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Once There Were Dragons
Songs like
Once There Were Dragons
by
John Powell
Based on a tempo of (+/- 10%) and a similar genre
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Sonya Belousova
Everytime You Leave
144 bpm • B min • 02:07 • -15db
51% Popularity • 33% Danceability • 31% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Ramin Djawadi
Mhysa
144 bpm • D min • 03:54 • -14.34db
54% Popularity • 22% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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John Powell
Once There Were Dragons
144 bpm • A min • 05:45 • -17.55db
47% Popularity • 16% Danceability • 29% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
45% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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Joseph Trapanese
Royal Archives Heist
145 bpm • G Maj • 04:09 • -23.34db
29% Popularity • 52% Danceability • 17% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
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Alan Menken
Waiting for the Lights
143 bpm • E Maj • 02:47 • -16.32db
49% Popularity • 18% Danceability • 12% Energy • 49% Liveness
82% Instrumentalness • 5% Positiveness
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John Paesano
The Maze Runner
145 bpm • D min • 02:49 • -14.33db
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Murray Gold
The Majestic Tale (Of A Madman In A Box)
145 bpm • D min • 04:01 • -11db
40% Popularity • 48% Danceability • 55% Energy • 30% Liveness
97% Instrumentalness • 35% Positiveness
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John Powell
Together We Map the World
144 bpm • G Maj • 02:18 • -26.53db
38% Popularity • 17% Danceability • 7% Energy • 22% Liveness
88% Instrumentalness • 10% Positiveness
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Christophe Beck
Theme from Ant-Man
145 bpm • F min • 02:46 • -8.96db
40% Popularity • 60% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 26% Positiveness
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Tyler Bates
Guardians of the Frickin' Galaxy
146 bpm • C Maj • 00:59 • -10db
38% Popularity • 13% Danceability • 76% Energy • 39% Liveness
97% Instrumentalness • 4% Positiveness
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Neal Acree
Opening Titles
146 bpm • D min • 01:05 • -10db
36% Popularity • 36% Danceability • 75% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Patrick Doyle
Merida's Home
142 bpm • D Maj • 01:32 • -10.11db
49% Popularity • 18% Danceability • 50% Energy • 8% Liveness
99% Instrumentalness • 21% Positiveness
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Frederik Wiedmann
Heartbloom
142 bpm • F Maj • 01:17 • -19.46db
19% Popularity • 16% Danceability • 15% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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Michael Giacchino
Your Father Would Be Proud
140 bpm • G Maj • 04:51 • -15.56db
43% Popularity • 14% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Bear McCreary
Fallen Through Time
140 bpm • A min • 05:38 • -16db
47% Popularity • 19% Danceability • 32% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Professor Umbridge
140 bpm • E min • 02:32 • -17.34db
47% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
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Cullen Vance
Where No One Goes - Epic Instrumental Ve...
140 bpm • E Maj • 02:37 • -12.34db
35% Popularity • 44% Danceability • 76% Energy • 9% Liveness
34% Instrumentalness • 38% Positiveness
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Johan Söderqvist
Battlefield One
140 bpm • A# min • 03:20 • -14db
42% Popularity • 45% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Frederik Wiedmann
Silvergrove
140 bpm • C min • 01:53 • -17db
27% Popularity • 26% Danceability • 21% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Carlos Rafael Rivera
Beth's Story
139 bpm • C min • 02:07 • -27db
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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Bear McCreary
Dance of the Druids
140 bpm • A min • 04:38 • -14.18db
55% Popularity • 18% Danceability • 34% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Rob Lane
Merlin Lost
139 bpm • D# min • 01:40 • -27db
40% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Toby Chu
Bao
139 bpm • C min • 06:33 • -13db
32% Popularity • 26% Danceability • 26% Energy • 25% Liveness
33% Instrumentalness • 8% Positiveness
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Nicholas Britell
Andor (Main Title Theme) - Episode 1
150 bpm • A Maj • 01:17 • -14.79db
41% Popularity • 19% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Frederik Wiedmann
My Love, My Hope
149 bpm • G Maj • 02:24 • -18.57db
17% Popularity • 14% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Optimus
150 bpm • G min • 03:15 • -17db
48% Popularity • 15% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Jonas B. Ingebretsen
The Start of a Journey (Prologue)
150 bpm • E Maj • 01:21 • -12.77db
36% Popularity • 32% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
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Murray Gold
Vale Decem
138 bpm • F# Maj • 03:19 • -12.07db
40% Popularity • 18% Danceability • 40% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Christian Henson
Opening Titles
137 bpm • G# Maj • 02:30 • -18.55db
34% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Pinar Toprak
Notification
136 bpm • D min • 01:32 • -19.79db
48% Popularity • 15% Danceability • 14% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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Steve Jablonsky
The Battle Room
138 bpm • G min • 03:03 • -17db
42% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Giacchino
Bundle of Joy
137 bpm • A min • 02:48 • -20.32db
63% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
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John Powell
Armada Battle
136 bpm • E min • 08:40 • -14.11db
32% Popularity • 21% Danceability • 51% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
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The Chamber Orchestra Of London
