Songs like Once We Were by Raney Shockne
Based on a tempo of (+/- 10%) and a similar genre
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Scott Murphy
宇宙海賊のラブソング
95 bpm • C Maj • 03:51 • -4.64db
0% Popularity • 47% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 47% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Silent Work
Strange Fruit
95 bpm • C min • 04:35 • -10.01db
0% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Elizaveta
Space Pirate's Love Song
95 bpm • C Maj • 03:48 • -7.53db
5% Popularity • 46% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
5% Popularity • 46% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Damh The Bard
Ceridwen and Taliesin
95 bpm • C Maj • 07:40 • -11.37db
22% Popularity • 35% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 35% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Will Savino
Caro's Song
95 bpm • A min • 01:58 • -11.99db
28% Popularity • 58% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 58% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Faun
Adam Lay Ybounden
95 bpm • A min • 04:36 • -8.56db
24% Popularity • 44% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 44% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Kariina
The Hero Within (Song)
95 bpm • B min • 02:56 • -12.3db
16% Popularity • 41% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 41% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Storm Weather Shanty Choir
Oleanna
95 bpm • C min • 04:00 • -13db
26% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Raney Shockne
Once We Were
95 bpm • A Maj • 02:10 • -4db
33% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Eurielle
Song of Durin
95 bpm • G# Maj • 02:37 • -17.05db
49% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
49% Popularity • 28% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Elizaveta
Red Riding Hood
94 bpm • E min • 02:57 • -3.76db
5% Popularity • 74% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
5% Popularity • 74% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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EA Games Soundtrack
Lelianna's Song
96 bpm • E min • 02:33 • -14.3db
38% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 29% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ged Grimes
Across the Seven Realms
94 bpm • D Maj • 04:22 • -9db
29% Popularity • 60% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 60% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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SYR
Lay of the Ashes
94 bpm • D min • 05:02 • -4.78db
25% Popularity • 36% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 36% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Heather Alexander
March Of Cambreadth
96 bpm • A# min • 04:47 • -12.76db
35% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Hildegard von Blingin'
Jenny of Oldstones
94 bpm • E min • 02:55 • -12.26db
28% Popularity • 35% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 35% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sasha Lazard
Princess Mononoke Theme Song
97 bpm • B min • 01:33 • -15db
32% Popularity • 32% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 32% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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![Lopez vs. Lopez (Main Title Theme) [Extended Version] cover art](https://i.scdn.co/image/ab67616d00001e0245ef28594a46bdb5e84f168a)
Raney Shockne
Lopez vs. Lopez (Main Title Theme) [Exte...
97 bpm • F# Maj • 00:55 • -6.18db
7% Popularity • 74% Danceability • 92% Energy • 25% Liveness
2% Instrumentalness • 92% Positiveness
7% Popularity • 74% Danceability • 92% Energy • 25% Liveness
2% Instrumentalness • 92% Positiveness
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Ged Grimes
Iain Ghlinn Cuaich
96 bpm • G# Maj • 04:02 • -10.12db
9% Popularity • 32% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 32% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Einar Selvik
The Song of Lia Fáil, Sung at Sea
98 bpm • G# min • 02:14 • -13.39db
23% Popularity • 55% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 55% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Ghostfire Gaming
Arora: Age of Desolation
93 bpm • G min • 02:54 • -6db
28% Popularity • 60% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 60% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Nick Stoubis
Fragosyriani
98 bpm • D min • 03:26 • -7.74db
0% Popularity • 80% Danceability • 57% Energy • 6% Liveness
58% Instrumentalness • 69% Positiveness
0% Popularity • 80% Danceability • 57% Energy • 6% Liveness
58% Instrumentalness • 69% Positiveness
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Psy'Aviah
In Uthenera (Leliana's Song)
98 bpm • C min • 02:53 • -7.96db
22% Popularity • 27% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 27% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Raney Shockne
Following the Body
92 bpm • D min • 01:56 • -12.72db
1% Popularity • 19% Danceability • 21% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
1% Popularity • 19% Danceability • 21% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Three Weird Sisters
Least Of My Kind
98 bpm • B min • 04:01 • -13.85db
22% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Longest Johns
Here's a Health to the Company
98 bpm • G# Maj • 04:10 • -9.01db
47% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Hildegard von Blingin'
Creep
92 bpm • C Maj • 03:57 • -12.45db
31% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Nick Stoubis
