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Once And For All
Songs like
Once And For All
by
Alan Menken
Based on a tempo of (+/- 10%) and a similar genre
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Alan Menken
Once And For All
168 bpm • E min • 04:01 • -10.35db
48% Popularity • 48% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Joel Hatch
Finale
168 bpm • E min • 03:29 • -5db
43% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Ben Fankhauser
Gone
168 bpm • D# Maj • 03:26 • -11db
22% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Gad
Baptize Me
168 bpm • C Maj • 04:15 • -10.37db
43% Popularity • 49% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Tomorrow Is
168 bpm • D Maj • 03:30 • -6.09db
34% Popularity • 22% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Jeff McCarthy
Urinetown
167 bpm • A# min • 01:40 • -9.21db
32% Popularity • 50% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Ryan Breslin
King Of New York (Full Song With Dance B...
168 bpm • C Maj • 04:55 • -8.29db
37% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Joel Hatch
Welcome To The Rock
168 bpm • G Maj • 03:41 • -5db
51% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The 25th Annual Putnam County Spelling B...
170 bpm • C Maj • 04:44 • -9db
34% Popularity • 52% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Andrew Rannells
I Believe
167 bpm • C# Maj • 04:42 • -9db
51% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Grey Henson
Stop
170 bpm • F Maj • 04:50 • -6.23db
49% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Jason SweetTooth Williams
The Pants Song
166 bpm • C# Maj • 03:34 • -6.26db
24% Popularity • 51% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Fankhauser
King Of New York
168 bpm • C Maj • 04:09 • -8.16db
51% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Joey Contreras
Love Me, Love Me Not (Acoustic Duet Vers...
170 bpm • D Maj • 03:11 • -9.54db
25% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lynn Ahrens
Biggest Blame Fool - Original Broadway C...
170 bpm • A# Maj • 03:55 • -9.08db
37% Popularity • 53% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Andrew Rannells
Tomorrow Is a Latter Day
170 bpm • G Maj • 06:01 • -10.03db
43% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Caroline O'Connor
Land of Yesterday
170 bpm • E min • 03:35 • -8.09db
42% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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James Marsden
The Nicest Kids In Town
170 bpm • C# min • 02:42 • -5.6db
52% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Ben Fankhauser
Spirits (Think Gently)
170 bpm • B min • 03:11 • -9.94db
6% Popularity • 42% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Zachary Levi
Tonight at Eight
171 bpm • F# min • 01:45 • -8.94db
32% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare - Reprise
171 bpm • F Maj • 01:30 • -13.61db
36% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Brett Sullivan
Lost for Words
165 bpm • E Maj • 02:57 • -9.34db
1% Popularity • 31% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Whitty
The Pants Song
172 bpm • C# Maj • 03:16 • -6db
29% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Kara Lindsay
Watch What Happens
172 bpm • A Maj • 03:06 • -11.3db
52% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Steven Booth
Hey, Good-Lookin'
172 bpm • C Maj • 03:12 • -5db
30% Popularity • 56% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Bring It On: The Musical - Original Broadway Cast
I Got You
174 bpm • F Maj • 02:56 • -4db
42% Popularity • 44% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The I Love You Song
162 bpm • D Maj • 05:56 • -8.31db
42% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Brett Sullivan
Dont Get Beat
172 bpm • C Maj • 03:05 • -9.39db
0% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Merle Dandridge
Forever Yours (Reprise)
162 bpm • A min • 02:42 • -12db
24% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jeremy Jordan
If I Didn't Believe in You
175 bpm • G min • 05:12 • -10.29db
38% Popularity • 43% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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David Shiner
Havin' A Hunch - Original Broadway Cast ...
162 bpm • C# Maj • 03:21 • -9.85db
30% Popularity • 57% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jessie Mueller
Opening Up
161 bpm • D Maj • 02:34 • -5.24db
53% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I Speak Six Languages
176 bpm • G Maj • 02:29 • -7.1db
38% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Sutton Foster
Gimme Gimme
176 bpm • B Maj • 03:34 • -10.7db
40% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Annaleigh Ashford
Omigod You Guys
160 bpm • G Maj • 05:46 • -9.74db
54% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Ethan Slater
BFF
178 bpm • G Maj • 02:41 • -7.49db
39% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Grey Henson
Meet The Plastics
160 bpm • B Maj • 04:17 • -4.51db
62% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Kendrick
On the Steps of the Palace
178 bpm • D# Maj • 03:14 • -13.95db
43% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Cheryl Freeman
The Gospel Truth I / Main Titles - Hercu...
