Songs like Ophelia - Remastered 2000 by The Band
Based on a tempo of (+/- 10%) and a similar genre
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The Doobie Brothers
Mamaloi
92 bpm • D Maj • 02:30 • -14.59db
49% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Tedeschi Trucks Band
Don't Know What It Means
92 bpm • B min • 06:00 • -9.2db
45% Popularity • 65% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
45% Popularity • 65% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
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The Band
Ophelia - Remastered 2000
92 bpm • C Maj • 03:32 • -7.4db
53% Popularity • 83% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
53% Popularity • 83% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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The Flying Burrito Brothers
Four Days Of Rain
92 bpm • D Maj • 03:39 • -12.37db
29% Popularity • 45% Danceability • 55% Energy • 33% Liveness
4% Instrumentalness • 76% Positiveness
29% Popularity • 45% Danceability • 55% Energy • 33% Liveness
4% Instrumentalness • 76% Positiveness
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J.J. Cale
Call Me The Breeze
92 bpm • B Maj • 02:36 • -15.37db
60% Popularity • 81% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
60% Popularity • 81% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Loudon Wainwright III
The Swimming Song
93 bpm • A Maj • 02:27 • -11.29db
53% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 67% Positiveness
53% Popularity • 60% Danceability • 58% Energy • 11% Liveness
9% Instrumentalness • 67% Positiveness
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Derek & The Dominos
Keep On Growing
93 bpm • A# Maj • 06:20 • -6db
41% Popularity • 51% Danceability • 91% Energy • 13% Liveness
28% Instrumentalness • 72% Positiveness
41% Popularity • 51% Danceability • 91% Energy • 13% Liveness
28% Instrumentalness • 72% Positiveness
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Allman Brothers Band
Ain't Wastin' Time No More
91 bpm • D# Maj • 03:41 • -13.4db
54% Popularity • 45% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
54% Popularity • 45% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Ryan Adams
To Be Young (Is to Be Sad, Is to Be High...
93 bpm • G Maj • 03:04 • -6db
53% Popularity • 49% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 49% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Faces
Stay with Me
91 bpm • A Maj • 04:39 • -8.38db
60% Popularity • 46% Danceability • 87% Energy • 36% Liveness
6% Instrumentalness • 81% Positiveness
60% Popularity • 46% Danceability • 87% Energy • 36% Liveness
6% Instrumentalness • 81% Positiveness
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The Guess Who
American Woman
93 bpm • D Maj • 05:07 • -8.51db
63% Popularity • 55% Danceability • 73% Energy • 43% Liveness
1% Instrumentalness • 37% Positiveness
63% Popularity • 55% Danceability • 73% Energy • 43% Liveness
1% Instrumentalness • 37% Positiveness
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James Gang
Funk #49
91 bpm • D Maj • 04:06 • -7.93db
59% Popularity • 65% Danceability • 94% Energy • 6% Liveness
78% Instrumentalness • 72% Positiveness
59% Popularity • 65% Danceability • 94% Energy • 6% Liveness
78% Instrumentalness • 72% Positiveness
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Widespread Panic
Pickin' Up The Pieces
93 bpm • E min • 04:24 • -12.65db
43% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Band
Rag Mama Rag
91 bpm • F min • 03:02 • -8db
40% Popularity • 61% Danceability • 82% Energy • 9% Liveness
4% Instrumentalness • 93% Positiveness
40% Popularity • 61% Danceability • 82% Energy • 9% Liveness
4% Instrumentalness • 93% Positiveness
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Tedeschi Trucks Band
Anyhow
93 bpm • A Maj • 06:35 • -9.29db
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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The Byrds
Wasn't Born to Follow
93 bpm • G Maj • 02:03 • -8.85db
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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John Hiatt
Memphis In The Meantime
91 bpm • E Maj • 03:59 • -11db
40% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Tom Petty
Yer So Bad
90 bpm • G Maj • 03:05 • -12.86db