Fashion
136 bpm • D Maj • 01:20 • -13.65db
42% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Brian Tyler
Thor, Son of Odin
136 bpm • D Maj • 01:52 • -11.39db
35% Popularity • 23% Danceability • 54% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Elitsa Alexandrova
Assassin's Creed Rogue Main Theme
136 bpm • D min • 02:08 • -15.11db
46% Popularity • 29% Danceability • 37% Energy • 12% Liveness
97% Instrumentalness • 25% Positiveness
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Steve Jablonsky
The All Spark
150 bpm • D min • 03:34 • -17db
49% Popularity • 35% Danceability • 31% Energy • 10% Liveness
61% Instrumentalness • 30% Positiveness
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Ramin Djawadi
A Song of Ice and Fire
154 bpm • G# Maj • 02:11 • -11.74db
55% Popularity • 36% Danceability • 66% Energy • 9% Liveness
97% Instrumentalness • 57% Positiveness
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John Powell
Losing Mom / Meet the Good Alpha
153 bpm • D# Maj • 03:23 • -18.61db
32% Popularity • 11% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Alan Menken
Kingdom Dance
156 bpm • E Maj • 02:20 • -9.82db
62% Popularity • 24% Danceability • 61% Energy • 13% Liveness
40% Instrumentalness • 47% Positiveness
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Brian Tyler
Iron Man 3
134 bpm • D Maj • 02:23 • -11.52db
52% Popularity • 38% Danceability • 58% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Epic Score
This Is Our Land
133 bpm • C Maj • 03:54 • -12.78db
38% Popularity • 23% Danceability • 46% Energy • 34% Liveness
92% Instrumentalness • 8% Positiveness
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Steve Jablonsky
Bumblebee
152 bpm • D min • 03:56 • -19db
46% Popularity • 33% Danceability • 22% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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John Powell
Battle of the Bewilderbeast
134 bpm • F Maj • 06:25 • -11.2db
33% Popularity • 21% Danceability • 57% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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Grant Newman
Adventures of the Young Hero
156 bpm • C min • 02:59 • -14.11db
36% Popularity • 11% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Room of Requirements
156 bpm • C Maj • 06:07 • -20.92db
42% Popularity • 35% Danceability • 13% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Sound Adventures
Family Moments
158 bpm • G# Maj • 02:57 • -13.38db
38% Popularity • 18% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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John Powell
Hiccup the Chief / Drago's Coming
134 bpm • C# min • 04:44 • -14.25db
33% Popularity • 20% Danceability • 36% Energy • 4% Liveness
85% Instrumentalness • 6% Positiveness
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Sarah Schachner
Assassin's Creed Origins Main Theme
131 bpm • G# Maj • 03:15 • -12.38db
45% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Jerry Goldsmith
Haircut
158 bpm • C min • 01:18 • -8.8db
49% Popularity • 43% Danceability • 90% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
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David Buckley
The Kingdom of Dreams (Main Title Theme)
131 bpm • G# Maj • 02:14 • -16.24db
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Steven Price
The Oceans Belong To Us All
159 bpm • F# Maj • 06:19 • -14db
25% Popularity • 18% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Natalie Holt
Classic Builds
130 bpm • A Maj • 02:41 • -10.88db
34% Popularity • 43% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 31% Positiveness
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John Powell
Dragon Training
132 bpm • A min • 03:11 • -10.82db
45% Popularity • 31% Danceability • 57% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Eternal Eclipse
Dawn of Faith
130 bpm • C min • 03:13 • -9.42db
51% Popularity • 24% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Ramin Djawadi
Reign of the Targaryens
130 bpm • G# Maj • 01:31 • -11.67db
48% Popularity • 28% Danceability • 45% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Audiomachine
Above and Beyond
130 bpm • C Maj • 02:51 • -12.6db
43% Popularity • 44% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Brian Tyler
The High Seas
130 bpm • C Maj • 02:44 • -11.18db
41% Popularity • 44% Danceability • 54% Energy • 24% Liveness
97% Instrumentalness • 12% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
48% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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John Powell
Dragon Battle
131 bpm • D Maj • 01:55 • -7.69db
46% Popularity • 29% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Bear McCreary
Khazad-dûm
130 bpm • D min • 03:20 • -13db
43% Popularity • 44% Danceability • 29% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Ramin Djawadi
Blood of My Blood
130 bpm • A# min • 03:35 • -12.69db
48% Popularity • 44% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Blake Neely
The Fastest Man Alive (Always Late)
129 bpm • A Maj • 03:05 • -17.13db
39% Popularity • 27% Danceability • 30% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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David Arnold
Who You Really Are
129 bpm • A min • 02:35 • -15.59db
17% Popularity • 22% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Dan Romer
How to Find the Good Ones
161 bpm • G# Maj • 05:14 • -16db
37% Popularity • 28% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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John Powell
Into The Sunset
130 bpm • A# Maj • 03:00 • -18db
32% Popularity • 27% Danceability • 19% Energy • 52% Liveness
89% Instrumentalness • 14% Positiveness
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Trevor Morris
Dragon Age Inquisition Theme
128 bpm • D Maj • 02:52 • -12.67db
51% Popularity • 42% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
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Ramin Djawadi
Dragonstone
128 bpm • F min • 05:06 • -14.14db
47% Popularity • 17% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Brian Tyler
Assassin's Creed IV Black Flag Main Them...
