Songs like Only If You Run by Julian Plenti
Based on a tempo of (+/- 10%) and a similar genre
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The Twilight Sad
Sick
150 bpm • G min • 04:26 • -8db
20% Popularity • 51% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
20% Popularity • 51% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Say Hi
Dramatic Irony
150 bpm • E min • 02:45 • -10.19db
15% Popularity • 66% Danceability • 88% Energy • 38% Liveness
68% Instrumentalness • 84% Positiveness
15% Popularity • 66% Danceability • 88% Energy • 38% Liveness
68% Instrumentalness • 84% Positiveness
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Crocodiles
Mirrors
150 bpm • A Maj • 05:32 • -6.27db
7% Popularity • 41% Danceability • 92% Energy • 7% Liveness
69% Instrumentalness • 6% Positiveness
7% Popularity • 41% Danceability • 92% Energy • 7% Liveness
69% Instrumentalness • 6% Positiveness
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The Joy Formidable
The Leopard and the Lung
150 bpm • C# Maj • 05:56 • -7.16db
5% Popularity • 40% Danceability • 84% Energy • 15% Liveness
28% Instrumentalness • 12% Positiveness
5% Popularity • 40% Danceability • 84% Energy • 15% Liveness
28% Instrumentalness • 12% Positiveness
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Sea Power
Machineries of Joy
150 bpm • E Maj • 06:16 • -8db
19% Popularity • 44% Danceability • 75% Energy • 37% Liveness
20% Instrumentalness • 15% Positiveness
19% Popularity • 44% Danceability • 75% Energy • 37% Liveness
20% Instrumentalness • 15% Positiveness
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Clap Your Hands Say Yeah
Same Mistake
150 bpm • C Maj • 03:04 • -4.57db
20% Popularity • 32% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 32% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Ramona Falls
Spore
150 bpm • A Maj • 04:19 • -7db
27% Popularity • 53% Danceability • 70% Energy • 45% Liveness
14% Instrumentalness • 50% Positiveness
27% Popularity • 53% Danceability • 70% Energy • 45% Liveness
14% Instrumentalness • 50% Positiveness
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The National
Lit Up - Remix
150 bpm • A Maj • 03:00 • -6.3db
17% Popularity • 42% Danceability • 91% Energy • 13% Liveness
21% Instrumentalness • 49% Positiveness
17% Popularity • 42% Danceability • 91% Energy • 13% Liveness
21% Instrumentalness • 49% Positiveness
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Julian Plenti
Only If You Run
150 bpm • F Maj • 03:48 • -8db
36% Popularity • 48% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
36% Popularity • 48% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
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Longwave
No Direction
150 bpm • D# min • 04:15 • -3.55db
13% Popularity • 28% Danceability • 95% Energy • 16% Liveness
2% Instrumentalness • 39% Positiveness
13% Popularity • 28% Danceability • 95% Energy • 16% Liveness
2% Instrumentalness • 39% Positiveness
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Arcade Fire
The Well and the Lighthouse
150 bpm • G# Maj • 03:56 • -6.27db
39% Popularity • 23% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 23% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Paul Banks
Perimeter Deactivated
150 bpm • F min • 02:44 • -5.85db
12% Popularity • 42% Danceability • 96% Energy • 12% Liveness
95% Instrumentalness • 29% Positiveness
12% Popularity • 42% Danceability • 96% Energy • 12% Liveness
95% Instrumentalness • 29% Positiveness
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The Submarines
Modern Inventions
149 bpm • F Maj • 02:32 • -6.55db
29% Popularity • 50% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
29% Popularity • 50% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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The National
Demons
150 bpm • E min • 03:31 • -6.33db
46% Popularity • 54% Danceability • 77% Energy • 8% Liveness
86% Instrumentalness • 42% Positiveness
46% Popularity • 54% Danceability • 77% Energy • 8% Liveness
86% Instrumentalness • 42% Positiveness
