Songs like Only Love Can Save Me Now (feat. Matt Cameron & Kim Thayil) by The Pretty Reckless
Based on a tempo of (+/- 10%) and a similar genre
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Posehn
Grandpa Metal
170 bpm • D Maj • 05:28 • -5.01db
6% Popularity • 29% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 29% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Dead Posey
Holy Roller
170 bpm • F# min • 03:37 • -5.32db
25% Popularity • 39% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 39% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Saint Asonia
Sirens
170 bpm • B min • 03:49 • -5db
39% Popularity • 32% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 32% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Florence Black
CAN YOU FEEL IT?
170 bpm • C Maj • 03:24 • -4.65db
24% Popularity • 43% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 43% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Ozzy Osbourne
Patient Number 9
170 bpm • F Maj • 07:21 • -4.25db
52% Popularity • 32% Danceability • 87% Energy • 13% Liveness
19% Instrumentalness • 30% Positiveness
52% Popularity • 32% Danceability • 87% Energy • 13% Liveness
19% Instrumentalness • 30% Positiveness
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Black Veil Brides
Torch
170 bpm • F# min • 03:37 • -3db
49% Popularity • 31% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 31% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Tom Morello
Radium Girls
170 bpm • D Maj • 03:49 • -3db
32% Popularity • 46% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 48% Positiveness
32% Popularity • 46% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 48% Positiveness
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The Pretty Reckless
Only Love Can Save Me Now
170 bpm • D# Maj • 05:12 • -2.92db
43% Popularity • 38% Danceability • 94% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 38% Danceability • 94% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Saint Asonia
Blinding Lights
170 bpm • A# Maj • 03:03 • -4db
54% Popularity • 20% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 20% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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You Me At Six
Beautiful Way
171 bpm • F min • 03:45 • -3.61db
49% Popularity • 38% Danceability • 92% Energy • 15% Liveness
11% Instrumentalness • 45% Positiveness
49% Popularity • 38% Danceability • 92% Energy • 15% Liveness
11% Instrumentalness • 45% Positiveness
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Halestorm
Back From The Dead
168 bpm • F min • 03:30 • -3db
51% Popularity • 31% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 31% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Warning
ANIMOSITY
169 bpm • G# Maj • 04:06 • -4.55db
51% Popularity • 47% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 47% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Redlight King
Bullet In My Hand
168 bpm • F min • 03:05 • -3.99db
51% Popularity • 39% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 39% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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The Pretty Reckless
Got So High
168 bpm • C# Maj • 03:20 • -7db
39% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Nita Strauss
Victorious
168 bpm • G min • 03:41 • -3.42db
40% Popularity • 38% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 38% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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The HU
Wolf Totem
172 bpm • G# Maj • 05:17 • -3.86db
60% Popularity • 36% Danceability • 90% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 36% Danceability • 90% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Corey Taylor
Holier Than Thou
172 bpm • C# min • 04:10 • -3.75db
30% Popularity • 48% Danceability • 98% Energy • 87% Liveness
1% Instrumentalness • 55% Positiveness
30% Popularity • 48% Danceability • 98% Energy • 87% Liveness
1% Instrumentalness • 55% Positiveness
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Dead Sara
Heroes
172 bpm • G Maj • 03:16 • -5.37db
29% Popularity • 40% Danceability • 76% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 40% Danceability • 76% Energy • 44% Liveness
0% Instrumentalness • 39% Positiveness
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Black Veil Brides
Rebel Yell
168 bpm • C# Maj • 04:38 • -4.4db
47% Popularity • 42% Danceability • 95% Energy • 4% Liveness
51% Instrumentalness • 76% Positiveness
47% Popularity • 42% Danceability • 95% Energy • 4% Liveness
51% Instrumentalness • 76% Positiveness
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Dorothy
Dark Nights
168 bpm • D Maj • 03:09 • -4db
45% Popularity • 16% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 16% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Palaye Royale
Massacre, The New American Dream
168 bpm • G min • 03:05 • -4.96db
49% Popularity • 40% Danceability • 97% Energy • 18% Liveness
1% Instrumentalness • 38% Positiveness
49% Popularity • 40% Danceability • 97% Energy • 18% Liveness
1% Instrumentalness • 38% Positiveness
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Electric Mob
Devil You Know
168 bpm • F# Maj • 04:11 • -7.73db
27% Popularity • 38% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 38% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lilith Czar
Lola
168 bpm • G Maj • 03:31 • -6.32db
27% Popularity • 20% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 20% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Monster Truck
Golden Woman
167 bpm • C Maj • 03:08 • -3db
38% Popularity • 29% Danceability • 96% Energy • 24% Liveness