128 bpm • G Maj • 02:13 • -12.21db
56% Popularity • 32% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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Michael Giacchino
Go for Baroque
127 bpm • G min • 02:55 • -20.2db
32% Popularity • 58% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 29% Positiveness
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Dan Romer
Take Me, Gravity
128 bpm • A# Maj • 01:44 • -12.35db
36% Popularity • 36% Danceability • 37% Energy • 16% Liveness
90% Instrumentalness • 23% Positiveness
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John Powell
Battling The Green Death
128 bpm • D Maj • 06:18 • -6.25db
42% Popularity • 23% Danceability • 80% Energy • 7% Liveness
72% Instrumentalness • 17% Positiveness
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Jerry Goldsmith
Blossoms
127 bpm • A min • 06:27 • -21.94db
36% Popularity • 21% Danceability • 7% Energy • 4% Liveness
40% Instrumentalness • 4% Positiveness
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Ramin Djawadi
King Of The North
128 bpm • C min • 01:28 • -17.51db
50% Popularity • 17% Danceability • 10% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Simon Franglen
Payakan
127 bpm • D Maj • 03:30 • -18.33db
36% Popularity • 17% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Reforestation (Episode 5 - Humans)
126 bpm • A min • 01:40 • -17.72db
44% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
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Daniel Pemberton
London Arrival
126 bpm • A Maj • 02:30 • -10.78db
21% Popularity • 72% Danceability • 62% Energy • 13% Liveness
86% Instrumentalness • 80% Positiveness
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John Powell
Forbidden Friendship
129 bpm • F# Maj • 04:11 • -15.14db
55% Popularity • 28% Danceability • 30% Energy • 55% Liveness
94% Instrumentalness • 38% Positiveness
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Natalie Holt
Loki Green Theme
126 bpm • F Maj • 02:24 • -12.58db
51% Popularity • 46% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Ramin Djawadi
Goodbye Brother
127 bpm • D# Maj • 03:07 • -28.04db
54% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Patrik Pietschmann
The Chronicles of Narnia Main Theme - Pi...
125 bpm • A# Maj • 03:29 • -19.53db
35% Popularity • 56% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Ludwig Göransson
The Mandalorian
166 bpm • F min • 03:18 • -13.34db
60% Popularity • 42% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 23% Positiveness
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Greg Edmonson
Nate's Theme 2.0
125 bpm • G Maj • 01:45 • -15db
41% Popularity • 29% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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John Powell
The Downed Dragon
166 bpm • G Maj • 04:16 • -16.88db
46% Popularity • 9% Danceability • 14% Energy • 28% Liveness
65% Instrumentalness • 6% Positiveness
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Natalie Holt
Frigga
126 bpm • C min • 02:21 • -19.96db
35% Popularity • 17% Danceability • 28% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Michael Giacchino
Far From Home Suite Home
125 bpm • A min • 08:27 • -10.18db
40% Popularity • 26% Danceability • 55% Energy • 38% Liveness
82% Instrumentalness • 6% Positiveness
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David Newman
Love
168 bpm • C# Maj • 01:06 • -20.31db
33% Popularity • 9% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Rob Lane
The Bond of Sacrifice
168 bpm • F min • 02:17 • -20.63db
44% Popularity • 9% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
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Greg Edmonson
Nate's Theme 3.0
125 bpm • E min • 01:47 • -12db
44% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
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John Powell
Dragon Racing
125 bpm • G# Maj • 04:34 • -10.31db
44% Popularity • 28% Danceability • 59% Energy • 6% Liveness
87% Instrumentalness • 22% Positiveness
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Trevor Morris
Trespasser - Lost Elf Theme
168 bpm • G# min • 03:58 • -18.37db
42% Popularity • 9% Danceability • 22% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Clinton Shorter
The Expanse Theme
123 bpm • C Maj • 01:04 • -13.27db
47% Popularity • 21% Danceability • 40% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
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Geoff Zanelli
The Brightest Star in the North
123 bpm • D min • 05:59 • -13.94db
31% Popularity • 17% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Once There Were Dragons