Songs like Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arr. Rot for Violin and Orchestra) by Christoph Willibald Gluck
Based on a tempo of (+/- 10%) and a similar genre
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
53% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
53% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 in F Minor, Op. 21:...
135 bpm • G# Maj • 08:49 • -25.73db
23% Popularity • 29% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Claude Debussy
Sonata for Violin and Piano in G Minor, ...
135 bpm • C Maj • 04:41 • -20.33db
6% Popularity • 33% Danceability • 12% Energy • 12% Liveness
31% Instrumentalness • 12% Positiveness
6% Popularity • 33% Danceability • 12% Energy • 12% Liveness
31% Instrumentalness • 12% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
47% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
47% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Gabriel Fauré
Masques et Bergamasques Suite, Op. 112: ...
135 bpm • F Maj • 03:47 • -22.57db
6% Popularity • 31% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
6% Popularity • 31% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Dance of the ...
135 bpm • D min • 03:30 • -30.94db
17% Popularity • 22% Danceability • 2% Energy • 12% Liveness
7% Instrumentalness • 7% Positiveness
17% Popularity • 22% Danceability • 2% Energy • 12% Liveness
7% Instrumentalness • 7% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3 in D-Flat Ma...
134 bpm • C# Maj • 04:43 • -24.02db
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Franz Schubert
Ungarische Melodie, D. 817
136 bpm • E min • 04:04 • -30.52db
10% Popularity • 33% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 33% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Bernhard Henrik Crusell
Concerto in E-Flat Major, Op. 1: II. Ada...
133 bpm • G# Maj • 03:40 • -31db
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
19% Instrumentalness • 11% Positiveness
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
19% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
65% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
65% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 6 Allegre...
133 bpm • F# min • 03:07 • -23.76db
11% Popularity • 23% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Liszt
Schwanengesang, D. 957: No. 4. Standchen...
137 bpm • D Maj • 05:31 • -28.04db
35% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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Dmitri Shostakovich
Violin Concerto No. 1 in A Minor, Op. 77...
133 bpm • F Maj • 06:51 • -14.22db
5% Popularity • 51% Danceability • 33% Energy • 11% Liveness
75% Instrumentalness • 49% Positiveness
5% Popularity • 51% Danceability • 33% Energy • 11% Liveness
75% Instrumentalness • 49% Positiveness
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Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. B...
133 bpm • D# Maj • 03:29 • -30db
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 102: No. 1 Andant...
133 bpm • E min • 02:46 • -22.2db
12% Popularity • 20% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
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François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
39% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
39% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
132 bpm • E min • 08:56 • -25.54db
10% Popularity • 24% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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Robert Schumann
Liederkreis, Op. 39: No. 5, Mondnacht (A...
132 bpm • E Maj • 03:51 • -36.84db
8% Popularity • 40% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
8% Popularity • 40% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Gertrude van den Bergh
Lied für Piano-Forte
132 bpm • E Maj • 04:42 • -33.04db
12% Popularity • 24% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
12% Popularity • 24% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
132 bpm • D min • 03:44 • -26.37db
12% Popularity • 20% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Jean Barrière
Six Cello Sonatas, Book 4, Sonata No. 4 ...
138 bpm • G Maj • 04:30 • -30.12db
18% Popularity • 23% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 21% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
131 bpm • C Maj • 09:30 • -17.58db
15% Popularity • 32% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 29% Positiveness
15% Popularity • 32% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 29% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 15 in D Flat Ma...
131 bpm • C# Maj • 06:19 • -23db
27% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
27% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34 No. 14 (Arr. for Violin...
130 bpm • E min • 05:39 • -29db
10% Popularity • 20% Danceability • 3% Energy • 6% Liveness
16% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 3% Energy • 6% Liveness
16% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melodie (arr. G. Sgam...
139 bpm • D min • 03:28 • -25.04db
5% Popularity • 38% Danceability • 1% Energy • 36% Liveness
32% Instrumentalness • 20% Positiveness
5% Popularity • 38% Danceability • 1% Energy • 36% Liveness
32% Instrumentalness • 20% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: 6 Gesänge, Op. 34: No. 2, ...
130 bpm • D Maj • 02:21 • -27.8db
21% Popularity • 22% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
21% Popularity • 22% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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César Franck
Violin Sonata in A Major, M. 8: I. Alleg...
130 bpm • A Maj • 06:07 • -25db
7% Popularity • 25% Danceability • 4% Energy • 14% Liveness
4% Instrumentalness • 3% Positiveness
7% Popularity • 25% Danceability • 4% Energy • 14% Liveness
4% Instrumentalness • 3% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
41% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Aria (After Serenata Veneziana from Andr...
