86% Instrumentalness • 9% Positiveness
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Jeff Oster
On One Knee
98 bpm • D Maj • 03:58 • -14.1db
11% Popularity • 29% Danceability • 8% Energy • 8% Liveness
28% Instrumentalness • 10% Positiveness
11% Popularity • 29% Danceability • 8% Energy • 8% Liveness
28% Instrumentalness • 10% Positiveness
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Frank Smith (BMI)
Chasing the Shade
98 bpm • B min • 04:03 • -21.41db
28% Popularity • 26% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
28% Popularity • 26% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Vin Downes
Dark Blue Wind
98 bpm • D min • 03:24 • -25.26db
15% Popularity • 30% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
15% Popularity • 30% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Michael Mucklow
Balm
98 bpm • G Maj • 06:43 • -12.94db
25% Popularity • 42% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
25% Popularity • 42% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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Robert Linton
Stretching Across the Horizon
98 bpm • G Maj • 06:46 • -21.57db
23% Popularity • 37% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
23% Popularity • 37% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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Ralf Illenberger
Fairy Folk
98 bpm • G Maj • 02:05 • -11.89db
15% Popularity • 59% Danceability • 34% Energy • 9% Liveness
94% Instrumentalness • 46% Positiveness
15% Popularity • 59% Danceability • 34% Energy • 9% Liveness
94% Instrumentalness • 46% Positiveness
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Will Ackerman
On One Knee
98 bpm • D Maj • 04:01 • -14.64db
25% Popularity • 32% Danceability • 5% Energy • 7% Liveness
49% Instrumentalness • 16% Positiveness
25% Popularity • 32% Danceability • 5% Energy • 7% Liveness
49% Instrumentalness • 16% Positiveness
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Andrew White
Dingle Bay Dream
99 bpm • F# Maj • 02:42 • -21.76db
36% Popularity • 39% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
36% Popularity • 39% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
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Ira Stein
Jonathan's Lullaby
99 bpm • F Maj • 04:58 • -18.27db
8% Popularity • 25% Danceability • 11% Energy • 9% Liveness
35% Instrumentalness • 15% Positiveness
8% Popularity • 25% Danceability • 11% Energy • 9% Liveness
35% Instrumentalness • 15% Positiveness
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Billy McLaughlin
Coffee Break
99 bpm • E min • 04:58 • -20.42db
25% Popularity • 66% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
25% Popularity • 66% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Roberto Dalla Vecchia
The Water Is Wide
99 bpm • A# Maj • 03:08 • -22.21db
35% Popularity • 48% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 58% Positiveness
35% Popularity • 48% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 58% Positiveness
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Soulfood featuring Billy McLaughlin
Polar
97 bpm • C Maj • 05:00 • -21.49db
12% Popularity • 36% Danceability • 8% Energy • 16% Liveness
89% Instrumentalness • 16% Positiveness
12% Popularity • 36% Danceability • 8% Energy • 16% Liveness
89% Instrumentalness • 16% Positiveness
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Will Ackerman
Region Of Clouds
97 bpm • G Maj • 04:46 • -19.92db
9% Popularity • 34% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
9% Popularity • 34% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
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Scott Cossu
Gwenlaise
97 bpm • C Maj • 04:38 • -28.58db
24% Popularity • 30% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
24% Popularity • 30% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Snuffy
Alone
97 bpm • G Maj • 03:44 • -16.67db
10% Popularity • 43% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 35% Positiveness
10% Popularity • 43% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 35% Positiveness
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Billy McLaughlin
Breaking Of The Shells
99 bpm • F# min • 04:28 • -20.38db
27% Popularity • 44% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
27% Popularity • 44% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
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Michael Hedges
Java Man
97 bpm • C Maj • 03:44 • -16.28db
22% Popularity • 63% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 15% Positiveness
22% Popularity • 63% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 15% Positiveness
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John Danley
Ship's Mast
96 bpm • C# Maj • 03:28 • -16.24db
22% Popularity • 38% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
22% Popularity • 38% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Will Ackerman
Passing Baldo's Tower
99 bpm • D# Maj • 05:38 • -15.69db
21% Popularity • 37% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
21% Popularity • 37% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 16% Positiveness
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Robert Linton
Seasons of Years Past
100 bpm • G Maj • 03:28 • -19.55db
22% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
22% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Ed Gerhard
The Handing Down
96 bpm • G# Maj • 04:43 • -20.15db
15% Popularity • 31% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
15% Popularity • 31% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Michelle Qureshi
Each Good Rain
96 bpm • E Maj • 03:48 • -22db
37% Popularity • 53% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
37% Popularity • 53% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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Soulfood featuring Billy McLaughlin
East to West