59% Popularity • 57% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 57% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Allman Brothers Band
Blue Sky
94 bpm • E Maj • 05:11 • -13.45db
58% Popularity • 49% Danceability • 47% Energy • 13% Liveness
75% Instrumentalness • 85% Positiveness
58% Popularity • 49% Danceability • 47% Energy • 13% Liveness
75% Instrumentalness • 85% Positiveness
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The Band
Life Is A Carnival - Remastered
91 bpm • E Maj • 03:55 • -7.39db
23% Popularity • 64% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 64% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Warren Zevon
Carmelita
94 bpm • E Maj • 03:34 • -14db
47% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Doc Watson
Deep River Blues
94 bpm • F Maj • 03:12 • -19.21db
48% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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North Mississippi Allstars
Up and Rolling
90 bpm • D Maj • 05:03 • -7.47db
46% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Traffic
Medicated Goo
94 bpm • G Maj • 03:37 • -10db
43% Popularity • 50% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
43% Popularity • 50% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Lucinda Williams
Can't Let Go
94 bpm • G Maj • 03:28 • -8.61db
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
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Jimi Hendrix
Castles Made of Sand
94 bpm • B min • 02:48 • -9.16db
61% Popularity • 46% Danceability • 71% Energy • 68% Liveness
2% Instrumentalness • 45% Positiveness
61% Popularity • 46% Danceability • 71% Energy • 68% Liveness
2% Instrumentalness • 45% Positiveness
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Warren Zevon
Lawyers, Guns and Money
94 bpm • A Maj • 03:30 • -6.68db
53% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Doc Watson
Sittin On Top Of The World
89 bpm • D# Maj • 02:39 • -21.44db
52% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 55% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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The Flying Burrito Brothers
Just Can't Be
95 bpm • D Maj • 04:58 • -12db
42% Popularity • 54% Danceability • 36% Energy • 7% Liveness
38% Instrumentalness • 49% Positiveness
42% Popularity • 54% Danceability • 36% Energy • 7% Liveness
38% Instrumentalness • 49% Positiveness
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Traffic
Feelin' Alright?
95 bpm • F Maj • 04:17 • -10.78db
51% Popularity • 47% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 47% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Steve Forbert
Romeo's Tune
95 bpm • A Maj • 03:32 • -5.65db
61% Popularity • 57% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
61% Popularity • 57% Danceability • 72% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
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Steely Dan
Pretzel Logic
95 bpm • A min • 04:31 • -14.04db
55% Popularity • 60% Danceability • 40% Energy • 15% Liveness
7% Instrumentalness • 66% Positiveness
55% Popularity • 60% Danceability • 40% Energy • 15% Liveness
7% Instrumentalness • 66% Positiveness
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Three Dog Night
Never Been To Spain - Single Version
89 bpm • E Maj • 03:46 • -15db
60% Popularity • 52% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 52% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Jim Croce
Rapid Roy (The Stock Car Boy)
89 bpm • E Maj • 02:46 • -13.4db
48% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
48% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Little Feat
Two Trains
95 bpm • F min • 03:07 • -7.65db
47% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Traffic
You Can All Join In
95 bpm • D Maj • 03:36 • -10db
42% Popularity • 72% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 72% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Leon Russell
Shoot Out On The Plantation
89 bpm • F Maj • 03:13 • -10.24db
31% Popularity • 53% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 53% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Railroad Earth
Hard Livin'
96 bpm • C Maj • 04:55 • -4db
38% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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James Gang
Asshtonpark
96 bpm • C Maj • 01:51 • -9db
51% Popularity • 76% Danceability • 74% Energy • 5% Liveness