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Veronica Falls
If You Still Want Me
150 bpm • A Maj • 03:06 • -7db
19% Popularity • 37% Danceability • 92% Energy • 21% Liveness
77% Instrumentalness • 87% Positiveness
19% Popularity • 37% Danceability • 92% Energy • 21% Liveness
77% Instrumentalness • 87% Positiveness
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The Raveonettes
Blush
149 bpm • G min • 03:17 • -2.71db
20% Popularity • 35% Danceability • 93% Energy • 8% Liveness
50% Instrumentalness • 38% Positiveness
20% Popularity • 35% Danceability • 93% Energy • 8% Liveness
50% Instrumentalness • 38% Positiveness
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Moonface
Teary Eyes And Bloody Lips
151 bpm • A Maj • 02:45 • -7.35db
14% Popularity • 33% Danceability • 82% Energy • 62% Liveness
83% Instrumentalness • 20% Positiveness
14% Popularity • 33% Danceability • 82% Energy • 62% Liveness
83% Instrumentalness • 20% Positiveness
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Wolf Parade
Disco Sheets
149 bpm • C min • 02:59 • -5.03db
16% Popularity • 32% Danceability • 95% Energy • 8% Liveness
20% Instrumentalness • 77% Positiveness
16% Popularity • 32% Danceability • 95% Energy • 8% Liveness
20% Instrumentalness • 77% Positiveness
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Electric President
Elegant Disasters
148 bpm • C Maj • 04:30 • -12.64db
11% Popularity • 58% Danceability • 54% Energy • 15% Liveness
89% Instrumentalness • 66% Positiveness
11% Popularity • 58% Danceability • 54% Energy • 15% Liveness
89% Instrumentalness • 66% Positiveness
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Bloc Party
Truth
148 bpm • G Maj • 04:00 • -6db
40% Popularity • 46% Danceability • 90% Energy • 50% Liveness
27% Instrumentalness • 69% Positiveness
40% Popularity • 46% Danceability • 90% Energy • 50% Liveness
27% Instrumentalness • 69% Positiveness
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Shearwater
You as You Were
148 bpm • F# Maj • 03:42 • -5.54db
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
30% Popularity • 51% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Scanners
Lowlife
148 bpm • D Maj • 04:02 • -3.37db
22% Popularity • 54% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 54% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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White Lies
First Time Caller
152 bpm • F Maj • 03:34 • -4.88db
39% Popularity • 48% Danceability • 95% Energy • 25% Liveness
14% Instrumentalness • 54% Positiveness
39% Popularity • 48% Danceability • 95% Energy • 25% Liveness
14% Instrumentalness • 54% Positiveness
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The Kills
Last Day Of Magic
148 bpm • C# Maj • 03:23 • -3db
38% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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The National
Blank Slate
152 bpm • G min • 03:15 • -6.44db
27% Popularity • 60% Danceability • 80% Energy • 9% Liveness
67% Instrumentalness • 73% Positiveness
27% Popularity • 60% Danceability • 80% Energy • 9% Liveness
67% Instrumentalness • 73% Positiveness
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Sunset Rubdown
Idiot Heart
147 bpm • F Maj • 06:09 • -7db
22% Popularity • 33% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 33% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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The Cinematics
Maybe Someday
153 bpm • G min • 03:23 • -2db
21% Popularity • 48% Danceability • 94% Energy • 33% Liveness
3% Instrumentalness • 56% Positiveness
21% Popularity • 48% Danceability • 94% Energy • 33% Liveness
3% Instrumentalness • 56% Positiveness
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Broken Bells
Mongrel Heart
147 bpm • E min • 04:23 • -5.63db
36% Popularity • 59% Danceability • 75% Energy • 15% Liveness
5% Instrumentalness • 77% Positiveness
36% Popularity • 59% Danceability • 75% Energy • 15% Liveness
5% Instrumentalness • 77% Positiveness
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Clap Your Hands Say Yeah