141 bpm • E min • 02:25 • -29.02db
20% Popularity • 25% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
20% Popularity • 25% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
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Grażyna Bacewicz
Oberek No. 1
140 bpm • D Maj • 01:36 • -13db
13% Popularity • 47% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 74% Positiveness
13% Popularity • 47% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 74% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
22% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
54% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
54% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Gigues en rondeau I & II
128 bpm • E Maj • 03:42 • -29.86db
28% Popularity • 34% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
28% Popularity • 34% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
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Nicolaus Esterhazy Sinfonia
Symphony No. 7 in A major, Op. 92: II. A...
143 bpm • E min • 08:12 • -24db
40% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
40% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto in A Major, Wq. 172: III....
143 bpm • G# Maj • 05:13 • -19db
23% Popularity • 33% Danceability • 24% Energy • 30% Liveness
84% Instrumentalness • 60% Positiveness
23% Popularity • 33% Danceability • 24% Energy • 30% Liveness
84% Instrumentalness • 60% Positiveness
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Dmitri Shostakovich
Dance of the Dolls: Lyric Waltz (Orch. b...
144 bpm • F Maj • 03:24 • -28db
16% Popularity • 28% Danceability • 4% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
16% Popularity • 28% Danceability • 4% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
27% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
27% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 17 in D Mino...
126 bpm • G min • 06:03 • -22.25db
12% Popularity • 24% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
12% Popularity • 24% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
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Edvard Grieg
Grieg: Holberg Suite, Op. 40: I. Praelud...
144 bpm • G Maj • 02:48 • -21.47db
21% Popularity • 20% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 24% Positiveness
21% Popularity • 20% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 24% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
20% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
34% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
34% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Antonín Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Joaquín Rodrigo
Rodrigo: Concierto de Aranjuez: I. Alleg...
125 bpm • G Maj • 06:02 • -17.74db
24% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
24% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Henryk Wieniawski
Fantasia on Themes from Gounod's 'Faust'...
125 bpm • A Maj • 03:27 • -23.15db
9% Popularity • 40% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 40% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Dmitri Shostakovich
Violin Concerto No. 1 in A Minor, Op. 77...
146 bpm • A min • 05:13 • -14.04db
5% Popularity • 52% Danceability • 37% Energy • 23% Liveness
63% Instrumentalness • 51% Positiveness
5% Popularity • 52% Danceability • 37% Energy • 23% Liveness
63% Instrumentalness • 51% Positiveness
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Francesco Geminiani
Concerto Grosso in D Minor, H. 143 "La F...
147 bpm • C# min • 03:22 • -14.46db
25% Popularity • 30% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 45% Positiveness
25% Popularity • 30% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 45% Positiveness
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Frédéric Chopin
12 Études, Op. 10: No. 3 in E Major "Tr...
124 bpm • E Maj • 03:51 • -23db
33% Popularity • 40% Danceability • 9% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 40% Danceability • 9% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orpheus And Eurydice: I. Dance Of The Fu...
147 bpm • A min • 04:04 • -19.59db
11% Popularity • 28% Danceability • 24% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
11% Popularity • 28% Danceability • 24% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
► Preview
Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
► Preview
Gabriel Fauré
Sonata No. 1 for Violin and Piano in A M...
148 bpm • A Maj • 03:55 • -21.29db
8% Popularity • 35% Danceability • 15% Energy • 19% Liveness
16% Instrumentalness • 32% Positiveness
8% Popularity • 35% Danceability • 15% Energy • 19% Liveness
16% Instrumentalness • 32% Positiveness
► Preview
Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 1 in C Major, Op. 15:...
148 bpm • C Maj • 08:52 • -19.38db
10% Popularity • 35% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 35% Positiveness
10% Popularity • 35% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 35% Positiveness
► Preview
Louise Farrenc
Farrenc: Symphony No. 3 in G Minor, Op. ...
149 bpm • D Maj • 06:41 • -25db
10% Popularity • 34% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
10% Popularity • 34% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Henry Litolff
Litolff: Concerto symphonique No. 4 in D...
122 bpm • D min • 07:35 • -20db
17% Popularity • 56% Danceability • 25% Energy • 9% Liveness
81% Instrumentalness • 72% Positiveness
17% Popularity • 56% Danceability • 25% Energy • 9% Liveness
81% Instrumentalness • 72% Positiveness
► Preview
Christoph Willibald Gluck
Danza Degli Spettri e Delle Furie: Alleg...
149 bpm • A Maj • 04:06 • -15db
12% Popularity • 31% Danceability • 45% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
12% Popularity • 31% Danceability • 45% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
► Preview
Henryk Wieniawski
Violin Concerto No. 2 in D Minor Op. 22:...
122 bpm • D Maj • 06:24 • -19.62db
8% Popularity • 40% Danceability • 21% Energy • 11% Liveness
34% Instrumentalness • 34% Positiveness
8% Popularity • 40% Danceability • 21% Energy • 11% Liveness
34% Instrumentalness • 34% Positiveness
► Preview
Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Ludwig van Beethoven
Bagatelle in A Minor, WoO 59 ʻFür Elis...
