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One Day, Somehow
Songs like
One Day, Somehow
by
Charles Bolt
Based on a tempo of (+/- 10%) and a similar genre
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Louise Lennehan
Age of Empowerment
132 bpm • G min • 03:16 • -20.56db
23% Popularity • 35% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Pavel Antonov Manev
Recluse
132 bpm • C min • 02:22 • -25.01db
33% Popularity • 42% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Marcus Ackermann
Snowflakes
132 bpm • G Maj • 03:08 • -26.04db
24% Popularity • 40% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
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Charles Bolt
One Day, Somehow
132 bpm • D Maj • 03:21 • -22.17db
18% Popularity • 64% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 43% Positiveness
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Stefan Truyman
Always Flow
131 bpm • F Maj • 02:15 • -25.94db
23% Popularity • 40% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Léonie Deval
À toi
132 bpm • C Maj • 02:11 • -25.94db
13% Popularity • 48% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
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Pataki Gisella
Zala
131 bpm • F Maj • 01:53 • -23.42db
34% Popularity • 33% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 27% Positiveness
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Eva Maier
Firedance
133 bpm • C Maj • 03:12 • -25.09db
29% Popularity • 41% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 27% Positiveness
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Ella Lane
Resist
131 bpm • C Maj • 02:10 • -26.69db
28% Popularity • 35% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Charles Bolt
Reviere of Hope
132 bpm • C Maj • 02:40 • -23.81db
9% Popularity • 55% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Charlie Key
Hymn For a Broken Heart
131 bpm • F Maj • 02:41 • -21.72db
28% Popularity • 58% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Keane Wang
Feelings, Not Words
131 bpm • F# Maj • 03:00 • -26.75db
30% Popularity • 50% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Monique Galant
Night Noir
133 bpm • C min • 02:23 • -21.84db
21% Popularity • 50% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Mellancolia
Falling too Far
133 bpm • D min • 03:20 • -24.03db
16% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Josh Kramer
Akogare
131 bpm • D# Maj • 04:13 • -21.36db
12% Popularity • 43% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Charles Bolt
The Great Plains Hymn
133 bpm • F Maj • 01:59 • -19.45db
4% Popularity • 29% Danceability • 6% Energy • 10% Liveness
61% Instrumentalness • 21% Positiveness
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Joanna Haynes
Virginia
133 bpm • C# Maj • 02:11 • -22.59db
24% Popularity • 54% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Henry Gadacz
Intiefemnachts
131 bpm • A min • 02:36 • -18.83db
15% Popularity • 41% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
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Clarence Öfwerman
Nocturne - Piano Version
133 bpm • D min • 02:47 • -21.98db
22% Popularity • 44% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 67% Positiveness
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Charlie Key
Sleepy Mountains
130 bpm • C# Maj • 02:50 • -23.26db
49% Popularity • 65% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
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Ana Olgica
Tres Epos
134 bpm • C min • 02:50 • -23.9db
26% Popularity • 28% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Edward Elysseus
Hymn To Spring
134 bpm • E Maj • 02:53 • -26.34db
26% Popularity • 41% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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Nicola Conti
Dolceacqua
134 bpm • G# Maj • 02:09 • -25.24db
27% Popularity • 46% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
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Charles Bolt
Morning
134 bpm • A# Maj • 02:20 • -18.17db
10% Popularity • 48% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Brian Crain
Snowfall on Canvas
130 bpm • G# Maj • 03:42 • -23.76db
13% Popularity • 28% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Emile Franck
Magnolian Rendition
134 bpm • D min • 02:32 • -24db
21% Popularity • 29% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Leo Nocta
windcatcher
130 bpm • C min • 02:03 • -20.62db
11% Popularity • 41% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Klaus Weissmuller
fabienne
134 bpm • G# Maj • 01:56 • -22.52db
41% Popularity • 40% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Tomasz Wielechowski
First Visit
130 bpm • G Maj • 03:11 • -26.63db
10% Popularity • 48% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 45% Positiveness
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Charles Bolt
Moments In A Minor
134 bpm • C Maj • 02:48 • -29db
19% Popularity • 61% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 45% Positiveness
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Thomas E Rouch
Alone In A Crowd
135 bpm • G Maj • 03:27 • -22.73db
21% Popularity • 43% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