89% Instrumentalness • 88% Positiveness
51% Popularity • 76% Danceability • 74% Energy • 5% Liveness
89% Instrumentalness • 88% Positiveness
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Stevie Ray Vaughan
Life by the Drop
96 bpm • F# min • 02:27 • -11.86db
56% Popularity • 66% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 66% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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J.J. Cale
After Midnight
96 bpm • D Maj • 02:23 • -19.32db
63% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
63% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
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Stampeders
Sweet City Woman
88 bpm • G Maj • 03:27 • -7.28db
55% Popularity • 70% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 70% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Stephen Stills
Go Back Home
96 bpm • G Maj • 05:54 • -10.12db
37% Popularity • 65% Danceability • 54% Energy • 18% Liveness
56% Instrumentalness • 60% Positiveness
37% Popularity • 65% Danceability • 54% Energy • 18% Liveness
56% Instrumentalness • 60% Positiveness
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Steve Miller Band
Dance, Dance, Dance
96 bpm • G Maj • 02:17 • -11.16db
51% Popularity • 46% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 46% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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George Harrison
Wah-Wah (2014 Remaster)
96 bpm • A Maj • 05:37 • -5.95db
50% Popularity • 36% Danceability • 89% Energy • 27% Liveness
15% Instrumentalness • 59% Positiveness
50% Popularity • 36% Danceability • 89% Energy • 27% Liveness
15% Instrumentalness • 59% Positiveness
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The Guess Who
These Eyes
96 bpm • G Maj • 03:45 • -11.28db
59% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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J.J. Cale
Crazy Mama
96 bpm • B Maj • 02:22 • -19.45db
58% Popularity • 83% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 48% Positiveness
58% Popularity • 83% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 48% Positiveness
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Little Feat
Fat Man in the Bathtub
88 bpm • G Maj • 04:31 • -8.67db
43% Popularity • 63% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 89% Positiveness
43% Popularity • 63% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 89% Positiveness
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Steely Dan
Kid Charlemagne
97 bpm • C Maj • 04:38 • -9.67db
52% Popularity • 55% Danceability • 70% Energy • 65% Liveness
1% Instrumentalness • 76% Positiveness
52% Popularity • 55% Danceability • 70% Energy • 65% Liveness
1% Instrumentalness • 76% Positiveness
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The Marshall Tucker Band
Ab's Song
88 bpm • G Maj • 01:15 • -13db
53% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
53% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
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Blood, Sweat & Tears
Spinning Wheel
97 bpm • G Maj • 04:07 • -9.31db
51% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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The Flying Burrito Brothers
Six Days On The Road
87 bpm • A Maj • 02:56 • -11.26db
33% Popularity • 54% Danceability • 80% Energy • 5% Liveness
34% Instrumentalness • 72% Positiveness
33% Popularity • 54% Danceability • 80% Energy • 5% Liveness
34% Instrumentalness • 72% Positiveness
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J.J. Cale
Lies
87 bpm • F min • 02:56 • -16.14db
45% Popularity • 76% Danceability • 34% Energy • 7% Liveness
74% Instrumentalness • 75% Positiveness
45% Popularity • 76% Danceability • 34% Energy • 7% Liveness
74% Instrumentalness • 75% Positiveness
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Led Zeppelin
Down by the Seaside - Remaster
97 bpm • C Maj • 05:15 • -11db
48% Popularity • 40% Danceability • 49% Energy • 13% Liveness
26% Instrumentalness • 45% Positiveness
48% Popularity • 40% Danceability • 49% Energy • 13% Liveness
26% Instrumentalness • 45% Positiveness
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The Band
4% Pantomime - Remastered
97 bpm • C Maj • 04:31 • -4.87db
