Songs like Only Us - From The “Dear Evan Hansen” Original Motion Picture Soundtrack by Kaitlyn Dever
Based on a tempo of (+/- 10%) and a similar genre
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Kelly Clarkson
Since U Been Gone - Juliet’s Version
137 bpm • F# Maj • 02:49 • -4db
33% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Cast of Schmigadoon!
Schmigadoon!
137 bpm • G Maj • 04:12 • -8.63db
24% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 56% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Kaitlyn Dever
Only Us
137 bpm • C# Maj • 03:59 • -8.39db
41% Popularity • 36% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 36% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Phillipa Soo
That Would Be Enough
137 bpm • D Maj • 02:58 • -10.28db
63% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 50% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Chris Jared
When The Booth Goes Bright - Original Lo...
136 bpm • F Maj • 03:01 • -10db
24% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
28% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Andrew Durand
Somebody Will
136 bpm • G Maj • 03:08 • -5.36db
30% Popularity • 52% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 52% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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The Cast of Schmigadoon!
How We Change/Finale
138 bpm • A Maj • 03:40 • -8.5db
21% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Original Broadway Cast of Sing Street
Go Now
136 bpm • A Maj • 03:37 • -9.52db
23% Popularity • 49% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 49% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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Isabella Richardson
Galaxies
136 bpm • C Maj • 04:27 • -11db
28% Popularity • 51% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 51% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Doyle
We Kiss In A Shadow
136 bpm • G Maj • 03:36 • -7.18db
10% Popularity • 46% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 46% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Christina Perri
evergone
139 bpm • D# Maj • 03:29 • -8.05db
39% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Taylor Trensch
Obvious - Bonus Track
135 bpm • G Maj • 04:14 • -8.85db
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Max Harwood
My Man Your Boy
138 bpm • F# min • 02:32 • -13.03db
17% Popularity • 37% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 37% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Platt
carefully
135 bpm • C Maj • 04:45 • -8.74db
37% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kimberly Knighton
Remember Me / When She Loved Me
135 bpm • A# Maj • 04:41 • -15.18db
26% Popularity • 42% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 42% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Rita Moreno
Somewhere
139 bpm • A Maj • 03:10 • -30.07db
37% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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SIX
SIX
135 bpm • D# Maj • 04:54 • -7db
49% Popularity • 60% Danceability • 79% Energy • 71% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 60% Danceability • 79% Energy • 71% Liveness
0% Instrumentalness • 44% Positiveness
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Barlow & Bear
Entertain Me
139 bpm • F min • 03:32 • -5.93db
36% Popularity • 45% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 45% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jo Ellen Pellman
Unruly Heart
139 bpm • F Maj • 03:59 • -7.81db
34% Popularity • 37% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 37% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Brady
Footprints on The Sand
139 bpm • C Maj • 03:23 • -11db
31% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 39% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ansel Elgort
One Hand, One Heart
135 bpm • F# Maj • 03:45 • -22.83db
39% Popularity • 20% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Larry Owens
A Strange Loop
140 bpm • A# Maj • 03:20 • -7db
14% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
30% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Ben Platt
In Case You Don't Live Forever
140 bpm • A Maj • 03:48 • -8.24db
53% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Liam Tamne
Make It Right
134 bpm • C Maj • 03:18 • -8.57db
31% Popularity • 28% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 28% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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SuperYou
Fragmented
140 bpm • E min • 03:10 • -11.15db
9% Popularity • 50% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 50% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Analise Scarpaci
What The Hell
140 bpm • F# Maj • 03:16 • -6.86db
36% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 75% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Ryan Vasquez
Leave The Light On
140 bpm • A Maj • 03:54 • -10.57db
38% Popularity • 46% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 46% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Pentatonix
It's Different Now
140 bpm • C Maj • 03:37 • -7.82db
25% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Cast of Legacies
I'll Be OK
140 bpm • B Maj • 02:16 • -13.5db
24% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tam Mutu
On the Edge of Time
140 bpm • A# Maj • 03:37 • -11.76db
11% Popularity • 24% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 24% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Barlow & Bear
Balancing the Scales
134 bpm • A# Maj • 02:22 • -8db
35% Popularity • 42% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 42% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Joshua Bassett
Crisis
134 bpm • D Maj • 03:09 • -6.62db
48% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Pentatonix
Love Me When I Don't
140 bpm • D# Maj • 03:20 • -5db
42% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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FINNEAS
A Little Closer (FINNEAS Version)
140 bpm • B Maj • 04:02 • -17.09db
38% Popularity • 37% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 37% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Ben Platt
Cherry On Top
134 bpm • E Maj • 04:14 • -5.36db
0% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Blake McGrath
Trust Me Again
133 bpm • A Maj • 04:12 • -7db
25% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Billy Porter
Not My Father's Son
141 bpm • A Maj • 05:57 • -13.62db
33% Popularity • 45% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 45% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Joey Contreras
Love Wildly
141 bpm • C Maj • 03:09 • -4.8db
16% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 62% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Andrew Lloyd Webber
Marry For Love - Full Version / Bonus Tr...