41% Instrumentalness • 28% Positiveness
38% Popularity • 29% Danceability • 96% Energy • 24% Liveness
41% Instrumentalness • 28% Positiveness
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Dirty Honey
Last Child
167 bpm • C# Maj • 04:18 • -5.05db
32% Popularity • 40% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 40% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Warning
ERROR
167 bpm • G min • 03:57 • -4.86db
49% Popularity • 41% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 41% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Disturbed
If I Ever Lose My Faith in You
174 bpm • A# Maj • 04:34 • -8.08db
47% Popularity • 38% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
47% Popularity • 38% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Corey Taylor
On The Dark Side
173 bpm • G# Maj • 03:38 • -4.08db
40% Popularity • 43% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 43% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Retaliators
The Retaliators Theme (21 Bullets)
166 bpm • E min • 04:02 • -4.73db
52% Popularity • 44% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 44% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 19% Positiveness
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Black Veil Brides
Fallen Angels
174 bpm • F# min • 03:44 • -3.42db
57% Popularity • 38% Danceability • 97% Energy • 34% Liveness
5% Instrumentalness • 57% Positiveness
57% Popularity • 38% Danceability • 97% Energy • 34% Liveness
5% Instrumentalness • 57% Positiveness
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Candlebox
All Down Hill From Here
174 bpm • A Maj • 04:37 • -4.09db
20% Popularity • 31% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 31% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Guns N' Roses
Hard Skool
166 bpm • B Maj • 03:41 • -1.8db
53% Popularity • 36% Danceability • 97% Energy • 18% Liveness
9% Instrumentalness • 52% Positiveness
53% Popularity • 36% Danceability • 97% Energy • 18% Liveness
9% Instrumentalness • 52% Positiveness
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Disturbed
Dead Inside
174 bpm • D Maj • 03:58 • -3.22db
48% Popularity • 44% Danceability • 92% Energy • 3% Liveness
12% Instrumentalness • 33% Positiveness
48% Popularity • 44% Danceability • 92% Energy • 3% Liveness
12% Instrumentalness • 33% Positiveness
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My Darkest Days
Come Undone
174 bpm • D# Maj • 04:08 • -4db
54% Popularity • 42% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 42% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Cilver
I'm America
166 bpm • C# min • 03:42 • -2.25db
43% Popularity • 46% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 46% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Bush
The Kingdom
174 bpm • D Maj • 03:47 • -3.89db
36% Popularity • 37% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 37% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Tom Morello
Interstate 80
174 bpm • G Maj • 04:38 • -4.74db
31% Popularity • 36% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 36% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Rise Against
Nowhere Generation
166 bpm • B Maj • 03:52 • -3.99db
48% Popularity • 37% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 37% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Stitched Up Heart
Warrior
165 bpm • A min • 03:10 • -2db
26% Popularity • 39% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 39% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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The Warning
EVOLVE
175 bpm • A min • 03:33 • -5.76db
54% Popularity • 45% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 45% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Butcher Babies
Sleeping with the Enemy
165 bpm • G min • 03:32 • -5.19db
43% Popularity • 44% Danceability • 95% Energy • 35% Liveness
23% Instrumentalness • 46% Positiveness
43% Popularity • 44% Danceability • 95% Energy • 35% Liveness
23% Instrumentalness • 46% Positiveness
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Mammoth WVH
Epiphany
165 bpm • F# min • 04:28 • -4.97db
45% Popularity • 44% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
45% Popularity • 44% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Palaye Royale
Punching Bag
165 bpm • C min • 03:55 • -5db
50% Popularity • 40% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 40% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Dorothy
Made To Die
165 bpm • D Maj • 03:43 • -3.59db
30% Popularity • 36% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 36% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Atreyu
Save Us
165 bpm • C Maj • 02:21 • -4.38db
48% Popularity • 41% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 41% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Dead Sara
Gimme Gimme
176 bpm • C Maj • 03:00 • -3.44db
28% Popularity • 52% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 52% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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The Warning
CHOKE
176 bpm • G min • 03:51 • -4.86db
56% Popularity • 37% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 37% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Mason Hill
Find My Way
176 bpm • C# min • 04:04 • -5.83db
18% Popularity • 42% Danceability • 78% Energy • 17% Liveness
3% Instrumentalness • 50% Positiveness
18% Popularity • 42% Danceability • 78% Energy • 17% Liveness
3% Instrumentalness • 50% Positiveness
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Nonpoint
Ruthless
176 bpm • C# min • 03:13 • -5.15db