158 bpm • B Maj • 02:25 • -10.53db
61% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Benjamin Schrader
Spooky Mormon Hell Dream
158 bpm • D# Maj • 04:30 • -8db
45% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Soundtrack/Cast Album
Prologue / Little Shop Of Horrors
158 bpm • G Maj • 03:22 • -10.17db
41% Popularity • 68% Danceability • 55% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
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Lee MacDougall
Stop The World
179 bpm • E Maj • 02:20 • -8.12db
41% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Katie Thompson
I Know My Girl
156 bpm • F Maj • 04:13 • -7.95db
18% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Brian Gonzales
Prince Ali
182 bpm • C# Maj • 05:55 • -6.17db
41% Popularity • 42% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Alex Brightman
The Whole "Being Dead" Thing
156 bpm • F min • 03:43 • -5.78db
61% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
49% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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The Original Broadway Cast Of School Of Rock
When I Climb to the Top of Mount Rock
154 bpm • D Maj • 03:27 • -3.24db
41% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Reeve Carney
Come Home with Me
184 bpm • A Maj • 01:47 • -10.74db
54% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Matthew James Thomas
Corner of the Sky
184 bpm • F Maj • 02:56 • -8.16db
47% Popularity • 23% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Andrew Rannells
You Gotta Die Sometime
182 bpm • E min • 03:03 • -8.86db
45% Popularity • 46% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Barrett Wilbert Weed
Seventeen (Reprise)
153 bpm • G# Maj • 02:44 • -8.09db
53% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Jason Gotay
Go
153 bpm • D Maj • 06:19 • -6.58db
26% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Sutton Foster
Not for the Life of Me
184 bpm • D# Maj • 02:10 • -12db
34% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Independence!
153 bpm • C Maj • 04:57 • -6.87db
33% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
28% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Company of The Prom: A New Musical
It's Time to Dance
153 bpm • C# Maj • 05:33 • -4.87db
37% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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'Come From Away' Company
On The Edge
186 bpm • D Maj • 03:21 • -8.66db
40% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Emma Hunton
Busted
186 bpm • E Maj • 04:32 • -6.53db
29% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jeremy Jordan
Finale
151 bpm • C Maj • 02:34 • -10.36db
41% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
32% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Opening / You're a Good Man, Charlie Bro...
152 bpm • D Maj • 05:01 • -10.13db
31% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
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Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
35% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Stephen Flaherty
It's Possible (McElligot's Pool) - Origi...
150 bpm • D Maj • 02:37 • -10.73db
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Brett Sullivan
Fishing for Bingos
189 bpm • D Maj • 03:08 • -12.6db
1% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jeremy Jordan
Carrying The Banner
149 bpm • D Maj • 05:08 • -8.71db
51% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
26% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Breaker
Who I'd Be
190 bpm • C# Maj • 04:00 • -7.22db
50% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Bob Martin
Bride's Lament
149 bpm • F Maj • 05:12 • -7.35db
28% Popularity • 50% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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James Monroe Iglehart
Somebody's Got Your Back
148 bpm • C Maj • 03:24 • -7.21db
31% Popularity • 59% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Alex Brightman
Watch Your Step
148 bpm • F min • 02:31 • -12.19db
33% Popularity • 70% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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John Bolton
Meant to Be
148 bpm • F Maj • 01:40 • -10.5db
38% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Mary Kate Wiles
Spies Are Forever
148 bpm • B min • 03:20 • -10.75db
37% Popularity • 61% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Erika Henningsen
Fearless
147 bpm • G Maj • 04:11 • -5.17db
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Lewis Cleale
Making Things up Again
147 bpm • G# Maj • 04:16 • -11.25db
43% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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The Guy Who Didn't Like Musicals Cast
What Do You Want, Paul?
146 bpm • C# Maj • 03:11 • -9.35db
38% Popularity • 63% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Chorus - Beauty And the Beast
The Mob Song
147 bpm • F Maj • 03:30 • -13.77db
36% Popularity • 48% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Will Connolly
More Than Survive
146 bpm • C Maj • 08:00 • -7.61db
41% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
50% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Brian D'Arcy James
Bottom's Gonna Be on Top
194 bpm • C Maj • 05:30 • -8.63db
40% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
30% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
29% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Lynn Ahrens
Oh, The Thinks You Can Think - Original ...
145 bpm • C Maj • 03:51 • -9.81db
39% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Ben Platt
Waving Through A Window
145 bpm • A Maj • 03:56 • -5.54db
60% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Brian D'Arcy James
Something Rotten! / Make an Omelette
194 bpm • D Maj • 05:54 • -7.18db
36% Popularity • 51% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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The Original Broadway Cast Of School Of Rock
You're in the Band
145 bpm • G Maj • 04:54 • -3.69db
37% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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SIX
The MegaSIX
144 bpm • G# Maj • 02:48 • -6db
53% Popularity • 53% Danceability • 94% Energy • 86% Liveness
0% Instrumentalness • 31% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
31% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Stanley Wayne Mathis
Beethoven Day
144 bpm • C Maj • 03:07 • -12db
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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'Falsettos' 2016 Broadway Company
A Day in Falsettoland
143 bpm • F# Maj • 07:39 • -7.97db
41% Popularity • 58% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Brian Gonzales
High Adventure
143 bpm • C Maj • 05:31 • -7db
37% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Sophia Gennusa
Naughty
143 bpm • F Maj • 03:14 • -10db
41% Popularity • 75% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Once And For All