122 bpm • A min • 03:23 • -37.11db
37% Popularity • 30% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
37% Popularity • 30% Danceability • 1% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
151 bpm • D min • 03:22 • -19db
21% Popularity • 38% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 36% Positiveness
21% Popularity • 38% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 36% Positiveness
► Preview
Fanny Mendelssohn
Mendelssohn-Hensel, F: String Quartet in...
151 bpm • C min • 03:37 • -13db
19% Popularity • 41% Danceability • 28% Energy • 15% Liveness
23% Instrumentalness • 54% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 15% Liveness
23% Instrumentalness • 54% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Dance Of The ...
150 bpm • D min • 04:04 • -14db
41% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
41% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
151 bpm • D Maj • 02:19 • -20.77db
37% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
37% Popularity • 28% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
53% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
53% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Edvard Grieg
Grieg: Lyric Pieces, Book 1, Op. 12: No....
152 bpm • E min • 02:03 • -31.38db
27% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
27% Popularity • 46% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice (arr. G. Sgambati): Me...
152 bpm • D min • 03:23 • -30.95db
4% Popularity • 37% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 14% Positiveness
4% Popularity • 37% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
34% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
34% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act II: Danc...
153 bpm • D min • 04:03 • -15db
14% Popularity • 30% Danceability • 44% Energy • 34% Liveness
74% Instrumentalness • 38% Positiveness
14% Popularity • 30% Danceability • 44% Energy • 34% Liveness
74% Instrumentalness • 38% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 102: No. 4 Andant...
119 bpm • G min • 02:46 • -21.96db
12% Popularity • 30% Danceability • 4% Energy • 10% Liveness
65% Instrumentalness • 8% Positiveness
12% Popularity • 30% Danceability • 4% Energy • 10% Liveness
65% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: II. Mi...
155 bpm • G# Maj • 03:13 • -28.98db
7% Popularity • 33% Danceability • 2% Energy • 8% Liveness
26% Instrumentalness • 40% Positiveness
7% Popularity • 33% Danceability • 2% Energy • 8% Liveness
26% Instrumentalness • 40% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
47% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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Antonín Dvořák
Dvořák: Czech Suite in D Major, Op. 39...
117 bpm • A min • 04:42 • -24.94db
6% Popularity • 25% Danceability • 7% Energy • 19% Liveness
85% Instrumentalness • 15% Positiveness
6% Popularity • 25% Danceability • 7% Energy • 19% Liveness
85% Instrumentalness • 15% Positiveness
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Frédéric Chopin
Chopin: Cello Sonata in G Minor, Op. 65:...
117 bpm • A# Maj • 03:37 • -36.08db
28% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
28% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Fritz Kreisler
Syncopation
156 bpm • G Maj • 02:17 • -21.04db
8% Popularity • 38% Danceability • 6% Energy • 7% Liveness
58% Instrumentalness • 32% Positiveness
8% Popularity • 38% Danceability • 6% Energy • 7% Liveness
58% Instrumentalness • 32% Positiveness
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Johannes Brahms
Six Songs for Cello and Piano: 4. Wiegen...
116 bpm • F Maj • 02:05 • -39db
34% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
34% Popularity • 17% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Pelleas et Melisande Suite, Op. 80: III....
116 bpm • D# Maj • 03:21 • -34db
19% Popularity • 17% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck / Arr. Kreisler: Mélodie
164 bpm • D min • 02:57 • -24.04db
13% Popularity • 16% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Ernest Bloch
No. 1 Prayer
166 bpm • F min • 03:42 • -20.26db
11% Popularity • 12% Danceability • 14% Energy • 21% Liveness
82% Instrumentalness • 9% Positiveness
11% Popularity • 12% Danceability • 14% Energy • 21% Liveness
82% Instrumentalness • 9% Positiveness
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Henryk Wieniawski
Polonaise de concert, Op. 4 (Orch. Korno...
167 bpm • D Maj • 05:47 • -24db
20% Popularity • 32% Danceability • 7% Energy • 7% Liveness
12% Instrumentalness • 23% Positiveness
20% Popularity • 32% Danceability • 7% Energy • 7% Liveness
12% Instrumentalness • 23% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
52% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
52% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
164 bpm • C min • 05:49 • -32.12db
22% Popularity • 9% Danceability • 1% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 1% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Arvo Pärt
Symphony No. 4 "Los Angeles": 1. Con sub...
167 bpm • A Maj • 09:14 • -23.03db
10% Popularity • 9% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
32% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
32% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
169 bpm • A# min • 04:10 • -22db
10% Popularity • 13% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
56% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
56% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
170 bpm • C min • 07:00 • -31db
12% Popularity • 8% Danceability • 1% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
