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Os justi
Songs like
Os justi
by
Anton Bruckner
Based on a tempo of (+/- 10%) and a similar genre
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Christian Forshaw
In Paradisum
138 bpm • C Maj • 03:59 • -22.95db
18% Popularity • 15% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Anton Bruckner
Os justi
138 bpm • C Maj • 04:42 • -24db
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Henry Purcell
To the Hills and the Vales
139 bpm • B Maj • 02:30 • -16.49db
9% Popularity • 35% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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VOCES8
Erin's Song
137 bpm • D# Maj • 03:01 • -15.7db
1% Popularity • 42% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Anton Bruckner
Mass No. 2 In E Minor, WAB 27: VI. Agnus...
139 bpm • E min • 06:10 • -25db
13% Popularity • 15% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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William Byrd
Vigilate
137 bpm • F min • 03:19 • -24.25db
11% Popularity • 21% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
137 bpm • D# Maj • 03:38 • -23db
17% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Anton Bruckner
Os Justi
137 bpm • C Maj • 05:33 • -25db
9% Popularity • 17% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 3% Positiveness
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Ólafur Arnalds
nyepi - choir version
139 bpm • E Maj • 04:11 • -24.95db
29% Popularity • 15% Danceability • 6% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Traditional
In Paradisum - Processional
137 bpm • E Maj • 00:56 • -33.04db
15% Popularity • 20% Danceability • 1% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
139 bpm • A min • 03:04 • -27.03db
19% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Ä’riks EÅ¡envalds
Northern Lights
136 bpm • D min • 06:19 • -21.7db
13% Popularity • 18% Danceability • 8% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Henry Purcell
Praise the Lord, O Jerusalem
136 bpm • C# min • 07:25 • -18.67db
9% Popularity • 22% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
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Anton Bruckner
Tantum ergo, WAB 42
140 bpm • D Maj • 02:42 • -23.22db
15% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
14% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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BYU Singers
Water Night
136 bpm • A# min • 05:16 • -22.92db
30% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Howard Shore
May it be (Arr. M. Sheeran)
135 bpm • D# Maj • 03:45 • -17.26db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
78% Instrumentalness • 8% Positiveness
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Anton Bruckner
Tantum ergo, WAB 43
135 bpm • A Maj • 01:35 • -21.58db
27% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
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Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
38% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: V. "Nyne otpushchayeshi...
135 bpm • F# Maj • 03:43 • -35db
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Rihards Dubra
Ave Maria 1
141 bpm • E Maj • 03:44 • -22.41db
24% Popularity • 17% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
28% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
135 bpm • D min • 05:03 • -20.99db
22% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Johannes Brahms
Fest- und Gedenksprüche: ii. Wenn ein s...
141 bpm • B Maj • 02:18 • -19.48db
5% Popularity • 28% Danceability • 21% Energy • 15% Liveness
5% Instrumentalness • 28% Positiveness
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Christopher Tin
Hope Is the Thing with Feathers - Choral...
134 bpm • G Maj • 04:12 • -20.54db
21% Popularity • 18% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: VI. Bogoroditse Devo
134 bpm • E Maj • 03:07 • -26.88db
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Henry Purcell
Cold Song’ (What Power Art Thou...)
134 bpm • E min • 04:26 • -18.75db
30% Popularity • 77% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Second Eve
134 bpm • C min • 06:03 • -19.73db
19% Popularity • 18% Danceability • 15% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Anton Bruckner
Te Deum, WAB 45: I. Te Deum laudamus
142 bpm • D min • 06:35 • -17.53db
17% Popularity • 20% Danceability • 12% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Kerensa Briggs
Media Vita
143 bpm • B min • 03:00 • -25.74db
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn to the Virgin
133 bpm • A min • 03:55 • -22.41db
27% Popularity • 16% Danceability • 5% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Eric Whitacre
A Boy and a Girl
133 bpm • C Maj • 04:52 • -23.21db
25% Popularity • 16% Danceability • 4% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Traditional
Shenandoah
133 bpm • E Maj • 03:36 • -39db
25% Popularity • 16% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Nainita Desai
My Mind is Still (Arr. Lawson)
133 bpm • C min • 05:36 • -20.47db
19% Popularity • 19% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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BYU Singers
Cloudburst
132 bpm • E min • 08:25 • -24db
14% Popularity • 16% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Owain Park
Phos hilaron: II. Phos hilaron
144 bpm • E min • 02:12 • -34.55db
33% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Than...
132 bpm • C Maj • 01:34 • -16.66db
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Luke Howard
There Is a Solitude
145 bpm • D# Maj • 03:48 • -21.25db
37% Popularity • 16% Danceability • 7% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
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Rudolf Mauersberger
Wie liegt die Stadt so wust
145 bpm • A# min • 06:34 • -28.67db
14% Popularity • 13% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
131 bpm • D min • 01:39 • -35.67db
19% Popularity • 18% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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The Wartburg Choir
Adoramus Te, Christe
131 bpm • E Maj • 02:02 • -30.19db
29% Popularity • 16% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Komm, Jesu, komm, BWV 229
131 bpm • F# min • 08:58 • -22db
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Jonathan Dove
In Beauty May I Walk
130 bpm • C# Maj • 04:47 • -26.05db
11% Popularity • 22% Danceability • 4% Energy • 14% Liveness
4% Instrumentalness • 3% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Magnificat primi toni
130 bpm • C# min • 04:24 • -22.29db
13% Popularity • 22% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Anton Bruckner
Equale No. 2, WAB 149
131 bpm • G# Maj • 01:38 • -28.37db
13% Popularity • 16% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
23% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Francis Poulenc
Gloria, FP 144: III. Domine Deus
130 bpm • G Maj • 04:35 • -24.74db
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Max Reger
Das Agnus Dei
130 bpm • C Maj • 01:58 • -23.67db
12% Popularity • 18% Danceability • 5% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
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Anton Bruckner
Vexilla regis, WAB 51
130 bpm • F Maj • 04:55 • -27.43db
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Miserere Mei
129 bpm • A# Maj • 02:52 • -21.31db
18% Popularity • 22% Danceability • 9% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
23% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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William Byrd
Agnus Dei
129 bpm • F min • 03:57 • -28.64db
11% Popularity • 17% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste
129 bpm • C Maj • 03:41 • -27.37db
15% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Ubi Caritas
129 bpm • F# min • 03:48 • -25.64db
32% Popularity • 21% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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VOCES8
Maria
128 bpm • D# Maj • 03:53 • -12.18db
10% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Traditional
Danny Boy (Arr. Pacey)
128 bpm • D# Maj • 04:34 • -21.03db
26% Popularity • 22% Danceability • 11% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
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Os justi