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Oriental Toridanzon
Songs like
Oriental Toridanzon
by
Omar Sosa
Based on a tempo of (+/- 10%) and a similar genre
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Avishai Cohen
Below
144 bpm • C# Maj • 04:30 • -20.84db
30% Popularity • 41% Danceability • 27% Energy • 11% Liveness
85% Instrumentalness • 39% Positiveness
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John Surman
Concentric Circles
144 bpm • C min • 06:32 • -15.76db
13% Popularity • 45% Danceability • 12% Energy • 8% Liveness
79% Instrumentalness • 19% Positiveness
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Michel Bisceglia
The Last Drive
144 bpm • C Maj • 02:46 • -26db
35% Popularity • 50% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Omar Sosa
Looking Within
143 bpm • D min • 05:05 • -29.83db
4% Popularity • 47% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 11% Positiveness
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Hadouk Trio
Échappade
143 bpm • C# Maj • 01:14 • -21.61db
48% Popularity • 52% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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Mino Cinelu
Le monde qui change
145 bpm • E min • 00:59 • -18.8db
28% Popularity • 45% Danceability • 8% Energy • 21% Liveness
95% Instrumentalness • 33% Positiveness
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Renaud Garcia-Fons
Campo de Gurs
143 bpm • G min • 04:31 • -18.88db
17% Popularity • 37% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Elina Duni
Brighton
146 bpm • D Maj • 05:41 • -17.56db
13% Popularity • 40% Danceability • 18% Energy • 8% Liveness
44% Instrumentalness • 35% Positiveness
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Titas Petrikis
Stalo Dvikova
142 bpm • F# min • 01:12 • -31db
34% Popularity • 59% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Omar Sosa
Drops of Sunrise
143 bpm • F min • 04:39 • -10.66db
26% Popularity • 71% Danceability • 48% Energy • 14% Liveness
23% Instrumentalness • 38% Positiveness
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Hadouk Trio
Dididi
143 bpm • A# Maj • 03:24 • -15.74db
36% Popularity • 74% Danceability • 21% Energy • 11% Liveness
77% Instrumentalness • 83% Positiveness
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Myriam Alter
I'm Telling You
146 bpm • A min • 07:58 • -16.58db
11% Popularity • 35% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 15% Positiveness
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Seckou Keita
Alpha Yaya
147 bpm • E Maj • 04:49 • -23.03db
26% Popularity • 45% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 38% Positiveness
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Sinikka Langeland
Triumph Of Being
147 bpm • C Maj • 06:15 • -15.82db
25% Popularity • 36% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Dominic Miller
Verveine
147 bpm • E Maj • 01:45 • -23.95db
44% Popularity • 42% Danceability • 15% Energy • 11% Liveness
59% Instrumentalness • 30% Positiveness
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Omar Sosa
Alejet
146 bpm • F min • 07:26 • -9db
3% Popularity • 66% Danceability • 62% Energy • 16% Liveness
64% Instrumentalness • 58% Positiveness
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Airelle Besson
Ma ion
147 bpm • A min • 07:03 • -16.39db
21% Popularity • 51% Danceability • 7% Energy • 34% Liveness
83% Instrumentalness • 30% Positiveness
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Mathias Eick
The Door
147 bpm • A# min • 07:52 • -21db
32% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Dhafer Youssef
SharQ Serenade ("SharQ” Suite)
141 bpm • C Maj • 04:39 • -17.05db
27% Popularity • 47% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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James Brandon Lewis
First Born
147 bpm • E Maj • 04:13 • -15.76db
22% Popularity • 48% Danceability • 23% Energy • 9% Liveness
55% Instrumentalness • 58% Positiveness
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Markus Stockhausen
Mona
148 bpm • G min • 05:00 • -13.4db
25% Popularity • 48% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Omar Sosa
In the Forest
141 bpm • D min • 05:13 • -21.76db
22% Popularity • 36% Danceability • 7% Energy • 14% Liveness
72% Instrumentalness • 11% Positiveness
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Dawda Jobarteh
