Songs like Orfeo et Eurydice: Mélodie for Piano Solo by Christoph Willibald Gluck
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Piano Concerto in G Major, M. 83: 2. Ada...
70 bpm • E Maj • 09:28 • -33db
12% Popularity • 19% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
45% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
45% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
70 bpm • D min • 03:52 • -31.87db
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Claude Debussy
Prélude à l’après-midi d’un faune
70 bpm • B Maj • 08:53 • -30db
16% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
70 bpm • C Maj • 08:31 • -32db
15% Popularity • 13% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Symphony No. 1 in D Major, Op. 16: II. A...
70 bpm • D# Maj • 09:55 • -23.43db
1% Popularity • 14% Danceability • 7% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 7% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 In D Flat ...
70 bpm • C# Maj • 04:21 • -29db
22% Popularity • 23% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
22% Popularity • 23% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Nino Rota
15 Preludes: XIII. Andante cantabile
70 bpm • G min • 01:54 • -24.85db
25% Popularity • 42% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 42% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Yavor Gabriellini
Piano Sonata No. 14 in C-Sharp Minor, Op...
71 bpm • C# min • 06:09 • -23.1db
17% Popularity • 28% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
17% Popularity • 28% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Orfeo et Eurydice: Mélodie for Piano So...
70 bpm • D min • 04:44 • -35.11db
36% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
36% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
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Giovanni Sgambati
Concert for Piano and Orchestra in G Min...
69 bpm • D# Maj • 06:42 • -27.91db
2% Popularity • 16% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 14 in C-Shar...
71 bpm • C# min • 07:14 • -32db
36% Popularity • 23% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 16% Positiveness
36% Popularity • 23% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
Siren' (Lilacs), Op. 21, No. 5
71 bpm • G# Maj • 02:34 • -30.7db
14% Popularity • 20% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 20% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Philip Glass
Etude No. 5
69 bpm • F min • 05:44 • -23db
27% Popularity • 43% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 43% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Robert Schumann
Waldszenen, Op. 82: 3. Einsame Blumen
69 bpm • A# Maj • 02:40 • -39db
32% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
32% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
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Francis Poulenc
Poulenc: Mélancolie, FP 105
71 bpm • D Maj • 05:23 • -23db
16% Popularity • 22% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
71 bpm • C# Maj • 05:33 • -32.9db
46% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
46% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
71 bpm • D min • 03:24 • -34.4db
11% Popularity • 32% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
11% Popularity • 32% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Prelude in C-sharp minor, Op.3 No.2
69 bpm • A Maj • 04:09 • -19db
12% Popularity • 37% Danceability • 26% Energy • 92% Liveness
88% Instrumentalness • 27% Positiveness
12% Popularity • 37% Danceability • 26% Energy • 92% Liveness
88% Instrumentalness • 27% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Max Richter
Only Questions
71 bpm • F# min • 01:17 • -33.39db
44% Popularity • 38% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Philip Glass
Études: No. 5
71 bpm • F min • 08:55 • -42db
33% Popularity • 36% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
33% Popularity • 36% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 1 in D Major, Op. 17,...
69 bpm • G min • 08:01 • -35db
17% Popularity • 20% Danceability • 1% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 1% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice)
69 bpm • D min • 04:10 • -33db
10% Popularity • 33% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
10% Popularity • 33% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Vektersang...
71 bpm • E Maj • 02:39 • -27.45db
26% Popularity • 50% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 21% Positiveness
26% Popularity • 50% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 21% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
71 bpm • E Maj • 09:41 • -24.18db
4% Popularity • 19% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
42% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
42% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Gypsy Songs, Op. 55, B. 104: No. 4, Song...
68 bpm • C min • 02:54 • -25db
29% Popularity • 14% Danceability • 3% Energy • 20% Liveness
83% Instrumentalness • 7% Positiveness
29% Popularity • 14% Danceability • 3% Energy • 20% Liveness
83% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
71 bpm • D min • 03:28 • -27db
5% Popularity • 38% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
5% Popularity • 38% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Claude Debussy
Debussy : La Plus que lente
68 bpm • D# min • 05:32 • -23.48db
8% Popularity • 30% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
8% Popularity • 30% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Gianni Schicchi - Arr. Mikhashoff: O mio...
68 bpm • D# Maj • 02:52 • -29.2db
28% Popularity • 31% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
28% Popularity • 31% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Maurice Ravel
Pavane pour une infante défunte in G ma...
69 bpm • E min • 05:55 • -32db
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Edvard Grieg
Lyric Pieces Book III, Op. 43: No. 6 To ...
68 bpm • F# Maj • 03:19 • -23.86db
25% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Una melodia di Gluck "The Therapy Room" ...
71 bpm • D min • 04:01 • -29db
22% Popularity • 40% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 40% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Pollack
Debussy: Arabesque No. 1
72 bpm • E Maj • 04:40 • -20.52db
18% Popularity • 30% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
18% Popularity • 30% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
72 bpm • A# min • 09:20 • -33.34db
17% Popularity • 7% Danceability • 1% Energy • 14% Liveness
77% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 1% Energy • 14% Liveness
77% Instrumentalness • 3% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61: V...
72 bpm • C Maj • 04:07 • -37.05db
15% Popularity • 37% Danceability • 0% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
15% Popularity • 37% Danceability • 0% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite Bergamasque: 3. Clair De Lune
68 bpm • C# Maj • 04:58 • -26.83db
19% Popularity • 40% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 40% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Melodie (Arr. G. Sgam...