Hey
98 bpm • D# Maj • 04:10 • -7.16db
0% Popularity • 59% Danceability • 48% Energy • 13% Liveness
77% Instrumentalness • 29% Positiveness
0% Popularity • 59% Danceability • 48% Energy • 13% Liveness
77% Instrumentalness • 29% Positiveness
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Ged Grimes
Cha D' Fhuair Mi'n Cadal
99 bpm • G Maj • 04:10 • -8.65db
10% Popularity • 73% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 73% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Laura Powers
Morrighan's Quest
99 bpm • D Maj • 05:03 • -12.45db
18% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Sean Dagher
William Taylor
91 bpm • C Maj • 02:16 • -4.99db
41% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Ashley Serena
The Fairy King
91 bpm • F Maj • 04:49 • -13.89db
22% Popularity • 15% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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David García Díaz
The Song of the Sea
91 bpm • B min • 02:47 • -14.3db
25% Popularity • 31% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 31% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Blackmore's Night
The Circle
91 bpm • G Maj • 04:48 • -6.72db
12% Popularity • 46% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 46% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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David Arkenstone
Lion's Pride
91 bpm • C# min • 02:21 • -11.17db
42% Popularity • 72% Danceability • 46% Energy • 26% Liveness
3% Instrumentalness • 87% Positiveness
42% Popularity • 72% Danceability • 46% Energy • 26% Liveness
3% Instrumentalness • 87% Positiveness
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Elizaveta
Messenger
90 bpm • G Maj • 03:39 • -5.87db
5% Popularity • 40% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 40% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Inon Zur
Sorrow
100 bpm • G min • 01:29 • -7.91db
14% Popularity • 39% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
14% Popularity • 39% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Ashley Serena
Master Mirror
100 bpm • G min • 02:39 • -12.06db
27% Popularity • 39% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 6% Positiveness
27% Popularity • 39% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 6% Positiveness
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Heather Alexander
The Hunt Is On
100 bpm • A Maj • 03:39 • -10.55db
12% Popularity • 55% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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S. J. Tucker
Rabbit's Song
100 bpm • D# min • 03:01 • -13.93db
25% Popularity • 87% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 87% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Joel Bezerra
The Ginger Dancer
100 bpm • D# Maj • 02:15 • -11.77db
17% Popularity • 43% Danceability • 52% Energy • 8% Liveness
18% Instrumentalness • 77% Positiveness
17% Popularity • 43% Danceability • 52% Energy • 8% Liveness
18% Instrumentalness • 77% Positiveness
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Alec Brian Puro
Unequivocally
100 bpm • E Maj • 01:14 • -10.19db
0% Popularity • 70% Danceability • 55% Energy • 8% Liveness
68% Instrumentalness • 37% Positiveness
0% Popularity • 70% Danceability • 55% Energy • 8% Liveness
68% Instrumentalness • 37% Positiveness
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Raney Shockne
Running With Moonboots
100 bpm • F# Maj • 02:16 • -13.08db
1% Popularity • 55% Danceability • 84% Energy • 9% Liveness
77% Instrumentalness • 41% Positiveness
1% Popularity • 55% Danceability • 84% Energy • 9% Liveness
77% Instrumentalness • 41% Positiveness
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Ashley Serena
Baby's Boat
100 bpm • F Maj • 02:41 • -14.09db
30% Popularity • 54% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 54% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Leah
Elixir of Life
100 bpm • D min • 04:06 • -9.03db
27% Popularity • 62% Danceability • 50% Energy • 30% Liveness
3% Instrumentalness • 48% Positiveness
27% Popularity • 62% Danceability • 50% Energy • 30% Liveness
3% Instrumentalness • 48% Positiveness
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Olivia Orr
Mage Pride
100 bpm • C Maj • 04:03 • -11db
23% Popularity • 20% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 20% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Joel Bezerra
A Warm Inn
100 bpm • B min • 02:25 • -10.3db
20% Popularity • 47% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 33% Positiveness
20% Popularity • 47% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 33% Positiveness
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Alec Brian Puro
Under The Mattress
100 bpm • D Maj • 01:05 • -16.16db
1% Popularity • 75% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
1% Popularity • 75% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
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Inon Zur
Fenris Theme
100 bpm • G min • 02:31 • -16.04db
33% Popularity • 42% Danceability • 28% Energy • 33% Liveness
94% Instrumentalness • 15% Positiveness
33% Popularity • 42% Danceability • 28% Energy • 33% Liveness
94% Instrumentalness • 15% Positiveness
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Percival Schuttenbach
The Nightingale
90 bpm • A min • 01:39 • -10.77db
49% Popularity • 80% Danceability • 75% Energy • 20% Liveness
98% Instrumentalness • 72% Positiveness
49% Popularity • 80% Danceability • 75% Energy • 20% Liveness
