Songs like ONE BEER (feat. Lauren Alaina & Devin Dawson) by HARDY
Based on a tempo of (+/- 10%) and a similar genre
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Koe Wetzel
Kuntry & Wistern
185 bpm • E Maj • 04:01 • -5.03db
59% Popularity • 50% Danceability • 82% Energy • 86% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 50% Danceability • 82% Energy • 86% Liveness
0% Instrumentalness • 51% Positiveness
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HARDY
ONE BEER
186 bpm • D Maj • 02:53 • -8.35db
71% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
71% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Jordan Davis
Almost Maybes
180 bpm • B Maj • 02:59 • -4.03db
67% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
67% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jelly Roll
Bottle and Mary Jane
180 bpm • B min • 02:52 • -7.67db
71% Popularity • 55% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
71% Popularity • 55% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Austin Snell
Pray All The Way Home
180 bpm • F# Maj • 02:24 • -5db
70% Popularity • 43% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
70% Popularity • 43% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Morgan Wallen
Wasted On You
196 bpm • B min • 02:58 • -5.24db
84% Popularity • 50% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
84% Popularity • 50% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Lainey Wilson
Smell Like Smoke
176 bpm • C Maj • 02:48 • -4.41db
62% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Kip Moore
Somethin' 'Bout A Truck
176 bpm • B Maj • 03:33 • -5.42db
69% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
69% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Jordan Davis
Buy Dirt
178 bpm • E Maj • 02:47 • -6.73db
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Riley Green
Worst Way
198 bpm • B Maj • 03:40 • -7.9db
66% Popularity • 37% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 37% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Justin Moore
We Didn't Have Much
176 bpm • F# Maj • 02:54 • -8.02db
66% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
66% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Rhett
What’s Your Country Song
174 bpm • F Maj • 02:51 • -6.15db
70% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Brantley Gilbert
Read Me My Rights
174 bpm • C# Maj • 03:56 • -4.79db
40% Popularity • 42% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 42% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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The Lacs
Dirt Road Dollars
174 bpm • A# min • 04:38 • -4.44db
57% Popularity • 59% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 59% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Granger Smith
Backroad Song
174 bpm • B Maj • 03:56 • -6.57db
57% Popularity • 49% Danceability • 83% Energy • 34% Liveness
2% Instrumentalness • 75% Positiveness
57% Popularity • 49% Danceability • 83% Energy • 34% Liveness
2% Instrumentalness • 75% Positiveness
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Austin Meade
Happier Alone
200 bpm • F min • 03:44 • -6.76db
59% Popularity • 32% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 32% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Morgan Wallen
Cowgirls
172 bpm • G# Maj • 03:01 • -3.81db
82% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
82% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Jordan Davis
Singles You Up
200 bpm • G Maj • 03:02 • -3.59db
69% Popularity • 49% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
69% Popularity • 49% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Luke Bryan
Kick The Dust Up
172 bpm • C# Maj • 03:10 • -2.32db
65% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
65% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Tucker Wetmore
Wind Up Missin' You
172 bpm • F# Maj • 02:46 • -5.63db
75% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
75% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Tim McGraw
Something Like That
172 bpm • F Maj • 03:03 • -5.68db
72% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Conner Smith
I Hate Alabama
172 bpm • E Maj • 03:34 • -5db
50% Popularity • 20% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 20% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Corey Kent
Ain't My Day
202 bpm • A# Maj • 03:21 • -3.77db
56% Popularity • 38% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 38% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 48% Positiveness
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Parmalee
Girl In Mine
202 bpm • G# Maj • 02:34 • -4.24db
64% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Kolby Cooper
Kill Me
170 bpm • D# Maj • 02:43 • -4.46db
59% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Bailey Zimmerman
Small Town Crazy
170 bpm • G Maj • 02:42 • -2.85db
57% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Austin Snell
Muddy Water Rockstar
170 bpm • C# Maj • 02:32 • -4.11db
56% Popularity • 45% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 45% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Conner Smith
Creek Will Rise
170 bpm • C# Maj • 02:49 • -3.56db
60% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 42% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
70% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Morgan Wallen
Last Night
204 bpm • F# Maj • 02:43 • -5.46db
84% Popularity • 49% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
84% Popularity • 49% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Blake Shelton
Boys 'Round Here
170 bpm • D Maj • 04:48 • -6.37db
66% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
66% Popularity • 61% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Bailey Zimmerman
Where It Ends
170 bpm • A Maj • 02:59 • -5.07db
80% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
80% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Dustin Lynch
Thinking 'Bout You
204 bpm • G# Maj • 02:51 • -3.29db
73% Popularity • 36% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
73% Popularity • 36% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Craig Morgan
Redneck Yacht Club
168 bpm • G# Maj • 03:50 • -5.41db
64% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
64% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Mitchell Tenpenny
Bitches
168 bpm • C# Maj • 03:30 • -4.91db
53% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 64% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
56% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Blake Shelton
Fire up the Night
168 bpm • C Maj • 03:12 • -4.78db
52% Popularity • 48% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 48% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Ella Langley
That's Why We Fight
206 bpm • F min • 02:43 • -3.27db
56% Popularity • 36% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 36% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Dustin Lynch
Thinking 'Bout You
204 bpm • G# Maj • 02:50 • -4.45db
64% Popularity • 39% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
64% Popularity • 39% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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HARDY
HATE YOUR HOMETOWN
208 bpm • F# Maj • 03:28 • -4.7db
48% Popularity • 37% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 37% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Dierks Bentley
Drunk On A Plane
206 bpm • A Maj • 04:14 • -5.57db
68% Popularity • 42% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
68% Popularity • 42% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Luke Bryan
But I Got A Beer In My Hand
208 bpm • D Maj • 02:56 • -4.36db
57% Popularity • 40% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 40% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Bryan Martin
Everyone's An Outlaw
166 bpm • C# Maj • 03:20 • -3.83db
70% Popularity • 51% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
70% Popularity • 51% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Kameron Marlowe
Girl On Fire
164 bpm • D Maj • 02:53 • -5.79db
62% Popularity • 54% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 54% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Jinks
Loud and Heavy
164 bpm • C min • 03:50 • -6.71db
69% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Dierks Bentley
What Was I Thinkin'
165 bpm • F min • 04:20 • -6.24db
71% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Parker McCollum
Burn It Down
162 bpm • D Maj • 03:53 • -5.63db
70% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Larry Fleet
Things I Take For Granted
163 bpm • C Maj • 03:26 • -5.95db
70% Popularity • 46% Danceability • 60% Energy • 36% Liveness
3% Instrumentalness • 45% Positiveness
70% Popularity • 46% Danceability • 60% Energy • 36% Liveness
3% Instrumentalness • 45% Positiveness
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Nate Smith
Better Boy
162 bpm • G Maj • 02:55 • -6db
52% Popularity • 39% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 39% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Riley Green
They Don’t Make 'Em Like That No More
162 bpm • F# Maj • 03:15 • -5.47db
59% Popularity • 44% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 44% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Darius Rucker
Beers And Sunshine
162 bpm • F Maj • 02:58 • -5.74db
62% Popularity • 51% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 51% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Warren Zeiders
Never Look Back - 717 Tapes
160 bpm • B Maj • 02:51 • -6.49db
57% Popularity • 52% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 52% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Cody Johnson
'Til You Can't
160 bpm • C# Maj • 03:44 • -4.87db
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Colt Ford
Reload
160 bpm • B min • 02:59 • -5.37db
56% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Kane Brown
Bury Me in Georgia
160 bpm • D min • 04:02 • -5.82db
62% Popularity • 38% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
62% Popularity • 38% Danceability • 84% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
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Restless Road
Last Rodeo
160 bpm • B min • 03:15 • -3.95db
55% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 48% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
51% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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HARDY
A ROCK
160 bpm • F# Maj • 03:40 • -8.87db
55% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
55% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Kane Brown
Bury Me in Georgia - Single Edit
160 bpm • D min • 02:50 • -5.75db
62% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 39% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Bryan Martin
More Than The Shine
160 bpm • C# Maj • 02:56 • -4.24db
67% Popularity • 55% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
67% Popularity • 55% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Treaty Oak Revival
Fishnets
160 bpm • F Maj • 03:19 • -3.97db
70% Popularity • 45% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 45% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Marlowe
Dirt Road When I Die
160 bpm • C# Maj • 02:54 • -6.03db
50% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Luke Combs
Going, Going, Gone
160 bpm • F# Maj • 02:57 • -6.03db
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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HARDY
THE REDNECK SONG
160 bpm • D Maj • 03:55 • -3.97db
50% Popularity • 45% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 45% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