72 bpm • D min • 03:05 • -29.29db
0% Popularity • 29% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
0% Popularity • 29% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Georges Bizet
Carmen Suite No. 2: III. Nocturne
72 bpm • D# Maj • 05:10 • -27db
18% Popularity • 14% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Mikhail Glinka
La separation, Nocturne in F Minor
72 bpm • F min • 04:28 • -23.32db
19% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
19% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Blagoje Bersa
Notturno, Op. 38
72 bpm • C# Maj • 04:49 • -31.28db
15% Popularity • 26% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Melodie dell'Orfeo - ...
68 bpm • D min • 02:33 • -33.45db
1% Popularity • 35% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
1% Popularity • 35% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice, Act II: Dance of the ...
72 bpm • D min • 03:13 • -35.99db
4% Popularity • 40% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 11% Positiveness
4% Popularity • 40% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Quartet No. 1 in G Minor, K. 478: ...
68 bpm • A# Maj • 06:58 • -25db
47% Popularity • 29% Danceability • 4% Energy • 19% Liveness
53% Instrumentalness • 17% Positiveness
47% Popularity • 29% Danceability • 4% Energy • 19% Liveness
53% Instrumentalness • 17% Positiveness
► Preview
Robert Schumann
Fantasiestücke, Op. 12: III. Warum?
68 bpm • C# Maj • 02:44 • -32.42db
11% Popularity • 34% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
11% Popularity • 34% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
Albumblatt in E Minor, Op. 117, MWV U134
68 bpm • E min • 04:49 • -23.67db
29% Popularity • 19% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Melodie from Orfeo ed Euridice
72 bpm • D min • 03:19 • -28db
17% Popularity • 27% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
17% Popularity • 27% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Lang Lang
6 Pieces for Piano, Vol. 2: No. 4, La va...
73 bpm • C Maj • 02:50 • -20.13db
42% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Suite bergamasque, CD 82, L. 75: III. Cl...
67 bpm • C# Maj • 05:14 • -29.42db
29% Popularity • 35% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 35% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
73 bpm • F Maj • 04:44 • -27db
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
► Preview
Franz Liszt
En rêve, S. 207
67 bpm • B Maj • 02:34 • -39db
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Nora Mercz
Orfeo ed Euridice (arr. N. Mercz): Balle...
67 bpm • F Maj • 07:33 • -31db
17% Popularity • 20% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
17% Popularity • 20% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Act III, Scen...
72 bpm • B min • 02:49 • -20.47db
2% Popularity • 34% Danceability • 8% Energy • 54% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 34% Danceability • 8% Energy • 54% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Federico Mompou
Damunt de tu Només les flors
73 bpm • F min • 04:12 • -27.57db
20% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Gabriela Montero
Montero & Vivaldi: The Four Seasons, Vio...
67 bpm • D# Maj • 05:09 • -27db
14% Popularity • 32% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 32% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: No. 6...
67 bpm • F# min • 02:52 • -32.82db
38% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
Années de pèlerinage, 1ère année "Su...
73 bpm • G# Maj • 02:41 • -32.86db
24% Popularity • 22% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
24% Popularity • 22% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Franz Schubert
Vier Impromptus, op.90 D.899: Vier Impro...
67 bpm • F# Maj • 05:50 • -31.23db
41% Popularity • 19% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 19% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orphée et Eurydice: Dance of the Blesse...
73 bpm • C min • 05:31 • -25.02db
4% Popularity • 33% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
4% Popularity • 33% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Partita in B-Flat Major, BWV 825: IV. Sa...
67 bpm • A# Maj • 06:21 • -31.49db
17% Popularity • 33% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 21% Positiveness
17% Popularity • 33% Danceability • 2% Energy • 15% Liveness
91% Instrumentalness • 21% Positiveness
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Philip Glass
Etude 5
67 bpm • F min • 04:04 • -36.41db
12% Popularity • 26% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Liszt
Années de Pélegrinage, Prémiere Anné...
67 bpm • G# Maj • 02:51 • -36.25db
27% Popularity • 33% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 33% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
43% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
43% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Wilhelm Kempff
Keyboard Suite No. 1 (Set II) in B-Flat ...
67 bpm • G min • 03:37 • -31.64db
26% Popularity • 48% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 48% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Benjamin Britten
Britten: Night Piece "Notturno"
67 bpm • D# Maj • 05:23 • -31db
10% Popularity • 30% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Les berceaux, Op. 23 No. 1
66 bpm • C min • 02:27 • -24db
20% Popularity • 22% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Remo Giazotto
Adagio for Strings and Organ in G Minor
66 bpm • C min • 07:15 • -18.38db
26% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 19% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: 6 Pieces, Op. 51: No. 6, Va...
74 bpm • A min • 02:26 • -25db
17% Popularity • 7% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
17% Popularity • 7% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Giovanni Sgambati
Melodie de Gluck in D Minor
66 bpm • D min • 03:32 • -36db
2% Popularity • 30% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
2% Popularity • 30% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
67 bpm • F Maj • 06:33 • -22.22db
11% Popularity • 16% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
11% Popularity • 16% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
48% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
48% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Federico Mompou
Música Callada III
74 bpm • A# Maj • 01:45 • -33db
34% Popularity • 27% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
34% Popularity • 27% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
Fantasien op. 116: Intermezzo: Adagio
66 bpm • E Maj • 04:34 • -35db
39% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
39% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness