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Opening Number
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Opening Number
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Santino Fontana
Based on a tempo of (+/- 10%) and a similar genre
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Diane Phelan
How We Gonna Save The World?
140 bpm • A Maj • 01:04 • -6db
4% Popularity • 56% Danceability • 61% Energy • 73% Liveness
0% Instrumentalness • 77% Positiveness
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Karen Prunczik
Sunny Side to Every Situation
139 bpm • D# Maj • 02:20 • -18.92db
19% Popularity • 37% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
31% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sierra Boggess
Let Your Heart Be Your Compass
139 bpm • D Maj • 05:20 • -9.04db
8% Popularity • 45% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Emily Padgett
Typical Girls Next Door
139 bpm • C# Maj • 02:05 • -7.67db
9% Popularity • 61% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Rodgers + Hammerstein's Cinderella Original Broadway Ensemble
Transformations
138 bpm • G Maj • 02:10 • -9.29db
26% Popularity • 47% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
37% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Peter Bartlett
A Romantic Atmosphere
142 bpm • G Maj • 04:50 • -10.65db
18% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Alix Korey
The Rumor
142 bpm • C Maj • 02:18 • -8.1db
21% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Santino Fontana
Whaddya Do
138 bpm • C min • 02:33 • -9.12db
18% Popularity • 80% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Corey Brunish
Danza
142 bpm • D Maj • 03:27 • -6.72db
0% Popularity • 32% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Santino Fontana
The Pursuit
138 bpm • C Maj • 04:26 • -8.98db
25% Popularity • 53% Danceability • 38% Energy • 5% Liveness
8% Instrumentalness • 32% Positiveness
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Andy Grotelueschen
Whaddya Do - Reprise
138 bpm • C# Maj • 00:50 • -10.22db
12% Popularity • 76% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Rosalie Craig
Marry Me a Little
142 bpm • D Maj • 04:55 • -14.08db
25% Popularity • 47% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
16% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
41% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Will Reynolds
Sail On, Santa Maria!
137 bpm • G Maj • 03:05 • -10.13db
20% Popularity • 50% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Santino Fontana
New York Day
137 bpm • C Maj • 02:26 • -11.48db
1% Popularity • 33% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
41% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
21% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Idina Menzel
Let It Go
137 bpm • G# Maj • 03:43 • -6.85db
75% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
37% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
27% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Debbie Gravitte
We Are Gonna Save The World
137 bpm • E Maj • 05:39 • -9.06db
1% Popularity • 57% Danceability • 39% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
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Corey Brunish
That Ship Has Sailed
143 bpm • C# Maj • 03:17 • -7.79db
1% Popularity • 41% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Trensch
The Seven Deadly Virtues
137 bpm • C# Maj • 01:39 • -10.93db
18% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Rosalie Craig
Company
144 bpm • D Maj • 05:08 • -11.65db
28% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
29% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Santino Fontana
A Guy Without A Girl
144 bpm • C# Maj • 05:21 • -11.63db
0% Popularity • 58% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Christian Borle
Dentist!
136 bpm • E min • 02:22 • -7.68db
39% Popularity • 76% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
18% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Platt
How Can I Call This Home?
136 bpm • D Maj • 02:42 • -7.49db
34% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
25% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
28% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow - Reprise
145 bpm • D Maj • 01:09 • -11.76db
14% Popularity • 26% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Will Reynolds
Moment to Moment
145 bpm • D Maj • 02:25 • -10.23db
13% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
45% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces
135 bpm • C Maj • 03:04 • -12.84db
22% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Kevin Chamberlin
Horton Sits On The Egg / Act I Finale - ...
135 bpm • F Maj • 02:21 • -10.48db
30% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
23% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
31% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Corey Brunish
Marcello's Prayer
146 bpm • A min • 01:53 • -6.43db
2% Popularity • 51% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Crazy Ex-Girlfriend Cast
Flooded with Justice - Commentary
134 bpm • F# Maj • 02:42 • -27.48db
1% Popularity • 70% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Charles Strouse
Annie: N.Y.C
147 bpm • C min • 04:51 • -13db
30% Popularity • 42% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Michael McCormick
Eye To Eye
133 bpm • G Maj • 03:35 • -9.28db
1% Popularity • 70% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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John Bolton
Meant to Be
148 bpm • F Maj • 01:40 • -10.5db
37% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
32% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Kooman & Dimond
I Think That He Likes Me
148 bpm • C Maj • 02:35 • -7.34db
30% Popularity • 60% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Diana Original Broadway Cast
The Worst Job In England
148 bpm • F Maj • 03:00 • -6.15db
24% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
28% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Megan McGinnis
Who Is This Man?
132 bpm • D Maj • 01:58 • -9db
19% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
37% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Rose
Some People
132 bpm • C Maj • 03:12 • -5db
24% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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John Behlmann
This Thing
149 bpm • C Maj • 03:15 • -7.26db
14% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
30% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
25% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Charles Strouse
Annie: We'd Like to Thank You, Herbert H...
131 bpm • C Maj • 02:27 • -13.71db
28% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Santino Fontana
Arrivederci!
132 bpm • B Maj • 00:55 • -8.21db
11% Popularity • 73% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Andy Karl
Day One
131 bpm • D Maj • 10:19 • -7.26db
30% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Will Brill
It’s A Scandal! It’s A Outrage!
150 bpm • D Maj • 02:51 • -8.62db
20% Popularity • 77% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
26% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Will Reynolds
Great Interest (Reprise)
130 bpm • D Maj • 02:35 • -9.84db
13% Popularity • 56% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 26% Positiveness
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Aidan Gemme
We Own The Night - Original Broadway Cas...
130 bpm • C# Maj • 03:04 • -9.25db
25% Popularity • 78% Danceability • 45% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Two Kinsmen
130 bpm • D Maj • 01:32 • -8.93db
17% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
24% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Heidi Blickenstaff
Today and Ev'ry Day
129 bpm • A Maj • 06:57 • -8db
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Kerry Butler
What's Wrong With Me? (Reprise)
129 bpm • C Maj • 01:50 • -8.37db
44% Popularity • 39% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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John Cariani
To Thine Own Self
129 bpm • G min • 03:58 • -7.8db
35% Popularity • 63% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Matthew Morrison
Believe - Original Broadway Cast Recordi...
129 bpm • C Maj • 03:50 • -7.27db
28% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Hunter Foster
I'm Trying
152 bpm • F# Maj • 04:47 • -13.77db
20% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Will Reynolds
A Machine, Pt. 1
152 bpm • E Maj • 00:44 • -15.62db
16% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Corey Brunish
Rest in Peas
152 bpm • A# Maj • 01:50 • -14.31db
3% Popularity • 59% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Christopher Sieber
The Acceptance Song
152 bpm • A# Maj • 03:14 • -5.35db
29% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Opening Number