41% Popularity • 46% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 46% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Tom Morello
Let’s Get The Party Started
176 bpm • F# Maj • 03:32 • -3.97db
59% Popularity • 34% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 34% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Plush
Hate
164 bpm • C Maj • 03:41 • -1.66db
38% Popularity • 39% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 39% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Corey Taylor
Samantha's Gone
164 bpm • F# Maj • 03:12 • -3.49db
39% Popularity • 42% Danceability • 99% Energy • 32% Liveness
1% Instrumentalness • 50% Positiveness
39% Popularity • 42% Danceability • 99% Energy • 32% Liveness
1% Instrumentalness • 50% Positiveness
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Dorothy
Touched By Fire
164 bpm • D Maj • 03:42 • -2.94db
30% Popularity • 42% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 42% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Bad Wolves
If Tomorrow Never Comes
164 bpm • B min • 03:08 • -4.92db
63% Popularity • 36% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 36% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Alter Bridge
This is War
164 bpm • D# Maj • 04:03 • -5.34db
45% Popularity • 38% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 38% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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The Pretty Reckless
Just Tonight
164 bpm • F# Maj • 02:48 • -2.8db
55% Popularity • 28% Danceability • 95% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
55% Popularity • 28% Danceability • 95% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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Dirty Honey
Fire Away
164 bpm • B min • 04:45 • -7.34db
38% Popularity • 47% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 47% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Mammoth WVH
Distance
177 bpm • D Maj • 04:14 • -5.13db
43% Popularity • 40% Danceability • 96% Energy • 33% Liveness
55% Instrumentalness • 41% Positiveness
43% Popularity • 40% Danceability • 96% Energy • 33% Liveness
55% Instrumentalness • 41% Positiveness
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Dorothy
Top Of The World
164 bpm • F Maj • 04:04 • -2.63db
36% Popularity • 38% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 38% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Dead Sara
Suicidal
177 bpm • C Maj • 03:39 • -8.36db
27% Popularity • 37% Danceability • 85% Energy • 97% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 37% Danceability • 85% Energy • 97% Liveness
0% Instrumentalness • 22% Positiveness
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Saint Asonia
Let Me Live My Life
177 bpm • C# min • 03:11 • -3.54db
54% Popularity • 41% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 41% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Apocalyptica
Talk To Me
178 bpm • D min • 03:28 • -5.87db
51% Popularity • 41% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 41% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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The Pretty Reckless
Light Me Up
178 bpm • D# Maj • 03:27 • -2.81db
38% Popularity • 36% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 36% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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YONAKA
Teach Me To Fight
178 bpm • E min • 03:12 • -2.79db
47% Popularity • 42% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 42% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Myles Kennedy
Get Along
178 bpm • G Maj • 04:12 • -4.08db
28% Popularity • 28% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 28% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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The HU
Sad But True
178 bpm • C# Maj • 05:32 • -5.15db
50% Popularity • 39% Danceability • 90% Energy • 19% Liveness
2% Instrumentalness • 22% Positiveness
50% Popularity • 39% Danceability • 90% Energy • 19% Liveness
2% Instrumentalness • 22% Positiveness
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Shinedown
Cut the Cord
178 bpm • G Maj • 03:44 • -2.97db
68% Popularity • 45% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
68% Popularity • 45% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Sixx:A.M.
Rise
178 bpm • A# Maj • 03:53 • -2.71db
54% Popularity • 32% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 32% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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The Pretty Reckless
Kill Me
178 bpm • A Maj • 03:47 • -4.37db
51% Popularity • 40% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 40% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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The Warning
DISCIPLE
162 bpm • D min • 03:40 • -4.6db
55% Popularity • 47% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 47% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kobra And The Lotus
Burn!
162 bpm • D Maj • 02:44 • -4.32db
34% Popularity • 39% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 39% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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The Saturday Knights
I Go
162 bpm • A Maj • 01:26 • -3.69db
0% Popularity • 67% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 67% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Madame Mayhem
Cruel Heart
180 bpm • F# Maj • 03:24 • -3.91db
15% Popularity • 43% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 43% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Sixx:A.M.
