Songs like Our Love Is Here To Stay by Natalie Cole
Based on a tempo of (+/- 10%) and a similar genre
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Natalie Cole
Our Love Is Here To Stay
69 bpm • C Maj • 03:29 • -14.97db
50% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Jackie Wilson
To Be Loved
69 bpm • F Maj • 02:34 • -7.53db
49% Popularity • 24% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 24% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Jeffrey Osborne
On The Wings Of Love
69 bpm • G Maj • 04:01 • -12.07db
64% Popularity • 55% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
64% Popularity • 55% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Cooke
Bring It On Home to Me
71 bpm • C Maj • 02:44 • -7db
68% Popularity • 49% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
68% Popularity • 49% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Louis Armstrong
La vie en rose - Single Version
70 bpm • C Maj • 03:23 • -16db
71% Popularity • 52% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
71% Popularity • 52% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Larry Graham
One in a Million You
71 bpm • A# Maj • 04:12 • -14.31db
51% Popularity • 51% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 51% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 17% Positiveness
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Quincy Jones
Just Once
72 bpm • C Maj • 04:33 • -17.25db
61% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Minnie Riperton
Lovin' You
72 bpm • A Maj • 03:43 • -14.62db
62% Popularity • 39% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
62% Popularity • 39% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Glenn Frey
For Sentimental Reasons
72 bpm • C# Maj • 03:03 • -16.84db
48% Popularity • 36% Danceability • 20% Energy • 11% Liveness
20% Instrumentalness • 36% Positiveness
48% Popularity • 36% Danceability • 20% Energy • 11% Liveness
20% Instrumentalness • 36% Positiveness
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The Stylistics
Betcha by Golly Wow (Live)
72 bpm • D# Maj • 04:13 • -10db
52% Popularity • 43% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 43% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Cooke
Nothing Can Change This Love
65 bpm • A Maj • 02:38 • -11.84db
64% Popularity • 37% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 37% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Stanley Clarke
Sweet Baby
73 bpm • E Maj • 03:47 • -14.22db
57% Popularity • 62% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
57% Popularity • 62% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Adele
Make You Feel My Love
65 bpm • A# Maj • 03:32 • -10.64db
77% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
77% Popularity • 32% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Champaign
How 'Bout Us
73 bpm • C# Maj • 04:33 • -12db
48% Popularity • 53% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 53% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Angela Bofill
Break It To Me Gently
73 bpm • C Maj • 03:52 • -12db
48% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Chicago
You're the Inspiration - 2006 Remaster
74 bpm • B Maj • 03:49 • -6.36db
75% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
75% Popularity • 58% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Mel Carter
Hold Me, Thrill Me, Kiss Me
74 bpm • C# min • 02:29 • -6.43db
53% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Commodores
Three Times A Lady
75 bpm • G# Maj • 06:38 • -19.56db
57% Popularity • 49% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
57% Popularity • 49% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Carpenters
Rainy Days And Mondays
75 bpm • A# Maj • 03:38 • -11.51db
63% Popularity • 35% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
63% Popularity • 35% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Natalie Cole
Route 66
75 bpm • F Maj • 03:01 • -16.28db
48% Popularity • 67% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 67% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Bill Withers
Lean on Me
75 bpm • C Maj • 04:18 • -13.84db
72% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
72% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Brook Benton
Rainy Night in Georgia
75 bpm • E min • 03:53 • -19db
50% Popularity • 30% Danceability • 31% Energy • 13% Liveness
8% Instrumentalness • 38% Positiveness
50% Popularity • 30% Danceability • 31% Energy • 13% Liveness
8% Instrumentalness • 38% Positiveness
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Glenn Frey
The One You Love
75 bpm • G Maj • 04:34 • -13.7db
57% Popularity • 60% Danceability • 30% Energy • 17% Liveness
1% Instrumentalness • 49% Positiveness
57% Popularity • 60% Danceability • 30% Energy • 17% Liveness
1% Instrumentalness • 49% Positiveness
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Neil Diamond
Sweet Caroline
63 bpm • B Maj • 03:23 • -16.07db
78% Popularity • 53% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
78% Popularity • 53% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Peaches & Herb
Reunited
76 bpm • F min • 05:45 • -9.54db
60% Popularity • 56% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
60% Popularity • 56% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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The Stylistics
You Make Me Feel Brand New
76 bpm • G Maj • 04:48 • -8.57db
64% Popularity • 45% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 45% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Dave Koz
The Way We Were
76 bpm • F# Maj • 04:31 • -11db
29% Popularity • 21% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 21% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Natalie Cole
When I Fall In Love
76 bpm • C Maj • 05:07 • -13.11db
18% Popularity • 53% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 53% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Macy Gray
I Try
76 bpm • D Maj • 03:59 • -7.28db
74% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Anne Murray
You Needed Me
62 bpm • A Maj • 03:40 • -10.76db
65% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Chris de Burgh
The Lady In Red
77 bpm • A# Maj • 04:16 • -17.11db
77% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Norah Jones
Come Away With Me
77 bpm • C Maj • 03:18 • -13.27db
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
75% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Dr. Hook
Sharing The Night Together
77 bpm • C# min • 02:54 • -9.01db
66% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 62% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Natalie Cole
The Very Thought Of You
76 bpm • C min • 04:16 • -16db
47% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Louis Armstrong
What A Wonderful World
77 bpm • F Maj • 02:19 • -20.65db
79% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
79% Popularity • 27% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Whitney Houston
Where Do Broken Hearts Go
62 bpm • D Maj • 04:37 • -12.17db
66% Popularity • 46% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 46% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Van Morrison
Crazy Love - 2013 Remaster
77 bpm • A Maj • 02:35 • -19db
71% Popularity • 57% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
71% Popularity • 57% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Daryl Hall & John Oates
She's Gone
77 bpm • E Maj • 05:13 • -14.03db
65% Popularity • 52% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 52% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 36% Positiveness
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Debby Boone
You Light Up My Life
78 bpm • D Maj • 03:36 • -10.06db
58% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
58% Popularity • 33% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Natalie Cole
That Sunday That Summer
77 bpm • C Maj • 03:31 • -14.75db
28% Popularity • 24% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 24% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Bill Withers
Ain't No Sunshine
78 bpm • E min • 02:05 • -11.45db
88% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
88% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Nat King Cole
L-O-V-E
78 bpm • E Maj • 02:35 • -7.54db
76% Popularity • 42% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 42% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Bangles
Eternal Flame
79 bpm • E min • 03:58 • -12.57db
56% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 52% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Bread
Everything I Own
79 bpm • D Maj • 03:07 • -13.41db
73% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
73% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Billy Ocean
There'll Be Sad Songs (To Make You Cry)
80 bpm • C Maj • 04:52 • -7.67db
50% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Cole
Medley: For Sentimental Reasons / Tender...
78 bpm • C Maj • 07:32 • -17.76db
32% Popularity • 18% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 18% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Morris Albert
Feelings
80 bpm • E min • 03:44 • -8.97db
57% Popularity • 39% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 39% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Roxette
It Must Have Been Love
81 bpm • F Maj • 04:18 • -6.66db
79% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
79% Popularity • 52% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Norah Jones
The Nearness Of You
81 bpm • C Maj • 03:07 • -14.72db
61% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 38% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Billy Preston
With You I'm Born Again
81 bpm • A# Maj • 03:40 • -11db
41% Popularity • 32% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 32% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Foreigner
I Want to Know What Love Is - 1999 Remas...
81 bpm • F# Maj • 05:04 • -10.04db
82% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
82% Popularity • 48% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Natalie Cole
L-O-V-E
79 bpm • G Maj • 02:31 • -12.1db
47% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Wham!
Wake Me Up Before You Go-Go
82 bpm • C Maj • 03:51 • -11.89db
82% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
82% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Sheena Easton
For Your Eyes Only
82 bpm • G Maj • 03:04 • -7.78db
60% Popularity • 24% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
60% Popularity • 24% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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TOTO
I'll Be Over You
82 bpm • A# Maj • 03:49 • -17.85db
72% Popularity • 52% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
72% Popularity • 52% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Earth, Wind & Fire
That's the Way of the World
82 bpm • C# Maj • 05:45 • -11.15db
57% Popularity • 59% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 59% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Carpenters
I Won't Last A Day Without You
82 bpm • D Maj • 03:52 • -13.19db
67% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
67% Popularity • 45% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Natalie Cole
Darling, Je Vous Aime Beacoup
79 bpm • D Maj • 03:25 • -18.63db
27% Popularity • 24% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 24% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
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Bobby Darin
Mack the Knife
83 bpm • D# min • 03:04 • -12.29db
61% Popularity • 55% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 55% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Cocker
You Are So Beautiful
83 bpm • C# Maj • 02:39 • -10.94db
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
70% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Bread
Make It with You
84 bpm • E Maj • 03:12 • -11.14db
72% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
72% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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The Platters
Only You (And You Alone)
84 bpm • D# Maj • 02:46 • -10.81db
63% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Carpenters
Superstar
83 bpm • G# Maj • 03:51 • -11.18db
60% Popularity • 31% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
60% Popularity • 31% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Natalie Cole
I Live For Your Love
85 bpm • F# Maj • 04:27 • -9.43db
42% Popularity • 34% Danceability • 36% Energy • 13% Liveness
12% Instrumentalness • 17% Positiveness
42% Popularity • 34% Danceability • 36% Energy • 13% Liveness
12% Instrumentalness • 17% Positiveness
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Herb Alpert
This Guy's in Love with You
84 bpm • C# Maj • 03:57 • -15db
53% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