Winter Trees Stand Sleeping
140 bpm • D Maj • 02:20 • -13.16db
40% Popularity • 44% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Paolo Fresu
My Soul, My Spirit
148 bpm • F# min • 02:35 • -12.98db
34% Popularity • 16% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Gregoire Maret
Manha De Carnaval
140 bpm • A min • 04:26 • -16.63db
10% Popularity • 69% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 41% Positiveness
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The Touré-Raichel Collective
From End to End
148 bpm • F min • 04:15 • -12.82db
31% Popularity • 46% Danceability • 50% Energy • 12% Liveness
86% Instrumentalness • 51% Positiveness
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Seckou Keita
Tatono
139 bpm • E min • 06:12 • -17.86db
33% Popularity • 34% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Omar Sosa
Peace Keeping
140 bpm • D min • 04:48 • -23.6db
16% Popularity • 46% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Dhafer Youssef
Shaouk
139 bpm • C Maj • 02:07 • -22.48db
43% Popularity • 59% Danceability • 1% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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Myriam Alter
In Sicily
149 bpm • C# Maj • 06:55 • -12db
14% Popularity • 33% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Ali Farka Touré
Hawa Dolo
139 bpm • F Maj • 05:00 • -8.87db
35% Popularity • 57% Danceability • 37% Energy • 9% Liveness
83% Instrumentalness • 39% Positiveness
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Anouar Brahem
Talwin
149 bpm • A min • 04:15 • -25.03db
27% Popularity • 53% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Esbjörn Svensson Trio
The Well-Wisher
139 bpm • G Maj • 03:43 • -19db
20% Popularity • 67% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Omar Sosa
Maam
149 bpm • F min • 04:11 • -12.64db
17% Popularity • 67% Danceability • 39% Energy • 11% Liveness
21% Instrumentalness • 60% Positiveness
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Sophie Alour
Duo oud, saxophone (Improvisation)
139 bpm • C min • 01:23 • -14.43db
43% Popularity • 48% Danceability • 7% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
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DO
Llorona
138 bpm • D min • 04:38 • -8.56db
2% Popularity • 73% Danceability • 62% Energy • 17% Liveness
12% Instrumentalness • 66% Positiveness
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Mathias Eick
Caring
150 bpm • F min • 06:09 • -18.54db
21% Popularity • 38% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Ralph Towner
Duende
150 bpm • G min • 04:29 • -18.77db
23% Popularity • 39% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Kham Meslien
Gnawen
138 bpm • G Maj • 04:37 • -17.5db
23% Popularity • 87% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 82% Positiveness
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Omar Sosa
Black Frequencies
138 bpm • G min • 07:34 • -21.33db
15% Popularity • 71% Danceability • 13% Energy • 16% Liveness
56% Instrumentalness • 14% Positiveness
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Paolo Fresu
Who Wu
151 bpm • G min • 03:41 • -16.61db
29% Popularity • 36% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Erik Truffaz
Agades - Désert
137 bpm • G min • 06:56 • -17.29db
30% Popularity • 32% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
49% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Espen Eriksen Trio
Above the Horizon
137 bpm • D min • 05:42 • -11.56db
19% Popularity • 58% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
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Renaud Garcia-Fons
Sylvains d'orient
137 bpm • A min • 03:44 • -12.01db
42% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
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Roswell Rudd
Bamako
152 bpm • G Maj • 06:29 • -14.16db
34% Popularity • 48% Danceability • 38% Energy • 6% Liveness
90% Instrumentalness • 24% Positiveness
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Bobo Stenson Trio
Élégie
152 bpm • F min • 06:11 • -22.74db
18% Popularity • 40% Danceability • 25% Energy • 9% Liveness
79% Instrumentalness • 17% Positiveness
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John Surman
Byndweed
137 bpm • C min • 05:11 • -15.59db
17% Popularity • 42% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Badi Assad
Valse d'Amelie
152 bpm • C Maj • 02:05 • -25.4db