Only Run
153 bpm • C# min • 04:44 • -3.23db
11% Popularity • 45% Danceability • 84% Energy • 34% Liveness
1% Instrumentalness • 20% Positiveness
11% Popularity • 45% Danceability • 84% Energy • 34% Liveness
1% Instrumentalness • 20% Positiveness
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The Cloud Room
Hey Now Now
147 bpm • C Maj • 03:30 • -3.24db
31% Popularity • 49% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 49% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
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The Little Ones
Lovers Who Uncover
146 bpm • D Maj • 04:11 • -5.19db
22% Popularity • 56% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 56% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Future Islands
Tin Man
154 bpm • A# Maj • 03:13 • -5.5db
40% Popularity • 49% Danceability • 68% Energy • 20% Liveness
68% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 68% Energy • 20% Liveness
68% Instrumentalness • 28% Positiveness
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The Cooper Temple Clause
The Same Mistakes
146 bpm • G min • 04:52 • -7db
19% Popularity • 41% Danceability • 60% Energy • 10% Liveness
16% Instrumentalness • 23% Positiveness
19% Popularity • 41% Danceability • 60% Energy • 10% Liveness
16% Instrumentalness • 23% Positiveness
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The Raveonettes
Dead Sound
154 bpm • G min • 03:32 • -5.67db
34% Popularity • 38% Danceability • 80% Energy • 32% Liveness
69% Instrumentalness • 38% Positiveness
34% Popularity • 38% Danceability • 80% Energy • 32% Liveness
69% Instrumentalness • 38% Positiveness
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The National
Sea of Love
146 bpm • C Maj • 03:41 • -6.3db
46% Popularity • 46% Danceability • 82% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
46% Popularity • 46% Danceability • 82% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Nada Surf
The Way You Wear Your Head
154 bpm • B Maj • 03:18 • -4.73db
6% Popularity • 32% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 32% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Say Hi
Northwestern Girls
146 bpm • D Maj • 03:41 • -8.47db
25% Popularity • 59% Danceability • 57% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
25% Popularity • 59% Danceability • 57% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
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Scanners
We Never Close Our Eyes
146 bpm • C Maj • 03:28 • -4.14db
8% Popularity • 56% Danceability • 93% Energy • 24% Liveness
1% Instrumentalness • 83% Positiveness
8% Popularity • 56% Danceability • 93% Energy • 24% Liveness
1% Instrumentalness • 83% Positiveness
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I Love You But I've Chosen Darkness
According To Plan
146 bpm • G# min • 04:37 • -7db
24% Popularity • 65% Danceability • 69% Energy • 10% Liveness
64% Instrumentalness • 64% Positiveness
24% Popularity • 65% Danceability • 69% Energy • 10% Liveness
64% Instrumentalness • 64% Positiveness
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The Frames
Finally
146 bpm • D Maj • 04:53 • -5db
23% Popularity • 43% Danceability • 92% Energy • 13% Liveness
33% Instrumentalness • 50% Positiveness
23% Popularity • 43% Danceability • 92% Energy • 13% Liveness
33% Instrumentalness • 50% Positiveness
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The Stills
Yesterday Never Tomorrows
154 bpm • A Maj • 05:20 • -6.72db
14% Popularity • 36% Danceability • 65% Energy • 13% Liveness
19% Instrumentalness • 4% Positiveness
14% Popularity • 36% Danceability • 65% Energy • 13% Liveness
19% Instrumentalness • 4% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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Black Rebel Motorcycle Club
Am I Only
154 bpm • E Maj • 04:26 • -4.84db
17% Popularity • 35% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 35% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Sunset Rubdown
Shut Up I Am Dreaming of Places Where Lo...