98% Instrumentalness • 72% Positiveness
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![Hero (Acoustic) [Live] cover art](https://i.scdn.co/image/ab67616d00001e020ade6bfcb126d1eefba4332d)
Elizaveta
Hero (Acoustic) [Live]
100 bpm • B Maj • 05:24 • -16.68db
12% Popularity • 35% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 35% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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C21fx
Blood Red Roses
90 bpm • C min • 03:28 • -13.78db
37% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Peter Crowley
The Forest of Wonders
90 bpm • A min • 05:08 • -9.13db
13% Popularity • 16% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 16% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Alec Brian Puro
Two Recommendation
90 bpm • G# Maj • 01:12 • -13.58db
0% Popularity • 70% Danceability • 34% Energy • 14% Liveness
88% Instrumentalness • 70% Positiveness
0% Popularity • 70% Danceability • 34% Energy • 14% Liveness
88% Instrumentalness • 70% Positiveness
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Ken Theriot
Fifty Miles Into The Main
90 bpm • E min • 04:19 • -9.22db
12% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Hildegard von Blingin'
Hurt
90 bpm • D min • 03:53 • -12.61db
34% Popularity • 42% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 42% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Joseph Trapanese
Whoreson Prison Blues
90 bpm • C min • 02:07 • -15.39db
49% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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The Tolkien Ensemble
The Old Walking Song (I)
90 bpm • C# min • 04:21 • -13.17db
12% Popularity • 40% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Blackmore's Night
Catherine Howard's Fate
101 bpm • C min • 02:34 • -12.55db
4% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
4% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Alec Brian Puro
Bad Feeling Days
101 bpm • G Maj • 01:22 • -14.87db
0% Popularity • 22% Danceability • 18% Energy • 21% Liveness
87% Instrumentalness • 30% Positiveness
0% Popularity • 22% Danceability • 18% Energy • 21% Liveness
87% Instrumentalness • 30% Positiveness
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CamillasChoice
Skye Boat Song
90 bpm • D Maj • 03:26 • -15.91db
17% Popularity • 23% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 23% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Logan Epic Canto
Irish Variation
101 bpm • G Maj • 01:31 • -8.17db
29% Popularity • 50% Danceability • 82% Energy • 5% Liveness
42% Instrumentalness • 22% Positiveness
29% Popularity • 50% Danceability • 82% Energy • 5% Liveness
42% Instrumentalness • 22% Positiveness
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Borislav Slavov
The Queen's High Seas - Tavern Version
89 bpm • A min • 01:42 • -17.26db
41% Popularity • 77% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 49% Positiveness
41% Popularity • 77% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 49% Positiveness
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Nick Keir
The Old Walking Song (I)
89 bpm • C# min • 05:08 • -18.21db
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Van Canto
Hymn - Bonus Track
102 bpm • A# Maj • 02:16 • -9.36db
33% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Raphael Colantonio
Brigmore Lullaby
89 bpm • G# Maj • 04:05 • -10db
29% Popularity • 31% Danceability • 52% Energy • 12% Liveness
25% Instrumentalness • 8% Positiveness
29% Popularity • 31% Danceability • 52% Energy • 12% Liveness
25% Instrumentalness • 8% Positiveness
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Jeroen Hoogeveen
Temeria Trip
89 bpm • F# min • 02:18 • -10.68db
23% Popularity • 68% Danceability • 54% Energy • 7% Liveness
28% Instrumentalness • 84% Positiveness
23% Popularity • 68% Danceability • 54% Energy • 7% Liveness
28% Instrumentalness • 84% Positiveness
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Logan Epic Canto
The Road to Nottingham
102 bpm • B min • 02:43 • -3.77db
22% Popularity • 26% Danceability • 84% Energy • 34% Liveness
17% Instrumentalness • 9% Positiveness
22% Popularity • 26% Danceability • 84% Energy • 34% Liveness
17% Instrumentalness • 9% Positiveness
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Auri
Skeleton Tree
102 bpm • A Maj • 04:19 • -13.75db
34% Popularity • 48% Danceability • 51% Energy • 11% Liveness
24% Instrumentalness • 17% Positiveness
34% Popularity • 48% Danceability • 51% Energy • 11% Liveness
24% Instrumentalness • 17% Positiveness
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Sean Dagher
Star of the County Down
88 bpm • D Maj • 01:56 • -5.81db
42% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Scott Murphy
こどものよう
88 bpm • B Maj • 03:51 • -10.41db
0% Popularity • 59% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 59% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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MALINDA
Game of Thrones Meets Lord of the Rings
88 bpm • D Maj • 03:35 • -12.83db
32% Popularity • 17% Danceability • 31% Energy • 20% Liveness
2% Instrumentalness • 5% Positiveness
32% Popularity • 17% Danceability • 31% Energy • 20% Liveness
2% Instrumentalness • 5% Positiveness
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Zero She Flies
Watertight
103 bpm • A min • 02:13 • -12.27db
21% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Hildegard von Blingin'
Bad Romance
103 bpm • A min • 04:12 • -13.53db