27% Popularity • 34% Danceability • 89% Energy • 90% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 34% Danceability • 89% Energy • 90% Liveness
0% Instrumentalness • 76% Positiveness
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The Marshall Tucker Band
Take the Highway
97 bpm • G Maj • 06:15 • -5.62db
43% Popularity • 38% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 61% Positiveness
43% Popularity • 38% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 61% Positiveness
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Lee Michaels
Heighty Hi
87 bpm • F Maj • 05:56 • -9.46db
29% Popularity • 66% Danceability • 86% Energy • 10% Liveness
3% Instrumentalness • 94% Positiveness
29% Popularity • 66% Danceability • 86% Energy • 10% Liveness
3% Instrumentalness • 94% Positiveness
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Widespread Panic
Up All Night
97 bpm • C Maj • 03:46 • -4db
45% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Crosby, Stills & Nash
Love the One You're With
97 bpm • C Maj • 03:04 • -12.9db
55% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
55% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Led Zeppelin
Over the Hills and Far Away - Remaster
97 bpm • G Maj • 04:50 • -10.27db
67% Popularity • 40% Danceability • 69% Energy • 10% Liveness
13% Instrumentalness • 21% Positiveness
67% Popularity • 40% Danceability • 69% Energy • 10% Liveness
13% Instrumentalness • 21% Positiveness
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Stephen Stills
Love the One You're With
97 bpm • C Maj • 03:04 • -11.22db
51% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jim Croce
I Got a Name (Stereo Version)
87 bpm • E Maj • 03:14 • -11.63db
67% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
67% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Petty
Wildflowers
87 bpm • F Maj • 03:10 • -13.79db
68% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Tedeschi Trucks Band
Let Me Get By
98 bpm • A Maj • 04:25 • -8.13db
37% Popularity • 57% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
37% Popularity • 57% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Gregg Allman
Midnight Rider
87 bpm • C Maj • 04:27 • -11.52db
47% Popularity • 57% Danceability • 44% Energy • 12% Liveness
20% Instrumentalness • 40% Positiveness
47% Popularity • 57% Danceability • 44% Energy • 12% Liveness
20% Instrumentalness • 40% Positiveness
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Joe Walsh
Rocky Mountain Way
86 bpm • E Maj • 05:15 • -15.05db
60% Popularity • 49% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 42% Positiveness
60% Popularity • 49% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 42% Positiveness
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Leon Russell
It's A Hard Rain Gonna Fall
86 bpm • F Maj • 05:10 • -14.08db
39% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Steve Miller Band
Mercury Blues
98 bpm • F# Maj • 03:43 • -13.13db
51% Popularity • 63% Danceability • 42% Energy • 7% Liveness
9% Instrumentalness • 67% Positiveness
51% Popularity • 63% Danceability • 42% Energy • 7% Liveness
9% Instrumentalness • 67% Positiveness
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Phish
Free
86 bpm • G# Maj • 03:48 • -4.92db
42% Popularity • 40% Danceability • 86% Energy • 11% Liveness
32% Instrumentalness • 49% Positiveness
42% Popularity • 40% Danceability • 86% Energy • 11% Liveness
32% Instrumentalness • 49% Positiveness
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Atlanta Rhythm Section
So Into You
86 bpm • F min • 04:20 • -13.48db
61% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
61% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
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The Flying Burrito Brothers
Christine’s Tune
98 bpm • D# Maj • 03:02 • -13db
39% Popularity • 46% Danceability • 60% Energy • 30% Liveness
39% Instrumentalness • 83% Positiveness
39% Popularity • 46% Danceability • 60% Energy • 30% Liveness
39% Instrumentalness • 83% Positiveness
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Led Zeppelin
Ramble On - 1990 Remaster
98 bpm • A Maj • 04:23 • -11.37db
69% Popularity • 47% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
69% Popularity • 47% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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The Band
The W.S. Walcott Medicine Show - Remaste...
