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Organ Sonata: Fugue
Songs like
Organ Sonata: Fugue
by
Thomas Canning
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Canning
Organ Sonata: Fugue
112 bpm • D Maj • 06:02 • -23.15db
1% Popularity • 17% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Charley Crockett
Ramblin Man
112 bpm • A Maj • 03:03 • -10.75db
29% Popularity • 65% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sturgill Simpson
Long White Line
112 bpm • G Maj • 02:21 • -6.57db
43% Popularity • 71% Danceability • 64% Energy • 13% Liveness
5% Instrumentalness • 92% Positiveness
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Jim Lauderdale
Lost in the Lonesome Pines
111 bpm • F Maj • 03:47 • -8.41db
22% Popularity • 55% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Alison Krauss & Union Station
Rain Please Go Away
113 bpm • B Maj • 02:28 • -7db
33% Popularity • 59% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 81% Positiveness
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Hayes Carll
Sake of the Song
111 bpm • A min • 04:44 • -7.58db
20% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Robbie Fulks
Long I Ride
113 bpm • A Maj • 03:19 • -9.56db
31% Popularity • 53% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Charley Crockett
Here Am I
112 bpm • G# min • 02:44 • -8.87db
24% Popularity • 76% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 59% Positiveness
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Marty Stuart
Fool For Love
111 bpm • F Maj • 04:13 • -7.38db
13% Popularity • 59% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Bruce Robison
Harper Valley Pta
113 bpm • C Maj • 03:45 • -6.95db
16% Popularity • 81% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Boxcars
You Took All The Ramblin' Out Of Me
113 bpm • G Maj • 02:58 • -8.88db
24% Popularity • 72% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 81% Positiveness
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Dale Watson
My Baby Make Me Gravy
111 bpm • F# min • 02:45 • -10db
27% Popularity • 79% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Townes Earle
Wanderin'
111 bpm • G# Maj • 02:38 • -7.36db
38% Popularity • 48% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Nashville Bluegrass Band
That High Lonesome Sound
113 bpm • A Maj • 03:11 • -16db
26% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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James McMurtry
Slew Foot
111 bpm • D Maj • 04:36 • -9.29db
24% Popularity • 52% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Bill Monroe & His Blue Grass Boys
In The Pines
113 bpm • A Maj • 03:10 • -12.24db
32% Popularity • 56% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Tom T. Hall
Pay No Attention To Alice
111 bpm • G Maj • 03:15 • -17db
19% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Del McCoury
I Feel The Blues Moving In
110 bpm • B Maj • 03:43 • -16.2db
7% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Slaid Cleaves
Horseshoe Lounge
114 bpm • F# Maj • 03:02 • -9.02db
28% Popularity • 60% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Fred Eaglesmith
Betty
114 bpm • G min • 02:17 • -12db
28% Popularity • 66% Danceability • 37% Energy • 9% Liveness
40% Instrumentalness • 72% Positiveness
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Tom Russell
Gallo del Cielo
114 bpm • E Maj • 06:32 • -9.17db
23% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Bill Monroe & His Blue Grass Boys
Uncle Pen - Single Version
111 bpm • A Maj • 02:43 • -12.42db
26% Popularity • 59% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Jeremy Pinnell
The Way Country Sounds
114 bpm • A Maj • 03:56 • -8.5db
26% Popularity • 73% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Country Gentlemen
Fox On The Run
114 bpm • B Maj • 02:33 • -9.77db
36% Popularity • 66% Danceability • 45% Energy • 14% Liveness
33% Instrumentalness • 68% Positiveness
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Alison Krauss
Steel Rails
114 bpm • E Maj • 02:19 • -8db
33% Popularity • 70% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Willie Watson
Long John Dean
114 bpm • E Maj • 02:54 • -12.3db
15% Popularity • 74% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Bob Wills
Stay All Night (Stay A Little Longer)
114 bpm • G Maj • 03:06 • -11.16db
36% Popularity • 83% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Jim Lauderdale
Deep Well of Sadness
114 bpm • F# min • 03:49 • -5.74db
25% Popularity • 62% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Alan Jackson
You've Been Lonesome, Too
110 bpm • D Maj • 03:22 • -6db
14% Popularity • 68% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Merle Haggard & The Strangers
Train Whistle Blues
110 bpm • D Maj • 03:16 • -14.83db
17% Popularity • 71% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Junior Brown
Almost to Tulsa
114 bpm • D# Maj • 03:14 • -6.29db
11% Popularity • 42% Danceability • 77% Energy • 16% Liveness
94% Instrumentalness • 70% Positiveness
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The Time Jumpers
Texas On A Saturday Night
114 bpm • G Maj • 02:35 • -6.77db
12% Popularity • 73% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Bob Wills
That's What I Like 'Bout The South
110 bpm • F Maj • 02:45 • -13.32db
16% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Dan Tyminski
Sunny Side of the Mountain
114 bpm • B Maj • 03:22 • -8.83db
32% Popularity • 65% Danceability • 63% Energy • 12% Liveness