100 bpm • C min • 06:11 • -24.24db
11% Popularity • 30% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
11% Popularity • 30% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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ØYSTEIN SEVÅG
Children's Song
100 bpm • G Maj • 03:50 • -20.66db
33% Popularity • 45% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
33% Popularity • 45% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 9% Positiveness
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Will Ackerman
While There's Time
97 bpm • G# Maj • 04:09 • -16.38db
21% Popularity • 42% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
21% Popularity • 42% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Jim "Kimo" West
Mauna Kea Meditation
100 bpm • C# Maj • 05:01 • -12.87db
14% Popularity • 53% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
14% Popularity • 53% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Patryk Filipowicz
O Pani, ufność nasza
100 bpm • D Maj • 04:24 • -13.52db
8% Popularity • 72% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 14% Positiveness
8% Popularity • 72% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 14% Positiveness
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Dean Boland
Thirsty
96 bpm • D Maj • 03:58 • -22.79db
1% Popularity • 36% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
1% Popularity • 36% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
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Shambhu
Imagine
96 bpm • F Maj • 03:25 • -17.85db
15% Popularity • 32% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 32% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Hilary Stagg
New Terrain
96 bpm • D Maj • 07:27 • -14.73db
23% Popularity • 34% Danceability • 19% Energy • 12% Liveness
68% Instrumentalness • 6% Positiveness
23% Popularity • 34% Danceability • 19% Energy • 12% Liveness
68% Instrumentalness • 6% Positiveness
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Will Ackerman
Imagine (Will's Version)
97 bpm • F Maj • 02:37 • -14.13db
25% Popularity • 34% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
25% Popularity • 34% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Laurence Juber
Love at First Sight
96 bpm • D Maj • 04:42 • -20.18db
22% Popularity • 29% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
22% Popularity • 29% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 50% Positiveness
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Robert Linton
Throughout the Autumn Light
100 bpm • C Maj • 04:58 • -18.72db
18% Popularity • 53% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
18% Popularity • 53% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Vin Downes
Just Before You Leave
100 bpm • C# Maj • 04:55 • -24.26db
24% Popularity • 37% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
24% Popularity • 37% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Fiona Joy Hawkins
Earthbound
100 bpm • D# Maj • 04:06 • -23.71db
16% Popularity • 43% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
16% Popularity • 43% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Isato Nakagawa
Lien-yun st.
101 bpm • F# Maj • 03:38 • -19.09db
35% Popularity • 55% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 32% Positiveness
35% Popularity • 55% Danceability • 20% Energy • 10% Liveness
77% Instrumentalness • 32% Positiveness
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Will Ackerman
Sound Of Wind Driven Rain
97 bpm • D# min • 08:14 • -17.95db
22% Popularity • 30% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
22% Popularity • 30% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Nightnoise
Hugh
95 bpm • D min • 03:42 • -14.74db
27% Popularity • 35% Danceability • 25% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 35% Danceability • 25% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Billy McLaughlin
Soulmates
102 bpm • C Maj • 04:03 • -16.72db
30% Popularity • 37% Danceability • 17% Energy • 10% Liveness
69% Instrumentalness • 24% Positiveness
30% Popularity • 37% Danceability • 17% Energy • 10% Liveness
69% Instrumentalness • 24% Positiveness
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Andrew White
Nicola's Tears
102 bpm • E Maj • 04:01 • -23.32db
25% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
25% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
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David Arkenstone
Carnation Lily Lily Rose
102 bpm • C Maj • 04:48 • -20.05db
30% Popularity • 35% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
30% Popularity • 35% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Tim Story
In This Small Spot
102 bpm • B Maj • 04:09 • -22.27db
23% Popularity • 34% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
23% Popularity • 34% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Will Ackerman
Processional
96 bpm • G# min • 03:59 • -17.79db
6% Popularity • 25% Danceability • 18% Energy • 11% Liveness
29% Instrumentalness • 7% Positiveness
6% Popularity • 25% Danceability • 18% Energy • 11% Liveness
29% Instrumentalness • 7% Positiveness
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El McMeen
Castle Of Dromore
102 bpm • B Maj • 02:21 • -22.67db
29% Popularity • 45% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
29% Popularity • 45% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Billy McLaughlin
The Good Wife
95 bpm • C# Maj • 03:33 • -26.42db
21% Popularity • 45% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 25% Positiveness
21% Popularity • 45% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 25% Positiveness
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Andrew White
Prima Vera
102 bpm • E Maj • 02:00 • -23.5db
20% Popularity • 37% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 40% Positiveness
20% Popularity • 37% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 40% Positiveness
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Lisa Lynne
Lake Of Dreams
94 bpm • C Maj • 04:58 • -12.19db
16% Popularity • 58% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
16% Popularity • 58% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Robert Linton
Gliding the Current
94 bpm • A Maj • 05:33 • -16.67db
11% Popularity • 33% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
11% Popularity • 33% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
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Will Ackerman
For Carmine
101 bpm • D Maj • 04:40 • -18.02db
26% Popularity • 29% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
26% Popularity • 29% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Suzanne Ciani
For Lise
102 bpm • D Maj • 04:03 • -17.28db
19% Popularity • 45% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
19% Popularity • 45% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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Billy McLaughlin
The Happy Archer
94 bpm • D Maj • 03:13 • -20.41db
27% Popularity • 68% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
27% Popularity • 68% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
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John Doan
Gazing On the Face of the Sea
93 bpm • D Maj • 04:02 • -25db
30% Popularity • 36% Danceability • 3% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
30% Popularity • 36% Danceability • 3% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
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Jim "Kimo" West
Peaceful Island
93 bpm • D Maj • 05:31 • -18db
23% Popularity • 68% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
23% Popularity • 68% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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Triona NÃ Dhomhnaill
A Different Shore
93 bpm • D min • 05:39 • -20db
24% Popularity • 38% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
24% Popularity • 38% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Will Ackerman
Hawk Circle
101 bpm • D# min • 05:06 • -14.2db
22% Popularity • 35% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 35% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Andrew White
Home James
104 bpm • D Maj • 04:21 • -24.4db
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Emilio Bonito
Daydreamer
93 bpm • A min • 02:56 • -14.13db
37% Popularity • 36% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
37% Popularity • 36% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
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Robert Linton
Winds Swaying the Trees
104 bpm • G Maj • 04:14 • -22.04db
24% Popularity • 48% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
24% Popularity • 48% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Peter Finger
The Girl at the Harbour
104 bpm • D Maj • 04:11 • -22.14db
30% Popularity • 30% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
30% Popularity • 30% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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![As the Train Leaves (Reprise) [with Will Ackerman] cover art](https://i.scdn.co/image/ab67616d00001e028e3cd34bac4b0adfccff8725)
Lynn Yew Evers
As the Train Leaves (Reprise) [with Will...
92 bpm • A# Maj • 03:41 • -25.03db
1% Popularity • 45% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
1% Popularity • 45% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
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Will Ackerman
Head For The Sky
95 bpm • C Maj • 05:05 • -17.96db
23% Popularity • 48% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
23% Popularity • 48% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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El McMeen
Will Ye Go, Lassie, Go?
104 bpm • F Maj • 01:42 • -21.91db
38% Popularity • 34% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
38% Popularity • 34% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Walter Mazzaccaro
Oceans
104 bpm • E Maj • 02:52 • -16.57db
42% Popularity • 45% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
42% Popularity • 45% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Robert Linton
Glistening After the Mist
104 bpm • F# min • 04:45 • -22.25db
15% Popularity • 40% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
15% Popularity • 40% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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Ken Bonfield
Wiseman's View
104 bpm • D Maj • 02:59 • -19.05db
31% Popularity • 28% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 22% Positiveness
31% Popularity • 28% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 22% Positiveness
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Isato Nakagawa
The Sprinter
104 bpm • A# min • 03:53 • -22.48db
20% Popularity • 48% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
20% Popularity • 48% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Will Ackerman
Ponchatrain
95 bpm • D# Maj • 03:06 • -18.64db
19% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
19% Popularity • 31% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Vin Downes
When the Sea Lets Go
104 bpm • A# min • 04:19 • -21.41db
36% Popularity • 35% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
36% Popularity • 35% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Billy McLaughlin
Helms Place
104 bpm • D Maj • 05:11 • -19.09db
16% Popularity • 23% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
16% Popularity • 23% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Peter Janson
Fushigi
104 bpm • F# Maj • 04:59 • -19.59db
18% Popularity • 43% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
18% Popularity • 43% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Roberto Dalla Vecchia
Grateful
105 bpm • A# Maj • 04:13 • -15.25db
26% Popularity • 34% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
