Songs like Ooh Poo Pah Doo (Pt. 1) - 2002 Remaster by Jessie Hill
Based on a tempo of (+/- 10%) and a similar genre
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Jewel & the Rubies
Kidnapper
132 bpm • F Maj • 02:49 • -7.78db
18% Popularity • 84% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 84% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
132 bpm • D# Maj • 01:48 • -4.85db
34% Popularity • 43% Danceability • 86% Energy • 27% Liveness
77% Instrumentalness • 78% Positiveness
34% Popularity • 43% Danceability • 86% Energy • 27% Liveness
77% Instrumentalness • 78% Positiveness
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Sugar Pie DeSanto
Use What You Got
132 bpm • F Maj • 02:40 • -8.02db
29% Popularity • 66% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 66% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Jessie Hill
Why Holler - Remastered
132 bpm • G# Maj • 02:26 • -10.04db
0% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Barrett Strong
You Knows What To Do - Single Version
132 bpm • C Maj • 02:42 • -7db
12% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Benny Spellman
Lipstick Traces
132 bpm • D# Maj • 02:23 • -12db
12% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Magic Sam
21 Days in Jail
132 bpm • G# Maj • 01:58 • -7.47db
13% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Don & Dewey
Farmer John
133 bpm • C Maj • 02:29 • -11.02db
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 68% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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The Olympics
Big Boy Pete '65
131 bpm • A# Maj • 02:29 • -9.16db
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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Jessie Hill
Ooh Poo Pah Doo (Pt. 1) - 2002 Remaster
132 bpm • B min • 02:19 • -10db
33% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 73% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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The Mar-Keys
Morning After
133 bpm • C Maj • 02:14 • -7.64db
21% Popularity • 59% Danceability • 59% Energy • 16% Liveness
76% Instrumentalness • 94% Positiveness
21% Popularity • 59% Danceability • 59% Energy • 16% Liveness
76% Instrumentalness • 94% Positiveness
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Chuck Willis
Hang up My Rock and Roll Shoes
131 bpm • F Maj • 02:19 • -8db
29% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Bobby "Blue" Bland
36-22-36
133 bpm • A# min • 02:50 • -9db
29% Popularity • 61% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 61% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Clarence "Frogman" Henry
Lonely Tramp
133 bpm • C Maj • 02:25 • 0.59db
10% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Rosco Gordon
Surely I Love You
131 bpm • G# Maj • 02:25 • -14.49db
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
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Jessie Hill
Ooh Poo Pah Do (Pt. 1)
131 bpm • B min • 02:17 • -10.59db
21% Popularity • 70% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 70% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 66% Positiveness
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Little Willie John
Take My Love (I Want To Give It All To Y...
131 bpm • C# Maj • 02:44 • -12.65db
8% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Frankie Ford
Alimony
131 bpm • C min • 02:18 • -6db
20% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 86% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette)
133 bpm • D# Maj • 02:25 • -7.46db
26% Popularity • 59% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 59% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Charles Shefield
It´s Your Voodoo Working
133 bpm • D min • 01:47 • -4.56db
22% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 63% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Ernie K-Doe
a Certain Girl
131 bpm • C# Maj • 02:49 • -9db
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Part 1
133 bpm • A Maj • 02:21 • -11.46db
26% Popularity • 72% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 72% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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Ike Turner
Cubano Jump
131 bpm • G# Maj • 02:17 • -5.82db
11% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
11% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
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The Orioles
Hey Little Woman
131 bpm • E min • 02:21 • -11.95db
12% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette) - Remas...
133 bpm • D# Maj • 02:27 • -7db
8% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Charles Sheffield
It's Your Voodoo Working
134 bpm • D min • 01:46 • -9db
17% Popularity • 61% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 61% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Barbara Lynn
You Left the Water Running
130 bpm • A min • 02:11 • -8.5db
33% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Jessie Hill
Highhead Blues
133 bpm • G# Maj • 02:05 • -5.84db
1% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
1% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Ernie K-Doe
Mother-In-Law - Remastered
130 bpm • D# Maj • 02:31 • -9.72db
36% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
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Smiley Lewis
One Night
130 bpm • D Maj • 02:16 • -7db
13% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 55% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
130 bpm • D# Maj • 01:51 • -8db
39% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
39% Popularity • 50% Danceability • 68% Energy • 18% Liveness
74% Instrumentalness • 78% Positiveness
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Jessie Hill
Tv Guide
131 bpm • C min • 02:44 • -10.44db
0% Popularity • 82% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 82% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Bo
Dinky Doo
134 bpm • D# Maj • 02:16 • -10.65db
13% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Orlons
The Wah Watusi
134 bpm • E min • 02:30 • -6.12db
42% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Ike Turner
I'm Tore Up
134 bpm • A min • 02:23 • -8.72db
14% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Ernie K-Doe
A Certain Girl
130 bpm • C# Maj • 02:44 • -10.36db
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Ann Cole
Got My Mo-Jo Working (But It Just Won't ...
130 bpm • D# Maj • 02:37 • -7.59db
16% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Jessie Hill
Why Holler?
133 bpm • C min • 02:25 • -14.61db
0% Popularity • 61% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 61% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Earl King
Come On, Pt. 1
134 bpm • A Maj • 02:32 • -7db
30% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Major Lance
Delilah
130 bpm • F# Maj • 02:21 • -10db
17% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Garnet Mimms
A Little Bit Of Soap
134 bpm • D# Maj • 02:22 • -11db
15% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Ernie K-Doe
Te-Ta-Te-Ta-Ta - Remastered
134 bpm • F Maj • 02:37 • -9.08db
21% Popularity • 60% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Nat Kendrick & The Swans
Mashed Potatoes, Pt. 1
134 bpm • G Maj • 01:45 • -9db
21% Popularity • 69% Danceability • 85% Energy • 21% Liveness
18% Instrumentalness • 96% Positiveness
21% Popularity • 69% Danceability • 85% Energy • 21% Liveness
18% Instrumentalness • 96% Positiveness
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Jessie Hill
Ooh Pooh Pah Doo
131 bpm • B min • 02:20 • -16.98db
0% Popularity • 71% Danceability • 47% Energy • 83% Liveness
86% Instrumentalness • 78% Positiveness
0% Popularity • 71% Danceability • 47% Energy • 83% Liveness
86% Instrumentalness • 78% Positiveness
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Claudine Clark
Party Lights
135 bpm • C Maj • 02:21 • 0.26db
19% Popularity • 69% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 69% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Floyd Dixon
Hey, Bartender
135 bpm • A# Maj • 03:25 • -6db
36% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Arthur Alexander
A Shot of Rhythm and Blues
135 bpm • G# Maj • 01:59 • -5db
22% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Smiley Lewis
I Hear You Knocking
135 bpm • E Maj • 02:31 • -8db
13% Popularity • 61% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 61% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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Chuck Willis
Betty and Dupree
135 bpm • A# Maj • 02:26 • -7db
17% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Pts. 1 & 2
131 bpm • A Maj • 04:25 • -13db
10% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 62% Energy • 49% Liveness
0% Instrumentalness • 89% Positiveness
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The Mar-Keys
Philly Dog
135 bpm • D# Maj • 02:18 • -13db
19% Popularity • 91% Danceability • 56% Energy • 9% Liveness
85% Instrumentalness • 97% Positiveness
19% Popularity • 91% Danceability • 56% Energy • 9% Liveness
85% Instrumentalness • 97% Positiveness
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Magic Sam
I Just Want A Little Bit
135 bpm • G# Maj • 03:04 • -11db
22% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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The Valentinos
Lookin' For A Love
135 bpm • D min • 02:32 • -8db
31% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
31% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Garnet Mimms & The Enchanters
Nobody But You
129 bpm • A# Maj • 02:15 • -11.55db
27% Popularity • 62% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 62% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Jessie Hill
Tv Guide
131 bpm • C min • 02:54 • -6.16db
0% Popularity • 81% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 81% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmy Hughes
It Ain't What You Got
135 bpm • G# Maj • 02:13 • -5db
28% Popularity • 72% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 72% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Hank Ballard
Sexy Ways
128 bpm • G# Maj • 02:30 • -7db
12% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Ernie K-Doe
Mother-in-Law
128 bpm • G min • 02:34 • -11db
10% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Nash
Love Ain't Nothing (But A Monkey On Your...
