Songs like One in a Lifetime Girl by Micky & The Motorcars
Based on a tempo of (+/- 10%) and a similar genre
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Parker McCollum
All Day
144 bpm • A Maj • 03:46 • -6.28db
45% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Josh Abbott Band
Little More You
144 bpm • G Maj • 03:23 • -3db
39% Popularity • 48% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 48% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Micky & The Motorcars
One in a Lifetime Girl
144 bpm • D Maj • 03:33 • -4.95db
34% Popularity • 53% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 53% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Thieving Birds
Hey, Leigh
144 bpm • G Maj • 03:17 • -6db
30% Popularity • 46% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 46% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Charlie Robison
Big City Blues
144 bpm • D Maj • 03:52 • -9.42db
35% Popularity • 66% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 66% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Giovannie and the Hired Guns
Another Time
144 bpm • G Maj • 03:54 • -6.08db
35% Popularity • 45% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 45% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Parker McCollum
Memphis Rain
144 bpm • E Maj • 04:12 • -5.67db
48% Popularity • 48% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 48% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Kevin Fowler
100% Texan
145 bpm • G Maj • 03:52 • -5db
31% Popularity • 58% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 58% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Josh Abbott Band
Good Night for Dancing
144 bpm • D Maj • 04:33 • -7.42db
29% Popularity • 59% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 59% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Eason
Small Town Blues
145 bpm • F Maj • 03:41 • -7.61db
25% Popularity • 57% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 61% Positiveness
25% Popularity • 57% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 61% Positiveness
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Bleu Edmondson
Resurrection
145 bpm • A Maj • 04:44 • -8.06db
16% Popularity • 52% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
16% Popularity • 52% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Leroy Gibbons
If I Don't Call
143 bpm • G# Maj • 03:35 • -5db
35% Popularity • 40% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 40% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Wolfe
Some Ol' Bar in the 90's
145 bpm • G# Maj • 03:24 • -3.94db
43% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Zane Williams
Sure Felt Like Goodbye
146 bpm • A Maj • 03:56 • -6.04db
20% Popularity • 47% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 47% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
44% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
44% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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Six Market Blvd.
Say It
146 bpm • D Maj • 03:42 • -6db
27% Popularity • 40% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 40% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Parker McCollum
Happy New Year
142 bpm • G Maj • 03:59 • -5.87db
47% Popularity • 50% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 50% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Turnpike Troubadours
1968
142 bpm • G Maj • 04:17 • -5.99db
47% Popularity • 63% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 63% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Mike Ryan
New Hometown
146 bpm • C Maj • 03:17 • -4.49db
45% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Rob Baird
Same Damn Thing
146 bpm • C# Maj • 04:35 • -5.05db
20% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Southall
Serenade
142 bpm • A Maj • 03:11 • -4.63db
39% Popularity • 53% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 53% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Zane Williams
Damned
142 bpm • E Maj • 03:19 • -6.39db
22% Popularity • 55% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 55% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Curtis Grimes
Our Side of the Fence
142 bpm • E Maj • 04:00 • -5.83db
27% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Charlie Robison
Photograph
146 bpm • B Maj • 03:48 • -9.92db
27% Popularity • 56% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 56% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Mike Ryan
Damn Good Goodbye
142 bpm • E Maj • 03:32 • -6.38db
57% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
57% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Flatland Cavalry
Come Back Down
142 bpm • C Maj • 03:28 • -8.72db
51% Popularity • 50% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Parker McCollum
High Above Water
142 bpm • C Maj • 04:11 • -6.53db
49% Popularity • 40% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
49% Popularity • 40% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Max Stalling
I-35
147 bpm • C# Maj • 03:59 • -8.91db
28% Popularity • 62% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 62% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Koe Wetzel
Lonely as It Gets
141 bpm • D Maj • 04:16 • -5.53db
50% Popularity • 44% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 44% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Micky & The Motorcars
July, You're a Woman
141 bpm • G Maj • 04:43 • -15.11db
14% Popularity • 41% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 41% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Six Market Blvd.