32% Popularity • 35% Danceability • 6% Energy • 8% Liveness
65% Instrumentalness • 18% Positiveness
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Omar Sosa
Thiossane
136 bpm • G min • 04:09 • -20.11db
13% Popularity • 44% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Hamilton De Holanda
Yaô
136 bpm • C Maj • 04:07 • -14.87db
3% Popularity • 54% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 85% Positiveness
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Ballaké Sissoko
Yafa Djini Te Djitoyaye
136 bpm • C# Maj • 05:16 • -15.04db
35% Popularity • 47% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Dhafer Youssef
Fuga Hirundinum "Birds Requiem" Suite
136 bpm • B min • 04:19 • -19.27db
29% Popularity • 50% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Trio Chermirani
Dordaneh
153 bpm • E min • 03:14 • -15.03db
12% Popularity • 48% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
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Michel Bisceglia
Dry Water
153 bpm • A# Maj • 05:43 • -21.37db
31% Popularity • 46% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Omar Sosa
Rei's Ray
135 bpm • D min • 04:05 • -13.81db
21% Popularity • 66% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Dawda Jobarteh
I Met Her By The River
135 bpm • F# min • 04:26 • -12.18db
33% Popularity • 68% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 47% Positiveness
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Roberto Fonseca
Aggua
135 bpm • C min • 02:46 • -11.92db
34% Popularity • 62% Danceability • 56% Energy • 9% Liveness
62% Instrumentalness • 62% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
28% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Anouar Brahem
Bahia
134 bpm • G min • 08:45 • -23db
29% Popularity • 46% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 47% Positiveness
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Sokratis Sinopoulos Quartet
Walking
134 bpm • D Maj • 06:30 • -21.95db
11% Popularity • 36% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Omar Sosa
Aguas
154 bpm • A min • 03:41 • -23.01db
15% Popularity • 56% Danceability • 24% Energy • 6% Liveness
86% Instrumentalness • 72% Positiveness
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Dominic Miller
What You Didn’t Say
134 bpm • A min • 05:41 • -22.42db
27% Popularity • 50% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Paolo Fresu
What Lies Ahead
134 bpm • G Maj • 03:05 • -13.88db
26% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Airelle Besson
Full Moon in K.
155 bpm • A min • 03:51 • -17.85db
30% Popularity • 46% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Myriam Alter
You Should Stay
134 bpm • G min • 04:03 • -14.4db
10% Popularity • 50% Danceability • 22% Energy • 10% Liveness
45% Instrumentalness • 34% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
26% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Omar Sosa
Gniri Balma
135 bpm • E Maj • 03:44 • -9.34db
14% Popularity • 47% Danceability • 66% Energy • 8% Liveness
24% Instrumentalness • 83% Positiveness
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Yilian Cañizares
Noyé
133 bpm • B Maj • 04:11 • -12.71db
16% Popularity • 49% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Carmen Souza
M Sta li ma bo
133 bpm • G# Maj • 04:06 • -12.48db
24% Popularity • 88% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 73% Positiveness
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Airelle Besson
Lulea's Sunset
132 bpm • C# Maj • 05:27 • -17.66db
17% Popularity • 47% Danceability • 4% Energy • 21% Liveness
92% Instrumentalness • 28% Positiveness
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Dhafer Youssef
Les ondes orientales
157 bpm • E min • 09:09 • -12.52db
34% Popularity • 34% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Misha Mullov-Abbado
Circle Song
157 bpm • C# Maj • 07:05 • -15.2db
24% Popularity • 54% Danceability • 31% Energy • 30% Liveness
89% Instrumentalness • 59% Positiveness
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Omar Sosa
Iyawo
133 bpm • G Maj • 03:42 • -16.01db
11% Popularity • 72% Danceability • 48% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
► Preview
Mathias Eick
Parents
132 bpm • C Maj • 05:16 • -16db
18% Popularity • 54% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
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The Touré-Raichel Collective