128 bpm • A# Maj • 02:16 • -9db
38% Popularity • 59% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 59% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Don Covay
See Saw
136 bpm • D Maj • 03:00 • -11db
28% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Jessie Hill
Ooh Poo Pah Doo - Remastered
133 bpm • A Maj • 02:19 • -8.24db
3% Popularity • 70% Danceability • 74% Energy • 71% Liveness
0% Instrumentalness • 70% Positiveness
3% Popularity • 70% Danceability • 74% Energy • 71% Liveness
0% Instrumentalness • 70% Positiveness
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Herb Hardesty
Just a Little Bit of Everything
128 bpm • A# min • 02:44 • -9db
14% Popularity • 70% Danceability • 46% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
14% Popularity • 70% Danceability • 46% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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Hank Ballard
Let's Go Let's Go Let's Go
128 bpm • G# Maj • 02:26 • -7db
31% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Earl King
Let's Make A Better World
128 bpm • A Maj • 03:05 • -7.35db
16% Popularity • 88% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 88% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Arthur Alexander
Hey! Baby!
136 bpm • C Maj • 02:13 • -11db
13% Popularity • 58% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
13% Popularity • 58% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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The Chips
You Make Me Feel So Good
128 bpm • F# Maj • 02:11 • -11.92db
15% Popularity • 63% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 63% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Jessie Hill
Ooh Poo Pah Doo Parts 1 & 2 - Remastered
130 bpm • E Maj • 04:37 • -15.68db
3% Popularity • 61% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
3% Popularity • 61% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Little Willie John
My Nerves
127 bpm • G# min • 02:33 • -7db
18% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Big Maybelle
Ocean Of Tears
137 bpm • D# min • 02:29 • -10.3db
20% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy Hughes
A Shot of Rhythm And Blues
137 bpm • G# Maj • 02:20 • -5.09db
17% Popularity • 78% Danceability • 83% Energy • 94% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 78% Danceability • 83% Energy • 94% Liveness
0% Instrumentalness • 96% Positiveness
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Shirley & Lee
Feel So Good
137 bpm • A Maj • 02:51 • -13.16db
14% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 72% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Baby Washington
A Handful Of Memories
137 bpm • A min • 02:19 • -10.6db
19% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Jessie Hill
Ooh Poo Pah Doo, Part 2
129 bpm • A Maj • 02:17 • -13.74db
10% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Little Willie John
All Around The World
127 bpm • G Maj • 03:03 • -9db
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Titus Turner
Hungry Man
127 bpm • F min • 02:26 • -3db
30% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 51% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Sugar Pie DeSanto
Can't Let You Go
127 bpm • A# Maj • 02:45 • -8.26db
33% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Clyde McPhatter
Bip Bam
137 bpm • D# Maj • 02:45 • -10.9db
21% Popularity • 79% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 79% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The Ad Libs
He Ain't No Angel
137 bpm • E min • 02:40 • -6db
10% Popularity • 58% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 58% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Jessie Hill
Scoop Scoobie Doobie
136 bpm • A Maj • 02:53 • -5.84db
8% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Smiley Lewis
Caldonia's Party
138 bpm • C# Maj • 02:10 • -8db
10% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 48% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Little Willie John
My Nerves
127 bpm • C# min • 02:33 • -10.01db
14% Popularity • 48% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 48% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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The Mar-Keys
Last Night
127 bpm • C Maj • 02:39 • -4db
46% Popularity • 72% Danceability • 56% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
46% Popularity • 72% Danceability • 56% Energy • 7% Liveness
87% Instrumentalness • 86% Positiveness
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Ernie K-Doe
Tain't It The Truth
127 bpm • D# Maj • 02:33 • -11.87db
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The "5" Royales
Think
127 bpm • G# Maj • 02:35 • -9db
19% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Jessie Hill
My Love
128 bpm • C min • 02:45 • -17.34db
2% Popularity • 37% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 37% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Sugar Pie DeSanto
I Want To Know
126 bpm • C Maj • 03:00 • -6.38db
30% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Willie Cobbs
You Don't Love Me
138 bpm • D Maj • 02:36 • -5.84db
29% Popularity • 36% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
29% Popularity • 36% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:09 • -14db
31% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Sam & Dave
Soothe Me
126 bpm • F# Maj • 02:32 • -13.42db
52% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
52% Popularity • 75% Danceability • 33% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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The "5" Royales
Catch That Teardrop
138 bpm • G Maj • 02:25 • -6db
16% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Valentinos
I've Got Love For You
126 bpm • F Maj • 02:30 • -7.18db
27% Popularity • 77% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 77% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Jessie Hill
Chip Chop (My Fair Lady)
127 bpm • G Maj • 02:18 • -5.33db
0% Popularity • 64% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 64% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
