Songs like One Last Time by Christopher Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Christopher Jackson
One Last Time
177 bpm • G# Maj • 04:56 • -9.62db
62% Popularity • 45% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
62% Popularity • 45% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Stephen Schwartz
Wonderful
177 bpm • F Maj • 04:57 • -11.23db
34% Popularity • 41% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 41% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Denée Benton
No One Else
178 bpm • F Maj • 04:20 • -9.78db
43% Popularity • 26% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Sutton Foster
Gimme Gimme
176 bpm • B Maj • 03:34 • -10.7db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ethan Slater
BFF
178 bpm • G Maj • 02:41 • -7.49db
38% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Alex Brightman
That Beautiful Sound
179 bpm • F Maj • 05:14 • -6.04db
51% Popularity • 40% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 40% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Daveed Diggs
What'd I Miss
178 bpm • G Maj • 03:56 • -8db
64% Popularity • 54% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
64% Popularity • 54% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Idina Menzel
Take Me or Leave Me
175 bpm • G min • 03:51 • -3.46db
55% Popularity • 46% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 46% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Reeve Carney
Epic III
175 bpm • F Maj • 05:51 • -9.97db
49% Popularity • 36% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 36% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Taylor Louderman
World Burn
180 bpm • G# min • 03:23 • -4.83db
64% Popularity • 24% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 24% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Original Broadway Cast of New York, New York
A Quell'Amor
179 bpm • F# Maj • 01:54 • -8.88db
7% Popularity • 19% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 19% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Stephen Schwartz
I'm Not That Girl
180 bpm • A Maj • 02:58 • -19db
41% Popularity • 23% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 23% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Bring It On: The Musical - Original Broadway Cast
I Got You
174 bpm • F Maj • 02:56 • -4db
41% Popularity • 44% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 44% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Lin-Manuel Miranda
My Shot
180 bpm • G# Maj • 05:33 • -6.76db
69% Popularity • 70% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 70% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Original Broadway Cast of Hamilton
The Room Where It Happens - Instrumental
173 bpm • A min • 05:18 • -13.01db
27% Popularity • 66% Danceability • 42% Energy • 17% Liveness
89% Instrumentalness • 13% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 17% Liveness
89% Instrumentalness • 13% Positiveness
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John Tartaglia
Everyone's a Little Bit Racist
181 bpm • D Maj • 05:27 • -9db
17% Popularity • 61% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 61% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Katie Ladner
The Smartphone Hour (Rich Set a Fire)
173 bpm • A# Maj • 05:38 • -6db
39% Popularity • 51% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 51% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Patina Miller
Simple Joys
172 bpm • A# min • 02:32 • -7.34db
40% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Leslie Grace
Breathe
172 bpm • A Maj • 04:06 • -9.02db
48% Popularity • 33% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 33% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Lin-Manuel Miranda
What the Heck I Gotta Do
180 bpm • C Maj • 03:37 • -7.79db
47% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Leslie Odom Jr.
The Room Where It Happens
174 bpm • E min • 05:18 • -9.38db
68% Popularity • 64% Danceability • 49% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
68% Popularity • 64% Danceability • 49% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
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StarKid Productions
Black Friday
172 bpm • B min • 03:38 • -13.07db
37% Popularity • 39% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 39% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Anthony Rapp
Rent
182 bpm • G Maj • 03:59 • -3db
47% Popularity • 45% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 45% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Andrew Rannells
You Gotta Die Sometime
182 bpm • E min • 03:03 • -8.86db
44% Popularity • 46% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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'In The Heights' Original Broadway Company
Breathe
172 bpm • A# Maj • 04:04 • -10.75db
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kara Lindsay
Watch What Happens
172 bpm • A Maj • 03:06 • -11.3db
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Paul Whitty
The Pants Song
172 bpm • C# Maj • 03:16 • -6db
28% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Lin-Manuel Miranda
Hurricane
171 bpm • C Maj • 02:23 • -7.95db
60% Popularity • 45% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 45% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Eddie Redmayne
Empty Chairs At Empty Tables
170 bpm • D# min • 03:11 • -18db
44% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Reeve Carney
Come Home with Me
184 bpm • A Maj • 01:47 • -10.74db
54% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Matthew James Thomas
Corner of the Sky
184 bpm • F Maj • 02:56 • -8.16db
47% Popularity • 23% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 23% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jessie Mueller
Bad Idea
170 bpm • C# Maj • 03:06 • -4.62db
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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James Marsden
The Nicest Kids In Town
170 bpm • C# min • 02:42 • -5.6db
51% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Lin-Manuel Miranda
In the Heights
171 bpm • F Maj • 07:38 • -7.15db
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Caroline O'Connor
Land of Yesterday
170 bpm • E min • 03:35 • -8.09db
42% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Rannells
Tomorrow Is a Latter Day
170 bpm • G Maj • 06:01 • -10.03db
42% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Grey Henson
Stop
170 bpm • F Maj • 04:50 • -6.23db
48% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Ben Fankhauser
King Of New York
168 bpm • C Maj • 04:09 • -8.16db
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Rachel Bay Jones
In the Bedroom Down the Hall - Demo
168 bpm • A# Maj • 05:19 • -9.32db
34% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Joel Hatch
Finale
168 bpm • E min • 03:29 • -5db
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Derek Klena
In a Crowd of Thousands
185 bpm • E Maj • 03:45 • -13db
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Lin-Manuel Miranda
In The Heights
168 bpm • G Maj • 07:41 • -7.45db
52% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Angela Lansbury
Nowhere to Go But Up
168 bpm • B Maj • 05:45 • -11.77db
36% Popularity • 36% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 36% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ryan Breslin
King Of New York (Full Song With Dance B...