Silence in Me
147 bpm • A# Maj • 04:24 • -8.73db
22% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Charlie Robison
My Hometown
141 bpm • G Maj • 04:22 • -8.64db
51% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Bleu Edmondson
American Saint
147 bpm • D Maj • 04:17 • -6.07db
14% Popularity • 40% Danceability • 89% Energy • 28% Liveness
1% Instrumentalness • 24% Positiveness
14% Popularity • 40% Danceability • 89% Energy • 28% Liveness
1% Instrumentalness • 24% Positiveness
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Jon Pardi
Rainy Night Song
148 bpm • D Maj • 03:18 • -6.95db
45% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Mark McKinney
The River Song
148 bpm • G Maj • 03:47 • -3.56db
16% Popularity • 45% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 45% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
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Micky & The Motorcars
Million Miles
148 bpm • E Maj • 03:44 • -14.5db
9% Popularity • 48% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 48% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Randall King
Tuggin’ on My Heartstrings
148 bpm • G# Maj • 03:11 • -5.41db
44% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Rob Baird
Dreams and Gasoline
148 bpm • B Maj • 04:41 • -5.97db
40% Popularity • 55% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 55% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Southall
Beautiful Eyes
140 bpm • C Maj • 04:01 • -5.04db
41% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Kyle Park
Anywhere In Texas
140 bpm • C# Maj • 04:14 • -8.78db
25% Popularity • 58% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 58% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Thieving Birds
Too Young
140 bpm • G Maj • 04:20 • -6.66db
43% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Micky & The Motorcars
Hold This Town Together
140 bpm • G Maj • 04:00 • -5.78db
12% Popularity • 58% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 58% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Mikele Buck Band
In Came You
140 bpm • D# Maj • 03:33 • -5.15db
36% Popularity • 53% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 53% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Shotgun Rider
Slow Songs
140 bpm • C# Maj • 03:23 • -5db
26% Popularity • 56% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 56% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Randall King
Keep Her on the Line
140 bpm • E Maj • 03:22 • -7.21db
44% Popularity • 56% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
44% Popularity • 56% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
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Parker McCollum
Dallas
140 bpm • G Maj • 03:30 • -4.29db
42% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Mike Ryan
Red Eye Flight
140 bpm • A Maj • 03:20 • -4.82db
43% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Micky & The Motorcars
From Where the Sun Now Stands
140 bpm • D Maj • 03:57 • -4.98db
12% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Eric Church
Jukebox And A Bar
148 bpm • D# Maj • 03:12 • -9.87db
39% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Koe Wetzel
L.T.W.Y.H.M.
140 bpm • A Maj • 03:29 • -7.12db
44% Popularity • 44% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 44% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Zane Williams
The Simple Things
140 bpm • G Maj • 03:38 • -6.5db
23% Popularity • 53% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 53% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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No Justice
Bend But Don't Break
140 bpm • C Maj • 03:45 • -6.8db
27% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Max Stalling
6x9 Speakers - Revisited
149 bpm • G Maj • 04:26 • -5.52db
18% Popularity • 53% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 53% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 60% Positiveness
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Charlie Robison
Barlight
149 bpm • A Maj • 03:36 • -6.6db
34% Popularity • 66% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 66% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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John Teague
Fingers and Thumbs
139 bpm • G Maj • 04:03 • -2.98db
22% Popularity • 48% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 48% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Shotgun Rider
Sunlight
139 bpm • G# min • 03:55 • -4db
28% Popularity • 50% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 50% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Micky & The Motorcars
Louisiana Baby
150 bpm • D Maj • 03:37 • -6.18db
11% Popularity • 45% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 45% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Mason Marek
Drifter
150 bpm • G Maj • 04:30 • -8.93db
31% Popularity • 50% Danceability • 60% Energy • 20% Liveness
1% Instrumentalness • 38% Positiveness
31% Popularity • 50% Danceability • 60% Energy • 20% Liveness
1% Instrumentalness • 38% Positiveness
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Cory Morrow
Lead Me On
150 bpm • G Maj • 03:30 • -3.89db
32% Popularity • 49% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 49% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Josh Abbott Band
Oh, Tonight
150 bpm • B Maj • 03:25 • -4.84db
55% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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JB and the Moonshine Band
The Only Drug
138 bpm • D Maj • 03:17 • -4.21db
35% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Cottonwood Crows
Gypsy Soul
138 bpm • G Maj • 04:17 • -10db
21% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Shotgun Rider
Dance or Drink
138 bpm • G Maj • 04:00 • -6.28db
34% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Curtis Grimes
From Where I'm Standing
138 bpm • D# Maj • 03:11 • -6.16db
43% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Flatland Cavalry
Ain't Over You Yet
138 bpm • G Maj • 03:43 • -8.37db