33% Popularity • 57% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 57% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Sonya Belousova
Toss A Coin To Your Witcher
103 bpm • F min • 03:10 • -9.47db
56% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Broceliande
Lay of Nimrodel
103 bpm • G Maj • 05:37 • -8.38db
17% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Oliva Orr
Destiny Of Love
87 bpm • F# min • 03:24 • -12.37db
24% Popularity • 15% Danceability • 33% Energy • 13% Liveness
7% Instrumentalness • 9% Positiveness
24% Popularity • 15% Danceability • 33% Energy • 13% Liveness
7% Instrumentalness • 9% Positiveness
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Eurielle
Into The Deep
87 bpm • A# Maj • 04:17 • -12.81db
24% Popularity • 12% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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S. J. Tucker
Ravens in the Library
104 bpm • D Maj • 04:22 • -9.49db
31% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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David Arkenstone
Deepwater
104 bpm • E min • 02:25 • -12.22db
38% Popularity • 75% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 66% Positiveness
38% Popularity • 75% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 66% Positiveness
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LjB0
Pokemon Center
104 bpm • C# min • 03:16 • -12db
12% Popularity • 50% Danceability • 26% Energy • 11% Liveness
51% Instrumentalness • 19% Positiveness
12% Popularity • 50% Danceability • 26% Energy • 11% Liveness
51% Instrumentalness • 19% Positiveness
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Inon Zur
Shelaya
104 bpm • G# min • 03:52 • -14.55db
20% Popularity • 33% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
20% Popularity • 33% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Nick Phoenix
Back to the Earth
87 bpm • F Maj • 04:24 • -9.24db
24% Popularity • 26% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 26% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Auri
Scattered To The Four Winds
105 bpm • A min • 05:18 • -11.31db
26% Popularity • 24% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 24% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Various Artists
Elven Song To Elbereth Gilthoniel (I)
105 bpm • A min • 05:32 • -15.44db
8% Popularity • 19% Danceability • 24% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
8% Popularity • 19% Danceability • 24% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
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David Arkenstone
Stonefire
105 bpm • B min • 02:40 • -10.97db
42% Popularity • 54% Danceability • 28% Energy • 13% Liveness
3% Instrumentalness • 46% Positiveness
42% Popularity • 54% Danceability • 28% Energy • 13% Liveness
3% Instrumentalness • 46% Positiveness
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Joel Bezerra
Tavern 1
105 bpm • A min • 02:48 • -6.57db
23% Popularity • 35% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 35% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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CamillasChoice
In Dreams
86 bpm • F# Maj • 02:22 • -10.12db
15% Popularity • 22% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 22% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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S. J. Tucker
Not the Villain
105 bpm • D# Maj • 04:19 • -9.91db
28% Popularity • 79% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 79% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Raney Shockne
Freedon Is a Choice
105 bpm • C# Maj • 01:11 • -15.42db
2% Popularity • 56% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
2% Popularity • 56% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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aeseaes
Drunken Sailor
105 bpm • G# Maj • 04:18 • -10.9db
30% Popularity • 42% Danceability • 39% Energy • 12% Liveness
26% Instrumentalness • 19% Positiveness
30% Popularity • 42% Danceability • 39% Energy • 12% Liveness
26% Instrumentalness • 19% Positiveness
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Celtic Woman
Níl Sé'n Lá
105 bpm • D Maj • 03:37 • -9.85db
37% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 54% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Logan Epic Canto
Lets Tease the Sheriff
105 bpm • D Maj • 02:03 • -3.57db
22% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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David Arkenstone
Taverns
105 bpm • B min • 04:26 • -14db
40% Popularity • 39% Danceability • 27% Energy • 12% Liveness
20% Instrumentalness • 52% Positiveness
40% Popularity • 39% Danceability • 27% Energy • 12% Liveness
20% Instrumentalness • 52% Positiveness
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Blackmore's Night
Under a Violet Moon
86 bpm • C min • 04:23 • -7.95db
17% Popularity • 61% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 61% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Raney Shockne
The Slightest Ones
86 bpm • B min • 02:25 • -2.88db
28% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Auri
I Hope Your World Is Kind
106 bpm • A min • 05:02 • -16db
40% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
40% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Deanta
The Maid That Sold Her Barley
107 bpm • F Maj • 02:40 • -13db
35% Popularity • 42% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 42% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