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Charlie Key
My Peaceful Holiday
135 bpm • D# Maj • 02:17 • -25.26db
13% Popularity • 51% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 56% Positiveness
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Ben Laver
Bloom
135 bpm • A min • 02:35 • -32.23db
37% Popularity • 33% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Arelius
Winter
129 bpm • C min • 01:32 • -20.95db
38% Popularity • 34% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Merrill Crissey
Waltz for One
129 bpm • G# Maj • 01:54 • -19.08db
16% Popularity • 60% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Charles Bolt
you, me, everything
135 bpm • G# Maj • 02:10 • -24.66db
12% Popularity • 50% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Josh Kramer
Serein
129 bpm • G# Maj • 03:03 • -28.19db
20% Popularity • 26% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Elliott Jack Sansom
Ennerdale
129 bpm • D# min • 01:51 • -20.79db
29% Popularity • 62% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Ron Dahlgreen
Morning Glory
129 bpm • G Maj • 02:14 • -24.91db
28% Popularity • 50% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 50% Positiveness
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Mae Ji-Yoon
Intuition
136 bpm • C Maj • 02:11 • -21.07db
47% Popularity • 64% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 70% Positiveness
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Merrill Crissey
Evening at the Parks
136 bpm • G# Maj • 02:11 • -22.01db
21% Popularity • 55% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
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Charles Bolt
Far and Beyond
129 bpm • D# min • 03:25 • -15.76db
8% Popularity • 28% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Oskar Tena
The Letter
136 bpm • C min • 03:43 • -21.36db
33% Popularity • 47% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Nicola Conti
Chi cerca trova
136 bpm • D# Maj • 02:29 • -25.2db
38% Popularity • 41% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Arelius
Waltz of Angels
128 bpm • F min • 02:08 • -18.17db
31% Popularity • 36% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Elliot Ziegler
Guarda
136 bpm • A# min • 01:38 • -23.17db
40% Popularity • 33% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 31% Positiveness
► Preview
Wilmer Norman
Age Of The Farmer
128 bpm • C Maj • 03:28 • -27.98db
10% Popularity • 51% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Daniel O'Rhys
Ã…land
137 bpm • G min • 02:37 • -20.74db
8% Popularity • 44% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
► Preview
Karim Blau
Sylvia
127 bpm • F Maj • 02:57 • -25.1db
15% Popularity • 49% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 47% Positiveness
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Carl Jürgen Emert
Loveable Rose
137 bpm • D# Maj • 02:42 • -23.56db
19% Popularity • 30% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Frantz Langdon
Sapiens
127 bpm • G# Maj • 03:05 • -20.68db
24% Popularity • 52% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
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Abbie Lou Johnston
Reflection
137 bpm • E Maj • 02:56 • -22db
27% Popularity • 35% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Olai Ruud
Henningsvær
137 bpm • E Maj • 02:19 • -27.6db
25% Popularity • 41% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
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Pieter Savenberg
Fly
137 bpm • A min • 02:57 • -26.92db
22% Popularity • 29% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
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Arelius
Dimensions
127 bpm • D min • 01:58 • -21.33db
36% Popularity • 45% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Ivy Rue
Perspective
138 bpm • G Maj • 03:29 • -22.72db
21% Popularity • 48% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Ian Wong
Fragile
138 bpm • G min • 02:52 • -21db
38% Popularity • 40% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
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Robin Bennich
Free Fall
126 bpm • B Maj • 01:41 • -19.22db
48% Popularity • 30% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Léon Branche
Maestro Dell'Invisibile
126 bpm • D# min • 02:29 • -20.55db
30% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Ella Stark
Field Spirits
126 bpm • E min • 02:46 • -20.69db
28% Popularity • 44% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Quinn MacKenzie
Turning Back
138 bpm • G# Maj • 02:12 • -27.17db
7% Popularity • 45% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 37% Positiveness
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Dominique Charpentier
Bal masqué
138 bpm • G# min • 02:29 • -21.71db
30% Popularity • 48% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Caroline Collette
Rues de Flavigny
126 bpm • C Maj • 02:57 • -19.23db
14% Popularity • 57% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Thomas Andersen
Beginnings
126 bpm • G min • 01:55 • -22.6db
33% Popularity • 68% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Josh Kramer
Chasing Hope
138 bpm • G min • 03:13 • -22.6db
13% Popularity • 30% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Ever So Blue