53% Popularity • 50% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 50% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Ian Munsick
Cowgirl Jo
138 bpm • G# Maj • 04:03 • -7db
39% Popularity • 60% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 60% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Brandon Rhyder
Back Roads
138 bpm • G Maj • 04:04 • -5db
40% Popularity • 60% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 60% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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JB and the Moonshine Band
When It Rains I Pour
138 bpm • D# Maj • 04:01 • -5db
18% Popularity • 48% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 48% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Prophets and Outlaws
Country Music Gold
138 bpm • C# min • 03:27 • -7db
24% Popularity • 49% Danceability • 66% Energy • 14% Liveness
6% Instrumentalness • 49% Positiveness
24% Popularity • 49% Danceability • 66% Energy • 14% Liveness
6% Instrumentalness • 49% Positiveness
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Bleu Edmondson
Blood Red Lincoln
151 bpm • F# min • 04:01 • -4.24db
16% Popularity • 57% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 57% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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No Justice
Feels Like Rain
151 bpm • G Maj • 03:30 • -6.72db
18% Popularity • 52% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 52% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Mike McClure Band
Lucky Man
151 bpm • C Maj • 02:31 • -6.07db
18% Popularity • 44% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 44% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Corey Hunt and the Wise
Wild Heart Gypsy
137 bpm • F# Maj • 03:12 • -7.62db
20% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Carson Jeffrey
High Tonight
137 bpm • F# Maj • 04:31 • -7db
36% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Shotgun Rider
Alone Tonight
137 bpm • D# min • 03:26 • -5.89db
17% Popularity • 52% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 52% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Mike McClure
Horseshoe
152 bpm • G Maj • 03:15 • -5.05db
24% Popularity • 46% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 46% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Curtis Grimes
River Road Dream
152 bpm • D# Maj • 03:23 • -4db
32% Popularity • 60% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 60% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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The Damn Quails
Tough Luck / Cryin' Shame
152 bpm • E min • 02:58 • -6.5db
23% Popularity • 54% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 54% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Radney Foster
Sycamore Creek
136 bpm • D Maj • 04:30 • -7db
22% Popularity • 64% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 64% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Josh Ward
Together
136 bpm • D# Maj • 04:06 • -6.91db
45% Popularity • 46% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 46% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Brandon Rhyder
Battery
136 bpm • G Maj • 04:10 • -7db
19% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Randall King
Another Bullet
136 bpm • D# Maj • 04:07 • -7.69db
48% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Micky & The Motorcars
Long & Lonely Highway
136 bpm • C Maj • 03:19 • -8.24db
9% Popularity • 51% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 51% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mike Ryan
The Rewrite
136 bpm • G Maj • 03:25 • -4.71db
49% Popularity • 42% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 42% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Radney Foster
Texas In 1880
136 bpm • G Maj • 04:08 • -5.55db
35% Popularity • 48% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 48% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Hatley
In Came You
136 bpm • D Maj • 03:34 • -6.37db
44% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Triston Marez
Darlin'
153 bpm • C Maj • 03:42 • -4.46db
44% Popularity • 56% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 56% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Eason
Maybe Tonight
153 bpm • G Maj • 04:17 • -6.53db
15% Popularity • 48% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 48% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Micky & The Motorcars
Seashell
153 bpm • D# Maj • 02:39 • -11.68db
12% Popularity • 54% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
12% Popularity • 54% Danceability • 61% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
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Zane Williams
River Girl
135 bpm • F Maj • 03:45 • -7.94db
22% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Phil Hamilton
Bad
135 bpm • A Maj • 04:51 • -13.49db
17% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Southall
The Letter
135 bpm • C Maj • 04:49 • -5.51db
47% Popularity • 64% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 64% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Koe Wetzel
Still All I See Is You
135 bpm • D Maj • 04:45 • -8.43db
37% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Carson Jeffrey
Tall Boy
135 bpm • G Maj • 03:39 • -4.33db
41% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Brandon Rhyder
Freeze Frame Time
135 bpm • A# Maj • 04:59 • -3.98db
33% Popularity • 60% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 60% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Micky & The Motorcars
Seashell
154 bpm • D# Maj • 02:42 • -8.52db
23% Popularity • 52% Danceability • 85% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 52% Danceability • 85% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
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No Justice
Still Missing You
135 bpm • G Maj • 02:59 • -6.72db
23% Popularity • 63% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 63% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Cooder Graw
Motel Lights
154 bpm • C Maj • 03:49 • -12.5db
26% Popularity • 62% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