26% Popularity • 34% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Shadowfax
The Dreams Of Children
105 bpm • C Maj • 04:54 • -20.21db
19% Popularity • 38% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
19% Popularity • 38% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
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Will Ackerman
Did I Dream This
95 bpm • G# min • 05:02 • -19.75db
28% Popularity • 27% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
28% Popularity • 27% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Andrew White
Primavera
105 bpm • E Maj • 04:06 • -23.54db
23% Popularity • 33% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
23% Popularity • 33% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 33% Positiveness
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Flow
For Rosita & Giovanni
105 bpm • A# Maj • 04:18 • -16.68db
9% Popularity • 35% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
9% Popularity • 35% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Al Petteway
Amy's Tears
105 bpm • A# min • 03:46 • -19.96db
25% Popularity • 51% Danceability • 10% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
25% Popularity • 51% Danceability • 10% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Scott Cossu
Angel Steps
92 bpm • D# Maj • 02:52 • -13.69db
11% Popularity • 39% Danceability • 25% Energy • 9% Liveness
84% Instrumentalness • 31% Positiveness
11% Popularity • 39% Danceability • 25% Energy • 9% Liveness
84% Instrumentalness • 31% Positiveness
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Isato Nakagawa
Clocker Land
105 bpm • G Maj • 02:43 • -18db
34% Popularity • 48% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
34% Popularity • 48% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
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Will Ackerman
Visiting
103 bpm • B Maj • 05:46 • -18.25db
27% Popularity • 34% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
27% Popularity • 34% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Kathryn Kaye
Summer Afternoon
91 bpm • G min • 03:10 • -19db
19% Popularity • 39% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
19% Popularity • 39% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Peter Sterling
Lazy day
106 bpm • A# Maj • 04:03 • -15.33db
33% Popularity • 34% Danceability • 25% Energy • 12% Liveness
63% Instrumentalness • 21% Positiveness
33% Popularity • 34% Danceability • 25% Energy • 12% Liveness
63% Instrumentalness • 21% Positiveness
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Fiona Joy Hawkins
Love Forever (Remastered)
91 bpm • D Maj • 04:26 • -15.85db
29% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
29% Popularity • 26% Danceability • 11% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
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Bernward Koch
The Blue Light
91 bpm • F# Maj • 05:05 • -17.15db
34% Popularity • 19% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 19% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriel Lee
Summer Morning
90 bpm • G# Maj • 01:48 • -24db
33% Popularity • 27% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
33% Popularity • 27% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
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Will Ackerman
In a Region of Clouds
93 bpm • G# Maj • 04:22 • -19.65db
30% Popularity • 25% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Soulfood featuring Billy McLaughlin
The Pond (Pt. II)
106 bpm • A min • 06:11 • -17.06db
13% Popularity • 43% Danceability • 12% Energy • 12% Liveness
78% Instrumentalness • 11% Positiveness
13% Popularity • 43% Danceability • 12% Energy • 12% Liveness
78% Instrumentalness • 11% Positiveness
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Frank Smith
Porch With a View
106 bpm • G Maj • 03:04 • -22.5db
14% Popularity • 21% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
14% Popularity • 21% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Lawrence Blatt
Walking Among Tulips
107 bpm • G Maj • 03:11 • -14.12db
19% Popularity • 36% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
19% Popularity • 36% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Roberto Dalla Vecchia
Why Worry
90 bpm • D Maj • 02:52 • -18.33db
39% Popularity • 52% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
39% Popularity • 52% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Billy McLaughlin
The Pond
107 bpm • A min • 05:03 • -24.8db
11% Popularity • 49% Danceability • 3% Energy • 12% Liveness
50% Instrumentalness • 11% Positiveness
11% Popularity • 49% Danceability • 3% Energy • 12% Liveness
50% Instrumentalness • 11% Positiveness
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Will Ackerman
Three Trees
93 bpm • G# Maj • 05:17 • -16.08db
22% Popularity • 40% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
22% Popularity • 40% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Mars Lasar
Great Challenge
107 bpm • G Maj • 02:06 • -19db
51% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
51% Popularity • 27% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Linton
Autumn Moon
107 bpm • E min • 04:26 • -19.39db
8% Popularity • 50% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
8% Popularity • 50% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
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Enrique Mateu
Hawk Circle
107 bpm • A# Maj • 09:19 • -13.63db
0% Popularity • 38% Danceability • 25% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
0% Popularity • 38% Danceability • 25% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Mike Marshall
Dolphins
107 bpm • E Maj • 04:17 • -10.79db
22% Popularity • 38% Danceability • 41% Energy • 23% Liveness
15% Instrumentalness • 31% Positiveness
22% Popularity • 38% Danceability • 41% Energy • 23% Liveness
15% Instrumentalness • 31% Positiveness