Onthou
138 bpm • C Maj • 02:08 • -27.96db
47% Popularity • 31% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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MettaForm
The Heart has its Reasons
126 bpm • G# Maj • 02:05 • -30.78db
43% Popularity • 57% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 28% Positiveness
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Dominique Charpentier
L'insouciance
126 bpm • F Maj • 02:46 • -18.04db
24% Popularity • 46% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Luis Rigano
Amazonia
126 bpm • D Maj • 02:11 • -26.46db
21% Popularity • 47% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Jacob Higgins
Farewell
126 bpm • A# min • 02:14 • -25.6db
29% Popularity • 34% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Lôrinc Tzigane
Hiányérzet
125 bpm • B Maj • 02:30 • -24.15db
29% Popularity • 31% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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GÃ…EL
Days of Old
125 bpm • G# min • 02:26 • -23.53db
16% Popularity • 46% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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Karim Blau
Answers
125 bpm • D Maj • 03:43 • -25.97db
11% Popularity • 45% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Dominique Charpentier
Victorine
139 bpm • B min • 02:44 • -20.6db
23% Popularity • 53% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Emmanuelle Rimbaud
Lonewolf
139 bpm • C Maj • 02:35 • -24.68db
33% Popularity • 25% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Mary Billiot
Everything's about to change
125 bpm • D min • 02:22 • -21.29db
19% Popularity • 54% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Ana Olgica
The Remedy
125 bpm • G min • 02:54 • -25db
35% Popularity • 31% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Doris Casella
Anwyll
125 bpm • G min • 02:28 • -25.1db
32% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Chad Hewitt
Uprooted
124 bpm • A# min • 05:27 • -23.92db
12% Popularity • 38% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Megan Wofford
Beginning
140 bpm • G Maj • 02:26 • -22.59db
40% Popularity • 55% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
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Peter Sandberg
Rise
140 bpm • D Maj • 03:10 • -30.21db
32% Popularity • 44% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Muriël Bostdorp
Whatever Begins, Also Ends
124 bpm • C min • 02:43 • -29.94db
31% Popularity • 45% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Matt Stewart-Evans
Closer
124 bpm • C# Maj • 02:24 • -29db
41% Popularity • 41% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Jaime Córdoba
Quiet Night
141 bpm • G Maj • 02:18 • -17.78db
38% Popularity • 48% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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William Ogmundson
Infinity Loop
141 bpm • E min • 03:43 • -31.64db
14% Popularity • 32% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
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Kristen Nichols
Affirmation
123 bpm • C min • 02:03 • -29db
28% Popularity • 31% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Henrik Janson
Chopin's House
142 bpm • A min • 02:18 • -23.69db
27% Popularity • 50% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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Brian Crain
Ballet of the Little Cafe (Solo Piano)
142 bpm • A min • 03:02 • -24.25db
18% Popularity • 34% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Slow Fade Sailors
A Journey of a Thousand Miles
123 bpm • G Maj • 03:36 • -22.29db
15% Popularity • 37% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Comet Blue
Into The Water
142 bpm • C Maj • 03:12 • -24.64db
20% Popularity • 42% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Cooper Sams
Inner Introspection
122 bpm • C Maj • 03:07 • -21.54db
24% Popularity • 64% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Kyran Martin
Belmont Street
122 bpm • B min • 02:29 • -21db
33% Popularity • 42% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Jonas Oskar
Evelina
143 bpm • C Maj • 02:30 • -30.37db
27% Popularity • 42% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Pataki Gisella
Veszprém
121 bpm • B Maj • 03:01 • -24.16db
21% Popularity • 31% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Sam Eber
Corals
121 bpm • D Maj • 04:00 • -19.14db
20% Popularity • 34% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Jaime Córdoba
VHS Tapes
121 bpm • C Maj • 02:45 • -25.89db
15% Popularity • 46% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Olivia Belli
Silent Dusk
144 bpm • F# Maj • 03:29 • -30.38db
38% Popularity • 32% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Alida Sørby
Seljalandsfoss
120 bpm • A# min • 02:56 • -23db
27% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Carl Jürgen Emert
Blue Mint
121 bpm • C# Maj • 01:58 • -25.33db
27% Popularity • 40% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Arvid Purna
Toma Mi Mano
120 bpm • G min • 02:44 • -22.49db
22% Popularity • 66% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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One Day, Somehow