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One of Them Nights
Songs like
One of Them Nights
by
Chris Young
Based on a tempo of (+/- 10%) and a similar genre
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Chris Young
One of Them Nights
81 bpm • C# Maj • 02:42 • -4db
34% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Brian Kelley
Sunburnt, Barefoot & In Love
81 bpm • C# Maj • 02:49 • -5db
30% Popularity • 55% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Blake Shelton
The Flow
81 bpm • C Maj • 02:55 • -4.24db
23% Popularity • 55% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Nate Haller
Somewhere To Drink
80 bpm • G Maj • 03:14 • -4db
23% Popularity • 29% Danceability • 91% Energy • 64% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Currington
Hey Girl
82 bpm • C# Maj • 03:20 • -5db
57% Popularity • 55% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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HARDY
4X4
80 bpm • D Maj • 03:42 • -4.69db
52% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Young
Fire
81 bpm • D# Maj • 03:01 • -4.7db
37% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Brian Kelley
Sunday Service In The Sand
82 bpm • A# Maj • 03:41 • -7db
30% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jon Pardi
Don't Blame It On Whiskey
80 bpm • C# Maj • 03:42 • -7.49db
48% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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LOCASH
One Big Country Song
82 bpm • F Maj • 03:13 • -2.85db
58% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Dustin Lynch
Somethin' That Makes You Smile
82 bpm • B Maj • 03:09 • -4.2db
35% Popularity • 53% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Craig Campbell
All My Friends Drink Beer
80 bpm • G Maj • 02:47 • -6.13db
27% Popularity • 55% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Young
Hold You To It
81 bpm • G Maj • 03:17 • -3.23db
30% Popularity • 59% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Brian Kelley
Boat Names
82 bpm • C# Maj • 03:28 • -5.57db
35% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Josh Melton
One Day
82 bpm • A Maj • 02:45 • -5db
38% Popularity • 62% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Rvshvd
Raised Up
80 bpm • C# Maj • 03:33 • -5db
48% Popularity • 59% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Cole Swindell
I'm Gonna Let Her
79 bpm • G Maj • 02:56 • -5db
35% Popularity • 41% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Drew Baldridge
Before You
79 bpm • F Maj • 03:39 • -6.17db
35% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Young
Looking for You
81 bpm • G Maj • 03:01 • -3.65db
52% Popularity • 45% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Brian Kelley
American Spirit
83 bpm • D Maj • 02:59 • -6.21db
38% Popularity • 47% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Rhett
Bass Pro Hat
79 bpm • D Maj • 02:56 • -5.1db
39% Popularity • 50% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Hunter Phelps
Silverado
79 bpm • A Maj • 03:23 • -4.93db
36% Popularity • 60% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Sam Grow
Me and Mine
79 bpm • F# Maj • 03:09 • -4.44db
44% Popularity • 49% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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The Reklaws
Where I'm From
83 bpm • F Maj • 03:31 • -4.15db
43% Popularity • 32% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Chris Young
Drinkin' Me Lonely
82 bpm • G Maj • 03:19 • -7.85db
39% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Stell
Man Made
78 bpm • B Maj • 03:05 • -6db
42% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Sanders
Ruled the World
84 bpm • F Maj • 03:01 • -3.48db
28% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Janson
Bye Mom
78 bpm • B Maj • 03:59 • -6.6db
32% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Eli Young Band
Lucky For Me
85 bpm • G Maj • 03:16 • -6db
36% Popularity • 50% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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The Reklaws
Beer Can
85 bpm • D Maj • 02:58 • -3.86db
28% Popularity • 66% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Chris Young
Hold My Beer Watch This
80 bpm • C# Maj • 02:46 • -2db
27% Popularity • 50% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Old Dominion
No Hard Feelings
85 bpm • E Maj • 03:11 • -6db
62% Popularity • 64% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Morgan Wallen
