Songs like Origin of the World - Mahogany Sessions by David Keenan
Based on a tempo of (+/- 10%) and a similar genre
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Jeffrey Martin
Billy Burroughs
134 bpm • G# min • 03:55 • -11db
24% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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David Keenan
Origin Of The World - Mahogany Sessions
134 bpm • D Maj • 04:29 • -8.98db
9% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Harrison Whitford
Take a Walk
134 bpm • G Maj • 04:37 • -7.82db
14% Popularity • 56% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 56% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Joshua Burnside
Far Away the Hills Are Green
135 bpm • G Maj • 04:00 • -14db
23% Popularity • 47% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 47% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Our Man In The Field
Easy Going Smile
133 bpm • G# Maj • 03:25 • -18db
17% Popularity • 57% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 57% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Johnny Flynn
Home and Dry
135 bpm • A Maj • 03:20 • -11.47db
35% Popularity • 52% Danceability • 21% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 52% Danceability • 21% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Sermanni
Lay My Heart
135 bpm • B Maj • 06:35 • -16.26db
24% Popularity • 39% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 39% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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David Keenan
Rise Up
134 bpm • B Maj • 04:49 • -15.9db
7% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Beta Radio
Gone for a While
133 bpm • C# Maj • 03:48 • -12.76db
25% Popularity • 46% Danceability • 23% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
25% Popularity • 46% Danceability • 23% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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Participant
Coast
135 bpm • A Maj • 03:57 • -17.13db
8% Popularity • 56% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
8% Popularity • 56% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
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Will Varley
From Halcyon
135 bpm • D# Maj • 04:49 • -13.25db
18% Popularity • 54% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 54% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Humbird
Lincoln, Nebraska
135 bpm • D Maj • 02:23 • -9.75db
33% Popularity • 70% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 70% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Robby Hecht
A Night Together
132 bpm • D# Maj • 02:46 • -8db
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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David Keenan
God is a Magpie
135 bpm • D# min • 02:42 • -17.29db
9% Popularity • 34% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 34% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Dan Mangan
Just Fear
136 bpm • C Maj • 03:52 • -9.62db
22% Popularity • 69% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
22% Popularity • 69% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
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Saint Sister
The Mater
136 bpm • G# Maj • 04:23 • -14.43db
11% Popularity • 43% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 43% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Anna Mieke
Aurillac
132 bpm • D# Maj • 04:34 • -11.51db
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Loah
Unveiled
136 bpm • E min • 04:12 • -11.63db
37% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Molly Parden
Weather
132 bpm • B Maj • 05:00 • -8db
40% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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David Keenan
Bless the Mad Ones - Live at the Olympia...
135 bpm • G Maj • 06:12 • -6.96db
8% Popularity • 34% Danceability • 69% Energy • 83% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 34% Danceability • 69% Energy • 83% Liveness
0% Instrumentalness • 53% Positiveness
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The Northern Folk
Fourteen Days
136 bpm • E Maj • 02:21 • -10.67db
12% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Becca Mancari
Golden
136 bpm • D# Maj • 05:13 • -11.53db
34% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Anna Mieke
Creature
132 bpm • F Maj • 04:45 • -18.31db
16% Popularity • 38% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 38% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Leif Vollebekk
Telluride
136 bpm • C# Maj • 04:21 • -13.52db
26% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Blair Dunlop
Sweet On You
132 bpm • D Maj • 04:16 • -7.84db
3% Popularity • 60% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 60% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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David Keenan
Hopeful Dystopia
136 bpm • C# Maj • 02:53 • -10.94db
8% Popularity • 67% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 67% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Will Varley
Statues
136 bpm • G Maj • 04:56 • -9.7db
17% Popularity • 38% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 38% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Mipso
Hey, Coyote
136 bpm • D# Maj • 03:35 • -14.37db
24% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Finn Andrews
The Spirit In The Flame
136 bpm • F Maj • 03:49 • -13.58db
9% Popularity • 59% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
9% Popularity • 59% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Hush Kids
All My Love
132 bpm • C Maj • 03:43 • -12db
33% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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William Crighton
Night for a Dream
131 bpm • F# Maj • 02:31 • -12.27db
11% Popularity • 41% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 41% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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David Keenan
Me, Myself and Lunacy
136 bpm • G Maj • 03:42 • -12.07db
33% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Ye Vagabonds
Go Where You Will
137 bpm • D Maj • 05:05 • -9.4db
23% Popularity • 41% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 41% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Sara Watkins
Night Singing
131 bpm • B min • 02:11 • -18.75db
36% Popularity • 43% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
36% Popularity • 43% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Tom West
A Folk Singer From Outer Space
131 bpm • D# Maj • 04:10 • -9.33db
19% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Becca Mancari
Golden (Acoustic)
137 bpm • E Maj • 05:07 • -10.92db
42% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 36% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ciaran Lavery
Selene
137 bpm • C Maj • 04:38 • -13.14db
18% Popularity • 49% Danceability • 13% Energy • 36% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 36% Liveness
1% Instrumentalness • 9% Positiveness
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David Keenan
El Paso
132 bpm • B Maj • 03:26 • -8.79db
24% Popularity • 65% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 65% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Ana Egge
We Lay Roses
137 bpm • A Maj • 04:10 • -13.47db
23% Popularity • 41% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 41% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gregory Alan Isakov
Saint Valentine
137 bpm • D# Maj • 03:18 • -11.05db
35% Popularity • 37% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 39% Positiveness
35% Popularity • 37% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 39% Positiveness
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Johnny Flynn
Home & Dry (For the Fishing Industry Saf...