69% Instrumentalness • 96% Positiveness
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Levon Helm
Feelin' Good
110 bpm • C Maj • 03:31 • -7.48db
26% Popularity • 86% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Alison Krauss & Union Station
Momma Cried
109 bpm • C Maj • 03:20 • -7.35db
28% Popularity • 60% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Marty Stuart
The Observations Of A Crow
115 bpm • D min • 05:26 • -11.23db
8% Popularity • 76% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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The Cox Family
Keep On The Sunny Side
109 bpm • A Maj • 02:36 • -12.31db
28% Popularity • 60% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Bob Wills
Baby, That Would Sure Be Good
114 bpm • D# Maj • 03:25 • -16.42db
10% Popularity • 81% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Todd Snider
Back to the Crossroads
109 bpm • G# Maj • 02:25 • -7.2db
9% Popularity • 60% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Kelly Willis & Bruce Robison
Pack Up Your Sorrows
109 bpm • A Maj • 02:27 • -6.04db
10% Popularity • 62% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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David Grisman
I Ain't Broke But I'm Badly Bent
109 bpm • C Maj • 02:01 • -21.92db
15% Popularity • 72% Danceability • 24% Energy • 34% Liveness
47% Instrumentalness • 96% Positiveness
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Marty Stuart
Crazy Arms
115 bpm • E Maj • 01:39 • -9.11db
11% Popularity • 54% Danceability • 35% Energy • 10% Liveness
31% Instrumentalness • 52% Positiveness
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Rusty Wier
The Devil Lives In Dallas
109 bpm • A min • 03:57 • -15db
10% Popularity • 55% Danceability • 44% Energy • 9% Liveness
8% Instrumentalness • 69% Positiveness
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The Del McCoury Band
Nashville Cats
109 bpm • G Maj • 03:41 • -9db
33% Popularity • 68% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Zephaniah OHora
Time Won't Take Its Time
115 bpm • B Maj • 03:35 • -12.07db
8% Popularity • 76% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Thomas Canning
Fantasy on a Hymn by Justin Morgan
109 bpm • E min • 09:00 • -25.2db
2% Popularity • 18% Danceability • 6% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Levon Helm
Golden Bird
109 bpm • C Maj • 05:11 • -10.31db
15% Popularity • 23% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Otis Gibbs
The Darker Side of Me
115 bpm • E Maj • 04:22 • -11db
30% Popularity • 64% Danceability • 54% Energy • 35% Liveness
3% Instrumentalness • 68% Positiveness
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Tim Eriksen
I Wish My Baby Was Born
109 bpm • A# Maj • 03:08 • -17.06db
31% Popularity • 49% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Emmylou Harris
Scotland - Live
108 bpm • E min • 02:58 • -8.46db
11% Popularity • 41% Danceability • 87% Energy • 68% Liveness
20% Instrumentalness • 59% Positiveness
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Slaid Cleaves
Cold And Lonely
108 bpm • A# Maj • 03:13 • -12.6db
12% Popularity • 44% Danceability • 35% Energy • 34% Liveness
24% Instrumentalness • 35% Positiveness
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The Infamous Stringdusters
Fork In The Road
116 bpm • D Maj • 03:53 • -6.66db
23% Popularity • 54% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Ralph Stanley
Fire and Brimstone
108 bpm • F Maj • 02:12 • -11.44db
16% Popularity • 58% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Willie Watson
Mother Earth
108 bpm • G Maj • 03:36 • -11.23db
11% Popularity • 70% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ryan Kickland
In Trouble
116 bpm • G# min • 02:59 • -14.89db
21% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Hayes Carll
Hard Out Here
108 bpm • D Maj • 03:32 • -5db
28% Popularity • 57% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Suzie Katayama
Cowboy's Dream - Instrumental
108 bpm • A Maj • 01:17 • -14.36db
19% Popularity • 49% Danceability • 25% Energy • 21% Liveness
95% Instrumentalness • 26% Positiveness
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Ray Wylie Hubbard
Drink Till I See Double
116 bpm • G Maj • 03:58 • -5.93db
26% Popularity • 67% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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The Time Jumpers
My San Antonio Rose
108 bpm • A Maj • 03:07 • -7.23db
8% Popularity • 70% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Blaze Foley
Its Just You
108 bpm • D Maj • 02:58 • -8.05db
10% Popularity • 50% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Junior Brown
Long Walk Back To San Antone
108 bpm • E Maj • 03:33 • -8db
26% Popularity • 56% Danceability • 64% Energy • 33% Liveness
32% Instrumentalness • 64% Positiveness
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Willie Watson
Take This Hammer
108 bpm • A# Maj • 02:59 • -9.97db
12% Popularity • 58% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Suzie Katayama
Far Away
116 bpm • A Maj • 03:59 • -17.98db
17% Popularity • 48% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Dave Rawlings Machine
How's About You
116 bpm • D# Maj • 03:54 • -12.01db
9% Popularity • 60% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Wayne Hancock
Tulsa
108 bpm • C# min • 04:04 • -4.33db
18% Popularity • 65% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Charley Crockett
Diamond Joe
108 bpm • F Maj • 02:36 • -16.5db