Outlaw
85 bpm • G Maj • 03:49 • -5.76db
59% Popularity • 50% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Travis Denning
She's On It
77 bpm • G# Maj • 03:17 • -5.55db
37% Popularity • 50% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Dustin Lynch
Hell Of A Night
85 bpm • D Maj • 03:10 • -4.85db
54% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Ryan Hurd
Pass It On
77 bpm • G Maj • 02:59 • -5.49db
35% Popularity • 71% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Young
When She's On
80 bpm • A Maj • 03:09 • -4.82db
39% Popularity • 51% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Chase Matthew
Nashville Crazy
77 bpm • D# Maj • 03:35 • -10db
49% Popularity • 64% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Tenille Arts
Back Then, Right Now
77 bpm • F Maj • 03:02 • -3.23db
52% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Travis Denning
Buy A Girl A Drink
77 bpm • D# Maj • 03:16 • -6.01db
46% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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High Valley
River's Still Running
86 bpm • C Maj • 03:09 • -5.66db
40% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Lane
Ain't Even Met You Yet
86 bpm • E Maj • 03:00 • -6.69db
37% Popularity • 44% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Chris Young
All Dogs Go to Heaven
83 bpm • C Maj • 03:05 • -6.71db
39% Popularity • 34% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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James Barker Band
Wastin' Whiskey
76 bpm • B Maj • 03:10 • -3.06db
44% Popularity • 54% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Matt Stell
If I Was a Bar
76 bpm • D# Maj • 03:01 • -4db
30% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmie Allen
Get Country
76 bpm • G Maj • 03:53 • -2.67db
22% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Elvie Shane
My Mississippi
76 bpm • C Maj • 04:01 • -3.9db
25% Popularity • 49% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Rhett
To The Guys That Date My Girls
76 bpm • E Maj • 03:01 • -9.31db
41% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Young
When You're Drinking
84 bpm • G Maj • 03:16 • -3.74db
28% Popularity • 35% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Jade Eagleson
All Night To Figure It Out
76 bpm • A Maj • 02:50 • -3.36db
39% Popularity • 54% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Brian Kelley
Highway On The Water
87 bpm • E Maj • 02:29 • -5.01db
36% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Michael Ray
Holy Water
75 bpm • A Maj • 03:29 • -5db
45% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tyler Rich
A Little Bit Of You
75 bpm • G Maj • 03:00 • -4.96db
38% Popularity • 44% Danceability • 60% Energy • 28% Liveness
12% Instrumentalness • 30% Positiveness
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Thomas Rhett
Put It On Ice
75 bpm • C Maj • 03:04 • -4.3db
48% Popularity • 55% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Brantley Gilbert
Gone But Not Forgotten
87 bpm • F min • 02:53 • -5.83db
43% Popularity • 45% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Young
Radio and the Rain
84 bpm • G min • 03:00 • -6.6db
31% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Shawn Austin
Tailgate To Heaven
75 bpm • F# Maj • 03:05 • -6.62db
25% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jameson Rodgers
Rolling Rock, Rolling Stones
75 bpm • G# Maj • 03:23 • -4.11db
18% Popularity • 53% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Travis Denning
Red, White And Blue
75 bpm • B Maj • 03:26 • -5db
37% Popularity • 50% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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John Morgan
Coldest Beer In Town
75 bpm • G# Maj • 03:06 • -5.63db
33% Popularity • 54% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmie Allen
Why Things Happen
75 bpm • B Maj • 03:16 • -4.86db
37% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Young
Callin' My Name
78 bpm • A# Maj • 03:11 • -4.17db
35% Popularity • 53% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Cole Swindell
Sayin' You Love Me
75 bpm • A Maj • 02:58 • -3.2db
35% Popularity • 49% Danceability • 91% Energy • 42% Liveness
0% Instrumentalness • 77% Positiveness
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Nate Barnes
You Ain't Pretty
75 bpm • C# Maj • 03:20 • -5.95db