133 bpm • G# Maj • 02:21 • -11.87db
11% Popularity • 22% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 22% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Meryl Streep
Changing Lives
142 bpm • F# Maj • 03:09 • -6db
32% Popularity • 61% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 61% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Carrie St. Louis
Foolish Games
142 bpm • F# Maj • 03:31 • -9.86db
19% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 44% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Scott & Ryceejo
A Million Dreams / Daisies
132 bpm • F# Maj • 04:18 • -7.95db
14% Popularity • 35% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 35% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Cassidy Janson
I Want It That Way
142 bpm • E min • 01:43 • -9db
39% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Joey Contreras
First Sign of Forever
133 bpm • G Maj • 03:50 • -13.41db
19% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jeremy Kushnier
Almost Paradise
143 bpm • G Maj • 03:20 • -14db
30% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Megan McGinnis
The Color of Your Eyes
131 bpm • F Maj • 03:01 • -10db
26% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Solea Pfeiffer
Morocco
131 bpm • B Maj • 03:28 • -9.16db
10% Popularity • 41% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 41% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Lucy
Someone Like You
131 bpm • F Maj • 03:46 • -11db
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Meryl Streep
Changing Lives - Reprise
144 bpm • E min • 01:54 • -6.57db
28% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 48% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Liam Pearce
Building Momentum
144 bpm • G# Maj • 02:48 • -7.27db
27% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sian Fuller
Drivers License - The Voice Australia 20...
144 bpm • A# Maj • 01:36 • -9.57db
25% Popularity • 42% Danceability • 33% Energy • 62% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 42% Danceability • 33% Energy • 62% Liveness
0% Instrumentalness • 30% Positiveness
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Diana Original Broadway Cast
As I Love You
144 bpm • D# Maj • 02:35 • -9.16db
21% Popularity • 40% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 40% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Oliver Tompsett
Breathe and Be Brave
144 bpm • G min • 03:30 • -8.23db
9% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Jo Ellen Pellman
You Happened
130 bpm • C Maj • 03:11 • -6.79db
35% Popularity • 73% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 73% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Tori Kelly
Waving Through A Window (Tori Kelly Vers...
130 bpm • D# Maj • 04:26 • -7.91db
38% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Holden William Hagelberger
On With the Show
145 bpm • A# Maj • 04:57 • -6.81db
13% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Rob Rokicki
Try - Bonus Track
130 bpm • D Maj • 03:36 • -6db
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Dahan
A New Horizon
145 bpm • B Maj • 04:38 • -9db
24% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Keala Settle
I Can't Let You In
130 bpm • A# Maj • 04:21 • -9.24db
13% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Liz Callaway
Meadowlark (The Baker's Wife)
129 bpm • E Maj • 05:31 • -8.37db
25% Popularity • 30% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 30% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Platt
Waving Through A Window
145 bpm • A Maj • 03:55 • -6.45db
45% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Cast Recording
Bare
146 bpm • E Maj • 02:58 • -11.77db
27% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Ingrid Michaelson
If This Is Love
128 bpm • D Maj • 02:46 • -13.38db
37% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Kazee
Falling Slowly
128 bpm • C Maj • 04:26 • -12.65db
46% Popularity • 45% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 45% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Rueby Wood
Big Time
128 bpm • C# Maj • 03:05 • -6db
23% Popularity • 77% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 77% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Betsy Wolfe
Domino
128 bpm • F# min • 02:33 • -3.95db
40% Popularity • 80% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 80% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Melissa Barrera
It Won't Be Long Now
128 bpm • D Maj • 03:38 • -8.56db
46% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Cassidy Janson
Domino
128 bpm • C Maj • 02:32 • -5.69db
38% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Steve Kazee
Falling Slowly (Reprise)
127 bpm • C Maj • 05:01 • -13.46db
28% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Broadway Kids Against Bullying
I Have a Voice
148 bpm • F# Maj • 03:54 • -12db
24% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Santino Fontana
Do I Love You Because You’re Beautiful...
127 bpm • G Maj • 02:46 • -5.26db
10% Popularity • 52% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 52% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Barlow & Bear
Tis the Season
127 bpm • C# Maj • 05:18 • -8.22db
38% Popularity • 56% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 56% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Jessie Mueller
A Soft Place to Land
127 bpm • E Maj • 02:57 • -10.69db
45% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Original Broadway Cast of Sing Street
Just Can't Get Enough
127 bpm • C Maj • 02:54 • -10.47db
12% Popularity • 78% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 78% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Taylor Swift
Breathe (Taylor’s Version)
148 bpm • C# Maj • 04:23 • -6.07db
66% Popularity • 51% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 51% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Joey Contreras
Unsaid
127 bpm • C Maj • 03:30 • -6.14db
17% Popularity • 45% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 45% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
He's My Boy
126 bpm • A# Maj • 05:26 • -6.66db
36% Popularity • 38% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 38% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Krystina Alabado
The Story of The Phantom
126 bpm • C# min • 05:13 • -8.83db
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Casey Likes
No Friends
125 bpm • F Maj • 04:45 • -6.23db
26% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Christopher Fitzgerald
I Love You Like a Table
126 bpm • G# Maj • 01:56 • -5.46db
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Jessie Mueller
She Used to Be Mine
125 bpm • F# Maj • 04:20 • -8.57db
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Andrew Garfield
Swimming
150 bpm • B Maj • 03:16 • -6.37db
44% Popularity • 45% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 45% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Cast of Ghost - The Musical
Here Right Now
150 bpm • A Maj • 03:07 • -5.95db
23% Popularity • 39% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 39% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
31% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Ben Platt
Andrew
150 bpm • B Maj • 04:00 • -8.06db
57% Popularity • 48% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 48% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Swift
Run (Taylor’s Version)
125 bpm • D# Maj • 04:00 • -6.92db
68% Popularity • 61% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 61% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Acapop! KIDS
My Turn
150 bpm • F# Maj • 02:18 • -7.99db
25% Popularity • 29% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 29% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