138 bpm • A Maj • 01:50 • -20.23db
21% Popularity • 60% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 60% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Ye Vagabonds
Pomegranate
138 bpm • D min • 03:20 • -14.59db
33% Popularity • 51% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 51% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Leif Vollebekk
East of Eden
138 bpm • G Maj • 04:50 • -14db
36% Popularity • 64% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
36% Popularity • 64% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
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Lowland Hum
Vedauwoo
138 bpm • D# Maj • 02:39 • -15.58db
41% Popularity • 64% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 64% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Skin & Bones
Disappear
138 bpm • G Maj • 03:55 • -7.22db
10% Popularity • 49% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 49% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Gregory Alan Isakov
Master & a Hound
130 bpm • A# Maj • 03:21 • -13.21db
36% Popularity • 22% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 6% Positiveness
36% Popularity • 22% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 6% Positiveness
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Joshua Burnside
Driving Alone in the City at Night - Dem...
138 bpm • D# Maj • 03:24 • -18.22db
47% Popularity • 52% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 52% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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David Keenan
Good Old Days
130 bpm • A# min • 05:18 • -8.59db
18% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Birdtalker
Better in the Morning
130 bpm • A# Maj • 02:44 • -13.87db
47% Popularity • 47% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
47% Popularity • 47% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Wesley Schultz
Boots of Spanish Leather
130 bpm • B Maj • 04:53 • -16.72db
17% Popularity • 53% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 53% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Beta Radio
Sans Land - Acoustic
130 bpm • B Maj • 03:08 • -15.02db
17% Popularity • 45% Danceability • 17% Energy • 9% Liveness
22% Instrumentalness • 16% Positiveness
17% Popularity • 45% Danceability • 17% Energy • 9% Liveness
22% Instrumentalness • 16% Positiveness
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Darlingside
Singularity
130 bpm • D Maj • 03:42 • -10db
31% Popularity • 44% Danceability • 34% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
31% Popularity • 44% Danceability • 34% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
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Robby Hecht
Not a Number
138 bpm • D Maj • 03:30 • -14.13db
16% Popularity • 44% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
16% Popularity • 44% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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David Keenan
Semidelinquent
130 bpm • G Maj • 03:31 • -5.44db
6% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Anna Mieke
If
130 bpm • A# min • 05:31 • -18.45db
15% Popularity • 43% Danceability • 11% Energy • 11% Liveness
36% Instrumentalness • 8% Positiveness
15% Popularity • 43% Danceability • 11% Energy • 11% Liveness
36% Instrumentalness • 8% Positiveness
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Lola Kirke
Monster (Acoustic)
138 bpm • A min • 03:58 • -10.25db
8% Popularity • 43% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 43% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Villagers
Fool - Mahogany Sessions
139 bpm • E min • 03:52 • -11.37db
10% Popularity • 38% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
10% Popularity • 38% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Darlingside
The God of Loss
138 bpm • D Maj • 03:53 • -10.47db
30% Popularity • 38% Danceability • 33% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
30% Popularity • 38% Danceability • 33% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
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Andrew Combs
I Envy the Wind
139 bpm • C Maj • 03:14 • -15.14db
17% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 32% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Hiss Golden Messenger
Everybody Needs Somebody
129 bpm • B Maj • 03:30 • -7db
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Chloe Foy
Asylum
129 bpm • G Maj • 03:51 • -9.77db
33% Popularity • 44% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 44% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Glen Hansard
Leave A Light
139 bpm • D# Maj • 04:25 • -11.47db
27% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Tivel
Dust and Magic
140 bpm • D Maj • 02:59 • -10.11db
27% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Morgan Harper-Jones
Breathe
140 bpm • E Maj • 03:24 • -8.68db
26% Popularity • 52% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 52% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Finn Andrews
One Piece At A Time
140 bpm • F Maj • 02:55 • -21.48db
6% Popularity • 37% Danceability • 14% Energy • 13% Liveness
3% Instrumentalness • 41% Positiveness
6% Popularity • 37% Danceability • 14% Energy • 13% Liveness
3% Instrumentalness • 41% Positiveness
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Wesley Schultz
Downtown Train
140 bpm • A# Maj • 03:47 • -11.38db
12% Popularity • 46% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 46% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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David Keenan