146 bpm • G Maj • 07:23 • -9.61db
32% Popularity • 44% Danceability • 52% Energy • 14% Liveness
4% Instrumentalness • 37% Positiveness
32% Popularity • 44% Danceability • 52% Energy • 14% Liveness
4% Instrumentalness • 37% Positiveness
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Get Well Soon
Angry Young Man
155 bpm • A min • 04:46 • -11.22db
17% Popularity • 41% Danceability • 74% Energy • 35% Liveness
68% Instrumentalness • 7% Positiveness
17% Popularity • 41% Danceability • 74% Energy • 35% Liveness
68% Instrumentalness • 7% Positiveness
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The Cinematics
All These Things
155 bpm • G min • 03:18 • -4.81db
16% Popularity • 42% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 42% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Future Islands
Walking Through That Door
145 bpm • A Maj • 04:33 • -5.36db
39% Popularity • 44% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 59% Positiveness
39% Popularity • 44% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 59% Positiveness
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Handsome Furs
I'm Confused
155 bpm • G# Maj • 03:35 • -5.06db
17% Popularity • 48% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 48% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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The Rakes
Binary Love
145 bpm • A min • 03:45 • -6.18db
21% Popularity • 58% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
21% Popularity • 58% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
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We Were Promised Jetpacks
Peaks and Troughs
145 bpm • A min • 03:51 • -7.63db
33% Popularity • 51% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
33% Popularity • 51% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 47% Positiveness
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Home Video
Confession (of a Time Traveler)
145 bpm • F# min • 03:37 • -8.21db
15% Popularity • 54% Danceability • 79% Energy • 10% Liveness
6% Instrumentalness • 41% Positiveness
15% Popularity • 54% Danceability • 79% Energy • 10% Liveness
6% Instrumentalness • 41% Positiveness
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The Joy Formidable
This Ladder Is Ours
145 bpm • A Maj • 05:11 • -6.61db
12% Popularity • 31% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 31% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Future Islands
Old Friend
155 bpm • G# Maj • 03:09 • -5.41db
35% Popularity • 55% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 55% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
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The Cinematics
Keep Forgetting
145 bpm • D min • 03:58 • -3.11db
24% Popularity • 54% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 54% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Secret Machines
Nowhere Again
145 bpm • E Maj • 04:13 • -6.35db
32% Popularity • 44% Danceability • 90% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
32% Popularity • 44% Danceability • 90% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
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Broken Bells
Perfect World
156 bpm • C# min • 06:24 • -7.33db
43% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Pete And The Pirates
Motorbike
145 bpm • F min • 02:52 • -9.09db
14% Popularity • 43% Danceability • 76% Energy • 36% Liveness
12% Instrumentalness • 74% Positiveness
14% Popularity • 43% Danceability • 76% Energy • 36% Liveness
12% Instrumentalness • 74% Positiveness
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Flashguns
Racing Race
144 bpm • D min • 06:54 • -12.06db
10% Popularity • 37% Danceability • 31% Energy • 11% Liveness
60% Instrumentalness • 17% Positiveness
10% Popularity • 37% Danceability • 31% Energy • 11% Liveness
60% Instrumentalness • 17% Positiveness
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Say Hi
These Fangs
144 bpm • A Maj • 03:14 • -10.33db
23% Popularity • 65% Danceability • 62% Energy • 19% Liveness
66% Instrumentalness • 65% Positiveness
23% Popularity • 65% Danceability • 62% Energy • 19% Liveness
66% Instrumentalness • 65% Positiveness
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The Horrors
Sleepwalk
156 bpm • C Maj • 05:26 • -5.47db
16% Popularity • 23% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 23% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Longwave
Eyes Like Headlights
144 bpm • F Maj • 03:40 • -4.38db
10% Popularity • 55% Danceability • 96% Energy • 19% Liveness
82% Instrumentalness • 44% Positiveness
10% Popularity • 55% Danceability • 96% Energy • 19% Liveness
82% Instrumentalness • 44% Positiveness
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White Rose Movement
London's Mine
143 bpm • F# min • 03:43 • -6.48db
12% Popularity • 57% Danceability • 94% Energy • 13% Liveness
16% Instrumentalness • 91% Positiveness