29% Popularity • 67% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Hayes Carll
I Got A Gig
117 bpm • E Maj • 04:00 • -6db
26% Popularity • 73% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Merle Travis
Dark As A Dungeon
117 bpm • G# Maj • 03:59 • -16.21db
13% Popularity • 58% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Dale Watson
Cowboy Boots
117 bpm • D Maj • 03:13 • -9.11db
14% Popularity • 69% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 89% Positiveness
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Bob Wills
San Antonio Rose
107 bpm • D# Maj • 03:10 • -12.75db
31% Popularity • 65% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
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Hans Olson
South On 65
117 bpm • B min • 02:20 • -8.58db
11% Popularity • 58% Danceability • 54% Energy • 10% Liveness
25% Instrumentalness • 93% Positiveness
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Charley Crockett
You Must Be Drunk Again
117 bpm • A Maj • 02:23 • -9.46db
27% Popularity • 79% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Alison Krauss & Union Station
The Boy Who Wouldn't Hoe Corn
107 bpm • D min • 04:40 • -8.93db
39% Popularity • 40% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Hayes Carll
She Left Me For Jesus
118 bpm • D Maj • 04:04 • -6db
35% Popularity • 55% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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The Seldom Scene
My Little Georgia Rose
118 bpm • F# Maj • 02:56 • -9.77db
30% Popularity • 61% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Ramsay Midwood
Maybelline
118 bpm • G# min • 03:17 • -8.87db
16% Popularity • 74% Danceability • 58% Energy • 22% Liveness
23% Instrumentalness • 95% Positiveness
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Levon Helm
Little Birds
118 bpm • D Maj • 04:41 • -5.94db
17% Popularity • 40% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Charley Crockett
The Lost Highway
118 bpm • D Maj • 03:04 • -8.85db
26% Popularity • 71% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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James McMurtry
See the Elephant
118 bpm • G Maj • 04:25 • -6.99db
21% Popularity • 32% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Smither
Crocodile Man
106 bpm • D min • 03:33 • -10db
28% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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The Seldom Scene
Hickory Wind
118 bpm • C Maj • 04:01 • -11.46db
17% Popularity • 50% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Ryan Bingham
Until I'm One with You
119 bpm • F Maj • 03:41 • -16.13db
29% Popularity • 42% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Levon Helm
White Dove
106 bpm • A Maj • 03:29 • -6.83db
17% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Dan Tyminski
Whose Shoulder Will You Cry On
119 bpm • B Maj • 02:21 • -5.95db
29% Popularity • 63% Danceability • 76% Energy • 18% Liveness
3% Instrumentalness • 93% Positiveness
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Charley Crockett
River of Sorrow
106 bpm • C Maj • 02:30 • -9.86db
21% Popularity • 74% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Dave Alvin
Two Lucky Bums
119 bpm • C Maj • 02:27 • -12.86db
9% Popularity • 65% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Justin Townes Earle
They Killed John Henry
119 bpm • D Maj • 02:46 • -9.22db
33% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tim O'Brien
Senor (Tales Of Yankee Power)
105 bpm • G min • 04:02 • -12.55db
30% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Zoe Muth and the Lost High Rollers
If I Can't Trust You With A Little Quart...
119 bpm • C Maj • 05:07 • -4.44db
21% Popularity • 67% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Dale Watson
I Can't Be Satisfied
119 bpm • G Maj • 02:37 • -9.76db
8% Popularity • 71% Danceability • 72% Energy • 12% Liveness
58% Instrumentalness • 88% Positiveness
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Charley Crockett
I Ain't Never
105 bpm • D# Maj • 02:14 • -8.66db
25% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Commander Cody and His Lost Planet Airmen
Mama Hated Diesels
105 bpm • D Maj • 05:09 • -13.14db
16% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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John Fullbright
Gawd Above
105 bpm • C Maj • 03:37 • -9.68db
28% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Vincent Neil Emerson
Dade County Jail
119 bpm • A Maj • 03:47 • -8.88db
22% Popularity • 52% Danceability • 32% Energy • 21% Liveness
1% Instrumentalness • 34% Positiveness
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Levon Helm
False Hearted Lover Blues
105 bpm • C# min • 03:29 • -7db
33% Popularity • 65% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Justin Townes Earle
Workin' For The MTA
105 bpm • C Maj • 03:48 • -13.4db
31% Popularity • 56% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 29% Positiveness
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Charley Crockett
Slim's Lament
105 bpm • A Maj • 03:26 • -10.31db
21% Popularity • 65% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Hayes Carll
Wild As A Turkey
105 bpm • D Maj • 02:29 • -6.84db
27% Popularity • 65% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Keb' Mo'
I'm So Lonesome I Could Cry
120 bpm • E Maj • 03:59 • -14.9db
17% Popularity • 64% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 31% Positiveness
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Organ Sonata: Fugue