Ears are Prickd
128 bpm • F# Maj • 03:11 • -17.49db
7% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Milk Carton Kids
The Only Ones
140 bpm • C Maj • 02:32 • -11db
21% Popularity • 59% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 59% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Tyler Ramsey
Firewood
128 bpm • D min • 04:32 • -8.34db
11% Popularity • 38% Danceability • 37% Energy • 16% Liveness
11% Instrumentalness • 20% Positiveness
11% Popularity • 38% Danceability • 37% Energy • 16% Liveness
11% Instrumentalness • 20% Positiveness
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Bess Atwell
Harvested
128 bpm • C# min • 04:50 • -13.73db
19% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Robby Hecht
I'll Keep You
128 bpm • A# Maj • 02:37 • -9.83db
38% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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R.D. Thomas
This Bloom
128 bpm • F# Maj • 04:45 • -12.45db
13% Popularity • 59% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
13% Popularity • 59% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Sam Moss
Rust
128 bpm • F# min • 02:31 • -16.11db
38% Popularity • 38% Danceability • 29% Energy • 12% Liveness
17% Instrumentalness • 28% Positiveness
38% Popularity • 38% Danceability • 29% Energy • 12% Liveness
17% Instrumentalness • 28% Positiveness
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The Milk Carton Kids
A Sea of Roses
141 bpm • F# Maj • 03:19 • -17.15db
34% Popularity • 52% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
34% Popularity • 52% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Savannah Conley
Same Old Eyes
128 bpm • C# min • 04:01 • -9.52db
34% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Anna Mieke
Epitaph
141 bpm • D Maj • 04:27 • -14.16db
15% Popularity • 45% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 45% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hudson Taylor
Old Soul (acoustic)
141 bpm • D Maj • 04:42 • -8.33db
41% Popularity • 28% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
41% Popularity • 28% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Courtney Hartman
Nothing We Say
127 bpm • G# Maj • 03:31 • -14.05db
16% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Flyte
Losing You - Demo
142 bpm • C# Maj • 02:56 • -11.11db
10% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Ida Mae
Baby I Need A Driver
126 bpm • G Maj • 04:36 • -10.95db
10% Popularity • 52% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 52% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Molly Parden
Who Did You Leave for Me
127 bpm • C Maj • 03:02 • -11.3db
32% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Mieke
Keep It Whole
126 bpm • G Maj • 04:48 • -17.58db
18% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sunny War
Lucid Lucy
142 bpm • D Maj • 03:37 • -17.54db
47% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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JúnÃus Meyvant
Pearl in Sandbox
126 bpm • G# Maj • 06:43 • -21.95db
24% Popularity • 60% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 26% Positiveness
24% Popularity • 60% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 26% Positiveness
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Lewis McLaughlin
Summer
142 bpm • E Maj • 03:55 • -9.55db
31% Popularity • 55% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 55% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Anaïs Mitchell
Now You Know
126 bpm • B Maj • 03:09 • -11.71db
26% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ondara
Milk And Honey
126 bpm • B Maj • 02:54 • -7.64db
36% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Sea The Sea
Rainstorm
143 bpm • A Maj • 03:36 • -16.58db
29% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Rachel Sermanni
Swallow Me
126 bpm • F# Maj • 03:40 • -15.23db
18% Popularity • 50% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 50% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Bess Atwell
Swimming Pool
143 bpm • C# Maj • 04:33 • -12.02db
23% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Matt the Electrician
The Bear (Trio)
143 bpm • E Maj • 04:24 • -12.46db
35% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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David Keenan
Subliminal Dublinia
125 bpm • A min • 08:04 • -7.65db
11% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Niamh Regan
Freeze Frame
125 bpm • C Maj • 03:26 • -10.1db
26% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Will Varley
Let It Slide
125 bpm • D Maj • 04:37 • -9.8db
14% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Rona Mac
Necking
125 bpm • F# Maj • 05:44 • -15.83db
9% Popularity • 49% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 49% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Aisha Badru
Millennial
125 bpm • D Maj • 02:53 • -18.2db
40% Popularity • 58% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 58% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Dead Tongues
Déjá Vu - Radio Edit
125 bpm • D Maj • 04:23 • -9.85db
25% Popularity • 56% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 56% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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David Keenan
Evidence of Living
143 bpm • A Maj • 06:55 • -18.29db
16% Popularity • 36% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 36% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