12% Popularity • 57% Danceability • 94% Energy • 13% Liveness
16% Instrumentalness • 91% Positiveness
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Funeral Party
Finale
157 bpm • A Maj • 04:10 • -4db
28% Popularity • 46% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
28% Popularity • 46% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Ramona Falls
Melectric
158 bpm • A Maj • 04:16 • -11db
21% Popularity • 62% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 43% Positiveness
21% Popularity • 62% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 43% Positiveness
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Tapes 'n Tapes
Insistor
158 bpm • A min • 04:20 • -9.29db
34% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Broken Bells
Meyrin Fields
142 bpm • C min • 02:48 • -6.82db
23% Popularity • 63% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 63% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Spoon
The Ghost Of You Lingers
142 bpm • A min • 03:34 • -9.87db
8% Popularity • 91% Danceability • 70% Energy • 6% Liveness
43% Instrumentalness • 79% Positiveness
8% Popularity • 91% Danceability • 70% Energy • 6% Liveness
43% Instrumentalness • 79% Positiveness
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Slut
If I Had A Heart
142 bpm • D min • 03:56 • -5.05db
16% Popularity • 50% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 50% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Shout Out Louds
Seagull
141 bpm • F Maj • 08:33 • -6db
19% Popularity • 50% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 50% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 20% Positiveness
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Meursault
Crank Resolutions
160 bpm • G Maj • 04:37 • -12db
20% Popularity • 44% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
20% Popularity • 44% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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We Were Promised Jetpacks
Conductor
141 bpm • E Maj • 05:28 • -10db
7% Popularity • 45% Danceability • 50% Energy • 11% Liveness
24% Instrumentalness • 17% Positiveness
7% Popularity • 45% Danceability • 50% Energy • 11% Liveness
24% Instrumentalness • 17% Positiveness
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Menomena
Five Little Rooms
160 bpm • G Maj • 04:57 • -11.77db
2% Popularity • 53% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
2% Popularity • 53% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Say Hi
Blah Blah Blah
160 bpm • B Maj • 03:26 • -12.57db
26% Popularity • 71% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
26% Popularity • 71% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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We Are Scientists
After Hours
160 bpm • C# min • 03:52 • -4.56db
41% Popularity • 39% Danceability • 98% Energy • 17% Liveness
4% Instrumentalness • 34% Positiveness
41% Popularity • 39% Danceability • 98% Energy • 17% Liveness
4% Instrumentalness • 34% Positiveness
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Wild Beasts
Wanderlust
140 bpm • C Maj • 04:56 • -10.7db
31% Popularity • 57% Danceability • 62% Energy • 21% Liveness
91% Instrumentalness • 50% Positiveness
31% Popularity • 57% Danceability • 62% Energy • 21% Liveness
91% Instrumentalness • 50% Positiveness
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Julian Plenti
Games for Days
140 bpm • G# Maj • 03:57 • -6db
36% Popularity • 59% Danceability • 81% Energy • 12% Liveness
8% Instrumentalness • 54% Positiveness
36% Popularity • 59% Danceability • 81% Energy • 12% Liveness
8% Instrumentalness • 54% Positiveness
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The Notwist
Boneless
140 bpm • F# min • 02:55 • -9db
3% Popularity • 60% Danceability • 61% Energy • 11% Liveness
78% Instrumentalness • 68% Positiveness
3% Popularity • 60% Danceability • 61% Energy • 11% Liveness
78% Instrumentalness • 68% Positiveness
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The Stills
Love and Death
140 bpm • E min • 04:15 • -5db
21% Popularity • 46% Danceability • 87% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
21% Popularity • 46% Danceability • 87% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
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Say Hi
Sallie's Heart Is Stone
160 bpm • E Maj • 03:21 • -12.09db
13% Popularity • 71% Danceability • 58% Energy • 10% Liveness
79% Instrumentalness • 74% Positiveness
13% Popularity • 71% Danceability • 58% Energy • 10% Liveness
79% Instrumentalness • 74% Positiveness
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The Maccabees
Heave
140 bpm • D Maj • 04:24 • -7.17db
19% Popularity • 37% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
19% Popularity • 37% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Wild Beasts
Hooting & Howling
140 bpm • F Maj • 04:35 • -9db
28% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 58% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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DeVotchKa
The Clockwise Witness
140 bpm • A# Maj • 04:37 • -9db
29% Popularity • 68% Danceability • 65% Energy • 24% Liveness
1% Instrumentalness • 74% Positiveness
29% Popularity • 68% Danceability • 65% Energy • 24% Liveness
1% Instrumentalness • 74% Positiveness
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Pete And The Pirates
Come on Feet
161 bpm • A Maj • 02:38 • -4db
22% Popularity • 28% Danceability • 87% Energy • 3% Liveness
70% Instrumentalness • 47% Positiveness
22% Popularity • 28% Danceability • 87% Energy • 3% Liveness
70% Instrumentalness • 47% Positiveness
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Arcade Fire
Empty Room
162 bpm • D Maj • 02:51 • -4.07db
44% Popularity • 34% Danceability • 98% Energy • 34% Liveness
80% Instrumentalness • 65% Positiveness
44% Popularity • 34% Danceability • 98% Energy • 34% Liveness
80% Instrumentalness • 65% Positiveness
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Say Hi
The Twenty-Second Century
140 bpm • E Maj • 04:26 • -8.76db
10% Popularity • 37% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
10% Popularity • 37% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 19% Positiveness
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The Maccabees
Go
140 bpm • C Maj • 04:12 • -6.18db
19% Popularity • 50% Danceability • 62% Energy • 68% Liveness
7% Instrumentalness • 21% Positiveness
19% Popularity • 50% Danceability • 62% Energy • 68% Liveness
7% Instrumentalness • 21% Positiveness
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Snowden
Black Eyes
140 bpm • G# min • 03:58 • -6db
17% Popularity • 47% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 47% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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The Rakes
Retreat
162 bpm • F min • 02:58 • -4db
28% Popularity • 58% Danceability • 87% Energy • 6% Liveness
4% Instrumentalness • 96% Positiveness
28% Popularity • 58% Danceability • 87% Energy • 6% Liveness
4% Instrumentalness • 96% Positiveness
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White Lies
There Goes Our Love Again
162 bpm • C# min • 03:36 • -4.13db
47% Popularity • 36% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
47% Popularity • 36% Danceability • 90% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
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Secret Machines
Lightning Blue Eyes
138 bpm • C Maj • 05:28 • -7db
22% Popularity • 51% Danceability • 90% Energy • 15% Liveness
42% Instrumentalness • 50% Positiveness
22% Popularity • 51% Danceability • 90% Energy • 15% Liveness
42% Instrumentalness • 50% Positiveness
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Say Hi
Hallie And Henry
140 bpm • D Maj • 03:36 • -8.24db
18% Popularity • 60% Danceability • 80% Energy • 9% Liveness
24% Instrumentalness • 72% Positiveness
18% Popularity • 60% Danceability • 80% Energy • 9% Liveness
24% Instrumentalness • 72% Positiveness
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The Cinematics
Guernica
138 bpm • B min • 03:37 • -5db
10% Popularity • 57% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 57% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Apartment
10000 Times
138 bpm • A# Maj • 03:25 • -4.73db
13% Popularity • 47% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 47% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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+/-
Snowblind
164 bpm • B min • 04:31 • -10.57db
9% Popularity • 58% Danceability • 47% Energy • 7% Liveness
7% Instrumentalness • 32% Positiveness
9% Popularity • 58% Danceability • 47% Energy • 7% Liveness
7% Instrumentalness • 32% Positiveness
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White Lies
A Place To Hide
139 bpm • D Maj • 05:01 • -4.95db
34% Popularity • 50% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 50% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Big Pink
Hit the Ground (Superman)
164 bpm • G# Maj • 04:56 • -6.72db
32% Popularity • 49% Danceability • 87% Energy • 19% Liveness
1% Instrumentalness • 79% Positiveness
32% Popularity • 49% Danceability • 87% Energy • 19% Liveness
1% Instrumentalness • 79% Positiveness
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Clock Opera
Lesson No. 7
164 bpm • A# Maj • 04:24 • -5.79db
8% Popularity • 39% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
8% Popularity • 39% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
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Tapes 'n Tapes
Badaboom
164 bpm • A Maj • 03:56 • -6db
26% Popularity • 55% Danceability • 82% Energy • 5% Liveness
3% Instrumentalness • 40% Positiveness
26% Popularity • 55% Danceability • 82% Energy • 5% Liveness
3% Instrumentalness • 40% Positiveness