99 bpm • C Maj • 02:59 • -8.54db
23% Popularity • 67% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 67% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Dave Mason
We Just Disagree
86 bpm • E Maj • 03:00 • -8.47db
54% Popularity • 62% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 62% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Lucinda Williams
Car Wheels On A Gravel Road
99 bpm • B Maj • 04:44 • -6.98db
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Stephen Stills
Isn't It About Time
85 bpm • A Maj • 03:02 • -10db
28% Popularity • 50% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 50% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Led Zeppelin
Tangerine - Remaster
86 bpm • F# Maj • 03:11 • -12.77db
64% Popularity • 31% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
64% Popularity • 31% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Steely Dan
Midnite Cruiser
99 bpm • C# Maj • 04:12 • -17db
56% Popularity • 62% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
56% Popularity • 62% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Guy Clark
Dublin Blues
85 bpm • E Maj • 04:19 • -13db
45% Popularity • 66% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 66% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Joe Walsh
Life's Been Good
99 bpm • D Maj • 08:56 • -12.9db
65% Popularity • 50% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
65% Popularity • 50% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Phish
Roses Are Free
99 bpm • D# Maj • 05:33 • -5.57db
36% Popularity • 46% Danceability • 76% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 46% Danceability • 76% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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Gordon Lightfoot
Carefree Highway
85 bpm • E Maj • 03:42 • -14db
55% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 54% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Miller Band
Take The Money And Run
99 bpm • C Maj • 02:50 • -12.92db
72% Popularity • 56% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
72% Popularity • 56% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Grateful Dead
Casey Jones - 2013 Remaster
100 bpm • C Maj • 04:25 • -10db
58% Popularity • 67% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 67% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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The Band
Chest Fever - Remastered 2000
100 bpm • E Maj • 05:13 • -8db
41% Popularity • 44% Danceability • 70% Energy • 8% Liveness
20% Instrumentalness • 31% Positiveness
41% Popularity • 44% Danceability • 70% Energy • 8% Liveness
20% Instrumentalness • 31% Positiveness
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James Gang
Funk #48
100 bpm • G Maj • 02:46 • -7.85db
40% Popularity • 67% Danceability • 87% Energy • 5% Liveness
17% Instrumentalness • 74% Positiveness
40% Popularity • 67% Danceability • 87% Energy • 5% Liveness
17% Instrumentalness • 74% Positiveness
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Phish
Sample in a Jar
85 bpm • A Maj • 04:41 • -8.14db
45% Popularity • 42% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 42% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Talking Heads
Take Me to the River - 2005 Remaster
100 bpm • D Maj • 05:02 • -8.1db
57% Popularity • 66% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
57% Popularity • 66% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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Nathaniel Rateliff & The Night Sweats
Howling At Nothing
100 bpm • A# Maj • 03:09 • -4.19db
53% Popularity • 58% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 58% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Steve Miller Band
Fly Like An Eagle
100 bpm • A min • 04:42 • -12.77db
65% Popularity • 56% Danceability • 75% Energy • 33% Liveness
2% Instrumentalness • 64% Positiveness
65% Popularity • 56% Danceability • 75% Energy • 33% Liveness
2% Instrumentalness • 64% Positiveness
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The Band
King Harvest (Has Surely Come)
100 bpm • C Maj • 03:37 • -8db
43% Popularity • 58% Danceability • 69% Energy • 7% Liveness
14% Instrumentalness • 73% Positiveness
43% Popularity • 58% Danceability • 69% Energy • 7% Liveness
14% Instrumentalness • 73% Positiveness
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Leftover Salmon
Lovin' In My Baby's Eyes
100 bpm • G Maj • 02:56 • -10.22db
48% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Old & In The Way
Wild Horses
100 bpm • A Maj • 04:38 • -15.79db
38% Popularity • 45% Danceability • 31% Energy • 44% Liveness
23% Instrumentalness • 55% Positiveness
38% Popularity • 45% Danceability • 31% Energy • 44% Liveness
23% Instrumentalness • 55% Positiveness
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Crosby, Stills & Nash
Dark Star
101 bpm • A min • 04:45 • -15.13db
50% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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David Bowie
Young Americans - 2016 Remaster
84 bpm • E min • 05:13 • -8.95db
60% Popularity • 61% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 61% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Willie Nelson
Blue Skies
84 bpm • D Maj • 03:33 • -12.8db
51% Popularity • 38% Danceability • 34% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
51% Popularity • 38% Danceability • 34% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Traffic
Empty Pages - Remastered 2010
101 bpm • A Maj • 04:34 • -9db
40% Popularity • 43% Danceability • 62% Energy • 16% Liveness
2% Instrumentalness • 39% Positiveness
40% Popularity • 43% Danceability • 62% Energy • 16% Liveness
2% Instrumentalness • 39% Positiveness