53% Popularity • 64% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Lisa Stansfield
Never, Never Gonna Give You Up
85 bpm • B min • 05:01 • -6.22db
52% Popularity • 54% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 54% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Crystal Gayle
Don't It Make My Brown Eyes Blue
85 bpm • F# Maj • 02:37 • -13.47db
65% Popularity • 74% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
65% Popularity • 74% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
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Carole King
(You Make Me Feel Like) A Natural Woman
85 bpm • A Maj • 03:49 • -13db
57% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Christopher Cross
Think of Laura
86 bpm • B Maj • 03:26 • -13db
63% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
63% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Natalie Cole
Our Love
79 bpm • A# Maj • 05:23 • -13.28db
37% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 61% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Commodores
Oh No
86 bpm • G# Maj • 03:04 • -17db
50% Popularity • 58% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 58% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Julie London
Fly Me To The Moon (In Other Words)
86 bpm • F Maj • 02:39 • -11.76db
51% Popularity • 34% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 34% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Carpenters
We've Only Just Begun
86 bpm • A Maj • 03:04 • -13.46db
62% Popularity • 37% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 37% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Etta James
At Last
87 bpm • F Maj • 02:59 • -8.63db
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
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Norah Jones
Don't Know Why
89 bpm • F Maj • 03:06 • -11.22db
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Natalie Cole
Non Dimenticar
80 bpm • D min • 02:57 • -16db
29% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Commodores
Still
88 bpm • C# Maj • 05:47 • -21.03db
45% Popularity • 29% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 29% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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James Taylor
Your Smiling Face
89 bpm • C# Maj • 02:45 • -10.93db
63% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Earth, Wind & Fire
Fantasy
89 bpm • E min • 03:46 • -9.45db
67% Popularity • 67% Danceability • 71% Energy • 13% Liveness
2% Instrumentalness • 69% Positiveness
67% Popularity • 67% Danceability • 71% Energy • 13% Liveness
2% Instrumentalness • 69% Positiveness
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James Ingram
I Don't Have the Heart
89 bpm • D Maj • 04:13 • -8db
59% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Anita Baker
Sweet Love
89 bpm • A# min • 04:26 • -5.7db
61% Popularity • 50% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 50% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Natalie Cole
Lush Life
81 bpm • C# min • 04:20 • -19.51db
25% Popularity • 31% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 31% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Carpenters
(They Long To Be) Close To You
89 bpm • G# Maj • 04:33 • -15.36db
69% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
69% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Young-Holt Unlimited
Soulful Strut
90 bpm • A# Maj • 03:01 • -9.2db
59% Popularity • 67% Danceability • 66% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
59% Popularity • 67% Danceability • 66% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
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Stephen Bishop
It Might Be You
90 bpm • G Maj • 04:18 • -16db
60% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
60% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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James Ingram
One Hundred Ways - New Version
90 bpm • G# Maj • 04:37 • -8.75db
47% Popularity • 70% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 70% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Quincy Jones
One Hundred Ways
90 bpm • D# Maj • 04:19 • -17.5db
54% Popularity • 63% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 63% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Natalie Cole
Crazy He Calls Me
81 bpm • C# Maj • 04:10 • -13.71db
15% Popularity • 26% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 26% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Anita Baker
No One in the World
90 bpm • A# Maj • 04:06 • -8.24db
46% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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DeBarge
Who's Holding Donna Now?
90 bpm • D# min • 04:27 • -15db
64% Popularity • 66% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
64% Popularity • 66% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Perry Como
And I Love You So
91 bpm • G# Maj • 03:20 • -12.98db
49% Popularity • 45% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 28% Positiveness
49% Popularity • 45% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 28% Positiveness
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Freddie Jackson
You Are My Lady
91 bpm • A# Maj • 04:44 • -16.02db
55% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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James Taylor
You've Got a Friend - 2019 Remaster
92 bpm • A Maj • 04:28 • -18.63db
68% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
68% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Natalie Cole
Unforgettable
86 bpm • F Maj • 03:30 • -13.37db
63% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
63% Popularity • 29% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Anita Baker
Caught Up in the Rapture
91 bpm • D Maj • 04:10 • -9.71db
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Extreme
More Than Words
92 bpm • F# Maj • 05:34 • -14.9db
76% Popularity • 63% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
76% Popularity • 63% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Gladys Knight & The Pips
Midnight Train to Georgia
92 bpm • A# min • 04:39 • -12.06db
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Mamas & The Papas
Dream A Little Dream Of Me
93 bpm • G Maj • 03:14 • -13.14db
76% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
76% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