168 bpm • C Maj • 04:55 • -8.29db
35% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Rannells
I Believe
167 bpm • C# Maj • 04:42 • -9db
50% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Joel Hatch
Welcome To The Rock
168 bpm • G Maj • 03:41 • -5db
50% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Original Broadway Cast of New York, New York
Better Than Before
167 bpm • G Maj • 02:33 • -15.47db
12% Popularity • 29% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 29% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Guy Who Didn't Like Musicals Cast
Join Us (And Die)
166 bpm • A Maj • 02:01 • -7.83db
43% Popularity • 63% Danceability • 59% Energy • 4% Liveness
1% Instrumentalness • 61% Positiveness
43% Popularity • 63% Danceability • 59% Energy • 4% Liveness
1% Instrumentalness • 61% Positiveness
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Leslie Odom Jr.
Your Obedient Servant
166 bpm • F Maj • 02:30 • -11.07db
64% Popularity • 74% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
64% Popularity • 74% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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SIX
Don't Lose Ur Head
166 bpm • A# Maj • 04:51 • -9.73db
54% Popularity • 67% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 67% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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Lin-Manuel Miranda
In the Heights - Radio Edit
166 bpm • G min • 03:49 • -5.92db
31% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Sophia Anne Caruso
Creepy Old Guy
166 bpm • F# Maj • 04:22 • -5.69db
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
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Daniel Breaker
Who I'd Be
190 bpm • C# Maj • 04:00 • -7.22db
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Kristin Stokes
My Grand Plan
164 bpm • C# Maj • 02:58 • -6.79db
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Guy Who Didn't Like Musicals Cast
Let It Out
192 bpm • A Maj • 03:27 • -6.74db
41% Popularity • 35% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 35% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Garfield
No More
193 bpm • D Maj • 03:11 • -5.06db
45% Popularity • 25% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 25% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Stark Sands
Soul of a Man
162 bpm • C Maj • 03:22 • -6db
34% Popularity • 48% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 48% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The I Love You Song
162 bpm • D Maj • 05:56 • -8.31db
41% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Brian D'Arcy James
Bottom's Gonna Be on Top
194 bpm • C Maj • 05:30 • -8.63db
39% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Christopher Jackson
In the Name of Love
162 bpm • C Maj • 04:20 • -6.84db
14% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Original Cast of Amélie
Stay
162 bpm • D# Maj • 02:43 • -9.3db
32% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Leslie Kritzer
What I Know Now
161 bpm • G Maj • 03:34 • -6.09db
54% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Jessie Mueller
Opening Up
161 bpm • D Maj • 02:34 • -5.24db
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Lin-Manuel Miranda
Aaron Burr, Sir
160 bpm • G Maj • 02:36 • -10.84db
69% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
69% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Brian D'Arcy James
Something Rotten! / Make an Omelette
194 bpm • D Maj • 05:54 • -7.18db
35% Popularity • 51% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 51% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Annaleigh Ashford
Omigod You Guys
160 bpm • G Maj • 05:46 • -9.74db
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Grey Henson
Meet The Plastics
160 bpm • B Maj • 04:17 • -4.51db
62% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Constantine Germanacos
Stay, I Pray You
197 bpm • D# min • 03:26 • -12.54db
45% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Lin-Manuel Miranda
Stay Alive - Reprise
160 bpm • C min • 01:51 • -13.75db
59% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Sutton Foster
Forget About the Boy
200 bpm • D min • 03:23 • -9.6db
37% Popularity • 46% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 46% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 77% Positiveness
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Alex Brightman
The Whole "Being Dead" Thing
156 bpm • F min • 03:43 • -5.78db
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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'Be More Chill' Ensemble
Halloween
156 bpm • A# Maj • 03:26 • -4.75db
28% Popularity • 39% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 39% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Chris McCarrell
Son of Poseidon
155 bpm • D Maj • 03:49 • -6.23db
40% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Benjamin Schrader
Spooky Mormon Hell Dream
158 bpm • D# Maj • 04:30 • -8db
44% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Lin-Manuel Miranda
Cousin
155 bpm • B min • 02:19 • -6db
44% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Ariana DeBose
A Boy Like That / I Have a Love
154 bpm • E min • 05:25 • -15db
40% Popularity • 30% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 30% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Original Broadway Cast of Hamilton
Stay Alive
160 bpm • C min • 02:39 • -10.39db
63% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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'Be More Chill' Ensemble
The Play
154 bpm • A Maj • 06:19 • -6.55db
26% Popularity • 46% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 46% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
46% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Rob Rokicki
Pick a Side - Bonus Track
153 bpm • F min • 02:33 • -4.12db
38% Popularity • 58% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 58% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Barrett Wilbert Weed
Seventeen (Reprise)
153 bpm • G# Maj • 02:44 • -8.09db
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Lin-Manuel Miranda
Right Hand Man
159 bpm • G# Maj • 05:21 • -9.41db
65% Popularity • 68% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 68% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Stephen Schwartz
What Is This Feeling?
152 bpm • C Maj • 03:32 • -8.69db
47% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Zac Efron
It Takes Two
207 bpm • A Maj • 03:04 • -6.28db
46% Popularity • 33% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 33% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