Skin - Rock Mix
161 bpm • B min • 03:50 • -5.64db
39% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Pretty Reckless
Only Love Can Save Me Now - Acoustic
179 bpm • A# min • 04:06 • -4.87db
29% Popularity • 48% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 48% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Icon For Hire
Last One Standing
180 bpm • F min • 03:24 • -5.2db
39% Popularity • 47% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 47% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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The Violent
People Are Strange
180 bpm • C# Maj • 02:27 • -5.33db
36% Popularity • 24% Danceability • 86% Energy • 17% Liveness
14% Instrumentalness • 39% Positiveness
36% Popularity • 24% Danceability • 86% Energy • 17% Liveness
14% Instrumentalness • 39% Positiveness
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Asking Alexandria
They Don't Want What We Want (And They D...
160 bpm • D min • 03:15 • -4.52db
56% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Tom Morello
Hold The Line
160 bpm • C# Maj • 03:12 • -6.1db
52% Popularity • 56% Danceability • 93% Energy • 76% Liveness
3% Instrumentalness • 61% Positiveness
52% Popularity • 56% Danceability • 93% Energy • 76% Liveness
3% Instrumentalness • 61% Positiveness
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Three Days Grace
So Called Life
160 bpm • D Maj • 03:26 • -4.32db
65% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Dead Sara
Good Times
160 bpm • B Maj • 03:42 • -3.42db
22% Popularity • 52% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 52% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
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Sixx:A.M.
Prayers For The Damned
160 bpm • B min • 04:39 • -3.57db
47% Popularity • 40% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 40% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Alter Bridge
Rise Today
160 bpm • G Maj • 04:21 • -4.03db
45% Popularity • 34% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 34% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Grey Daze
Sometimes
160 bpm • E min • 03:26 • -4db
43% Popularity • 46% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 46% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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The Offspring
Let The Bad Times Roll
159 bpm • F# Maj • 03:18 • -1db
62% Popularity • 50% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
62% Popularity • 50% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Shinedown
Atlas Falls
182 bpm • C# min • 03:12 • -3.41db
54% Popularity • 39% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 39% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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The Pretty Reckless
Only You
182 bpm • F# Maj • 03:37 • -5.39db
39% Popularity • 33% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 33% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Greta Van Fleet
Built By Nations
157 bpm • A Maj • 03:58 • -3.81db
58% Popularity • 25% Danceability • 94% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
58% Popularity • 25% Danceability • 94% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
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In This Moment
We Will Rock You
157 bpm • B min • 03:05 • -4.66db
50% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Dirty Honey
The Wire
184 bpm • G# Maj • 03:05 • -4.24db
40% Popularity • 39% Danceability • 89% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 39% Danceability • 89% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
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Sixx:A.M.
Stars
157 bpm • G Maj • 03:50 • -2.63db
53% Popularity • 50% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 50% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Shinedown
Planet Zero
158 bpm • A Maj • 03:42 • -3db
58% Popularity • 42% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 42% Danceability • 96% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
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The Pretty Reckless
Cold Blooded
158 bpm • F min • 04:43 • -3.2db
38% Popularity • 29% Danceability • 72% Energy • 25% Liveness
10% Instrumentalness • 52% Positiveness
38% Popularity • 29% Danceability • 72% Energy • 25% Liveness
10% Instrumentalness • 52% Positiveness
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New Years Day
Come For Me
184 bpm • E min • 03:34 • -2.71db
44% Popularity • 40% Danceability • 96% Energy • 16% Liveness
3% Instrumentalness • 54% Positiveness
44% Popularity • 40% Danceability • 96% Energy • 16% Liveness
3% Instrumentalness • 54% Positiveness
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Stitched Up Heart
My Demon
157 bpm • F# min • 03:09 • -2.35db
42% Popularity • 47% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 47% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Cavo
Champagne
185 bpm • F min • 03:07 • -4db
50% Popularity • 37% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 37% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Struts
Wild Child
156 bpm • F# min • 03:42 • -2.64db
44% Popularity • 23% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 23% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Cilver
Turns Me On
156 bpm • G# Maj • 03:17 • -3db
32% Popularity • 38% Danceability • 94% Energy • 34% Liveness
3% Instrumentalness • 66% Positiveness
32% Popularity • 38% Danceability • 94% Energy • 34% Liveness
3% Instrumentalness • 66% Positiveness