32% Popularity • 51% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Morgan Wallen
Whatcha Know 'Bout That
74 bpm • D Maj • 03:14 • -5.06db
55% Popularity • 59% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Matt Stell
I Bet Whiskey Would
88 bpm • G Maj • 03:11 • -4.74db
30% Popularity • 55% Danceability • 79% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Hubbard
Baby Gets Her Lovin'
89 bpm • F Maj • 03:21 • -4.93db
38% Popularity • 53% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Young
Voices
77 bpm • C Maj • 03:06 • -4.11db
53% Popularity • 55% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Evans
American Dream Truck
89 bpm • D Maj • 03:33 • -6.04db
36% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Rich
Feels Like Home
90 bpm • F Maj • 03:20 • -4db
36% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Easton Corbin
Turn Up
90 bpm • A Maj • 02:54 • -5db
32% Popularity • 73% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Alana Springsteen
Zero Trucks
90 bpm • C Maj • 02:42 • -4.93db
48% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Tyler Braden
Ways to Miss You
90 bpm • A# min • 03:09 • -5.12db
43% Popularity • 54% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Young
Alone Tonight
76 bpm • G Maj • 03:03 • -4.64db
43% Popularity • 44% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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LANCO
I Need a Beer
90 bpm • D Maj • 03:05 • -6.1db
27% Popularity • 67% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Blake Shelton
The Girl Can't Help It
90 bpm • G# Maj • 02:44 • -4.47db
28% Popularity • 57% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Janson
Keys To The Country
90 bpm • C Maj • 02:55 • -4.47db
36% Popularity • 57% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmie Allen
Home Sweet Hometown
90 bpm • A Maj • 03:49 • -3.69db
23% Popularity • 50% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Young
Town Ain't Big Enough
76 bpm • F# Maj • 02:51 • -4db
37% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Corey Kent
Now
72 bpm • C Maj • 02:56 • -6.38db
40% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Blake Shelton
Minimum Wage
90 bpm • E Maj • 03:48 • -4db
55% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Conner Smith
Learn From It
91 bpm • E Maj • 02:59 • -3.57db
43% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
62% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Ryan Hurd
June, July, August
92 bpm • B Maj • 03:01 • -4.64db
39% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Young
At the End of a Bar
76 bpm • D# Maj • 03:06 • -4.23db
56% Popularity • 49% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Josh Abbott Band
Real Damn Good
93 bpm • G Maj • 03:02 • -3.23db
45% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Travis Denning
Heartbeat Of A Small Town
93 bpm • G# Maj • 03:21 • -5.41db
38% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Drew Baldridge
Beach Ain't One
93 bpm • B Maj • 02:50 • -3.71db
40% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Thomas Rhett
Death Row
93 bpm • D Maj • 03:51 • -7.64db
46% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Priscilla Block
I Bet You Wanna Know
94 bpm • G min • 02:39 • -5db
44% Popularity • 57% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Young
Underdogs
75 bpm • A# Maj • 03:05 • -5.16db
41% Popularity • 47% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Jordan Davis
Drink Had Me
95 bpm • B Maj • 02:36 • -5db
64% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Blanco Brown
Nobody's More Country
95 bpm • G Maj • 02:52 • -7.97db
50% Popularity • 61% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Tyler Rich
Rather Be Us
95 bpm • B Maj • 03:20 • -6.61db
33% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Thomas Rhett
Church Boots
95 bpm • C Maj • 02:57 • -5.14db
41% Popularity • 64% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Young
A.M.
90 bpm • G Maj • 02:54 • -3.66db
33% Popularity • 59% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Filmore
Who Cares
95 bpm • G Maj • 02:58 • -4.77db
32% Popularity • 58% Danceability • 83% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
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Conner Smith
College Town
95 bpm • D# Maj • 03:29 • -3.3db
29% Popularity • 47% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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One of Them Nights