Tidhar
132 bpm • G# min • 05:26 • -13db
27% Popularity • 35% Danceability • 79% Energy • 7% Liveness
90% Instrumentalness • 26% Positiveness
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Jean-Louis Matinier
In C
158 bpm • F min • 04:39 • -16.74db
16% Popularity • 50% Danceability • 14% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
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Paolo Fresu
Why
132 bpm • F min • 05:00 • -9.79db
10% Popularity • 69% Danceability • 41% Energy • 6% Liveness
32% Instrumentalness • 51% Positiveness
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Abdullah Ibrahim
Earth Bird
158 bpm • D# Maj • 03:03 • -29.79db
34% Popularity • 52% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 30% Positiveness
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Omar Sosa
Madre
132 bpm • C Maj • 03:24 • -21.01db
21% Popularity • 56% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 39% Positiveness
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Grégory Privat
Song for Jojo
131 bpm • B min • 03:27 • -17db
35% Popularity • 37% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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The Khoury Project
Quick Five
131 bpm • G Maj • 06:13 • -13.15db
10% Popularity • 48% Danceability • 46% Energy • 24% Liveness
91% Instrumentalness • 57% Positiveness
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Mathias Eick
Ravensburg
131 bpm • A# min • 05:37 • -20.75db
23% Popularity • 48% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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Constantinople
Traversées
159 bpm • F Maj • 04:12 • -18.66db
33% Popularity • 36% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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Esbjörn Svensson
Prelude in D-Minor
130 bpm • F Maj • 04:13 • -15db
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Omar Sosa
Sunrise
131 bpm • C Maj • 03:51 • -24.94db
13% Popularity • 40% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 13% Positiveness
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Tord Gustavsen Quartet
Staying There
130 bpm • F min • 04:52 • -15db
25% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Hadouk Trio
Vegetal Groove
159 bpm • A# Maj • 07:07 • -16.37db
16% Popularity • 47% Danceability • 18% Energy • 10% Liveness
63% Instrumentalness • 45% Positiveness
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Bokanté
Apathie Mortelle
130 bpm • E min • 05:45 • -14.51db
23% Popularity • 54% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Anne Paceo
Marcher jusqu'à la nuit
160 bpm • F min • 03:01 • -15.47db
23% Popularity • 41% Danceability • 33% Energy • 11% Liveness
37% Instrumentalness • 15% Positiveness
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Trio Viret
Saint Awawa
130 bpm • E min • 06:03 • -12.55db
25% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
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Danny Keane
Afro Cello
160 bpm • G min • 03:23 • -15db
29% Popularity • 74% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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Kham Meslien
Kar kar kar
129 bpm • G Maj • 02:59 • -20.37db
25% Popularity • 54% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
► Preview
Erik Truffaz
La Strada
160 bpm • A# Maj • 02:48 • -16db
29% Popularity • 26% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 10% Positiveness
► Preview
Anouar Brahem
Badhra
128 bpm • D Maj • 08:29 • -21db
24% Popularity • 48% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Toumani Diabaté
Elyne Road
128 bpm • E Maj • 08:50 • -18.52db
33% Popularity • 50% Danceability • 15% Energy • 13% Liveness
81% Instrumentalness • 36% Positiveness
► Preview
Airelle Besson
Birsay
128 bpm • B min • 02:27 • -16.88db
28% Popularity • 61% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
► Preview
Paolo Fresu
Zeus' Desire
128 bpm • F Maj • 03:43 • -10.32db
21% Popularity • 62% Danceability • 28% Energy • 10% Liveness
56% Instrumentalness • 8% Positiveness
► Preview
Hadouk Trio
Babbalanja
127 bpm • C min • 04:10 • -14.82db
33% Popularity • 53% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
► Preview
Manu Katché
February Sun
127 bpm • C Maj • 04:42 • -22.91db
38% Popularity • 51% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Oriental Toridanzon